My friend bought this camera last week as well. He is a Sony hybrid shooter. But the top camera he own is fx3. So that is quite a lot of money to invest. I asked what is his reason behind. He said not mainly about image quality. not that he feel fx3 image quality is not beautiful. More about the RED brand and the related market. He said Red is more well recongized in the film/commercial industry. By own one, maybe there is more opportunity that he will be able to connect with those higher end production people and gigs.That is his main motivation to invest so much money. He wants to give himself a chance to reach higher career potential.
emm, I never ask any of my DP bring their own camera as it's always decided and rent by the project. I hire dp for his skills and knowledg, not his camera. So owning a red doesn't make him easier to get into the industry, the industry doesn't care what camera you have, because industry level of work always supplies better equipment than your personal gear. And regular small scale commercial work can be done perfectly by nearly any consummer level camera today. FX3 is more than enough even for pro level crew, Red is basically only aiming for high FPS, not really worth to invest red only for its brand( I love its shape, more like a good toy IMO) I heard it millions of time that people buy Red for job oppotunites, it's not ture on a well funded project. Only in budget project, or student project, they will want to hire some DP with good level of personal gears just to cut the cost of equipment as much as possible.
Only if you have your own business/production company is where owning a Red will help you get jobs. Definitely image quality is massive when it comes to filming on this cameras
@@hellozzh Ok dude man. How is the DP able shoot on RED if he only used the FX3? What do you mean by (Red is basically only aiming for high FPS,) What do FPS have to do with RED? Your comment doesn't make sense unless a DP has used every camera including the FX3. And good luck with cine DP's knowing how to use the FX3. Good luck, I just hate comment like the one you made. The cine or higher end work in agency or high end commercials are hard to get into not because of talent but people like you that work in that sector and lock people out because you will never fire a great Dp that's only used hybrid cameras. The OP was about his friend buying a RED Komodo X because it has more value in the industry, yeah that was correct because it does, but he also needed to know how to work the Komodo X so that he can land the gigs that he couldn't land because he Never used RED. And you can't rent RED or Arri and think you can jump on a high end gig using that gear.
Komodo X or even V-Raptor were always my goal cameras. Venice 2 is the dream. Alexa 35 is the fantasy. But now, Burano has taken the place of the V-Raptor for me, it’s just got everything I’ve ever wanted. And with the release of Burano, I’m hoping Sony’s X-OCN codec will get better and more compatible with more NLE’s. Works decent in Resolve though. But if I have even just a small crew, not much can beat a Red.
I won't ever understand who will buy the Burano, when the market is flooded with used Venice 1 + Rialto options in the same price ballpark. Not to mention the V1 has a better sensor in my honest opinion (more dr, better signal to noise etc)
I've been a red user for a while now, recently upgraded my dragon to a KX , but I kept my Sony thanks to your tutorials ...please when you get a chance to try a Canon 0.71 speedbooster on the KX it is mindblowing it transform the kx on a bigger than fullframe , anyways great choice keep up the great work
@@JasonMorrisphotocinema wow when you guys advertise sony you say its the best almost no difference between a $2500 camera and $100k arri alexa. But when you switch suddenly sony looks trash and cant be compared to red. lol so done with lame youtube switching and no genuine content. I predit u will soon leave youtube like matti and other youtubers, sick of selling the brands and no real art.
Nice! I was considering the KX as my next upgrade but then they announced the Burano. With me already being a Sony shooter that felt more in line with the next step for me. Congrats though excited to see the rig out videos!
@@JasonMorrisphotocinema Fortunately my rental business is doing very well here in Florida. When I sent out emails to my clients letting them know I’d have one in stock when released I got over 10k in rental bookings purely off the hype, that made the decision a heck of a lot easier lol.
Ive been LOVING my KX! I too “switched” from Sony / Canon when my FS5 died after being exposed to snowy conditions. Nice to hear your buddy talk about the ol DSMC1 days. My impressions of Red ecosystem was built from RED 1 days, so hard to work with in post! This KX footage plays back SO smooth on my Mac Studio Ultra M1 and im just… in awe.
