Scarlatti: Sonatas
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- เผยแพร่เมื่อ 13 พ.ค. 2024
- This new recording presents some famous and lesser-known sonatas by Scarlatti, a careful selection presenting the many faces of his genius: from careless gaiety and stormy energy to intense lyricism and wistful melancholy.
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Composer: Domenico Scarlatti
Artist: Wolfram Schmitt-Leonardy (piano)
‘An eagle whose wings are grown,’ according to his father Alessandro, the young Scarlatti left his native Naples for Venice, ‘escorted only by his own ability.’ By his early 20s he had already held audiences in thrall with an ability at the harpsichord which was deemed almost supernatural. There is assuredly the most prodigal imagination at work, as well as an extraordinarily sophisticated keyboard technique, in the 555 surviving keyboard sonatas which fuse Italianate cantabile and counterpoint with vivid Hispanic imagery: folksong, castanets, military trumpets and strumming guitars.
All these qualities can be enjoyed in Wolfram Schmitt-Leonardy’s selection of 17 sonatas. Several of them are taken from the collection of Kk1-30 (in the catalogue produced by Ralph Kirkpatrick) which comes down to us as the earliest source of the sonatas in print, published shortly before he moved to Lisbon, thence to Madrid and around the royal courts of Spain, in the service of the princess who would become the Queen of Spain. Her patronage afforded Scarlatti the time and resources to evolve a highly personal style, full of eccentricity and flights of fancy.
Hardly less than Bach, these sonatas have become for many pianists a proving ground for their own technique and imagination, rewarding an improvisatory response to their flamboyant effects. However, Schmitt-Leonardy also features several of the composer’s most poetic and reflective sonatas such as the ‘Aria’ Kk 29 and the melancholy soliloquy of Kk 208.
German pianist Wolfram Schmitt-Leonardy is one of the leading pianists of his generation. His concert activities and CD recordings mark him as an extremely intelligent musician with the heart in the right place, his immense technical powers almost being taken for granted. Wolfram Schmitt-Leonardy was born in Saarlouis, Germany, in 1967, and his first important teacher was a student of Walter Gieseking and Edwin Fischer. His quintessentially pianistic approach to Scarlatti exploits all the colouristic possibilities of a modern grand, while articulating the quick sonatas with sparkling deftness of touch.
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Tracklist:
0:00:00 Sonata in D Minor, K.01: I. Allegro
0:02:31 Sonata in D Minor, K.32: I. Aria
0:04:59 Sonata in D Major, K.33
0:08:41 Sonata in B Minor, K.87
0:15:11 Sonata in D Major, K.29: I. Presto
0:20:08 Sonata in B Minor, K.27: I. Allegro
0:23:56 Sonata in G Major, K.427: I. Presto quanto sia possible
0:26:07 Sonata in C Major, K.132: I. Cantabile
0:34:43 Sonata in E Minor, K.98: I. Allegrissimo
0:38:03 Sonata in E Major, K.136: I. Allegro
0:43:06 Sonata in E Major, K.162: I. Andante-allegro
0:48:31 Sonata in A Major, K.208: I. Adagio e cantabile
0:54:30 Sonata in A Major, K.39: I. Presto
0:57:12 Sonata in A Major, K.322: I. Allegro
1:01:23 Sonata in G Major, K.455: I. Allegro
1:04:45 Sonata in C Major, K.95
1:08:09 Sonata in F Minor, K.466: I. Andante moderato
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Thank you for watching, don't forget to like the video and subscribe! Tracklist:
0:00:00 Sonata in D Minor, K.01: I. Allegro
0:02:31 Sonata in D Minor, K.32: I. Aria
0:04:59 Sonata in D Major, K.33
0:08:41 Sonata in B Minor, K.87
0:15:11 Sonata in D Major, K.29: I. Presto
0:20:08 Sonata in B Minor, K.27: I. Allegro
0:23:56 Sonata in G Major, K.427: I. Presto quanto sia possible
0:26:07 Sonata in C Major, K.132: I. Cantabile
0:34:43 Sonata in E Minor, K.98: I. Allegrissimo
0:38:03 Sonata in E Major, K.136: I. Allegro
0:43:06 Sonata in E Major, K.162: I. Andante-allegro
0:48:31 Sonata in A Major, K.208: I. Adagio e cantabile
0:54:30 Sonata in A Major, K.39: I. Presto
0:57:12 Sonata in A Major, K.322: I. Allegro
1:01:23 Sonata in G Major, K.455: I. Allegro
1:04:45 Sonata in C Major, K.95
1:08:09 Sonata in F Minor, K.466: I. Andante moderato
K01 is quite welknown.
