I agree....for so long Adobe ( for me in PS ) seemed to make changes for the sake of change and breaking things in the process....I can use these new features.
Thank you! What a cool and useful new feature! It will be particularly helpful with my real estate photographs... lots of color casts to deal with in those.
Hello Collins, Jose from Puerto Rico. This is definitely a game changing feature. You have such great control now and not mentioning combining this power with what Photoshop can offer too. This is a powerhouse combo if you ask me. Thanks for the video.
Very good, and as always, Adobe (and then very soon after; Colin) give me an easier way to do something I've just done the hard way on a recent project. Noted though, this will be a lot quicker and slicker next time. Thanks!
So it's like a souped up Hue/Saturation adjustment layer, but with a bit more control of targeting a colour range than we have with the colour bars at the bottom of a Hue/sat layer?
Great video thanks!!! Using your example, is there a way to use this tool to affect only the color cast on the camera and leave the other spattering's of the same color elsewhere in the pic alone? An "exclusion" so to speak? I still wish LR would allow this in depth level of color control within their MASKING tools.
I am developing my skills at making composite images. Often, one or more images in the composite needs adjustment to make the direction and intensity of the lighting the same throughout the image. I expect using what I learned from your video will help greatly in this process!
This may be a dumb question, but isn’t this something you could always do with a hue/sat adjustment layer and a mask in PS? I’ve seen several videos expounding the benefits of this new feature. Is it beneficial because you can now do this in LR?
Not a dumb question. You’re right, the Photoshop Hue/Saturation adjustment layer has had targeted ranges with feathered falloff for many years. And you’re right that the main benefit of this is that it’s now available in the Adobe raw editors too (Lightroom and Camera Raw). One more reason it might have been added: The Capture One raw processor has had a feature like this for a while, and people were using it as evidence that Capture One is better. So Adobe might have added this to reduce defections to Capture One and keep them in Lightroom.
Useful content clearly illustrated and presented. Will explore in LR, for sure. BTW, Brownie camera brought back memories. Didn’t it use 120 or 220 film?
Actually, I am kind of surprised, that nobody talks about this feature in relation to Masks - because it is available there too - and it is even more useful there IMHO.
Yeah the whole time I was watching this, I was wondering why one doesn't just use the Color Range mask option that's been available for a while. Is there some benefit to this point color that Color Range mask doesn't have?
Or we could just fix the lighting before taking the photo. However, it will be really handy for fixing bad LED lighting at music gigs and concerts. It certainly does a better job than the method I have been using, which can be a bit hit and miss and not as selective.
I wasn’t specifically referring to your example, but people do spend lots of time using AI and Photoshop to fix things that should have been easily avoided in the shoot. Mind you, at some small music gigs I have asked them to change the lighting and told them what I want, and they actually do it, because they are sound engineers not lighting designers or photographers.
yeah.. but lightroom is really slow now.. even with a fresh new catalogue.. an m.2 nvme.. ryzen 3600.. and a 32gb ddr4 ram.. its simply felt sluggish..
My issue with this is that sure, you get quick wins like this fast, but if you want perfect, it will require a lot more tinkering, to the point where you lose track eventually (at least for me). The final result of this is that you have a clear line between the area that was blue and the one that was pink. It's a great tool, but it's just not as easy to get good results as claimed in this video.
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![[LIVE] : ONE ลุมพินี 86 | คู่เอก "คมเพชร vs ชาติพยัคฆ์"](http://i.ytimg.com/vi/m3q_dRYDuU8/mqdefault.jpg)
This is a game changer for fluorescent contamination! 🙌
great tutorial... almost 2 years without "to touch Lr" and you have great videos about it ! ...BIG thanx !!
Excellent for mixed white balance too. Thank you!
Thanks Colin. At last! Adobe is back to making changes that really make a difference to photographers. It's long overdue but very welcome ! 😀
I agree....for so long Adobe ( for me in PS ) seemed to make changes for the sake of change and breaking things in the process....I can use these new features.
It couldn't even be better explained.
Greetings from Portugal.
Another great video by the great Colin Smith! Thank you, Colin! 🙏
Glad you enjoyed it!
Beautiful presentation of your thoughts. Thank you.
Thanks, it worked great in bringing out the orange colors in fall aspens while darkening the green in the background.
Yay, glad to hear it
I do like this new feature and this is the best explanation I've seen - thank you for that!
Glad it was helpful!
Feature is great. It can be used in different areas. Thanks, Colin.
Great tutorial to get us up to speed!!
I love the new feature but wasn't aware you could open up more settings until i saw this. This will definitely help!
Thank you for that great video! That's a really powerful option! But the best thing is, that we have it in the masking tool too!
This is absolutely amazing. Correct color casts so easily! And so easy to remember. Thanks Collin.
You're welcome
Excellent tutorial 👌👌👌
Such a powerful new tool. Thanks for showing us practical ways to use it!
Glad to help
Thank you! What a cool and useful new feature! It will be particularly helpful with my real estate photographs... lots of color casts to deal with in those.
Glad it was helpful!
Thanks, awesome explanation.
you did a great job on this one. You have the best tutorial on this tool I have seen so far. Thanks
Wow, thanks!
Great presentation! Thank you!
Thanks
Thanks ..does this make color adjustment in the curves panel redundant please ?
Great video. I’m now thinking about how I might be able use this technique to restore old photos where the colour has bled on the prints.
Definitely a nice addition. Basically HSL with more control. And I’m pretty sure you can finally control HSL in masks with it.
Yes! It works in masks
Great addition from Adobe. Think it is worth pointing out again that it works with masking as well.
yup
I am going to love this new feature, if and when I finally master it...this is just short of revolutionary.
