El pequeño Dominic, "Noodles" (David Aaronson), "Max" (Maximilian Bercovicz), "Patsy" (Patrick Goldberg), "Cockeye" (Philip Stein) & Moe "Fat" en los 20's de Nueva York. ¡Larga vida al cine!
Victor Palomino Flores This film was based on the book "The Hoods". In that book, "Patsy" too was Italian (not Jewish). So, the gang was: 3 Jews, 2 Italians. This was possible, because the Jewish and Italian neighborhoods in Lower Manhattan did border each other.
Deborah is never old in this movie, even at the end. She's like a statue, an eternal beauty. So her age has no importance, especially for Noodles which is always in love with the young Deborah. She's a pure fantasm, maybe an old memory recreated by Noodles himself in the opium factory.
Тhis mоviеее is nоw availаblе tо wаtссh hеre => twitter.com/4a9f364d5d0f1a072/status/795841900771057664 Оncссе Upon a ТТTТimе in Аmееeеriса Song of sоngs Subtitulаda
Well... he just got out of jail and he has prepared an incredible date for her... She allows herself to be flattered by him without telling him anything about his plans. The ending he wants for the date is the normal one for these cases and it is when he has to realize that she rejects him and tells him her true plan, leaving him wanting. Possibly he has been waiting for this day in jail for so long that in the end he does what he does. Out of frustration?...
@@Dalucorz Noodles is a man-monster, a result of his environment, his times, struggles and sacrifices, conditioned to believe (through successive instances of loss, violence, humiliation, David-versus-Goliath scenarios and close encounters with death) that the only way to succeed and get what you want in life is to trample over everything and everyone, including lovers and friends and ruthlessly move forward, towards survival, towards “The American Dream”. He loses all sense of nuance, sensibility, love, piety, care. By the middle of his life, the only good thing that's left intact deep inside his subconscious is that first desire left unsatisfied, that "green light"(Gatsby), that divine-like beauty or flame that he never could completely seize - Deb. He sees her as fountain of happiness that he must drink from and be purified by it. To have her would be proof he amounted to something, that he succeeded in life, that he had become worthy of her and was not just another “bum”(Rocky), even if he didn’t have anything else but her in his life. But she always seems to be and go out where he can’t reach. She’s on a never-ending race as well, «for the top» and he knows he can’t be there with her. He's had and lost everything but he’s never had her (except for that single second when they kissed). She stands for the early days of art, peace, beauty, calm distance, childhood, peeping and flirting, no-crime, happiness, hope, the American dream (not the Nightmare) and later, as an adult, he longs to go back to those days, change his present and past and change the course of his life. He looks at her and sees that door, that chance, that human-time machine that could redeem him if only he could have her. But by then he has been through Hell and back (prison, murder, treason, et cetera) and has become more animal than man, so he can't control his desires anymore, his hunger (I always compare this with the scene when young Patsy CANNOT HELP HIMSELF and chooses to immediately devour the cake instead of CONTROLING HIMSELF for a few minutes and trading it for the greater pleasure of sex with Peggy - they are the sons of poverty and starvation, they are dominated by their appetites) for redemption, for love. He applies to her the same violence, voracity and urgency he's learned to apply to his gangster friends, "his" women who love gangsters and fear them at the same time. That gangster persona, that allowed him to succeed inside the American Nightmare, has usurped him, it's the only thing he has left. The child-self of him that she liked is gone. Violence is the only thing he can offer her (as an adult, not as a child or an old man) and through violence/rape he must have her at last. He can't wait anymore, he must have his way. From a character arc/writing perspective, it’s an almost inevitable scene.
The best Movie of the time. Merci Sergio Leone and Enid Morricone. 🥀🌉🌉🌇🌃🌃
Hermosas palabras de un hombre enamorado ❤
Best soundtrack and movie. AMAZING. 😊👌
Один из лучших фильмов в моей жизни!
Filme maravilhoso e inesquecível sem palavras apaixonante
Once Upon A Time In America is the best movie of all times.It reminds me of some memorable moment of my life.
Same.
what an insight! makes me think of my youth too....