I have them all 556 in total on both harpsichord and piano.
0:38:03
k.136 ❌
k.135 ⭕️
Late in Scarlattis years, he almost sounded a but romantic here and there - with "spicy" harmonies. One day, i thought - "Oh, where did he meet Brahms?". It turns out, that Brahms was a great Scarlatti-fan and had a large collection of anything available by Scarlatti.
@@canman5060 , I'd wager that after the first 200 they start to sound the same.
This is divine, Wolfram Schmitt-Leonardy’s playing is ethereal channelling Scarlatti’s music clearly and beautifully. I love Bach, Handel, and Scarlatti - there is no need to choose a favourite -each has a unique genius - it depends what you need at the time. Scarlatti is always so joyful, mischievous, and dynamic; one can hear his sense of humour, but he knows mournful too. Bach is cerebral, solemn, and masterful and Handel too with so much verve and joy.
Scarlatti, Bach, and Handel were all born in the same year 1685 - heaven sent; something in the stars in that year……..? What a gift to us all.
Thank-you Brilliant Classics.
Domenico is the most underrated musical genius in the history.
Maybe among wider audience. But a long time ago I've heard that Scarlatti was on par with Bach as long as cembalo is considered. And, for instance, that Frescobaldi was on par with Bach as long as organ is considered.
Just to add that for me Bach is God of music... but, luckily, humankind has more jewels to offer.
Severely underrated composer!
He's the Chopin of Baroque. Always creative, pushing boundaries, solely dedicated to the instrument and it's capabilities, and he has that unquantifiable magic to his music.
I'm not quite sure about the "underrated", when all the most illustrious pianists include Scarlatti in their programmes or encores, then I would say he's rated pretty highly by those who really matter. The first of these sonatas played here is my iPhone ringing number. Scarlatti played well, as here, is never not worth hearing and whether joyous or contemplative, brings the listener repose and affection from well over two hundred years ago. The sheer variety of form and musical argument in these sonatas is astounding, and at times, you could swear that Beethoven had a hand in writing them......
So true!
I've never thought of Ravel as underrated!
Maybe Scarlatti is not the most popular composer with pianists, but for harpsichordists he's a must-play!
Спасибо великим композиторам прошлого. Они даже представить себе не могли, как нужна будет их музыка сейчас.
Спасибо людям, которые размещают эти шедевры на доступных ресурсах.
Глоток живой воды.
да, забавно только что Скарлатти всю дорогу был придворным музыкантом, и служил знати
👏👏👏👏👏😮😮
One may argue that Bach and other Germans were more rigorous in their craft but for me, it has always been the Italians who truly breathe LIFE into their music. We are too easily awed by density and complexity and forget that music is an art form which expresses the human spirit. Bach was a miraculous figure and is regarded as the greatest composer of them all by many musical geniuses, and perhaps rightly so. However, I think we have been conditioned to think this way by history. Personally, I think it's time to start looking at things differently. Scarlatti was also extraordinarily gifted in counterpoint and there are many passages where the untrained ear can be fooled into thinking his music is Bach's, but it is his ability for melody, inventiveness, and boundless innovation that most impress me. These things express who he was and how he lived, and that is art.
Okay.
