There are still greats teaching and singing. We still have people like Salvatore Fisichella and Saoia Hernández who can pass on the great tradition. Jack Livigni is a pupil of Fisichella and is currently doing work to pass on the knowledge of the golden age of singing.
I am so sorry to hear of his passing. His voice was glorious. But more than that he was a great human being. He seems so greatful for the applause, but no one was more worthy. Rest in peace Maestro.
Una delle migliori interpretazioni di nessun dorma, vocalità poderosa,regge la drammaticità del brano in maniera eccellente,molta empatia in chi lo ascolta
Giacomini is one of the most underrated tenors, at least here in America. His voice is the Rolls-Royce of the dramatic tenors, and my favorite. Such an intelligent, kind, and gracious man.
I completely agree with you! He was a contemporary of Pavarotti and, in my opinion, had the better voice. Of course, both are amazing tenors, so maybe I should rephrase and say that I preferred Giacomini's voice for many arias instead of saying that he had the better voice period🤣Anyways, his voice was just so...luscious. So rich and so deeply textured, but also incredibly bright! When he starts to sing, it's like a light from heaven shines into the concert hall, filled with purity and happiness!
@@Tennisisreallyfun Yes, I can tell what you mean! He holds his larynx low even in the high notes and directs the air to hit a full bodied nasal resonance- I can only imagine how it filled the room in a live concert hall with such a bright and wonderful tone!
Io ho avuto la fortuna di essere corista all'Arena di Verona negli anni 80. Mai sentita una voce drammatica cosi potente e generosa , con acuti impressionanti per una voce cosi grande e ricca di armonici. Grazie al cielo di averlo potuto ascoltare. Altri artisti hanno scimiottato il nessun dorma ma come lui più nesuno con quella intensità. Grazie Bepi. Conservo il tuo autografo come gemma preziosa. Maffei l.
Grazie Bepi. Ho cominciato assieme ad altri amici ad accompagnarti nei teatri veneti per le prime esibizioni concorso ( vedi Lonigo,Como ecc,ecc ) . Mi reputo fortunato. Lele Sturaro.
Egr. Lele, felice di essere in buona compagnia a testimoniare il giusto tributo artistico a questo personaggio che oltre ad essere la voce drammatica immensa più importante mai sentita, era anche persona altamente nobile per la sua umiltà, entrava in scena quasi chiedendo scusa per essere li a far tremare i timpani e i cuori. Voglio raccontare il mio primo incontro con il BEPI;.. Eravamo negli anni 80/82, quando venne da noi a Piacenza, con tutto il cast di Manon lescaut in scena a Brescia per alcune recite. Iniziò il concerto con il basso, poi mezzo soprano, baritono, di seguito il soprano lesuberante e brava GIANNA GALLI che fece crescere l'entusiasmo nel pubblico, venne il turno del BEPI, esordi con "Recondita armonia", gia alle prime note non credevamo cosa stesse succedendo, una immensità di voce invadeva la sala, suoni armonici mai sentiti prima, la brunitura, il velluto, lo squillo negli alti da far tramortire, insomma alla fine della romanza scattammo tutti in piedi, senbravamo impazziti dall'entusiasmo. Sembrava di essere trasportati su di un'astronave fuori dal mondo. Non sto qui a raccontare poi cosa divenne il teatro alla fine del concerto, senza nulla togliere agli altri bravi artisti, quella fu la serata con il marchio del grande GIACOMINI. IL destino volle che le nostre strade si incontrassero in Arena di Verona dove ebbi la fortuna di essere in scena con lui per diversi anni a testimoniare i suoi trionfi serate memorabili, a GIACOMINI si alternavano altri pezzi da novanta, CECCHELE... MARTINUCCI... BONISOLLI... ecc..ecc...Bei ricordi indelebili che non avranno più riscontro. Per la sua semplicità, umiltà il BEPI non ha avuto la notorietà e i meriti artistici che si meritava, chi ha avuto la fortuna di ascoltarlo dal vivo, non può che confermare la mia testimonianza. Cordialità da un vecchio corista
Verdaderamente impresionante. No tiene su bello timbre de voz pero en esta aria, son dos Pavarotti y un Corelli. Y el que no se lo crea que escuche esta versión memorable,
Какие овации! Абсолютно заслуженные! Чистейший голос! Великолепное, мощное исполнение! И уважение к зрителю! Эталон оперного певца в самом широком понимании этого слова! Вечная память...
This is proper technique combined with artistic passion. Old School Italian (and Swedish/Italian) tonality, resonance and lack of laryngal stress leads a bravissimo performance! Perfection!
Could you explain me please what is the old school? I am beginner singer in church and want to know something about great technique of tenors.Thanks a lot.
What an absolutely marvellous version. Absolutely perfect. The rubbish we have had to listen to on ClassicFM and the ghastly tenors they play. I only found this tenor by chance about a month ago. Thank you so much for posting.
Giacomini really is a magnificent colossus, but I think you need to listen to more tenors, there are many wonderful tenors today. And yes, age is a problem, especially for tenors.