It's a very useful feature
Hello Collins, Jose from Puerto Rico. This is definitely a game changing feature. You have such great control now and not mentioning combining this power with what Photoshop can offer too. This is a powerhouse combo if you ask me. Thanks for the video.
you're welcome
Thank you for your videos!
Thanks Colin, very well explained and a feature I wouldn't necessarily have found without your video.
yay
Excellent again!
Excellent tutorial! I already have a few images in mind that I can play with to try it out.
Have fun!
Very good, and as always, Adobe (and then very soon after; Colin) give me an easier way to do something I've just done the hard way on a recent project. Noted though, this will be a lot quicker and slicker next time. Thanks!
So it's like a souped up Hue/Saturation adjustment layer, but with a bit more control of targeting a colour range than we have with the colour bars at the bottom of a Hue/sat layer?
Great video thanks!!! Using your example, is there a way to use this tool to affect only the color cast on the camera and leave the other spattering's of the same color elsewhere in the pic alone? An "exclusion" so to speak? I still wish LR would allow this in depth level of color control within their MASKING tools.
Yes, make a mask over the camera and apply it to the mask
@@photoshopcafe Yes but you don't have that level of color control when using a mask.
Black and white would be my choice - or just live with the color as it is. Having said that, very cleverly done.
That was great. I am not seeing the subscribe button but I did get notified so I must be subscribed.
so what's the difference betwin this new feature and a color range mask?
This is a great feature. Is it any different than what I can already do in capture one?
I don't know, I don't use C1
cool feature, will give it a go.
I really love your videos and your way to explain it! Great job!
Thanks so much!
Amazing!
This is going to be one of the most helpful additions to Photoshop in a long time!!!!!!!
Wonderful explanation on this new tool.
Can we see a video using the same technique but using a mask
Awesome❣️
Why was the green dresses unaffected?
Colin great video! Can you first apply a mask to restrict the area that you’re working in?
I am developing my skills at making composite images. Often, one or more images in the composite needs adjustment to make the direction and intensity of the lighting the same throughout the image. I expect using what I learned from your video will help greatly in this process!
For those of us who do astrophotography, this could be a killer feature. The simplicity it provides is especially welcome.
This may be a dumb question, but isn’t this something you could always do with a hue/sat adjustment layer and a mask in PS? I’ve seen several videos expounding the benefits of this new feature. Is it beneficial because you can now do this in LR?
To an extent. But this now works in masks too
Not a dumb question. You’re right, the Photoshop Hue/Saturation adjustment layer has had targeted ranges with feathered falloff for many years. And you’re right that the main benefit of this is that it’s now available in the Adobe raw editors too (Lightroom and Camera Raw).
One more reason it might have been added: The Capture One raw processor has had a feature like this for a while, and people were using it as evidence that Capture One is better. So Adobe might have added this to reduce defections to Capture One and keep them in Lightroom.
Useful content clearly illustrated and presented. Will explore in LR, for sure. BTW, Brownie camera brought back memories. Didn’t it use 120 or 220 film?
Thanks!
I still have the Brownie that Santa Claus brought me when I was 12. I believe that it used 110 film, but that was a LOT of years ago. LOL
Looks good
It's also at our disposition in the mask tool
What’s that white powder on the silver tray 😅
Thank you Colin for an other helpful video. Nevertheless you haven't mentioned the very best about this new feature: It works within masks!
just the job, makes life easier
informative video
I just brush the effect on with a mask. No guesswork with the Luminance range etc.
Actually, I am kind of surprised, that nobody talks about this feature in relation to Masks - because it is available there too - and it is even more useful there IMHO.
@jkost talks about it in her video
Yeah the whole time I was watching this, I was wondering why one doesn't just use the Color Range mask option that's been available for a while. Is there some benefit to this point color that Color Range mask doesn't have?
Been a forever feature in C1. What took Adobe so long?
Confusing comment. They are different apps.
I'm sure there are plenty of features LR has had forever that C1 doesn't have.
So Adobe added this in 10/2023 while CaptureOne had like 10 years ago?
This is kind of like the "skin tone" editor in C1.
This could be even more useful if you could manually draw a mask to include or exclude image areas.
My first camera ($3.95). I still have it!
Or we could just fix the lighting before taking the photo. However, it will be really handy for fixing bad LED lighting at music gigs and concerts. It certainly does a better job than the method I have been using, which can be a bit hit and miss and not as selective.
I’d love to hear how you would have fixed the lighting at this public exhibit where I shot the camera ;)
I wasn’t specifically referring to your example, but people do spend lots of time using AI and Photoshop to fix things that should have been easily avoided in the shoot. Mind you, at some small music gigs I have asked them to change the lighting and told them what I want, and they actually do it, because they are sound engineers not lighting designers or photographers.
The only new feature I'd like from adobe is optimization. That piece of sofware is a hog that becomes unusable every time I add a mask.
Is this available in masks as well? Could be a nice way to remove CAs without disturbing similar colors in an image.
Yes, absolutely
yeah.. but lightroom is really slow now.. even with a fresh new catalogue.. an m.2 nvme.. ryzen 3600.. and a 32gb ddr4 ram.. its simply felt sluggish..
My issue with this is that sure, you get quick wins like this fast, but if you want perfect, it will require a lot more tinkering, to the point where you lose track eventually (at least for me). The final result of this is that you have a clear line between the area that was blue and the one that was pink. It's a great tool, but it's just not as easy to get good results as claimed in this video.
LR is becoming more and more complicated. It will soon rival PS in its complexity!
Not Photography ! - Graphic Design !
Please please please sir i give you some reply to you give you some more vedios shortcut key to create a image. Jpg I give you some more than👍 this chennel on now