Jason, great job! It’s been my goal since college to shoot on RED. I’m currently filming on the FX6 but hopefully soon I can get into the RED world with the KX.
@@JasonMorrisphotocinema how has your experience been with the Port Keys monitor? I’m looking at the 5.5 for the FX6 but never used them before. Always smallHD
@@JSHFilms I really enjoy it. I always use portkeys for my stuff. It’s the best in the budget realm. I do personally prefer 7 inch monitors though. 5 inch when filming anamorphics really is too small
People always complain about REDs 'Post-workflow,' I'd like to see your thoughts on this? Is it that deep or they're just coming from a place of laziness?
Any thoughts on the decision to incorporate RED into your workflow given the Nikon acquisition of RED and the decision by Nikon to replace RED leadership - does it matter to you? Thanks.
All these links for lenses and not a single one of the links are to the ones you are using in this video. Im more interested in the cine lense being used.
Good luck with sourness cam Jason 👍🏻 I have to admit that I'm a little sad about this. I've had the FX6 for over 2 years now and I only do my own projects. I uploaded a test box gym video yesterday, but of course I will follow you further 💪🏼 In the end, the camera doesn't really matter because the only thing that matters is the man behind it 😅 best cinematic greetings from germany
I'm sorry were you talking about cameras??? My mind wandered on me watching this video lol On a more serious note the look from that camera is amazing.
Hey Jason! Honestly, if I had the cash flow, I'd go German instead of USA. A few years ago when I was down in Los Angeles at Global Cinematography Institute, I also took some workshops on higher-end Sony cameras and the German Arri cams. The Arri System, rugged and simple. Really liked those cams. So if u have any extra cash from your shoots with your new Red Komodo X and don't know what to do with it, throw it my direction so I can pickup a German cam. Thanks in advance. 😎😎
But but but is not a Full Frame like the ZV1? Just kidding . Congratulations. There's no comparison. Especially editing in HDR. We use their V raptor 8K S35 along with blackmagic and a Sony fx30.
The biggest advantage of the Red- is the name Red! Clients recognize it as ‘pro’- but I doubt you will practically see any significant image improvement… Maybe RAW gives you a chance to save a few shots…
@@JasonMorrisphotocinemawith ninja you get 12 bit. Idk many situations where you would want to change your whole set up for 16 bit. having that extra range must be more confidence inspiring, I must admit. But in higher end productions lighting, lens choice, and all the accessories play a much more important role in image quality then any camera body ever could. Also don’t you usually shoot solo? Leaving behind that sony autofocus with native sony glass
@@slurp3194 12bit pro res definitely is great but not close to the 16bit internal raw from red. I shoot solo for my personal gigs and freelance work but commercials and narrative work I’m in a team
For one simple reason i would never buy a RED until they allow others companies to have the compressed internal RAW feature i don't like when companies are doing this kind of sh*t it sucks for all of us and i am not willing to support such companies. Sony back then was also very ego to lock you into their eco system and Apple doing it quite hardcore. RED should not have given that patent in the first place and Nikon might just hold the keys to hopefully get us compressed internal RAW in all camera brands in the future and i think that's a good thing for all of us.
Just wanna ask: How large are those "compressed" RAW files on RED cameras? Is it the main thing to switch? Or the global shutter? Do you get rid off LED flickr with global shutter 100%? Thanks.
@@CharlieTheDP Yeah googled that now and kinda wild. RED might get crushed if that compressed RAW patent loses its viability in 2028, despite they're trying to extend it somehow with another one going until 2037 which is crazy. But hey, that's just business.
@@JasonMorrisphotocinema Their new "updated" patent planning to hold the industry more until 2037 might face a lot of lawsuits. I think RED deserves like a royalty fee that is reasonable, just like Sony's 2-layer transistor sensor tech that hit Xperia 1v. I respect patents but I think it should end within 5 years then you have a royalty fee.