Age is no problem when you have good technique, Volpi, Loforese are examples. This tenor Giacomini was taught by Marcello DelMonaco who's brother is Mario Del Monaco.
To be fair he was not like any of the other tenors of his day either. There as only ever been one Giacomini . He is completely unique. He did of course age though. This was his prime .
I'm not going to defend today's singers, probably more so for their lack of singing ability than for their lack of voices. However, it is also worth noting that Giacomini was not for everyone's taste. His voice was not sweet and beautiful like a Pavarotti, Bjorling, Corelli, or Wunderlich. He also lacked a smooth lyrical singing style and was not a great or particularly interesting interpreter. Big power and ringing high notes are not the only things that make singers great.
I had never heard of Giacomini until last week when I stumbled on him in a TH-cam video. Not anyone I would have picked out of a crowd as being an opera singer, but what a glorious voice! Other tenors work hard to reach that high note, but Giacomini sails right up without seeming to labor. I must track down more recordings of him.
Il y en a beaucoup sur you tube, quand je pense qu'on a fait de Pavarotti par la force du marketing a outrance et quand j'écoute cet immense ténor je suis dégouté et désolé. Seul le Dieu Franco Corelli était au dessus du soleil 🌞🌞
Con él se acabaronu los grandes tenores dramáticos. Su voz es tan grande casi como su humildad como persona. Lo conocí y me impresionó como un tenor tan grande pudiera ser tan sencillo... Entraba en el teatro casi pidiendo perdón. Magnífico tenor y magnífica persona.
Это исполнение ведёт к горизонту и перешагивает через него в БЕССМЕРТИЕ! - Энрико Карузо, Марио Ланца, Лучано Паваротти....примут Джузеппе Джакомини в свои ряды, как одного из гениев вокала! Так должно быть! -- А живущим на этой бренной Земле остаётся наследство - не имеющей цены....
This is the downside of singing well into your later years. People forget just how incredible the prime years were. Yes, Giacomini was still a power house all the way into this century, but in the late 80s and 90s, no one was better. What a joy.
A truly brilliant artist. I was fortunate to meet him and hear him sing this many times over a period of weeks at the Kennedy Center in the early 90s in a production with Eva Marton. Because my late husband sang Timor, I could to sneak into the theater through the artists' entrance to hear him sing this at every performance. The supreme dramatic tenor technique and a very generous and kind colleague.
@@xxirapax8830 sì che ci sono stati anche altri. (Sono stato allievo di Corelli , per me il numero uno) Voglio dire però che in queste famose 10-12 arie per tenore drammatico Giacomini ha inciso o cantato dal vivo certe interpretzioni che non puoi valorizzarle come inferiori di nessuno! Puoi dire che ti tocca di piu Del Monaco nel "l anima ho stanca"' ma è difficile dire che la canta meglio! Per questo dico "non ha rivali" nel senso che non è inferiore. Ciao
@@HellasItalia4 ecco ha citato Corelli, numero uno assoluto anche per me. Intanto le dico che discutere di lirica civilmente è la cosa più bella che ci sia per me...quindi la ringrazio. Per quanto riguarda quello che ha detto, sono d'accordo Giacomini è stato un ottimo tenore drammatico. Ch'ella mi creda cantata da lui dal vivo la reputo una delle migliori per esempio. Se poi devo confrontarlo con Corelli, rimango dell'idea che Franco sia superiore in quanto mezzi vocali e interpretazione. Più completo probabilmente..ma stiamo parlando di grandissimi tenori. Avercene di Giacomini al giorno d'oggi..
This is the best singing from Giacomini from him that I have ever heard. The sound often fell back into his throat and was more baritonal than I prefer - but in this instance, the balance of warmth and brilliance seems perfect. Wow.
Все-таки ничто так не поддерживает, восстанавливает и вдохновляет, как прекрасное исполнение прекрасного произведения. Браво, маэстро, Вы украшали наш мир. 👏
Величайшее исполнение! Нет слов, чтобы описать восторги от услышанного! Кто эти 9 безумцев, которые поставили дизлайк! Джузеппе -Вы вершина вокального оперного исполнения! Bravo! Bravissimo Maestro!❤❤❤
It takes many years to build the laryngeal muscles up to this level of tonicity, to provide this sustained towering level of output & squillo. Because the voice is held at its full dynamic potential, - a dramatic voice can be variable when it isn't feeling 100%. Which is why Giuseppe feels so grateful that it all came together. A lyric voice like Pavarotti can be more uniform & consistent in performance, as much less is asked of it, dynamically. But a huge rich power packed dramatic voice, even standing two & a half feet to the side of the mic, has the kind of tonal punch that no amount of athleticism can equal in the smaller voice types. Bravo maestro.
I have yet to hear a greater Nessun Dorma than this. Twice! Even Corelli, Del Monaco and all the other top-rank ‘dramatic’ tenors of the day could not shine his shoes. His was an effortless, huge well-produced instrument, along with excellent musical instincts. Moreover, my friend sang along with him and told me he was a humble, classy, great colleague and highly intelligent who never got credit for all his personal and stage qualities. RIP Maestro Giacomini. I suggest anyone to listen to his interviews on You Tube. Even in his native Italian, his soft spoken voice betrayed his singing one, and I would never have imagined his immense stage sound hearing him speak. Same with Corelli and Del Monaco, whom also had soft speech in conversation.
