WESTMINSTER-TOCCATA - Paul Fey (Sheet Music) • Seifert-Organ (III/42) Sampleset for Hauptwerk VI
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- เผยแพร่เมื่อ 30 ก.ค. 2022
- I hope you enjoyed this new Toccata, based on the famous 'Westminster-Tune'! You can find the sheet music for this piece here: www.paulfeyorganist.com/produ...
This piece was recorded using the Hauptwerk VI Software and the Goch Sampleset made by Piotr Grabowski. It was played on my Gloria Klassik 352 digital organ sponsored by Kisselbach Germany. Find more information about Kisselbach here:
@Kisselbach Kirchenorgeln
www.kisselbach.de
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Timestamps:
00:00 | Westminster-Toccata - Paul Fey
Thank you for watching!
Paul
#toccata #organ #paulfey #music #musician #westminster #london #germany #deutschland #musik #orgelmusik - เพลง
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Both Widor and Vierne would be proud!
an hypnotic tune with florid accompaniment- Great work Paul.
Thank you! 😀
Words will never be able to describe how beautiful and wonderful that was. Thank you! 👏👏👏👏👏👏👏👏👏
Thank you so much!!
Tomorrow I'm going to be able to see the premiere!🤗👍👍
Ein großes Dankeschön, es ist ein Genuss dir zuzuhören.
Das freut mich sehr! Vielen Dank 😊
Your Westminster Toccata is a fantastic new addition to the organ repertoire! - beautifully crafted, great last page and immaculately played! Thank you
Thank you so much!! 😀
Bravo wunderbar
Dankeschön 😀
Paul, you are a regular dimension of my Sundays - your music is the "beautiful" dimension. The One whom I honor this day joins me
without doubt in thanking you for putting so many gifts and talents to such inspiring compositions and performances. Andre
I‘m so happy to hear that, Andre! Thank you so much 😊
Tolle Komposition. Danke Paul Fey. 👍👍👍
Dankeschön 😀
Très belle composition qui révèle un musicien-compositeur de grand talent ! Merci de continuer à partager cette passion pour l'orgue avec autant d'enthousiasme.
Je suis bien de ton avis car depuis 3 ans et demi j'écoute Paul et je suis de plus émerveillé par ses talents et sa musicalité tu me rappelles celle de Michel Chapuis qui fut mon maître, je me permets de te répondre je ne vois jamais de commentaire en français si ce n'est que les miens tu es sur quelle ville et sur quel orgue je suis à Caen en Normandie où nous avons un Cavaillé-Coll fabuleux à Saint-Étienne où parfois je joue avec un immense plaisir tellement c'est beau, es-tu loin de quand ? Philippe du bois
Distant, mysterious-then boisterous to affirming and majestic! What a force!
Thank you for put into words what I was feeling!
Thank you so much!! 😀
Pure enjoyment! Thank you.
Thank you for watching! 😀
Thank you for this. I followed your concert at Richard's ❤️❤️❤️❤️
Thank you so much! 😀
@@PaulFey My pleasure. I'm a fan❤️❤️❤️
Bravo Paul Fey. Super gemacht 👌👌👌
Danke 😀
It was so wonderful to hear this played recently on BIS. Congratulations on this composition, and a wonderful performance. 😊
Thank you so much, Jerry!! 😊
Ein Feuerwerk, gratuliere Paul Fey 👌👌👌
Dankeschön 😀
Thank you my friend for a brilliant performance! It's always a great joy to hear you play! No one play like you do! I love it!🤗👏👏👏👏❤️
Thank you so much, Peter 😊
You're so welcome Paul!🤗🐧
Fantastische Komposition. Vielen Dank Paul Fey. Großartig ☺👌👌👍👍👏
Danke 😀
Bin begeistert Danke Paul
Dankeschön 😀
I really enjoyed listening to this ! One of the things I liked was the more intimate, liturgical feel it had compared to the Vierne Carillon de Westminster, which after all was written originally as a concert tour work.
Another plus point is that it seems relatively accessible in a technical sense, so that a larger number of organists will be able to learn and enjoy playing it 😀
Thank you so much Michael! It is more accessible than the Vierne indeed! 😀
Bravo, Paul! I thoroughly enjoyed the recital you did with Richard yesterday in which he played your Westminster Toccata that you dedicated to him! Now hearing you perform it here is another treat! Bless you as you continue to develop and share the great talents bestowed on you.
I‘m so happy to hear that, David! Thank you so much 😀
Wow!
😀
Herrliche Musik. Danke Maestro Paul 👌👌👌
Danke fürs Zuschauen 😀
Thank You Paul. Really enjoy your marvelous talent Organist. ✌️
Thank you!! 😀
Wow!!! Das klingt fantastisch Paul. Großartig.
Glückwunsch auch zum tollen Konzert mit Richard. Er hat einen der spektakulärsten Spieltische, wie ich finde. Es war sicher ein tolles Erlebnis für Dich!
Vielen lieben Dank! Oh ja, es hat mir sehr viel Freude gemacht das Konzert bei Richard mitzugestalten 😀
A very, very, fine arrangement.
