I recommend my students to watch your videos for the beauty of artistry and technique. You are an inspiration to many! I am deeply grateful for the beauty artists like Maria Luisa bring into the world. :)
Wow ! More pianists playing Baroque music with today's rough vehemence and violence and rapidity should hear this . Many will feel the music's shapes and repetitions betterr at this tempo aswell as the types of attacks utilized here . Really enchanted by this music which is so often played so differently on the deeper keybeds and faster action of today's pianos . A really remarkable performance of these two Scarlatti gems !
I wonder if it occurred to Domenico that he and a young woman born over 200 years later would be bringing tears to the eyes of people in the 21st century? I have loved K466 for decades and I clicked on this not sure what to expect, played on a harp. Just. Amazing.
bravA :) she's a woman, bravO is for men :) (in italian gender is well definite in names, adjectives and verbs too, not only in pronouns). sorry for being boring, but I'm italian :)
Stop with the swooning and practice with a metronome; the tension and emotion comes from the pulse and it's been destroyed here in favor of acting and posing.
If Scarlatti had wanted these KEYBOARD Sonatas played on the harp, or the trumpet, or a hosepipe, he would have written them that way. As it is this is like a cat barking.
That is ignorant of you. In that era in particular, any music could be played on any instrument that could play it. As such, many of his sonatas are not playable on the harp, but the harp is of that period and should play the ones that it can, but with correct interpretation, ie. no crescendo or diminuendo and correct ornamentation. Unlike this overwrought preciousness.
@@nonenoneonenonenone >> no crescendo or diminuendo... I respectfully disagree. One of the attributes that makes this music great is that it has new depths for each instrument to explore. Also, harpsichordists have techniques for faking dynamics (subtle variations of tempo); why should an instrument such as the harp have to fake what it can make real?
Your ignorance is showing. Baroque style and culture was that music was often rearranged for other instrumentations at nauseam. You’re uneducated on the genre. Study music history with great mentors before commenting hurtful things. And it was not like cat barking, it’s shockingly beautiful and I imagine more delicate than a piano would have. The piano didn’t even exist in scarlattis time, but people play on them. Additionally Scarlatti lived in Spain where he was used to hearing plucked instruments and horns which these sonatas give the impression of at the keyboard
@@nonenoneonenonenone the instruments absolutely had dynamics. The organ has dynamics. There is no imaginable scenario that a composer such as Scarlatti or Bach could even think about music without dynamics
I recommend my students to watch your videos for the beauty of artistry and technique. You are an inspiration to many! I am deeply grateful for the beauty artists like Maria Luisa bring into the world. :)
That will be a good start.
one of the performances of the century
My favorite Scarlatti Sonata. So beautifully played!
Brilliant Performance!!! It was very captivating.
k. 380 is beautiful! job well done!
This is just perfect, your hands smoothly, seems like no effort to you. You also understand dynamics in music better than most people.
A real life angel! Fabulous!
A+ for interpretation. You bring texture to light.
Your fingers ar moved by your soul!!!!!!!!!!!!!!!!!!!!!
Very beautiful playing!
Se ve y se oye como siente la emocion de hacer revivir estas dos bellas sonatas. La primera de las dos, aunque menos conocida, es una joya musical.
excellent dynamic ! bravo !
És belíssima e tocas maravilhosamente bem. Linda interpretação.
Wow ! More pianists playing Baroque music with today's rough vehemence and violence and rapidity should hear this . Many will feel the music's shapes and repetitions betterr at this tempo aswell as the types of attacks utilized here . Really enchanted by this music which is so often played so differently on the deeper keybeds and faster action of today's pianos . A really remarkable performance of these two Scarlatti gems !
I wonder if it occurred to Domenico that he and a young woman born over 200 years later would be bringing tears to the eyes of people in the 21st century? I have loved K466 for decades and I clicked on this not sure what to expect, played on a harp. Just. Amazing.
Bravo, that was marvelous!
BELLO COMO SIEMPRE LUISA..TE QUEREMOS.❤❤
Bellas versiones. Gracias.
Grande musicalità!Superb!
Sublime !!
So beautiful
Very nice!
Liked your motion on 5:43
Amazing!
Amazing.
Actually...better than amazing.
Grande musicalità!
Bravo!!!
bravA :) she's a woman, bravO is for men :) (in italian gender is well definite in names, adjectives and verbs too, not only in pronouns). sorry for being boring, but I'm italian :)
Thank you. Being from Canada, the land of every language on the planet, it's difficult to be correct in these situations.
WB REALPROPERTY it was unnecessary... everyone understand when you say "bravo" - I apologise.
Very nice
..melancholic finger of you..
💖🙏💖
A skillful performance, I just wish that K. 380 was at a much slower pace
Quanto Costa quell'arpa ?...
Shit. This sounds so much better on harp haha
+pilotoatomico word
Well, compared to the guitar, of course.
gratulations
Beautiful 😃
Shit i thought i had a original idea , to arrange that for harp...
Nagyszerű, mester, tökéletesség - imádom ezt az eszközt,
Hallgassa meg ezt, barátaim
th-cam.com/video/qAVkR7XfuTM/w-d-xo.html
Stop with the swooning and practice with a metronome; the tension and emotion comes from the pulse and it's been destroyed here in favor of acting and posing.
An easier solution would be for you to LISITEN to the music with you ears only, and close your eyes...
Maybe she's just passionate about her music.
It's a cover for poor technique and not eating enough.
All that is part of the harpist's art. But this is the internet, so there have to be some mean spirited and ad hominem (ad feminam?) reviews.
What a bunch of losers lol
If Scarlatti had wanted these KEYBOARD Sonatas played on the harp, or the trumpet, or a hosepipe, he would have written them that way. As it is this is like a cat barking.
That is ignorant of you. In that era in particular, any music could be played on any instrument that could play it. As such, many of his sonatas are not playable on the harp, but the harp is of that period and should play the ones that it can, but with correct interpretation, ie. no crescendo or diminuendo and correct ornamentation. Unlike this overwrought preciousness.
@@nonenoneonenonenone >> no crescendo or diminuendo...
I respectfully disagree. One of the attributes that makes this music great is that it has new depths for each instrument to explore. Also, harpsichordists have techniques for faking dynamics (subtle variations of tempo); why should an instrument such as the harp have to fake what it can make real?
Your ignorance is showing. Baroque style and culture was that music was often rearranged for other instrumentations at nauseam. You’re uneducated on the genre. Study music history with great mentors before commenting hurtful things. And it was not like cat barking, it’s shockingly beautiful and I imagine more delicate than a piano would have. The piano didn’t even exist in scarlattis time, but people play on them. Additionally Scarlatti lived in Spain where he was used to hearing plucked instruments and horns which these sonatas give the impression of at the keyboard
@@nonenoneonenonenone the instruments absolutely had dynamics. The organ has dynamics. There is no imaginable scenario that a composer such as Scarlatti or Bach could even think about music without dynamics