En mi opinión no existe ni ha existido un tenor dramático con una calidad vocal como la de el,ni Mario del Monaco , ni Franco Corelli ni Domingo ni Vickers , por mencionar solo algunos se le acercan .
Я помню это выступление Джузеппе Джакомини в Большом Театре СССР! Я был рядом с певцом и наслаждался общением с ним! Это был мой второй год работы в Большом Театре!!!
MAGNIFIQUE! Que d'émotion en écoutant la splendide et puissante voix de Giuseppe GIACOMINI...Sa technique de chant est PARFAITE...Un ténor UNIQUE et IRREMPLACABLE!🙏
Quest'aria meravigliosa, è stata eseguita da( CANI E Porci), vocalmente e artisticamente parlando... Facendola diventare appannaggio per ogni cantante, lirico o chicchessia,.... Finalmente un vero interprete gli rende giustizia!!! Grazie Giuseppe Giacomini... Sicuramente uno degli ultimi grandi tenori!!!
I am a woman with a previous masculine history and an emigrations story. Years ago I sang as a dramatic or heldentenor in Germany. I studied with James King, Jerome Hines, Franco Corelli, and a few others along my path. Jon Vickers and Del Monaco I never got to study with, but admire their musical accomplishments and art. I learned something years ago Gigli did that Giacomini had on the evening of this performance. The key is to float a tone as big as a train. He is actually singing piano but it does not sound like it to the listener...only it is for the singer. To the audience it sounds like a train but for the singer, he is barely breaking a sweat. Bravo. Exactly right. One of the challenges as a singer is, if this is your kind of voice, you have to work with people like you, because the difference in size makes you stick out way to much for you to get regular work. That is critical to being heard earlier and longer and to learning. Sadly nobody teaches you how to use a canon of a voice. I credit a 40 second example and explanation I heard from a symposium Beniamino Gigli gave in the 50s with the secret of how it is done. I also had to repeat Nessun Dorma in a concert in Mönchengladbach where I had to sing it two times just as he did. What I love is that the 2nd time through the conductor picks up the tempo and Giuseppe floats his voice and it sails. He nailed it. Makes me feel good to see this here. I have only an audio recording of my repeat of the aria that evening. I share it with friends. This is a wonderful performance and caught on film. Singing like this is rarer than angel dust.
Thank you for this fantastic, insightful comment! First off, I'm excessively jealous of that list of teachers you studied with -- Wow! But as someone who has been dubbed a Helden in waiting, spending years trying to find the fit of my voice, your comments make complete and total sense. I have often remarked at how when it feels right, it hardly feels like anything at all. For years I would try to press the sound for largeness with diminishing returns, and by the time I realized how it is properly produced, the greatest revelation is how small it should feel within, while ringing the space outside. I'm only recently starting to feel comfortable in my sound production and am hoping to make a venture back into the opera realm. Your comment helps to solidify my concept of proper sound production for large voices. Much appreciated!
@@dmcg8400 There is no difference in sound production/technique for a large or smaller size voice. Obviously the end result sound different. I really cannot make much sense of what Claire above is saying at all, I can only guess what she is hinting at but I guess these kind of descriptions are always pretty personal. Perhaps large voices can get away with sloppy singing and therefore don't bother to learn the technique well and then they are surprised it doesn't require brute force. But to say Giacomini is singing piano is weird.
@@susandrakenviller3683 : No, it's just a matter of knowing what you're talking about, but that's okay. There is a different use of the instrument for larger voices. You get a different result when forcing the sound and there's a false sense of ease when the largest sounds are being produced. As the original comment says, it feels like a piano internally, but sounds like a train out in the space. It's a spot on representation of the technique for larger voices to produce a healthy, open, ringing sound. You're outnumbered in the opinion of actual heldentenors here, 2-0.
@@ThePeaceandgoodwill You read that incorrectly. I did speak with him about an offer made to me to sing Tristan. I was asked by a prominent KS in Germany to audition after they heard me sing Der Kaiser in Die Frau ohne Schatten with success. Tristan is over 5200 words of Text, you are on a very long time and the role is quite low. My career was at the beginning and I wanted to sing for a long time (I did for 15 years). His words to me were simply...if it is for your voice it is no problem to sing, but if you are successful you can forget singing the italian repertoire. When the houses know you can sing Tristan they will pigeonhole you. James King told me to sing the italian repertoire until they did not ask for it anymore, then you are ready for the long roles. James told me he could abuse his voice for short periods of time but not the long roles. That is why he did the shorter difficult roles. His longest sing was Meistersinger. He did not do it often, but he did sing beautifully. Both of them did but had quite different voices. Both were true Helds not pushed up character tenors. Heldentenors should have a sound of nobile suffering: James King's opinion.
