This is another example of his great voice and technique. This really is second place because his _A te o cara_ is like no one else's. Technically, it is perfect. The high notes and breath-control are gifts that were the foundation of his many talents. If his talent with the double-bass is on the level of his singing ... ?
È una pazzia far confronti questo o quello è più bravo di un'altro, qui SABBATINI è dal vivo in concerto e con tanta facilità arriva al do alto ben lanciato e tenuto facendo una piroetta su se stesso, un do. di alto spessore per intensità e brillantezza, certamente non ha nulla da invidiare ai PAVAROTTI, KRAUS, FLORES... SABBATINI era così agli inizi carriera e ha mantenuto le stesse performance fino alla fine, le sue "A TE O CARA... CHE GELIDA MANINA.... SALUT DEMEURE... (dove fa un diminuendo sul do acuto da pazzia) reggono il confronto eccome ai grandi sopra citati. Non riesco a capire il perché non abbia avuto la stessa notorietà di altri tanto osannati ma meno dotati vocalmente e tecnicamente nel repertorio puramente lirico(DOMINGO.. CARRERAS) senza nulla togliere alla loro brillante carriera . Il mio parere non conta nulla, ma è giusto dare il giusto tributo ad un artista ed ad una voce poco celebrata..
Sabbatini de los mejores tenores que he escuchado y no entiendo cómo fué que no alcanzó la fama que otros si pudieron, escucharlo a él es increíble siempre está cantando con su hermosa voz , hay algunos que se nota que en vez de cantar gritan , vocean.
Sabbatini fut en effet un excellent ténor, mais je pense que son physique du type "Méphistophélès", à malheureusement joué contre lui, surtout au moment ou l'image à pris le pas sur le pur talent, et c'est vraiment dommage, car il méritait bien mieux.
As he was singing this, and magnificently he was, I thought maybe this role was too lyric for his voice. What a fabulous instrument. Then I read how he is suffering now. What a shame as that was wonderful!
exelente tenor... versatil...tecnica muy buena timbre muy hermoso buen ataque del agudo. para que hablar del apoyo .. y el diafragma como lo maneja .. les recomiendo escuchar su interpretacion de salut demeure chaste et pure .. como saca un pianissimo despues del agudo.. .. y canta de donizetti a puccini.. callaito ""sin alarde de la mercadotecnia que revienta cantantes en este ambiente.
Pavarotti could not sing the C when he grew older... I have 2 videos where he sings lower than C. La boheme and Il trovatore... B natural... I like his voice better though, when he is older. Color is more beautiful then... Sabbatini is great ...
Can anyone explain how a tenor with such sterling qualities didn't become as famous as others with lesser qualities? He was a good looking devil and sang like an angel. Has he stopped singing to switch to conducting? So many singers are here today and gone tomorrow.
From this song, you could sense some of early trace of using too much voice box instead of using body. The continued stress to the vocal cord over time shortened the longevity of beautiful singing.
@@SuperJasonable How ignorant! Nobody can sing a do filato without an excellent technique, singing sul fiato. Sabbatini is an extraordinarily talented man, with a solid musical background who always dreamead about conducting and saw singing as a shortcut to it. He is now conducting and helping young singers with his expertise of singing and can still sing very well. You can find an interview from 1997, barely ten years after his debut, where he states that his goal was conducting and that he would do that in more ten years, i.e., 2007, precisely the year of his retirement. His only defect is not his fault: he lacks a beautiful timbre in my opinion. Otherwise, what an artist! And what a serious and prepared professional! He sang his repertoire, never tried to sing roles which didn't suit his voice.
Here is a FULL Lyric Tenor (Gedda was another) who could sing this style of music (At least how it is usually sung nowadays). Florez is certainly a contender & I did hear his Carnegie Hall debut but besides his remarkable high voice, I found that there was little to interest me in his singing. Perhaps I should see & hear him in comic opera. There maybe he shows more dramatic personality. I have no idea of this factor in regards Sabbatini OR how he if istill singing these days (2016) but his FAUST aria is certainly right up there with Björling, Di Stefano, & Gedda with an even better dimuendo, for whatever thats worth.
Vous exagéré, quand on connait cet opéra, on comprend tout !... Sabbatini est un excellent ténor pas assez connu du grand public. Il a fait une très belle carrière.
@@l.roffare7605 мне тоже не нравится. Все это очень хорошо разрекламировано. Послушайте вот это th-cam.com/video/Xg0BxsYueIM/w-d-xo.html. Здесь все слышно - и юношеский восторг и полковая музыка в тему. А в данном ролике все размазано. Да и голос не фонтан. Красок маловато.
