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- เผยแพร่เมื่อ 18 ส.ค. 2024
- By popular demand... a quick run-through of the green screen workflow used on my earlier technical experiment that just grew… using the Bond Meets Q Promo from Skyfall (2012) Sony Pictures.
Oh Oh 8K - • Oh Oh 8K
Above NYC clip (Filmed in 12K) - courtesy of Phil Holland - www.phfx.com
Thank you Phil.
Equipment used:
My old (2017) MacBook Pro
Apple - Final Cut Pro X
Adobe - Photoshop
Pixel Film Studios - Auto Tracker 2.2
Some green cloth
A week in lockdown
Thanks for watching.
Adding one tip for you all. An adjustment layer with light film grain is a great way to blend the finished frame of these types of green screen. (I’d try that before adding a slight blur. Film grain is the great unifier)
Good point David... that would definitely be a better option. Thank you. 👍
@@extrashot give it a try. The grain really is a great help to creating a seamless image.
Man your vids make my day a little lighter i love it
That's good to hear... thank you!
Enormous patience and attention to detail as always bro. Incredible!
Hey Bro... thank you.
Epic. And the insights into the workflow are much appreciated.
Thank you... really appreciate that! 👍
You are a living god sir !
You don't realise how much stick I get from my wife if she reads your comments Robin. Please stop. 😂😂😂
Stunned for words! Applauding to you sir 👏👏👏
Too kind.... but thank you Andreas👍
Very creative Paul! Nice job and amazing patience!👏🏾👍🏾🙏🏾
Not so much patience as a long lockdown! Cheers Eugene
For the first time i understand everything learning fast. What a work 2 do. Ik really respect al your work and afford to do this. Lovely job and i had again something lovely to watch. Greetings
Greetings from Bournemouth, and thank you. Great to hear it helps. 👍
Brilliant work - you have the patience of a saint too! Every time I do a green screen project, no matter how small, I learn something new, especially when it comes to getting the cleanest key you can (I winced at the creases in your fabric - more work!). One thing I'm beginning to realise is that if you are doing a 25fps project, shoot in 50fps if using a 180 shutter angle, as motion blur can hurt the key as well. And if someone turns up with straggly, curly hair and black rimmed glasses, be prepared for some extra post time! 😄
You're right Steve... I should have taken more care with the creases. Thing is, I knew I would have to cut a matte tightly around each shot anyway, so I got a bit lazy! Good tip about the 50P... especially if there's much movement. That would have helped a lot. Thank you. 👍
Fantastic. Great video and great explanation here as well. You've inspired me to try something similar. Thanks, Paul!
One of my favorite channel on TH-cam ! Thanks !
Fantastic, thank you for made this making of
... and thank you for the comment. Much appreciated.
Thanks for sharing!
8:37.. Oh we really need James Bond in real life :))
Teacher! It is very pleasant to see a good presentation (a script perfectly interpreted by the scriptwriter), in addition to learning, it is very entertaining to watch and listen to.
Maestro! es muy agradable de ver una buena presentación ( un guion perfectamente interpretado por el guionista), ademas de aprender es muy entrenido de ver y escuchar.
wow... thank you!
Always great
Thank you for sharing this!!
You're welcome... and thank you.
Excellent!
Thanks Jason
So Good this video, a lots of good & advance video tips you share. Thank you.
And thank you Leo for another kind comment... it's appreciated.
Amazing work and skills ..
Thank you... hope it's useful
Fun stuff. Hope you're well.
All good thanks... hope you're doing well too Matt. 👍
Green screen and focus, I've also learned this lesson the hard way
I love this! It's so interesting to explore what you can do!
Thank you... amazing what's possible with cloth and a laptop!
Excelent!!!
Cheers, 👍
nice!
Cheers, 👍
Izotope RX would help with the audio as you can remove certain parts of the audio - including vocals - with master rebalance. Great walkthrough!
Fascinating. Agreed - it is a brave new world . What used to take weeks and cost thousands can now be done in one's kitchen. Thanks for all your hard work and clever insights.
I must say, though, that your opening Aston Martin comp, while very, very close, is not quite as successful as the others. I'd darken your face and torso at least a half stop. : )
You know... you're right. I agonised over the exposure on that opening. Trouble is... if you stare at something for too long! 😂
@@extrashotBesides the very slight over exposure, what caught my eye was the highlight right in front of your ear, the rim light on your right arm and the relatively hard-edged shadow of your legs on the tarmac. Comps are hard. I did green screen back when it was blue screen. :)
Whatever. Loving your shows.
It seems to me, DaVinci Resolve would have been a far etter software for the job.
Thank you for sharing this. Both videos were good.
I felt a bit of difference in the color and sound. James looked colder(less yellow), greener (less magenta), and a bit less sharpened. His voice was a bit dull, low, and convincing. It sounded like he was in a large room and the mic was over his head (thus duller), while yours mic was in front of you, but farther away (thus toned higher frequency and extra sounds from your mouth) in a small room (a bit of echo).
All valid points... my excuse is I'm pushing the limits of my poor monitor and rubbish speakers. A bad workman etc !😂
@@extrashot Thank you. This was still very impressive. I would not be able to edit like this with my semi-pro monitor. :)