![[LIVE] : ONE ลุมพินี 63 | คู่เอก "ยอดภูผา vs โซเนอร์"](http://i.ytimg.com/vi/RGVmBsegKEI/mqdefault.jpg)
Mr. Giacomini died today. Such a loss. All the great ones have passed now. He was a huge talent and a great man.
18 мая 2022 года Смотрю в Москве .Аплодирую стоя как все зрители в этом зале Блистательное! Невероятное выступление!
@@user-nu6qb5oe9w Смотрю и тоже аплодисменты стоя, потрясающе!
There are still greats teaching and singing. We still have people like Salvatore Fisichella and Saoia Hernández who can pass on the great tradition. Jack Livigni is a pupil of Fisichella and is currently doing work to pass on the knowledge of the golden age of singing.
OH NO!!! I hadn’t heard!!! He was an AMAZING talent. I love the timbre and power of his voice. RIP Maestro Giacomini
I am so sorry to hear of his passing. His voice was glorious. But more than that he was a great human being. He seems so greatful for the applause, but no one was more worthy. Rest in peace Maestro.
March 2024: A most outstanding voice.
In my long life as an operafan, I have NEVER seen a singer thank the audience with a KNEEFALL as Giuseppe Giacomini did here! RESPECT!
Una delle migliori interpretazioni di nessun dorma, vocalità poderosa,regge la drammaticità del brano in maniera eccellente,molta empatia in chi lo ascolta
Heute und immer wieder möchte ich seine wundervolle Stimme hören und wieder sag e ich danke danke
Giacomini is one of the most underrated tenors, at least here in America. His voice is the Rolls-Royce of the dramatic tenors, and my favorite. Such an intelligent, kind, and gracious man.
I completely agree with you! He was a contemporary of Pavarotti and, in my opinion, had the better voice. Of course, both are amazing tenors, so maybe I should rephrase and say that I preferred Giacomini's voice for many arias instead of saying that he had the better voice period🤣Anyways, his voice was just so...luscious. So rich and so deeply textured, but also incredibly bright! When he starts to sing, it's like a light from heaven shines into the concert hall, filled with purity and happiness!
@@Tennisisreallyfun Yes, I can tell what you mean! He holds his larynx low even in the high notes and directs the air to hit a full bodied nasal resonance- I can only imagine how it filled the room in a live concert hall with such a bright and wonderful tone!
@@drygordspellweaver8761❤
Placido certainly did all he could to keep Giacomini out of the spotlight.. that's a fact.
I love him. He deserves every second of the applause. I wish he had been better known through the years.
Io ho avuto la fortuna di essere corista all'Arena di Verona negli anni 80. Mai sentita una voce drammatica cosi potente e generosa , con acuti impressionanti per una voce cosi grande e ricca di armonici. Grazie al cielo di averlo potuto ascoltare. Altri artisti hanno scimiottato il nessun dorma ma come lui più nesuno con quella intensità. Grazie Bepi. Conservo il tuo autografo come gemma preziosa. Maffei l.
Grazie Bepi. Ho cominciato assieme ad altri amici ad accompagnarti nei teatri veneti per le prime esibizioni concorso ( vedi Lonigo,Como ecc,ecc ) . Mi reputo fortunato. Lele Sturaro.
Egr. Lele, felice di essere in buona compagnia a testimoniare il giusto tributo artistico a questo personaggio che oltre ad essere la voce drammatica immensa più importante mai sentita, era anche persona altamente nobile per la sua umiltà, entrava in scena quasi chiedendo scusa per essere li a far tremare i timpani e i cuori. Voglio raccontare il mio primo incontro con il BEPI;.. Eravamo negli anni 80/82, quando venne da noi a Piacenza, con tutto il cast di Manon lescaut in scena a Brescia per alcune recite. Iniziò il concerto con il basso, poi mezzo soprano, baritono, di seguito il soprano lesuberante e brava GIANNA GALLI che fece crescere l'entusiasmo nel pubblico, venne il turno del BEPI, esordi con "Recondita armonia", gia alle prime note non credevamo cosa stesse succedendo, una immensità di voce invadeva la sala, suoni armonici mai sentiti prima, la brunitura, il velluto, lo squillo negli alti da far tramortire, insomma alla fine della romanza scattammo tutti in piedi, senbravamo impazziti dall'entusiasmo. Sembrava di essere trasportati su di un'astronave fuori dal mondo. Non sto qui a raccontare poi cosa divenne il teatro alla fine del concerto, senza nulla togliere agli altri bravi artisti, quella fu la serata con il marchio del grande GIACOMINI. IL destino volle che le nostre strade si incontrassero in Arena di Verona dove ebbi la fortuna di essere in scena con lui per diversi anni a testimoniare i suoi trionfi serate memorabili, a GIACOMINI si alternavano altri pezzi da novanta, CECCHELE... MARTINUCCI... BONISOLLI... ecc..ecc...Bei ricordi indelebili che non avranno più riscontro. Per la sua semplicità, umiltà il BEPI non ha avuto la notorietà e i meriti artistici che si meritava, chi ha avuto la fortuna di ascoltarlo dal vivo, non può che confermare la mia testimonianza. Cordialità da un vecchio corista
Verdaderamente impresionante. No tiene su bello timbre de voz pero en esta aria, son dos Pavarotti y un Corelli. Y el que no se lo crea que escuche esta versión memorable,
L'ultimo tenore drammatico..grandioso!
