傑·文化-故宮博物院藏明代珍品陶瓷器6 Kit.Culture- Ming Dynasty Ceramics Treasures from the Palace Museum Collection 6

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  • เผยแพร่เมื่อ 26 ส.ค. 2024
  • 香港故宮文化博物館(博物館)於2024年7月開幕兩周年之際,全新專題展覽「流光彰色--故宮博物院藏明代陶瓷珍品」於7月10日正式揭幕,展期兩年。展覽由香港故宮文化博物館與故宮博物院聯合主辦,透過故宮博物院新一批借展的106件陶瓷珍品,聯同香港故宮文化博物館7件藏品,展現明代陶瓷工藝的發展演變和傑出成就。
    展出珍品之一是黃地素三彩錐拱雙龍紋繡墩,明朝嘉靖年間於江西景德鎮御窰燒製,高34厘米,口徑22厘米,足徑22.5厘米。
    繡墩呈鼓式,中空,坐面微拱。內光素,外壁素三彩裝飾。以鼓釘紋把器身分為三部份,上、下兩部份飾纏枝花紋,中間繪蓮池游龍紋。所有紋飾均先在釉下經錐拱而成,並用青花料填塗紋飾局部。用黃、綠、白、紫、青花等設色。
    素三彩瓷簡稱三彩瓷,是釉上彩瓷器品種之一,是以黃、綠、紫三色為主的瓷器,其實並不限幹此三色,但不用紅色。其製作方法是在高温燒成的素瓷胎上用彩釉填在巳刻劃好的紋樣內,再經低温燒成。因色彩中沒有紅彩,故名 "素三彩" 。此品種創燒始見於明代成化朝。但是它與成化鬥彩瓷一樣,不但不見於明朝文獻記載,早期也不見有專門論述。從目前的資料看,景德鎮素三彩瓷的燒製當以明代成化製品為最早,正德時的最好,其釉面亮青肥腴,彩料細潤,色澤濃豔厚實,紋飾灑脱自然,有明一代,素三彩瓷被注視都十分突出。
    來源: 澳門博物館及香港故宮博物館
    On the occasion of the second anniversary of the opening of the Hong Kong Palace Museum (Museum) in July 2024, a new thematic exhibition "Brilliance - Ming Dynasty Ceramic Treasures from the Palace Museum" was officially unveiled on July 10 and will last for two years. The exhibition is jointly organized by the Hong Kong Palace Museum and the Palace Museum. It uses a new batch of 106 ceramic treasures on loan from the Palace Museum and seven collections from the Hong Kong Palace Museum to showcase the development, evolution and outstanding achievements of ceramic craftsmanship in the Ming Dynasty.
    One of the treasures on display is a yellow ground three-color embroidered pier with conical arches and double dragon patterns. It was fired at the imperial kiln in Jingdezhen, Jiangxi during the Jiajing period of the Ming Dynasty. It is 34 cm high, 22 cm in diameter, and 22.5 cm in foot diameter.
    The embroidered pier is in the shape of a drum, hollow, and the sitting surface is slightly arched. The interior is plain and the outer wall is plain and decorated with three colors. The handle is divided into three parts with a drum nail pattern. The upper and lower parts are decorated with entangled branches, and the middle part is painted with a dragon pattern in a lotus pond. All the patterns are first formed by conical arching under the glaze, and then the parts of the patterns are filled with blue and white materials. Use yellow, green, white, purple, blue and white colors.
    Plain three-color porcelain, referred to as three-color porcelain, is one of the varieties of overglaze colored porcelain. It is a porcelain with three main colors: yellow, green and purple. In fact, it is not limited to these three colors, but red is not used. The production method is to fill the carved pattern with colored glaze on the bisque body fired at high temperature, and then fire it at low temperature. Because there is no red color in the color, it is called "Su Sancai". This variety first appeared in the Chenghua Dynasty of the Ming Dynasty. However, like Chenghua doucai porcelain, it is not only not recorded in Ming Dynasty literature, but also has no special discussion in the early days. Judging from the current data, Jingdezhen plain three-color porcelain was fired from Chenghua products in the Ming Dynasty at the earliest, and the best during the Zhengde period. Its glaze is bright green and plump, the color materials are fine and moist, the color is rich and thick, and the decoration is free and natural, with obvious For a generation, plain three-color porcelain was very prominent.
    Source: Macao Museum and Hong Kong Palace Museum

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