Yes!! Although his music is more spanish than anything
@@andredelacerdasantos4439 Definitely has strong influences from his time in Portugal, but he grew up in Italy during his formative years so there is no question his music is also Italian.
I am not sure one can say one is better than the other? Let's just enjoy the exquisite work made by all composers...
A bit like comparing a Porsche to a Ferrari.
Throughout my life Scarlatti has accompanied me in giving me courage and immense joy ..so grateful for his music
This is musicianship at the highest levels. A spectacular result for the lifetime's work it takes to achieve such a thing. I've never been much a fan of Scarlatti. The Sonatas previously always felt too...uninspired. Soulless velocity. Truthfully, it can all start to sound the same. Or so it had been before. This recording breathes such depth into each work. Intimate and personal. Technically dazzling! What a gift that Wolfram Schmitt-Leonardy has shared it with us.
Да, а музыке уникальное значение имеет прежде всего исполнитель. Он может возродить и убить композитора.
Alessandro no slouch either...
Je ne pense pas qu'il soit possible de mieux jouer Scarlatti. Le pianiste a un goût noble et sûr et un sens fantastique des subtilités pianistiques. Ses choix interprétatifs sont courageux et témoignent d'une grande personnalité.
Queste sonate ti fanno entrare in una mente raffinata, di enorme capacità tecnica, di rara modernità, e la sublime interpretazione del pianista ne mette in luce tutti i riflessi.
I searched all over to find my favorite Scarlatti and I found it. Perfect as I like it.
Scarlatti's sonatas are rendered masterly. The melodies are moving, graceful, intense, engaging, and triumphant.
This recording is exquisite. Thank you, Brilliant Classics!
Merveilleux Scarlatti.
Merveilleux Wolfram Schmitt-Leonardy.
Clarté, force, fougue, delicatesse... prodigieux !
.oui!.
Oui,aussi,1000fois
Благодарю за прекрасный концерт! Виртуозное исполнение.
Спасибо, вашему каналу за потрясающую музыку! 👏👏👏
It sounds like that he beautifully understood Scarlattis music, sadly so many just play the notes.
My favourite pianist resuscitated Scarlatti!Wat a magician!!❤️❤️
Why did he have to resuscitate him? Did he bang his head on the pianoforte? Choke on some ravioli?
I never listened to scarlati before and it's beautiful.
LOVE Scarlatti. So fresh. YAAAAYYY!!
Душа утопает в лёгких, изящных звуках божественого инструмента...
Благо❤Дарю!!!
I never thought anyone other than Andreas Staier could convince me to endure more than 1 hour of straight Scarlatti, but here I am! And more than enduring, I actually enjoyed it! Fantastic job!!
The beauty of Scarlstti’s melody is off the charts, and picturesque
It seems I am wandering in a Scarlatti’s aesthetics
Absolutely beautiful ! 🌹
I could listen to Scarlatti for hours…
Thank you so much for sharing this beautiful music 🎶
Thank you 🙏
I agree. I'm the same way with Shubert. You should listen to his songs for male chorus. Some have minimal instrumentation, others are a capella. Absolutely magical!
The greatest of the harpsichord Big Three: him, Rameau, and Francois Couperin. I can listen to any of those for hours on end.
And we are able to listen to Domenico for hours!
1:08:09 Sonata in F Minor, K.466: I. Andante moderato is one of my favorite pieces. Scarlatti makes me feel that I am home. In a parallel reality. 😁
@@positivetimeline2023 I get that.
Давно не слушала Скарлатти.Получила несказанное наслаждение.Как в другой реальности.Спасибо!
У нас с вами то же самое чувство. Я то же самое написала сегодня. 1:08:09 Sonata in F Minor, K.466: I. Andante moderato is one of my favorite pieces. Scarlatti makes me feel that I am home. In a parallel reality. 😁
@@positivetimeline2023 Я по-английски плохо читаю,но уловила суть.Да,то же самое. ❤️
Люблю Скарлатти. Эпоха вроде бы барокко, а звучит очень современною Исполнение изумительное.