Fu*k you clown
@@josemourinho5600 mind the dog might you
La película mas bella de todos los tiempos
So moving.
Beautiful
El pequeño Dominic, "Noodles" (David Aaronson), "Max" (Maximilian Bercovicz), "Patsy" (Patrick Goldberg), "Cockeye" (Philip Stein) & Moe "Fat" en los 20's de Nueva York. ¡Larga vida al cine!
Victor Palomino Flores This film was based on the book "The Hoods". In that book, "Patsy" too was Italian (not Jewish). So, the gang was: 3 Jews, 2 Italians. This was possible, because the Jewish and Italian neighborhoods in Lower Manhattan did border each other.
Lady Cora Crawley... Dontown Abby
He's 40 here and she is 22 . They are supposed to be the same age.
I don't think that matters.
Deborah is never old in this movie, even at the end. She's like a statue, an eternal beauty. So her age has no importance, especially for Noodles which is always in love with the young Deborah. She's a pure fantasm, maybe an old memory recreated by Noodles himself in the opium factory.
What do you mean idiot?
CAPOLAVORO 👍👍👍👍
отличная работа
Тhis mоviеее is nоw availаblе tо wаtссh hеre => twitter.com/4a9f364d5d0f1a072/status/795841900771057664 Оncссе Upon a ТТTТimе in Аmееeеriса Song of sоngs Subtitulаda
He know she'll never be a virgin in Hollywood so he said I'll be the first
Well... he just got out of jail and he has prepared an incredible date for her... She allows herself to be flattered by him without telling him anything about his plans. The ending he wants for the date is the normal one for these cases and it is when he has to realize that she rejects him and tells him her true plan, leaving him wanting. Possibly he has been waiting for this day in jail for so long that in the end he does what he does. Out of frustration?...
@@Dalucorz Noodles is a man-monster, a result of his environment, his times, struggles and sacrifices, conditioned to believe (through successive instances of loss, violence, humiliation, David-versus-Goliath scenarios and close encounters with death) that the only way to succeed and get what you want in life is to trample over everything and everyone, including lovers and friends and ruthlessly move forward, towards survival, towards “The American Dream”.
He loses all sense of nuance, sensibility, love, piety, care. By the middle of his life, the only good thing that's left intact deep inside his subconscious is that first desire left unsatisfied, that "green light"(Gatsby), that divine-like beauty or flame that he never could completely seize - Deb. He sees her as fountain of happiness that he must drink from and be purified by it. To have her would be proof he amounted to something, that he succeeded in life, that he had become worthy of her and was not just another “bum”(Rocky), even if he didn’t have anything else but her in his life. But she always seems to be and go out where he can’t reach. She’s on a never-ending race as well, «for the top» and he knows he can’t be there with her.
He's had and lost everything but he’s never had her (except for that single second when they kissed). She stands for the early days of art, peace, beauty, calm distance, childhood, peeping and flirting, no-crime, happiness, hope, the American dream (not the Nightmare) and later, as an adult, he longs to go back to those days, change his present and past and change the course of his life. He looks at her and sees that door, that chance, that human-time machine that could redeem him if only he could have her.
But by then he has been through Hell and back (prison, murder, treason, et cetera) and has become more animal than man, so he can't control his desires anymore, his hunger (I always compare this with the scene when young Patsy CANNOT HELP HIMSELF and chooses to immediately devour the cake instead of CONTROLING HIMSELF for a few minutes and trading it for the greater pleasure of sex with Peggy - they are the sons of poverty and starvation, they are dominated by their appetites) for redemption, for love.
He applies to her the same violence, voracity and urgency he's learned to apply to his gangster friends, "his" women who love gangsters and fear them at the same time. That gangster persona, that allowed him to succeed inside the American Nightmare, has usurped him, it's the only thing he has left. The child-self of him that she liked is gone. Violence is the only thing he can offer her (as an adult, not as a child or an old man) and through violence/rape he must have her at last. He can't wait anymore, he must have his way.
From a character arc/writing perspective, it’s an almost inevitable scene.
@@Dalucorzdude seek help, you're apologizing for a rapist.
No way man!
All actions, good or bad, have a trigger. I'm just trying to get into the character's psyche.