Hey Jason! Question if this new dragon camera, viper style, is such a good deal, a "must have" for the pro cinematographer down under, then why in the heck do u list all of those Japan Inc. cameras below for shooting your video still? If u get stuck on that island and a real Komodo happens to be there with u, it ain't going to take too well when u shoot the documentary of u and the fake dragon with the Japan Inc, Cameras! Buyer, beware, they say! 😎😎
@@JasonMorrisphotocinema Hey Jason! It's called a luv-hate relationship. I luv Japanese Inc. cameras when they don't overheat (Sony a7Siii, FX3 and FX30 examples to be specific). The others, let's don't even mention their specific model names and/or numbers. But Japan, Inc. does know. When hard earned money gets invested into cameras in today's world, the least that they should do is: "Work All the Time! With no temper tantrums of overheating and shutdown fits!" Okay? After all, if one wants to do the "throw of their dice" with their hard earned cash, that's fine for them, but for others, take your chances in Vegas if u have that much money to throw down on the table without a care in the world. By the way, good luck with the "Made in USA" Red Komodo Camera! It should work, if not, if it overheats on u, let us know! We're waiting to hear your report card evaluation. 😎😎
RED is just that camera you hate...for all the wrong reasons lol. You hate them....but you really want one. Outside of having a bad taste in my mouth with RED and their patent on something they didnt even invent...they do make REALLY good cameras. Theyre literally the pioneers of digital cinema. R3D RAW is so easy to work with in post, the colors just look amazing, and the Komodo series of cameras are just amazing and I think just at the right price point for what you get. Ahhhhh....one day. And hopefully I wont have to sell any of my kidneys for it either hahaha
@@JasonMorrisphotocinema well I mean I see it this way, im gonna use an external monitor anyway and I think the Ninja V for the money to get 4.7k ProRes RAW out of my FX30 is so worth a run for its money. Plus, I have seen some tests where ProRes RAW seems to do a bit better with highlight recovery. The the picture quality of a RED, like some of the shots you threw up on this video....just so gorgeous
Yeah exactly what's wrong with them to hold up a whole industry and the licence fee must be really stupid high or all other camera brands would already pay them if the price would be reasonable. Does anyone know anything about the fee RED is charging? Why can't they open up Sony does sell anyone their sensors and i think RED could make more money with it if the price for the licence would be reasonable.@@JasonMorrisphotocinema
omg vertical mode, lol, we need a lot of vertical even with arri camera, Idont know why, but it just a hard reqirment from client regardless how people saying vertical is not "pro" lol
You switched to RED. great for you. I'll stick with Sony. By next year RED will have dropped the Komoto while Sony will still be supporting the FX series. And you just lost you XLR inputs 😅
We all do. All 16 stops of DR and global shutter with a beautiful image and color science only an ARRI can compare. And now we have the support of a company established over 100 years ago. With excellent costumer service.
@@JasonMorrisphotocinema fax… as an FX6 user this new $25,000 option should only be the move if my business is making upwards of $200-$300,000 …. I’ve been really keen to watching you from the a 6100 days and have progressed my kit as my learning and client base grows Overall, probably going to rock with the FX6 for at least another year
wow when you guys advertise sony you say its the best almost no difference between a $2500 camera and $100k arri alexa. But when you switch suddenly sony looks trash and cant be compared to red. lol so done with lame youtube switching and no genuine content. I predit u will soon leave youtube like matti and other youtubers, sick of selling the brands and no real art.
Lol. Nah not at all. I light all my scenes so I don’t use ISO. Only my freelance work is where I may need to use dual iso for run and gun work but that’s where I’ve kept the FX6 and alpha cameras
![เจ็บที่ยังฮัก - ม่อน วรวิทย์ [ Official Mv ] จอนนี่มิวสิค](http://i.ytimg.com/vi/KALIGSRSjFs/mqdefault.jpg)
I have both the fx6 and the Komodo x.
And the red is very inspiring.