Неожиданная радость!.Музыка как солныко в пасмурный день, так тепло на душ😊е, такая приятность, легкость.Скарлатти гений! БРАВО. БРАВО. БРАВО!!!!Для меня это приятное открытие.Исполнителям низкий поклон.Чудесно, вертуозно!!
Peaceful. Such a bright sadness that will never come back
This performance made me very happy.
Scarlatti é magnifico
Scarlatti,wie schön klingt diese Sonate, darüber freue ich mich.😊
Une magnifique interprétation !
J'adore le "lié-détaché" du toucher, parfait pour ce type de musique, mais particulièrement difficile à obtenir, surtout avec autant de précision, et de régularité.
J'aime aussi beaucoup les couleurs liées à chaque oeuvre.
Et la différenciation qui est opérée d'une sonate à l'autre.
La prise de son est superbe aussi.
Bravo à tous, pianiste, comme équipe de production !!
The GOD of sonatas ! Wonderful
I can see that Scarlatti was ahead of his time. I could hear a lot of Romantic era sounds in his music🎶
Love this music
suena a Chopin!
Scarlatti’s sonatas were almost all written in the latter part of his life (1685-1757); he was a Baroque composer.
The Romantic era music of the 19th century emanating from places like Germany was as alien and anachronistic to his Italian origins and Spanish residency as anything possibly could be.
Scarlatti is a truly great composer, but not one defined by such an alien concept as the degree to which he approaches the Romantic era, the most striking thing separating him from contemporaries like JS Bach and Handel is bold originality within the sonatas, and his frequent rather exotic Spanish-isms; he is entirely of his own time, but a highly original and unique composer who stands on his own merits with his 555 sonatas as one of the greatest keyboard composers of all time.
I love this music too, but for what it is, not for what it isn’t.
@@user-uy5zg6bo6u
Scarlatti does not sound like Chopin, an opinion which is akin to saying that humans look like Martians; you might find my longer contribution above of some interest.
What I like of this channel is to let people know about extraordinary performers who are not very famous .One example is this wonderful musician playing Scarlatti..
It's strange how a lot of it sounds more like classical era music than baroque music. Scarlatti was truly ahead of his time.
That’s because the music is played on a totally non period instrument. Fully modern sophisticated concert grand piano instead of a harpsichord.
@@Geoplanetjane Bach played the piano. His music sounds different.
@@magnusemeritus Scarlatti is a clear example of a predecessor to the galant style of music that we associate with the first sound of Classicism. His sound and history are actually confusing to a lot of musicologists, many ranging from just overall doubts as to where he stands between Baroque music and Classical music and others denying that most of his works are actually his. Just like C.P.E. Bach, he was also the son of a notorious baroque musician (Alessandro Scarlatti) and often questioned the many rules of baroque music. His teacher once said that as a young composer he heard him say "It fails the books, but does it please the ear?". If there's not anything more to it than meets the eye, he is at least one of the most important composers to modern piano classical music.
The first sonata sound very baroque to me
@@magnusemeritus Good observation, although Bach played the first edition of an instrument which could (technically) be called a pianoforte.
Dear Maestro, please accept my sincere compliments for such an exquisite rendition of Scarlatti and also for the vision you have, which certainly brings out so beautifully the geniality of this great Neapolitan Master! Molte grazie!
Фантастическое совершенство. Спасибо.
Tolle Ausführung, eine richtige Scarlatti gemäß und nach Klavier schön mitgebracht.🎉🎉
Superb interpretation. It was a pleasure to listen to the infinite details of these performances.
This Italian composer should be seen as serious as Johann Sebastian Bach.Even if his oeuvre might appear smaller than the work of Bach. It's so important that this music will not being forgotten and it should become performed all over the world . We had this great pianists like Vladimir Horowitz and Ivo Pogorelich who always opened their concerts with Scarlatti sonatas. They are rich of a brilliant architecture, melody, rhythm and sound.