Thank you so much!! 😀
I love this Paul, and I need to order this!
Thank you so much!! 😀
What an invigorating toccata, Paul ! You have created a wonderful composition and have performed it beautifully in this exciting presentation. Thank you, for another gift of music !
Thank you so much, Gene! 😀😊
Moin ! Das erinnert mich an L.Vierne. Schön gespielt ! Lieben Gruß aus dem Norden !
Vielen Dank! 😀
Dear Paul, bravo for this new toccata which follows your other toccata compositions, you have the feeling for all these very brilliant forms!! And congratulations on your recital last night with Richard, what a wonderful initiative from Richard, bravo (and tell him from me).
Unfortunately, I discovered it at the very end but I will listen to it in full tonight in peace.....
Take a good stay in Great Britain!!
Thank you so much, Guy! We‘ve really enjoyed our time at Richards place - what a great experience 😀
Toutes mes félicitations pour votre interprétation.
Thank you! 😀
This is a fabulous toccata on the Westminster Chimes, Paul, and your performance is spectacular: bravo!
Did you know that the actual chimes see the quarter bells play a once-repeating, 20-note sequence of rounds with four changes in the key of E major? The original tune is that of the 'Cambridge Chimes', first used for the chimes of Great St Mary's church, Cambridge, and supposedly a variation, attributed to William Crotch, based on violin phrases from the air in Handel's 'Messiah' - "I know that my Redeemer liveth".
The notional words of the chime, again derived from Great St Mary's, and in turn an allusion to Psalm 37:23-24, are:
"All through this hour
Lord be my guide
And by Thy power
No foot shall slide"
These words are written on a plaque on the wall of the clock room!
That’s good to know!! Thank you for watching, Graham! 😀
Fascinating Graham!
Having just read many of the comments already posted, it’s hard to find something original and different to say. This is simply fantastic, Paul. I wouldn’t be so daring as to say that it’s better than the Vierne, but I would say that it stands alongside it with honour. Congratulations.
So true, Peter! I‘d say the same - thank you for watching 😀
Love it Paul! Those pedal scales.... yes!!!!👏
Oooh yes! 😀
Lieber Paul, die Toccata ist großartig. Damit hat der Sonntag Nachmittag wieder einmal einen krönenden Höhepunkt erhalten. Vielen lieben Dank aus dem Paderborner Land... (Und auf meiner Wunschliste an Dich steht eine Toccata mit dem Thema des Libori-Tusches und dim Lied "Sei gegrüßet o Libori" *grins*)
Weiter so.
Dein Karl-Michael
Das freut mich sehr, ich danke dir! 😀 Ich schreibe es mir mal mit auf 🤓
Bonjour
Je l'ai jouer pendant la communion à la messe de la nuit de Noël.
Ça a bien fait son effet
I‘m so happy to hear that! Thank you for including the piece 😀
Great job!
Great work, Paul! Adding this to my repertoire.
Thank you so much 😀
Louis Vierne avait composé également le Carillon de Westminster à Notre-Dame de Paris. Bravo pour cette version !
Thank you!
This is awesome! Really enjoyed hearing the recital as well! I'm always in Munich, a bit out of your area but would one day love to hear you live. Und wir können natürlich auf Deutsch unterhalten :-)
Thank you so much! I‘m sure that I‘ll visit Munich eventually- I‘ll let you know if I do 😀👌🏼
Marvellous Paul. I prefer it to Louis Vierne's. My compliments, Peter in Wales.
Superb!
Thank you!
Bravo, c'est super, on se croirait à vos cotés, tellement c'est bien interprété... Merci.
Thank you for watching! 😀
Ein Traum, so brillant. 👏👏👏
Danke 😀
Beautiful!
Thank you 😊
Ganz wunderbar Paul Fey 😃
Danke 😀
Fantastisch Paul. 👍👍👍
Dankeschön 😀
Wunderschön. ⭐️Hat irgendwie Ähnlichkeiten zu Pentekost Toccata … Kommt mir so vor.
Just brilliant, Paul! 👏🏻👏🏻👏🏻
Thank you! 😀
Very good music, i like it, it is well played, mystical un de very good work, bravo Paul Philippe du bois de Caen en Normandie Caen France
Thank you very much 😀
🔥🔥🔥 🌟🌟🌟♥️♥️♥️👏👏👏
Na, hallo Paul. Eins schöne Ergänzung zu "Carillon de Westminster" von Louis Vierne. Klasse gespielt und großartig interpretiert. Danke für Deine Darbietung am heutigen Sonntag, lieber Paul. Ich wünsche Dir noch einen schönen Tag und eine erfolgreiche neue Woche! Viele Grüße von Steffen aus Görlitz.
Vielen herzlichen Dank, lieber Steffen 😀
Thank You Richard. Marvelous ,playing. Great way to start my day Beautiful Toccata.
Magnificent - Thank you Paul. Well done. A great tribute for Richard. Take care.
Thank you! 😀
Better than Vierne ! Bravo Paul ! The minor part is awesomely thrilling !