And I love my Sony. But the red. Oooof I love
My friend bought this camera last week as well. He is a Sony hybrid shooter. But the top camera he own is fx3. So that is quite a lot of money to invest. I asked what is his reason behind. He said not mainly about image quality. not that he feel fx3 image quality is not beautiful. More about the RED brand and the related market. He said Red is more well recongized in the film/commercial industry. By own one, maybe there is more opportunity that he will be able to connect with those higher end production people and gigs.That is his main motivation to invest so much money. He wants to give himself a chance to reach higher career potential.
emm, I never ask any of my DP bring their own camera as it's always decided and rent by the project. I hire dp for his skills and knowledg, not his camera. So owning a red doesn't make him easier to get into the industry, the industry doesn't care what camera you have, because industry level of work always supplies better equipment than your personal gear. And regular small scale commercial work can be done perfectly by nearly any consummer level camera today. FX3 is more than enough even for pro level crew, Red is basically only aiming for high FPS, not really worth to invest red only for its brand( I love its shape, more like a good toy IMO) I heard it millions of time that people buy Red for job oppotunites, it's not ture on a well funded project. Only in budget project, or student project, they will want to hire some DP with good level of personal gears just to cut the cost of equipment as much as possible.
Only if you have your own business/production company is where owning a Red will help you get jobs. Definitely image quality is massive when it comes to filming on this cameras
@@hellozzhtotally agreed !
@@hellozzh Ok dude man. How is the DP able shoot on RED if he only used the FX3? What do you mean by (Red is basically only aiming for high FPS,) What do FPS have to do with RED? Your comment doesn't make sense unless a DP has used every camera including the FX3. And good luck with cine DP's knowing how to use the FX3. Good luck, I just hate comment like the one you made. The cine or higher end work in agency or high end commercials are hard to get into not because of talent but people like you that work in that sector and lock people out because you will never fire a great Dp that's only used hybrid cameras. The OP was about his friend buying a RED Komodo X because it has more value in the industry, yeah that was correct because it does, but he also needed to know how to work the Komodo X so that he can land the gigs that he couldn't land because he Never used RED. And you can't rent RED or Arri and think you can jump on a high end gig using that gear.
Thanks for having me on this vid Jason! ❤
Appreciate you coming on. Always awesome to collab 🎉
Komodo X or even V-Raptor were always my goal cameras. Venice 2 is the dream. Alexa 35 is the fantasy. But now, Burano has taken the place of the V-Raptor for me, it’s just got everything I’ve ever wanted. And with the release of Burano, I’m hoping Sony’s X-OCN codec will get better and more compatible with more NLE’s. Works decent in Resolve though.
But if I have even just a small crew, not much can beat a Red.
No global shutter though huh?
agree
Yeah I’d honestly own the Burano if it were in my price range
Just rent it on the jobs that need it.@@JasonMorrisphotocinema
I won't ever understand who will buy the Burano, when the market is flooded with used Venice 1 + Rialto options in the same price ballpark. Not to mention the V1 has a better sensor in my honest opinion (more dr, better signal to noise etc)
Love my Komodo 6k, got it all working with accessories. When I have the time Ill grab a KX but for me the Komodo is a work horse.
Here’s me being the last mf to make a video on my Kx, great work brother 🙏🏾
The KX for the win 🎉🎉🎉🎉
you all making me and my FX6 cry over here 😭
Great stuff as always Jason! Definitely loving my komodo as well 😇
Thanks Riley. Appreciate you taking your time and stopping by
Congratulation! I’m sure the Red will expand your creativity
I've been a red user for a while now, recently upgraded my dragon to a KX , but I kept my Sony thanks to your tutorials ...please when you get a chance to try a Canon 0.71 speedbooster on the KX it is mindblowing it transform the kx on a bigger than fullframe , anyways great choice keep up the great work
Charlie! Wasn't expecting to see you pop up. Miss ya brother 🤙
How did you made this awesome look in this video, i mean you in this studio!? It looks sooo good 😮
Just gonna run around with my a7IV in S35 mode pretending I'm on a RED 🤣
😂😂 if only it looked the same
@@JasonMorrisphotocinema wow when you guys advertise sony you say its the best almost no difference between a $2500 camera and $100k arri alexa. But when you switch suddenly sony looks trash and cant be compared to red. lol so done with lame youtube switching and no genuine content. I predit u will soon leave youtube like matti and other youtubers, sick of selling the brands and no real art.