Yes, this SPANISH composer born in Naples (not Italy, by the way, but The Kingdom of Naples) is far more relevant than Bach father in his own field: innovation, development of a new keyboard style. I love Bach father because he is the BEST music teacher that the world has ever seen, but he is not the best composer.
@@pepehaydn7039 kj8
@@pepehaydn7039 who cares if he was Italian or Spanish? The music counts.
Personally, I find it a lot better than Bach's work. Bach is so static...
@@torrawel I care because his music cannot be understood unless you take on account the influence of the spanish folk music. No other "italian" composer sounds like him precisely for this reason. The problem with Bach father is not staticism, but boredom: it is always the same techniques, resources, rethorical conventions over and over and over again. It is said that Vivaldi wrote the same concert 500 times, Bruckner the same symphony 11 times... might be, but if so, Bach wrote the same sameness 1000 times. The existence of totemic idols in the history of music is proportional to the ignorance of it.
@@pepehaydn7039 Spanish said our friend Pepe, who's Spanish and ignorant, as Italy existed as such way before the unification
Beyond beautiful. Completely replenishes the soul.
Большое спасибо вашему каналу за эти прекрасные записи
A real treat. I love Scarlatti.
Flawless interpretation, both technically and musically! Particularly enjoyed K132, I have not heard a single interpretation of that sonata that is nearly as good as yours. Deffinitely one of my favourite albums 👏👏👏
Scarlatti's music makes us 'glide'. Music unknown to the general public and very often overshadowed by other composers too much in the foreground.
Very good interpretation of this magical, original and unique music.
Thank you for sharing it.😀
Yes, Joël; we could all benefit from moe glissando in our lives.
Go with the flow, glide with the tide.
Wunderschöne und detaillierte Interpretation dieser kompakten und fein komponierten Tastenwerke in verschiedenen Tempi mit klarem doch anmutigem Klang des technisch fehlerlosen Klaviers und mit künstlerisch kontrollierter Dynamik. Alles ist faszinierend!
Pieces from a true master performed by a true master. Usually, I tend to prefer to listen to Scarlatti played on the harpsichord. However, with his most delicate and technically perfected interpretation, Wolfram Schmitt-Leonard succeeds in lifting the music up to the highest heavenly levels possible. Thank you so much for sharing.
Great Music Forever !
This type of music really brings me to a different dimension. If only I can change my background instantly, then it would be a perfect combination of old European feel.
Душа радуется от Скарлатти. Часто его слушаю. Безбрежно, утончённо...
He was like a Chopin of the Baroque. A contemporary of Bach, Handel, and Vivaldi, his works were predominantly for the keyboard; works that are wonderfully unique, challenging, and entertaining.
DOMENICO Scarlatti!!
This pianist... seems an alien of some divine place ...
..
Beautiful, warm sound; formidable, precise playing; and music that is beyond beautiful. Thank you!
Musique intemporelle qui apporte sérénité et calme
Bardzo dziękuję za udostępnienie nagrań. Świetne wykonanie! Podkreśla głębię i urodę kompozycji. Muzyczna narracja urzeka odcieniami uczuć i emocji. Pozdrawiam serdecznie.
Magnificent! Wolfram Schmitt-Leonardy has a divine gift. I am transfixed by his virtuosity and grace at the keyboard.
Wonderful interpretation of a wonderful music.
It is not difficult to see how much has Scarlatti influenced
other great composers like Rameau or Mozart. Many thanks for the upload!
I don't think either Rameau or Mozart knew about Scarlatti, though Mozart might have, via his London teacher Johann Christian Bach, have come across the published Essercizi. K1-30. Composers who *were* influenced by Scarlatti were Chopin and Brahms, both of whom collected unpublished manuscripts. But Scarlatti really didn't come to public notice till 1906 when Longo published most of the sonatas.