Mario Del Monaco or Tom Lo Monaco are the real deal when it comes to dramatic tenors
@@abcdefgh-db1to Lo Monaco spinto
Vladimir Galouzine ; )
Galouzine fa pena.
Io aggiungerei anche un altro tenore validissimo e drammatico, con un fraseggio elegante e passionale.. Nunzio Todisco
Tecnica, potenza, espressività e soprattutto AUTENTICO TENORE DRAMMATICO! Chissà se vedremo mai il suo erede... Grande Bepi!!! ❤
D'accordo! MERAVIGLIOSO TENORE!
Forse Franco Corelli..
Какие овации! Абсолютно заслуженные! Чистейший голос! Великолепное, мощное исполнение! И уважение к зрителю! Эталон оперного певца в самом широком понимании этого слова! Вечная память...
Ich
Ich liebe seit meiner Kindheit die 2:29 2:29
Фантастика. Это лучшее, что я слышал. Особенно финал
I have heard a LOT of great tenors sing this aria. Giacomini leaves them all in the dust. Bravissimo.
RIP. Unbelievable....
Unforgettable !!!!!!!!!
Live was even better, belive me.
RIP
This is proper technique combined with artistic passion. Old School Italian (and Swedish/Italian) tonality, resonance and lack of laryngal stress leads a bravissimo performance! Perfection!
Could you explain me please what is the old school? I am beginner singer in church and want to know something about great technique of tenors.Thanks a lot.
La più bella voce di tenore mai esistita! Meravigliosa interpretazione!
Immense Giacomini - so underrated.
No italian tenor today comes close to his level of artistry.
Sensational, brillliant, words cannot do justice to this man's extraordinary talent and performance. He has no competition.
RIP maestro! Your music, voice and huge talent are always in our memory...
What a gracious gesture to the audience, taking a knee! A superb voice and un vero tesoro
Il meraviglioso pubblico Russo: esigente, raffinato e generoso.
Гениально!!!! Других слов нет!!!!
What an absolutely marvellous version. Absolutely perfect. The rubbish we have had to listen to on ClassicFM and the ghastly tenors they play. I only found this tenor by chance about a month ago. Thank you so much for posting.
There is a real tenor, a very strong voice, not like today, with those tiny voices. Age is no a problem.
Silly comment!
Giacomini really is a magnificent colossus, but I think you need to listen to more tenors, there are many wonderful tenors today. And yes, age is a problem, especially for tenors.
Age is no problem when you have good technique, Volpi, Loforese are examples. This tenor Giacomini was taught by Marcello DelMonaco who's brother is Mario Del Monaco.
To be fair he was not like any of the other tenors of his day either. There as only ever been one Giacomini . He is completely unique.
He did of course age though. This was his prime .
I'm not going to defend today's singers, probably more so for their lack of singing ability than for their lack of voices. However, it is also worth noting that Giacomini was not for everyone's taste. His voice was not sweet and beautiful like a Pavarotti, Bjorling, Corelli, or Wunderlich. He also lacked a smooth lyrical singing style and was not a great or particularly interesting interpreter. Big power and ringing high notes are not the only things that make singers great.
The audience wouldn't let go of him... Amazing voice, I would do the same. Great audience.
That sustained rock solid tone throughout his Vincero is truly stellar.
I had never heard of Giacomini until last week when I stumbled on him in a TH-cam video. Not anyone I would have picked out of a crowd as being an opera singer, but what a glorious voice! Other tenors work hard to reach that high note, but Giacomini sails right up without seeming to labor. I must track down more recordings of him.
I heard him yesterday for the first time and I feel so sad!!On the other hand so lucky that I heard that voice!!
His career was hindered by his looking like a pharmacist. He is more famous noe than when he was active. Didnt know what we had!
@@jefolson6989 The Coke Bottle glasses were not present.
@@jefolson6989 I've read where he also had horrible stage fright!
Il y en a beaucoup sur you tube, quand je pense qu'on a fait de Pavarotti par la force du marketing a outrance et quand j'écoute cet immense ténor je suis dégouté et désolé.
Seul le Dieu Franco Corelli était au dessus du soleil 🌞🌞
28.07.2021 ушел из жизни великий Джакомини. Вечная память
Che voce incredibile..... Che tecnica.... Ma soprattutto.... Che persona..... Solo i grandi sanno essere così...
18 мая 2022 года Смотрю в Москве .Аплодирую стоя как все зрители в этом зале Блистательное! Невероятное выступление!
Ich sagte immer und immer wieder danke danke❤❤❤❤
Con él se acabaronu los grandes tenores dramáticos. Su voz es tan grande casi como su humildad como persona. Lo conocí y me impresionó como un tenor tan grande pudiera ser tan sencillo... Entraba en el teatro casi pidiendo perdón. Magnífico tenor y magnífica persona.