Nice! I was considering the KX as my next upgrade but then they announced the Burano. With me already being a Sony shooter that felt more in line with the next step for me. Congrats though excited to see the rig out videos!
Honestly if you can afford the Burano that would be the choice. If I could afford it, I would choose it for sure
@@JasonMorrisphotocinema Fortunately my rental business is doing very well here in Florida. When I sent out emails to my clients letting them know I’d have one in stock when released I got over 10k in rental bookings purely off the hype, that made the decision a heck of a lot easier lol.
@@joeyluxx356 whoa what a win!! 🔥 great job
@@JasonMorrisphotocinema thank you 🙌🏽!
Nice bro I like the imagery I’m seeing - I need to swing around and catch a glimpse of this warlock 😃
haha it is a beast bro
Ive been LOVING my KX! I too “switched” from Sony / Canon when my FS5 died after being exposed to snowy conditions.
Nice to hear your buddy talk about the ol DSMC1 days. My impressions of Red ecosystem was built from RED 1 days, so hard to work with in post! This KX footage plays back SO smooth on my Mac Studio Ultra M1 and im just… in awe.
Thank you. What a camera it is 🎉
love those works from the KX man! Great upgrade!
thank you very much
Please post social media links of all the talent/models you use in b-rolls. Much appreciated! 03:14 . Always love your videos ❤️
Jason, great job! It’s been my goal since college to shoot on RED. I’m currently filming on the FX6 but hopefully soon I can get into the RED world with the KX.
FX6 is more than enough for most jobs. I just wanted to use this system for some narrative and creative work 🎉
@@JasonMorrisphotocinema how has your experience been with the Port Keys monitor? I’m looking at the 5.5 for the FX6 but never used them before. Always smallHD
@@JSHFilms I really enjoy it. I always use portkeys for my stuff. It’s the best in the budget realm. I do personally prefer 7 inch monitors though. 5 inch when filming anamorphics really is too small
@@JasonMorrisphotocinema that’s great to hear! Do you ever use false color at all ?
yes quite a lot. My second most used form of exposure tool
People always complain about REDs 'Post-workflow,' I'd like to see your thoughts on this? Is it that deep or they're just coming from a place of laziness?
Would you recommend a RF to EF Speedbooster to get the FF look or is there a problem?
Any thoughts on the decision to incorporate RED into your workflow given the Nikon acquisition of RED and the decision by Nikon to replace RED leadership - does it matter to you? Thanks.
Nikon take over is a great thing for Red
All these links for lenses and not a single one of the links are to the ones you are using in this video. Im more interested in the cine lense being used.
Good luck with sourness cam Jason 👍🏻 I have to admit that I'm a little sad about this. I've had the FX6 for over 2 years now and I only do my own projects. I uploaded a test box gym video yesterday, but of course I will follow you further 💪🏼
In the end, the camera doesn't really matter because the only thing that matters is the man behind it 😅 best cinematic greetings from germany
I won't be getting rid of my FX6. That is here to stay
But those abs tho🔥🔥🔥
looks like mental illness
hectic
I'm sorry were you talking about cameras??? My mind wandered on me watching this video lol On a more serious note the look from that camera is amazing.
😂😂😂😂😂😂😂😂😂😂
haha, you're a legend too, man. That was awesome, man. thanks a lot. Cheers from Italy
you made it haha. that's awesome
👀👀👀👀👀. Congratulations Jason.
Thank you 🎉
I love KX form factor and raw internal.
so good!
Love the content! Beautiful shots!
Thank you very much 🎉
Nice one, is it fun learning a new system and what better than RED.
Thanks brother. Always good to push ourselves right
Burano is gonna be HIGH OCTANE! 😱
Absolutely agreed 🎉😊
Why a switch my honda civic to a Lamborghini?