@@RalphHancock Historically right. But musicians in that time used to play even unpublished materials.
There were some melodic gestures or harmonic schemas (like Pachelbel's canon) who circulated
among the composers, were adopted and improvised upon. So, we should not forget the unwritten
and unpublished tradition.
@@RalphHancock Thank you for introducing these facts.
@@RalphHancock According to Graham Sadler (University of Hull) Rameau and Scalatti met together by 1720's
@@deodatdechampignac I wonder where? Both were settled for most of the 1720s, Scarlatti in Lisbon, Rameau in Paris. Any meeting must have occurred earlier. I can find no account of them ever being in the same place at the same time, but little is known of Rameau's early life.
The emotional expression in Sonata in B Minor, K.87 ... ! Beautiful performance of all of these Sonatas by Scarlatti !!!!!!!!
I don't believe Scarlatti can be played any more virtuosically and musically than this!
You are a Good Fan of the pianist or harpsichordist.
.je suis tutt'affait d'accord avec toi!
@@paolozirilli565 Merci!
after listening just a few of them I can really agree with you! Fast runs sound so clear and virtuosic, trills are beautiful and tasteful, and that rubato, pure joy!
Too much saying, He was and still be the Master. Altough the interpretation is very good.
Questa è una raccolta magnifica. Ci sono quasi tutte le più belle , suonate con grande maestria. La k 466 a conclusione è una composizione esteemamente poetica. ❤
I haven't given a lot of time to Scarlatti, but then I found this video and thought to give it a chance to listen to 1 hour of Scarlatti. Great playing. Beautiful, clarity at its finest and a lot of nice humorous changes in the counterpoint. Well done, my friend, and thank you.
Give a listen to Ivo Pogorelich's Scarlatti album (for free on YT).
Благодарю вас! Очень!
Beautiful Sonatas and magnificent performance! Thank you very much for this rendition.!!!
Essendo anch'io napoletano, ascolto le melodie di Scarlatti
e mi riporta la casa. Quanto e bella questa registrazione!
Anch'io come lei ascolto Scarlatti e ritorno a Napoli ....
Che meraviglia ascoltare il grande Scarlatti!
Très belle interprétation.
Le pianiste danse avec les doubles croches quelle aisance.
Magnifique. 🎶❤🎵❤🎶
Божественный исполнитель.
Exactly!
До этого видеоролика не слышала музыкальные произведения Domenico Scarlatti. Очарована красотой его музыки. Спасибо, что дали возможность их прослушать.
My God, what interpretations!!
I have now listened to this recording ten times in a row. There is no question, Wolfram Schmitt-Loenardy has pulled off the equivalent of what Glenn Gould did with Bach. My deepest heartfelt congratulations!!! A MUST LISTEN!!! And Scarlatti, though seemingly on the lower bandwidth compared to what we call the major composers, is nonetheless a staggering genius!!
As a fellow music lover I feel obliged to say, in a most fraternal way, that you should really disabuse yourself of the prevalent myth that Glenn Gould did anything praiseworthy in his playing of the music of J.S. Bach.
Скарлати повлиял на Моцарта, Шопена, других композиторов.
Дякую за прекрасну музику,заспокоює ,надихає.Всім миру і добра.
Вам дякую за допис українською мовою , хай щастить
Гениальная музыка, можно слушать бесконечно!!!
И пианист потрясающий!!!
Thank you so much for playing beautiful music for us…I can imagine how your fingers are running up and down on those scales…it’s incredible !
Thank you 🙏 🌹
Просто прелесть...
Wunderschöne Musik!
Beautiful.
Spesso le emozioni dovute qualcosa di molto bello possono lasciar senza parole come in questo caso
Magically mesmerising!!
Thank you for this great beauty
A truly wonderful listening experience!! Thank you!
Uno Scarlatti stupendo, la più bella esecuzione di questo compositore poco suonato in concerto. Pianista favoloso!