Thank you so much!! 😀
Hi Paul! I am relatively new to your channel but from what I have heard I have been blown away by your talent!!! Can I am email you so questions regarding how you compose stuff and tips for composing pieces?
Thank you so much, Archie! Sure, please feel free to ask anything you like - I‘m not sure if I can help though, I‘m no expert 😀
@@PaulFey I am sure you will be able to help! Also what is your email, I am unable to find it I am afraid?
This is an interesting piece, Paul. Not quite as dramatic as the Vierne and the timing if the toll is different but it is dramatic and delightful. It is not to be compared to the Vierne because it stands on its own and should be considered that way.
😍😍😍😍❤️❤️🥰🥰🥰🥰🥰🥰🥰
😀
Excellent composition form and clarity of musical thought and motif Paul, but I want to pose a challenge and “up the ante”. I can recognize your outstanding abilities and your talent. I think it’s time for those of us under 45 wrest control of our instrument from the boomers and to deal the organ “back into the game”, as it were before it’s too late.
Music psychology tells us that people love the Melodies that they know, but largely don’t care the form that they take. So with that as our guide, the challenge is to write some new organ works in the appropriate style of standard organ music, ie toccata, fugue, ricercare, etc etc etc, BUT using popular contemporary praise and worship songs from the past 20 years as the subject matter. I’m not sure how it is in Europe but in North America the organ is being pushed further and further into irrelevance in our churches, castigated as a boring lifeless instrument, thanks to boring lifeless organists who play them. If we can show that the organ, the king of instruments is versatile enough to not only play the popular garbage coming forth, but to take those songs, however tonally simplistic in original form, and reharmonize and play them in a style that sounds appropriate or even is an improvement on the organ.
My goal as a pipe organ builder is to support composers/arrangers who have the talent and cojones to get past their egos and obedience to the useless dilettantes of the type who lurk on your comment threads or in darkened organ departments, to write relevant organ music that will create awe and inspiration for the average listener, and won’t frighten or confuse them with any “new school” gobbledygook (Messiaen need not apply). Based on what I’ve heard over the past 2 months that I’ve followed you, I think you’ve got what it takes, but are you up for the challenge? Or should I keep searching? (As an aside, I’m also looking for secular arrangements as well, such as a fugue in the style of Bach on the theme of Iron Butterfly’s In-A-Gadda-Da-Vida. GenX concert goers would love it, and this late GenX organist would love playing it. Everyone knows the old adage: if you want your kids to eat vegetables, hide them inside muffins. This is the same approach.)
I‘m so happy to hear that, thank you! 😀 That’s a great approach to get the organ „back in the game“ - we are a bit slow making these adaptions in Germany, but I‘ve heard that the organ tends to dissapear from workship. I‘d definitely be up for the challenge - the problem might be, that these new hymn tunes are still covered by copyright, which would make it a lot harder to ‚process‘ them. Do you have an idea how to avoid this? 😀
Yes, there are a few ways, the first being the doctrine of “fair use”. If you own the book in which you take the song from, there are several international common-law conventions that hold any interpretations/changes/arrangements in performance of purchased works do not violate copyright, but that could be interpreted as live performances only, however, in the case of improvisation artists like yourself, argument could be made that the creation of a score is just a form of recording your improvisation.
The second is to contact the publisher for permission, outlining what you want to do. Most would be delighted that the music is going to have a life beyond its original purpose. Given the very focused, very niche environment that the arrangement is being written for they probably wouldn’t even charge a fee. If they did, that’s where a benefactor like myself or anyone else who wants to support comes in.
Last is the most common approach taken by far: just do it and ask forgiveness IF caught. Again it goes back to the niche market argument: the chances of you ever coming across their radar are practically nil. Which is what makes the second option a little more dangerous: if you put yourself in the radar of these groups then you’re forever on their radar. There are 100’s of thousands of musicians on TH-cam who do full-on “covers” of popular music under copyright, and I can’t name one sensational copyright legal case stemming from it.
I worked for Canada’s national music museum, part of my job was working on rights management, and it is honestly so messy and convoluted that even the industry professionals haven’t a clue. There are common practices when doing arrangements/interpretations that the original composers get credit. Where the publishers/Artists get particularly owlish is when someone uses their work without crediting them. You’re not selling millions of copies, and your views aren’t in the millions yet, are they? (I wish they were!) So that’s probably the saving grace in dealing with such a niche market. The amount of churches committing gross copyright violations during the pandemic would curl your hair, especially after rogue licensing groups “allowed” them to use music after they paid a fee, but weren’t told that those fees and “licenses” sold by 3rd party hooligans didn’t provide any real cover if the artist actually wanted to sue. BUT there have been zero lawsuits stemming from these infractions, so I honestly wouldn’t worry about it.
Another option is that you calculate what you normally earn from a published work from a profit stand point, and that is covered by benefactors/crowd funding and you sell the music “at cost” ie: time and materials (or in the case of digits media, storage and back-up costs) that way one could argue that you’re not profiting from said works. But frankly, my opinion is to go with the 3rd option of just doing it, and fly under the radar.
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