@user-my7ch6jl6j :: Your video suggestion ... the tenor (r.a.) does not have the high, crystal-clarity of Sabbatini. r.a's upper-voice is cloudy on a rainy day.
![เปิด อาณาจักร หมื่นล้าน "สาระตั้ม" l [Nickynachat]](http://i.ytimg.com/vi/3XE0nPF4YkQ/mqdefault.jpg)
The best
This is another example of his great voice and technique. This really is second place because his _A te o cara_ is like no one else's. Technically, it is perfect. The high notes and breath-control are gifts that were the foundation of his many talents. If his talent with the double-bass is on the level of his singing ... ?
È una pazzia far confronti questo o quello è più bravo di un'altro, qui SABBATINI è dal vivo in concerto e con tanta facilità arriva al do alto ben lanciato e tenuto facendo una piroetta su se stesso, un do. di alto spessore per intensità e brillantezza, certamente non ha nulla da invidiare ai PAVAROTTI, KRAUS, FLORES... SABBATINI era così agli inizi carriera e ha mantenuto le stesse performance fino alla fine, le sue "A TE O CARA... CHE GELIDA MANINA.... SALUT DEMEURE... (dove fa un diminuendo sul do acuto da pazzia) reggono il confronto eccome ai grandi sopra citati. Non riesco a capire il perché non abbia avuto la stessa notorietà di altri tanto osannati ma meno dotati vocalmente e tecnicamente nel repertorio puramente lirico(DOMINGO.. CARRERAS) senza nulla togliere alla loro brillante carriera . Il mio parere non conta nulla, ma è giusto dare il giusto tributo ad un artista ed ad una voce poco celebrata..
Fu un eccellente tenore che meritò la fama di quanta ne aveva ricevuta. He was an excellent tenor that deserved for fame than he had received.
Pienamente d' accordo con lei!!
Gran tenor de perfecto control del fiato, y del diafragma.
bravo
Sabbatini had it all ! The voice , the looks, the musicianship yet he never exploded as a Star tenor.
I agree, and he had a wide repertoire of operas.
Perche' aveva un timbro ordinario e nessun fascino personale.
PERFEKT❤
Thanks for watching! Happy Holidays.
Sabbatini de los mejores tenores que he escuchado y no entiendo cómo fué que no alcanzó la fama que otros si pudieron, escucharlo a él es increíble siempre está cantando con su hermosa voz , hay algunos que se nota que en vez de cantar gritan , vocean.
Sabbatini fut en effet un excellent ténor, mais je pense que son physique du type "Méphistophélès", à malheureusement joué contre lui, surtout au moment ou l'image à pris le pas sur le pur talent, et c'est vraiment dommage, car il méritait bien mieux.
Unbelievably wonderful, and gorgeous to boot!!
Bravooooooo!!!!!
Bravissimo artista. Nadia Rossi Rovigo
Surpresa muito agradável. Somente tecnica vocal excelente permitem tal interpretação,aliada à bonita voz.
as you say, 'what a performance'. wonderful stuff. thank you.
My Goodness!!!!
Perfection.Thank you for posting•♫♪ ॐ¸¸.•*¨*•♫
Bravoooooooooooo
Great singing!
That high C is amazing
10 seconds
Wooooooow!!!
Bravo 👍
As he was singing this, and magnificently he was, I thought maybe this role was too lyric for his voice. What a fabulous instrument. Then I read how he is suffering now. What a shame as that was wonderful!
exelente tenor... versatil...tecnica muy buena timbre muy hermoso buen ataque del agudo. para que hablar del apoyo .. y el diafragma como lo maneja .. les recomiendo escuchar su interpretacion de salut demeure chaste et pure .. como saca un pianissimo despues del agudo.. .. y canta de donizetti a puccini.. callaito ""sin alarde de la mercadotecnia que revienta cantantes en este ambiente.
Lo he escuchado cantar Salut Demeure más de veinte veces, y es una de las mejores grabaciones en vivo de ese aria. ¡Era un gran tenor!
@@operadog2000 para mi la mejor versión del aria de Faust....pletórico de voz...técnica ...facultades y gusto...PORTENTOSO.
Pavarotti has killed listening to anyone else attempting this piece....no one has ever or probably will ever come close.
Pavarotti was excelent...but Gedda and Kraus?
@@jesuschavez7686 Yes, brilliant Tenors....love them both. Pavarotti on that recording, in fact the whole Opera is flawless.