As much as I admire Bach's intellectuallity, I must say that Scarlatti utilized the unique possibilities of the keyboard better. And masterfully played here.
Thanks from sunny Vienna, Scott
En castellano: no conocía a este brillante ejecutor de tan exigentes sonatas cómo las de D Scarlatti, siempre había escuchado las interpretaciones de Pogorelich, excelentes , conmovedoras y llenas de emoción.👏👏 felicitaciones al pianista.
Grazie per il graditissimo regalo postandoquesta meravigliosa raccolta che raccoglie quasi tutte lesonate più belle e significative di Scarlatti. Sono interpretate benissimo . È una vita che le ascolto , suonate da tanti artisti . Queste mi soddiafano moltotranne la 208, troppo lenta e drammatica . Dopo averla ascoltata dalla Pires nulla regge il confronto.
Grazie ancora.🌹💃
Scarlatti actually composed the first example of Etudes
Not really; Scarlatti’s Essercizi published in 1738 in London and written for the harpsichord, have absolutely nothing to do with the 19th century piano etudes written by a number of the post-Classical and Romantic composers.
Check out the preface Scarlatti wrote (possibly) to the London edition referred to above.
Отточенное изящество,легкость и грациозность,чистота звука-очень красивая музыка и великолепное исполнение!Благодарю за прекрасную публикацию!
Рекомендую послушать в исполнении гениального Эмиля Гилельса.
@@elmiramuradova561 С огромным удовольствием и радостью послушаю!Очень приятно,спасибо!
@@elmiramuradova561 а этот пианист чем не угодил ?
@@user-rv5gi7hv6c зачем сравнивать. Оба исполнителя по-своему великолепны и неповторимы, так же как Скарлатти в руках В. Горовица
Не знала, что Горовиц исполнял Скарлати. Можно послушать и Гильельса и Горовица, спасибо за ответ.
Sonatas of singular beauty played with wonderful dash and expressiveness. What a great way to end your day.. Thank you
Music makes me feel relax when I'm sad and lonely,thank you for sharing
What a wanderful music and what a great pianist! Thank you to share with us that music!
Peaceful and great music. Lovely interpretation!
Genau so muss Scarlatti klingen- Chapeau , Wolfram! 🎹💫🎩
this has become one of my favorites
Dazzlingly good
Une etoile clair !
Sublime! Thank you for gracing us with this!
How I love K. 87 !
I remember learning a few of these many years ago but my rendition of same was patchy. Thank you for this lovely version-possibly the best rendition I have heard. Scarlatti soothes my soul at times.
Absolutely gorgeous playing. The first Sonata K1 reminds me a bit of the young Ivo Pogorelich. Rhythmically super crisp trills and a fantastic control of the utmost "leggiero" articulation. The second Sonata K32 with the pianists inspirational self invented (?) and daring inner counterpoint voices is delivered with such delicacy. K87 rivals the sound culture and phrasing of Horowitz. But my favourite one is the innocent K208. So much precious tenderness and consolation that I can hardly listen to it without starting to cry. This recording is a gift to every music lover and a lesson in artistic piano playing.
I think that your comparison of Prof. Schmitt-Leonardy's playing of Scarlatti to that of the young Pogo is Spot On. With the kind of suffering that he has had to experience, Ivo should get triple Bravissimo's simply for continuing to perform in public.
Some really interesting points, though I think K208 anything but ‘innocent’, it is a searingly intense and passionate aria.
If you are familiar with the biography and catalogue of the sonatas of Scarlatti by Ralph Kirkpatrick (he of the K numbers), you will know that hundreds of them were put into pairs - occasionally threes - which is what Kirkpatrick believed was the composer’s intention.
As such, K208 is paired with K209, and it’s worth listening to the two sonatas as a contrasting pair, rather than simply single sonatas.
I invariably play K208 and K209 as a pair.
K208 was Scott Ross’s favorite.
Danke! 💛
Beautiful...each and every one. Thank you!
I love the last one //// so wistful