Te recomiendo que escuches a Rolando villazon y a Jonás Kaufman.
@@lonnpeque1555 hay que ser un ignorante para comparar a Villazón con Giacomini... por Dios! Las idioteces que hay que leer!
@@lonnpeque1555 villazon pasa, pero kauffmann? No, gracias. Ni comparación.
@@lonnpeque1555 I like the actor Kauffman... but the singer... no!
@@lonnpeque1555 Giacomini vocalmente está en un nivel simplemente superior . No hay comparación. Menos marketing si.
I loved him….A great singer…RIP…
Прекрасный голос, и прекрасной ДУШИ ЧЕЛОВЕК!! ЦАРСТВИЕ НЕБЕСНОЕ И ВЕЧНАЯ ПАМЯТЬ ВАМ, АРТИСТ!..
First time I ever heard him and I cannot stop weeping for the beauty of his voice and interpretation...R.I.P
And... that's how THAT goes! Bravo maestro!!
Rest in peace, maestro
Это исполнение ведёт к горизонту и перешагивает через него в БЕССМЕРТИЕ! - Энрико Карузо, Марио Ланца, Лучано Паваротти....примут Джузеппе Джакомини в свои ряды, как одного из гениев вокала! Так должно быть! -- А живущим на этой бренной Земле остаётся наследство - не имеющей цены....
Блестящее исполнение. Лучшего не слышал. Марио Ланца -это все-таи студийное исполнение
Какой ВЕЛИКОЛЕПНЫЙ ТЕНОР!❤❤❤ Вечная память, величайшему тенору, нашего времени!
This is the downside of singing well into your later years. People forget just how incredible the prime years were. Yes, Giacomini was still a power house all the way into this century, but in the late 80s and 90s, no one was better. What a joy.
Te amo Giussepe ¡ gratzie! Desde argentina
Bonisolli was far more consistent, when giacomini had an off night, it was sad
@@fr9khg57hand Bonisolli had the ugliest voice ever. 🤢
Che Dio protegga quest' uomo.
Tutto il più grande rispetto per l ultimo vero tenore drammatico della storia.
Grande Beppi.
A truly brilliant artist. I was fortunate to meet him and hear him sing this many times over a period of weeks at the Kennedy Center in the early 90s in a production with Eva Marton. Because my late husband sang Timor, I could to sneak into the theater through the artists' entrance to hear him sing this at every performance. The supreme dramatic tenor technique and a very generous and kind colleague.
You were so fortunate. These are the supreme moments that make life worth living.
Giacomini in forma non ha rivali! Grande voce, grande cuore
Non esageriamo dai...ottimo tenore, ma non superiore a tanti
@@xxirapax8830 sì che ci sono stati anche altri. (Sono stato allievo di Corelli , per me il numero uno) Voglio dire però che in queste famose 10-12 arie per tenore drammatico Giacomini ha inciso o cantato dal vivo certe interpretzioni che non puoi valorizzarle come inferiori di nessuno! Puoi dire che ti tocca di piu Del Monaco nel "l anima ho stanca"' ma è difficile dire che la canta meglio! Per questo dico "non ha rivali" nel senso che non è inferiore. Ciao
@@HellasItalia4 ecco ha citato Corelli, numero uno assoluto anche per me. Intanto le dico che discutere di lirica civilmente è la cosa più bella che ci sia per me...quindi la ringrazio. Per quanto riguarda quello che ha detto, sono d'accordo Giacomini è stato un ottimo tenore drammatico. Ch'ella mi creda cantata da lui dal vivo la reputo una delle migliori per esempio. Se poi devo confrontarlo con Corelli, rimango dell'idea che Franco sia superiore in quanto mezzi vocali e interpretazione. Più completo probabilmente..ma stiamo parlando di grandissimi tenori. Avercene di Giacomini al giorno d'oggi..
@@eugeniogentili1048 sono d'accordo
@@eugeniogentili1048 veramente grande!!!
An excellent tenor, with great vocal range, beautiful timbre and technically perfect.
Hugely underated Tenor
He and Aragall... but they were both greatly admired during their careers by those who understood excellent singing.
Dispiace non averlo apprezzato in vita! Timbro di voce meraviglioso
My most wonderful & beloved tenor, Maestro Giacomini, your voice is God's gift, you are blessed in heaven.
What a MAGNIFICENT voice he has! Great.
Fantastico, bellissimo.
Ma poi che persona mite, per bene , modesta, semplice , alla mano, prodiga di consigli Un gran Signore Lunga vita ......
This is the best singing from Giacomini from him that I have ever heard. The sound often fell back into his throat and was more baritonal than I prefer - but in this instance, the balance of warmth and brilliance seems perfect. Wow.
Все-таки ничто так не поддерживает, восстанавливает и вдохновляет, как прекрасное исполнение прекрасного произведения. Браво, маэстро, Вы украшали наш мир. 👏
Я думаю, что это лучшее исполнение этой арии
Wonderful! What a voice!