What kind of computer do yo need to edit footage of the red komodo x besides of that amiazing and huge card??? I mean, ram, processor etc
Hey Jason! Honestly, if I had the cash flow, I'd go German instead of USA. A few years ago when I was down in Los Angeles at Global Cinematography Institute, I also took some workshops on higher-end Sony cameras and the German Arri cams. The Arri System, rugged and simple. Really liked those cams. So if u have any extra cash from your shoots with your new Red Komodo X and don't know what to do with it, throw it my direction so I can pickup a German cam. Thanks in advance. 😎😎
Arri is well out of my budget and definitely a hire camera. Plus I wouldn’t need an arri for what I do
You can control white balance in ProRes Raw. So this does not seem like a solid reason.
My eyes 👁️ see why you switched. Red camera skin tones are much more magnificent . The athletic woman proves this
whats is the name of the female model in the beginning with the sixpack?
But but but is not a Full Frame like the ZV1? Just kidding . Congratulations. There's no comparison. Especially editing in HDR. We use their V raptor 8K S35 along with blackmagic and a Sony fx30.
hahahaha
Great overview. Question: Does it downsample from 6K when shooting to the 4K ProRes formats?
nah the way to red cameras work is they crop in on the sensor everytime you change resolution
Yes it will cover the whole sensor in Pro Res and downsample to 4k. It will only crop if you keep it in R3D.
The biggest advantage of the Red- is the name Red! Clients recognize it as ‘pro’- but I doubt you will practically see any significant image improvement… Maybe RAW gives you a chance to save a few shots…
yes
Grading is where I’ve seen major differences. 16bit RAW is a crazy difference over internal 10bit compressed MP4
@@JasonMorrisphotocinemawith ninja you get 12 bit. Idk many situations where you would want to change your whole set up for 16 bit. having that extra range must be more confidence inspiring, I must admit. But in higher end productions lighting, lens choice, and all the accessories play a much more important role in image quality then any camera body ever could. Also don’t you usually shoot solo? Leaving behind that sony autofocus with native sony glass
@@slurp3194 12bit pro res definitely is great but not close to the 16bit internal raw from red. I shoot solo for my personal gigs and freelance work but commercials and narrative work I’m in a team
People have associated SONY with professional for sixty years+...
For one simple reason i would never buy a RED until they allow others companies to have the compressed internal RAW feature i don't like when companies are doing this kind of sh*t it sucks for all of us and i am not willing to support such companies. Sony back then was also very ego to lock you into their eco system and Apple doing it quite hardcore. RED should not have given that patent in the first place and Nikon might just hold the keys to hopefully get us compressed internal RAW in all camera brands in the future and i think that's a good thing for all of us.
Just wanna ask: How large are those "compressed" RAW files on RED cameras? Is it the main thing to switch? Or the global shutter? Do you get rid off LED flickr with global shutter 100%? Thanks.
It’s smaller than ProRes for sure, but not sure off hand by how much. I’ll do some tests and let you know but I’m sure it’s googleable
@@CharlieTheDP Yeah googled that now and kinda wild. RED might get crushed if that compressed RAW patent loses its viability in 2028, despite they're trying to extend it somehow with another one going until 2037 which is crazy. But hey, that's just business.
Yeah I wondered what would happen once that patent has ended. Red have held up the industry for so long now and it’ll be interesting in 2028
@@JasonMorrisphotocinema Their new "updated" patent planning to hold the industry more until 2037 might face a lot of lawsuits. I think RED deserves like a royalty fee that is reasonable, just like Sony's 2-layer transistor sensor tech that hit Xperia 1v. I respect patents but I think it should end within 5 years then you have a royalty fee.
@@Bo_Hazem yeah it’s crazy how long red have had a foothold on the industry. R3D raw is a big reason for my purchase. It really is a strong codec
Smart move!