Pavarotti could not sing the C when he grew older... I have 2 videos where he sings lower than C. La boheme and Il trovatore... B natural... I like his voice better though, when he is older. Color is more beautiful then... Sabbatini is great ...
@@pavarotti744 " Pavarotti on that recording" but THIS IS A LIVE VIDEO.....
Ça c'est du contre-ut, mes amis !
Brilhou!
CHE POTENZA!!!
Grande tenore! Forse anche un po' sottovalutato
Fiato y calidad impresionantes
Era un cantante muy bueno que no es conocido por el público en general. He was a very fine singer who is not known by the general public.
Cierto operadog2000 las grandes maquinarias Publicitarias han dejado a tenores como el por fuera.
Pero su calidad es extraordinaria
Can anyone explain how a tenor with such sterling qualities didn't become as famous as others with lesser qualities? He was a good looking devil and sang like an angel. Has he stopped singing to switch to conducting? So many singers are here today and gone tomorrow.
From this song, you could sense some of early trace of using too much voice box instead of using body. The continued stress to the vocal cord over time shortened the longevity of beautiful singing.
@@SuperJasonable How ignorant! Nobody can sing a do filato without an excellent technique, singing sul fiato. Sabbatini is an extraordinarily talented man, with a solid musical background who always dreamead about conducting and saw singing as a shortcut to it. He is now conducting and helping young singers with his expertise of singing and can still sing very well. You can find an interview from 1997, barely ten years after his debut, where he states that his goal was conducting and that he would do that in more ten years, i.e., 2007, precisely the year of his retirement. His only defect is not his fault: he lacks a beautiful timbre in my opinion. Otherwise, what an artist! And what a serious and prepared professional! He sang his repertoire, never tried to sing roles which didn't suit his voice.
It’s not that his voice isn’t beautiful, his timbre is not distinctive enough, not immediately recognizable. Great singer, though.
@laddnyc And welcome for borrowing it and still not getting it.
APPLAUSI MERITATISSIMI.
Here is a FULL Lyric Tenor (Gedda was another) who could sing this style of music (At least how it is usually sung nowadays).
Florez is certainly a contender & I did hear his Carnegie Hall debut but besides his remarkable high voice, I found that there was little to interest me in his singing. Perhaps I should see & hear him in comic opera. There maybe he shows more
dramatic personality. I have no idea of this factor in regards Sabbatini OR how he if istill singing these days (2016) but his FAUST aria is certainly right up there with Björling, Di Stefano, & Gedda with an even better dimuendo, for whatever thats worth.
His diminuendo and pianissimo are unmatched. In Dom Sebastien I think he is the true "best of kings"!
@@carlodilauro3209 ist vh
what does it mean?@@gertrudhrazdjira6857
@@carlodilauro3209 and Werther as well
HERRVORAGEND
Este sr cantó con un tanque de oxígeno
Felicitaciones
El cantó con dos tanques de oxígeno.
dove e' questa magnifica voce?
Non ha fatto molti dischi. Era famoso in Europa. Ha una splendida voce.
Peccato che abbia smesso di cantare per dirigere abbiamo perso una grande voce
Es gibt 2.Arie in Finale,sie heisst "Romance".Sie ist anders geschrieben,als man singt.
Eat your heart out Juan Diego Florez!
bluechazzan I agree
Unfortunately, his voice really has been suffering and he currently sings nowhere near at this quality anymore
Purtroppo è come dice. E' stato un grande. Ora fa il direttore d'orchestra.
He's not even worth comparing to anyone who attempted to sing this!!!
La diction en français est très mauvaise 🥱🥱🥱 on ne comprend rien 😂😂😂
Vous exagéré, quand on connait cet opéra, on comprend tout !...
Sabbatini est un excellent ténor pas assez connu du grand public.
Il a fait une très belle carrière.
BAD
Сам ты ВАD…
Влад Дубровский Да уж, правильно, сам ты BAD!! Не понимаешь ни хрена в оперных голосах.
@@l.roffare7605 мне тоже не нравится. Все это очень хорошо разрекламировано. Послушайте вот это th-cam.com/video/Xg0BxsYueIM/w-d-xo.html. Здесь все слышно - и юношеский восторг и полковая музыка в тему. А в данном ролике все размазано. Да и голос не фонтан. Красок маловато.
@user-my7ch6jl6j :: Your video suggestion ... the tenor (r.a.) does not have the high, crystal-clarity of Sabbatini.
r.a's upper-voice is cloudy on a rainy day.