Величайшее исполнение! Нет слов, чтобы описать восторги от услышанного! Кто эти 9 безумцев, которые поставили дизлайк! Джузеппе -Вы вершина вокального оперного исполнения! Bravo! Bravissimo Maestro!❤❤❤
Phenomenal !
Да, в России могут оценить настоящий талант! BRAVO!
Могут и погнобить. Это так, к слову.
Amazing beautiful deep tenor
Dramatic and beautiful
It takes many years to build the laryngeal muscles up to this level of tonicity, to provide this sustained towering level of output & squillo.
Because the voice is held at its full dynamic potential, - a dramatic voice can be variable when it isn't feeling 100%. Which is why Giuseppe feels so grateful that it all came together.
A lyric voice like Pavarotti can be more uniform & consistent in performance, as much less is asked of it, dynamically.
But a huge rich power packed dramatic voice, even standing two & a half feet to the side of the mic, has the kind of tonal punch that no amount of athleticism can equal in the smaller voice types.
Bravo maestro.
he closes the high-notes very well! Bravo!
Bepi ha spiegato le ali verso il sole eterno....
Riposa in pace maestro.
The admiration and love for this man is phenomenal not to mention the conductor is totes adorbs ~ thank you so much for this post!!
I have yet to hear a greater Nessun Dorma than this. Twice! Even Corelli, Del Monaco and all the other top-rank ‘dramatic’ tenors of the day could not shine his shoes. His was an effortless, huge well-produced instrument, along with excellent musical instincts. Moreover, my friend sang along with him and told me he was a humble, classy, great colleague and highly intelligent who never got credit for all his personal and stage qualities. RIP Maestro Giacomini. I suggest anyone to listen to his interviews on You Tube. Even in his native Italian, his soft spoken voice betrayed his singing one, and I would never have imagined his immense stage sound hearing him speak. Same with Corelli and Del Monaco, whom also had soft speech in conversation.
I wouldn't say he was better than Corelli, but he is better than MdM, with a similarly enormous voice
Turandot with Montserrat Caballé in Paris, 1981 Ozawa, one of my favourites ❤
Amazing voice!
Sencillamente SUBLIME!!!!!
Unglaublich, dieser Strom von schönsten, schönsten Tönen !!!
En mi opinión no existe ni ha existido un tenor dramático con una calidad vocal como la de el,ni Mario del Monaco , ni Franco Corelli ni Domingo ni Vickers , por mencionar solo algunos se le acercan .
Bravo Giuseppe ,sei insieme a pochi in cima all'Olimpo!!!! Bravoooooo!!!!
Sublime il vero tenore drammatico!!!
My God!!! The best Nessun Dorma I have ever heard!! What a voice!!
Écoutez Franco Corelli et serez hypnotisé par ce que vous allez découvrir
@@titwixtitou2421 J'adore Corelli!!!
@@stamatina4810 je pense très sincèrement que c'est le meilleur ténor de l'histoire moderne
@@titwixtitou2421 sans doute!!
Look for Correli and Bjorling. These are the two best Nessun Dormas ever.
Bravo, maestro! May you rest in peace.
Нифига себе , вот это голос 😳!!! БРАВИССИМО ! Какой объем !!! Фантастика !!!
IMPRESIONANTE !!!!!!! MARAVILLOSO D R A M A T I C O * * * * *
Lui e' grande e grande e grande.
Fantastico per me il migliore in assoluto
Now THAT is how it’s done. 🙏
Für mich der allerbeste mein Jahrgang aber trotz meiner liebe zur klassischen Musik von Kindheit an habe ich ihn erst jetzt gehört aber danke danke❤
This must be the best version ever . No question
Che capolavoro. Stupendo Grandioso Impeccabile ❤
Я помню это выступление Джузеппе Джакомини в Большом Театре СССР! Я был рядом с певцом и наслаждался общением с ним! Это был мой второй год работы в Большом Театре!!!
Могу представить!)
Вахх! Завидую!
Вы Счастливчик!! Будем надеяться на ЛУЧШЕЕ!!...
Una voce come pochi , tra i grandissimi
Yes, you close your eyes and listen, and you know there is an extraordinary performance! Very powerful, and yet beautiful rendition!
This truly brings me to tears. He is wonderful yet he is grateful to the audience, to the orchestre and to the. conductor. What a voice.
Impressionante! Sono ammutolita. Grandissimo!!
Thank you for giving what i perceive as the finest rendition of Nessun Dorma I've ever been blessed to enjoy Moscow was right!
Would love to here , the maestro singing pearl fishers ..
@@davidjohn64 it would be absolutely brilliant
MAGNIFIQUE! Que d'émotion en écoutant la splendide et puissante voix de Giuseppe GIACOMINI...Sa technique de chant est PARFAITE...Un ténor UNIQUE et IRREMPLACABLE!🙏
Riposa in pace Maestro
BEAUTIFUL BRILLIANT!
Immenso Giacomini ❤️❤️
Bravooooooo!!!!