Every TH-cam thumbnail :O
You're looking good in that shirt
Thanks 🎉
Hey man what promist strength do u normally use
Usually 1/8 but sometimes 1/4
@@JasonMorrisphotocinema thx for your reply much appreciated 👌🏾
you too😎
thanks for watching
when creators turn a blind eye to a companies anti-consumer practices, does anyone win?
I don’t know why it has to be one or the other? Get both. There are jobs I’d use an FX6 and others with the KX.
I do have both for that exact reason 🔥 just some people aren’t fortunate enough to own both systems so choosing one financially is easier for some
@@JasonMorrisphotocinema I figured. The FX6 is such a good overall cam, but for narrative film yeah.. KX all the way!
because the Red doesn't produce a videoish image
@@goneloco5793 sort of an ignorant statement. Films like the creator almost 100% shot on an FX3. That “Sony looks like video” trope is bit tired.
Why not just shoot pro res taw on the sony
Are you going to do a review of the black magic 6k
Probably not unless they send it to me for an extended period. I only do Sony cameras because I’m invested in Sony
Hey Jason! Question if this new dragon camera, viper style, is such a good deal, a "must have" for the pro cinematographer down under, then why in the heck do u list all of those Japan Inc. cameras below for shooting your video still? If u get stuck on that island and a real Komodo happens to be there with u, it ain't going to take too well when u shoot the documentary of u and the fake dragon with the Japan Inc, Cameras! Buyer, beware, they say! 😎😎
they are automatic links dude. Why so much hate with Japanese cameras?
@@JasonMorrisphotocinema Hey Jason! It's called a luv-hate relationship. I luv Japanese Inc. cameras when they don't overheat (Sony a7Siii, FX3 and FX30 examples to be specific). The others, let's don't even mention their specific model names and/or numbers. But Japan, Inc. does know. When hard earned money gets invested into cameras in today's world, the least that they should do is: "Work All the Time! With no temper tantrums of overheating and shutdown fits!" Okay? After all, if one wants to do the "throw of their dice" with their hard earned cash, that's fine for them, but for others, take your chances in Vegas if u have that much money to throw down on the table without a care in the world. By the way, good luck with the "Made in USA" Red Komodo Camera! It should work, if not, if it overheats on u, let us know! We're waiting to hear your report card evaluation. 😎😎
WHAAAAAAAATTTTT!!!!! Wow what a way to start a morning. Also, can we get @JasonMorris to 100k already guys?
Hahaha hopefully soon 😂
RED is just that camera you hate...for all the wrong reasons lol. You hate them....but you really want one. Outside of having a bad taste in my mouth with RED and their patent on something they didnt even invent...they do make REALLY good cameras. Theyre literally the pioneers of digital cinema. R3D RAW is so easy to work with in post, the colors just look amazing, and the Komodo series of cameras are just amazing and I think just at the right price point for what you get. Ahhhhh....one day. And hopefully I wont have to sell any of my kidneys for it either hahaha
honestly i hate that red has that patent. I really do. Sony would crush it in their FX line cameras if you could have internal raw
@@JasonMorrisphotocinema well I mean I see it this way, im gonna use an external monitor anyway and I think the Ninja V for the money to get 4.7k ProRes RAW out of my FX30 is so worth a run for its money. Plus, I have seen some tests where ProRes RAW seems to do a bit better with highlight recovery. The the picture quality of a RED, like some of the shots you threw up on this video....just so gorgeous
Yeah exactly what's wrong with them to hold up a whole industry and the licence fee must be really stupid high or all other camera brands would already pay them if the price would be reasonable. Does anyone know anything about the fee RED is charging? Why can't they open up Sony does sell anyone their sensors and i think RED could make more money with it if the price for the licence would be reasonable.@@JasonMorrisphotocinema
Ok Kool!!! At least it’s not like you switch to Canon/Pentax/OM/ etc. 😂
😂😂
Never try to hide your beautiful ears with a hat.
Wow, I'm a legend... 😅 No really, great insight into the camera system. :)
Thank you 🎉
R u selling fx6? Let me know mate
haha not selling
Why not the burano?