Quest'aria meravigliosa, è stata eseguita da( CANI E Porci), vocalmente e artisticamente parlando... Facendola diventare appannaggio per ogni cantante, lirico o chicchessia,.... Finalmente un vero interprete gli rende giustizia!!! Grazie Giuseppe Giacomini... Sicuramente uno degli ultimi grandi tenori!!!
Bocelli Grigolo...e company..che vergogna
@@guidogreco341 .. anche donne...pop... Non ce' polizia culturale....
L'ultimo grande. R i.p.
Fantastico !
Amazing!
Brutal la mejor versión
perfecto like Gods of Opera Corelli and Monaco !!!!
I am a woman with a previous masculine history and an emigrations story. Years ago I sang as a dramatic or heldentenor in Germany. I studied with James King, Jerome Hines, Franco Corelli, and a few others along my path. Jon Vickers and Del Monaco I never got to study with, but admire their musical accomplishments and art.
I learned something years ago Gigli did that Giacomini had on the evening of this performance. The key is to float a tone as big as a train. He is actually singing piano but it does not sound like it to the listener...only it is for the singer. To the audience it sounds like a train but for the singer, he is barely breaking a sweat. Bravo. Exactly right.
One of the challenges as a singer is, if this is your kind of voice, you have to work with people like you, because the difference in size makes you stick out way to much for you to get regular work. That is critical to being heard earlier and longer and to learning. Sadly nobody teaches you how to use a canon of a voice. I credit a 40 second example and explanation I heard from a symposium Beniamino Gigli gave in the 50s with the secret of how it is done.
I also had to repeat Nessun Dorma in a concert in Mönchengladbach where I had to sing it two times just as he did. What I love is that the 2nd time through the conductor picks up the tempo and Giuseppe floats his voice and it sails.
He nailed it. Makes me feel good to see this here. I have only an audio recording of my repeat of the aria that evening. I share it with friends. This is a wonderful performance and caught on film. Singing like this is rarer than angel dust.
Thank you for this fantastic, insightful comment! First off, I'm excessively jealous of that list of teachers you studied with -- Wow! But as someone who has been dubbed a Helden in waiting, spending years trying to find the fit of my voice, your comments make complete and total sense. I have often remarked at how when it feels right, it hardly feels like anything at all. For years I would try to press the sound for largeness with diminishing returns, and by the time I realized how it is properly produced, the greatest revelation is how small it should feel within, while ringing the space outside. I'm only recently starting to feel comfortable in my sound production and am hoping to make a venture back into the opera realm. Your comment helps to solidify my concept of proper sound production for large voices. Much appreciated!
You studied with Vickers. I would have been petrified and I'm not a singer. He kind of scared me when I was in the audience. All the best.
@@dmcg8400 There is no difference in sound production/technique for a large or smaller size voice. Obviously the end result sound different. I really cannot make much sense of what Claire above is saying at all, I can only guess what she is hinting at but I guess these kind of descriptions are always pretty personal. Perhaps large voices can get away with sloppy singing and therefore don't bother to learn the technique well and then they are surprised it doesn't require brute force. But to say Giacomini is singing piano is weird.
@@susandrakenviller3683 : No, it's just a matter of knowing what you're talking about, but that's okay. There is a different use of the instrument for larger voices. You get a different result when forcing the sound and there's a false sense of ease when the largest sounds are being produced. As the original comment says, it feels like a piano internally, but sounds like a train out in the space. It's a spot on representation of the technique for larger voices to produce a healthy, open, ringing sound. You're outnumbered in the opinion of actual heldentenors here, 2-0.
@@ThePeaceandgoodwill You read that incorrectly. I did speak with him about an offer made to me to sing Tristan. I was asked by a prominent KS in Germany to audition after they heard me sing Der Kaiser in Die Frau ohne Schatten with success. Tristan is over 5200 words of Text, you are on a very long time and the role is quite low. My career was at the beginning and I wanted to sing for a long time (I did for 15 years). His words to me were simply...if it is for your voice it is no problem to sing, but if you are successful you can forget singing the italian repertoire. When the houses know you can sing Tristan they will pigeonhole you. James King told me to sing the italian repertoire until they did not ask for it anymore, then you are ready for the long roles. James told me he could abuse his voice for short periods of time but not the long roles. That is why he did the shorter difficult roles. His longest sing was Meistersinger. He did not do it often, but he did sing beautifully. Both of them did but had quite different voices. Both were true Helds not pushed up character tenors. Heldentenors should have a sound of nobile suffering: James King's opinion.
Maestro!
Потрясающе !!!
YES, THE PASSING AWAY OF MR. GIUSEPPE GIANCOMINI IS A WORLD’S LOSS BUT, WITH OUT A SHADOW OF A DOUBT, IT IS A HEAVEN’S GAIN INDEED.
just wonderful💝💝💝💝💝
MERAVIGLIOSO GIACOMINI!!!
Bravo Bravo!!👏👏👏 Sublime!!
Un ténor dramatique scandaleusement oublié ! Beauté du timbre, puissance dramatique, perfection des graves et, surtout, une justesse irréprochable !
Isso é FANTÁSTICO....