Well out of my price range. Over double the price
@@JasonMorrisphotocinema double the awesome. Ibis and internal nd + can use all your gmasters with supreme auto focus
And because the Red doesn't produce a videoish image
Jason how old you ?
Almost 40 ⏱️
KX gang gang gang
Lesssgo 🎉🎉
omg vertical mode, lol, we need a lot of vertical even with arri camera, Idont know why, but it just a hard reqirment from client regardless how people saying vertical is not "pro" lol
Pro is a very blurred line in 2023 haha
#Blackmagic cinema full Frame vs #komodo x - test and compare review please 😄
ouch - #rollingshutter
th-cam.com/video/O39tprfi078/w-d-xo.html
Nobody wants to shoot movies with a blackmagic AKA the Yugo of cameras when they can use true cinema camera
How do I expose correctly with the Komodo in low light to get the best picture?
*Nikon
Why did you do this?
Because he no longer wanted a video camera, he now owns a cinema camera
my my my me me me
Sad ... I thought you gonna reveal the address of the trashcan when your FX6 is :P.
😂 the FX6 is too good to get rid of
so the next video is you switching to the burano? lol
hahahahah I WISH
Why would he switch to a video camera when he owns a cinema camera?
@@goneloco5793 the burano is not a cine cam?
I am indeed, a legend. 😂
you made it!! haha awesome
Switch to Arri Alexa 35 bro 🤪
😂😂 if I had unlimited money
the model is video is fit
Crazy fit 😮
You switched to RED. great for you. I'll stick with Sony. By next year RED will have dropped the Komoto while Sony will still be supporting the FX series. And you just lost you XLR inputs 😅
We filmmaker have a dedicated sound guy doing our sound. But I'll grab a Sony anytime I want video
she bad
Enjoy your Nikon.
We all do. All 16 stops of DR and global shutter with a beautiful image and color science only an ARRI can compare. And now we have the support of a company established over 100 years ago. With excellent costumer service.
ohhh noooooooooo 🤣
it's happening hahah. Only cos I didn't go to NY ;) so i switched
So can I have your fx6 ? 😊😂😂😂 I’ll sell my fx30 if I get one
haha keeping the FX6
@@JasonMorrisphotocinema lol all good, keep killin it and that’ll probably be my next purchase after my deployment
thinking of investing in a burano and just saying fvck it
I wish I could spend that kind of money. That camera is the sauce but there is a threshold of how much I want to spend
@@JasonMorrisphotocinema fax… as an FX6 user this new $25,000 option should only be the move if my business is making upwards of $200-$300,000 …. I’ve been really keen to watching you from the a 6100 days and have progressed my kit as my learning and client base grows
Overall, probably going to rock with the FX6 for at least another year
For 5k more get the raptor x. And you get cinematic image. I used the burano, very videoish. Only Venice compares to red
"I Switched from Sony to RED".....2:06 "I'm still staying with Sony..." Definitely Clickbait(ish) 🤔
It kinda is for sure. But I explained my reasons
Thats bait
If anyone wants to sell their fx6 to buy a red let me know 😂
😂😂
Sorry am anti-anthing RED !
oh? how come?
Stick to anything but Red if you want video. Buy red if you want to make motion pictures
I’d rather have a blue camera tbh..
😂
wow when you guys advertise sony you say its the best almost no difference between a $2500 camera and $100k arri alexa. But when you switch suddenly sony looks trash and cant be compared to red. lol so done with lame youtube switching and no genuine content. I predit u will soon leave youtube like matti and other youtubers, sick of selling the brands and no real art.
I find it hard to support RED when they’ve held the industry back with their stupid patent.
i agree. it is horrible and I cannot wait for it to end
lol shooting porn with an expensive camera 🤭 half kidding lol
Will you miss ISO performance and AF of Sony?
Lol. Nah not at all. I light all my scenes so I don’t use ISO. Only my freelance work is where I may need to use dual iso for run and gun work but that’s where I’ve kept the FX6 and alpha cameras
Porn, guy must be a puritan
But a week ago you told everyone not to switch from Sony