EUROVISION SONG CONTEST 2024 • Stage & Lighting Design • Behind the Scenes

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  • เผยแพร่เมื่อ 22 ธ.ค. 2024

ความคิดเห็น • 183

  • @nclsDesign
    @nclsDesign 7 หลายเดือนก่อน +335

    60 DMX universes on one single truss is absolutely crazy!!!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +78

      Yes! That's so insane. And it's 663 universes in total this year 😬.

    • @WillUlt1mate11
      @WillUlt1mate11 7 หลายเดือนก่อน +10

      @@EventElevatorand I thought 8 was a lot in our school concert (it’s better than you think it is trust me lol)

    • @cameronclarkhull
      @cameronclarkhull 7 หลายเดือนก่อน +2

      I wouldn't even know where to start with the mapping

    • @daanboussier3593
      @daanboussier3593 7 หลายเดือนก่อน +1

      Jdc one on full mode is 20 universes thats insane

    • @MrRevenant333
      @MrRevenant333 7 หลายเดือนก่อน +4

      Well, why? Putting a bunch of fixtures that use a lot of channels on their own in a gigantic truss isnt THAT amazing, when you dont use it very well. Which i think they didnt.

  • @kevin_spanish
    @kevin_spanish 7 หลายเดือนก่อน +152

    As a huge tech & media nerd, the behind the scenes is even more interesting than the shows itself to me.

  • @I_Am_Tomas
    @I_Am_Tomas 7 หลายเดือนก่อน +146

    Sweden in 2023: we need big heavy structure over Loreen head for her performance.
    UK in 2023: Sorry, Sweden, our stage can't withstand it.
    Sweden in 2024: constructs 5 heavy cubes over stage and makes them move.

    • @travia6688
      @travia6688 7 หลายเดือนก่อน +17

      It's not about the stage it's about the fact that the Liverpool arena roof wouldn't be able to carry it in addition to all the other tech

  • @JaredNaude
    @JaredNaude 7 หลายเดือนก่อน +38

    Thank you so much for a great video! In my opinion this is the best Eurovision ever from a technical stand point.
    I love the lighting pod design, especially when they make shapes in the ceiling. Great to see Ola return to Eurovision!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +5

      Hey Jared, thx so much. With the Swedes and of course the crew from Green Wall Designs, you could be sure right from the start that it would be a stunning lighting design this year. It was very cool that many veterans like Ola were at work, and they still haven't lost their fire. What Fredrik Stromby and his team did incredibly well was the fine symbiosis of light and video content. You're right the design of the negative space above the stage with all the kinetics was amazing.

  • @ashishmathew99
    @ashishmathew99 7 หลายเดือนก่อน +80

    Thank You Team Event Elevator ❤❤, I was Eagerly waiting for this video 😊

  • @Jason-mk3nn
    @Jason-mk3nn 7 หลายเดือนก่อน +35

    60 Universes on a single truss. Forget mic drop moment - that was every single mic on the planet dropped at the same time. Spectacular video, thank you for producing it.

    • @terjemullerkarlsen3028
      @terjemullerkarlsen3028 6 หลายเดือนก่อน

      I am sorry, but for an outsider... What is a Universe in a tv-production?

    • @TWFydGlu
      @TWFydGlu 6 หลายเดือนก่อน +5

      @@terjemullerkarlsen3028 A DMX universe is a group of 512 channels, so with 60 universes you can control 30,720 things.

    • @spyder027
      @spyder027 หลายเดือนก่อน

      ⁠@@TWFydGluThe only way you’re controlling that many fixtures is if they’re all 1 channel dimmers and that’s not what this is. It’s pixel mapped and individual control of fixture’s elements. It’s still an insane number of fixtures but nowhere near 30k

    • @spyder027
      @spyder027 หลายเดือนก่อน

      ⁠@@terjemullerkarlsen3028I’d like to add on to what he said. A DMX universe is a group of 512 channels for controlling lights. You set the DMX address on the fixture and put it in the console and that’s how lighting control works. It’s actually pretty simple. A simple lights patch chart would be IRGBW. So if you set the light to DMX address 1 channel 1 would control intensity, 2 would control red, 3 green, 4 blue and 5 white. The reason you need so many channels and universes is because they have individual control of the elements on the fixture or its pixel mapped. Each separate element on the light would need its own 5 or more channels for it to work correctly. I’m currently using 2 universes for 5 bar lights because they need 119 channels for the level of control I want for it.
      I hope this answers your question

  • @κιττψ
    @κιττψ 7 หลายเดือนก่อน +52

    Been waiting for this since eurovision, cant wait to watch it 😆

  • @Ghandmann1
    @Ghandmann1 7 หลายเดือนก่อน +30

    I miss the eurovision blogs Ola made back in the days. Good to see him back in businness. And nice video documentary of the technical side of ESC. :)

    • @Josestralen
      @Josestralen 7 หลายเดือนก่อน +3

      He posted a bunch of mini vlogs on TikTok and Instagram the past few months!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +6

      Yea, Ola is just so great, he should have done a lot more video blogs this year. It's brilliant that he is so open and shares so many nice little BTS moments. He and Joan Melzig have helped us a lot to produce a few insights here on EE again.

    • @esc_stan_uk
      @esc_stan_uk 2 หลายเดือนก่อน

      especially the “hello music lovers”

  • @WillUlt1mate11
    @WillUlt1mate11 7 หลายเดือนก่อน +14

    This has become my fav part of Eurovision, I find these videos so interesting, seeing how it all works!

  • @AlexanderNadrilyanski
    @AlexanderNadrilyanski 7 หลายเดือนก่อน +14

    Well, this was indeed the best TV show I have ever watched.
    Thanks!

  • @djjakobofficial
    @djjakobofficial 7 หลายเดือนก่อน +26

    Eurovision was a blast to watch and this video gives everyone interested an amazing view behind the scenes. Thanks EventElevator for this awesome content!!!

  • @app101org
    @app101org 7 หลายเดือนก่อน +6

    These videos are definitely my favorite part of the Eurovision experience!

    • @EventElevator
      @EventElevator  6 หลายเดือนก่อน +1

      Hey - thx! We will also try to produce something about EUROVISION in the future. Next stop Switzerland…

  • @framexlive
    @framexlive 7 หลายเดือนก่อน +10

    13:28 I love this guy, he gave a behind the scene of Eurovision on Instagram, showing us even the good food

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +3

      Legendary! Ok byyyyeeee! 🫶

  • @misterp4865
    @misterp4865 3 หลายเดือนก่อน +5

    In my opinion, this is the best staging and production in the ESC history! Just incredible! A very much 3D-staging experience.

  • @gaspode8
    @gaspode8 7 หลายเดือนก่อน +3

    Thanks to the EE-Team for making this behind-the-scenes videos. Loved the ESC-Stagedesign and OnAir-Design. Everything is perfect!

  • @svenenglund
    @svenenglund 6 หลายเดือนก่อน +2

    I was at two of the shows. I was immediately blown away by the rig. That last quote here sums it up, "how to bring Eurovision into the future".

  • @jurmajurma7689
    @jurmajurma7689 7 หลายเดือนก่อน +15

    I have been waiting for a Video from Event Elevator because the amount of detail is just crazy.
    With most mainstream Media you just get the amounts of Fixutres or how long the cabeles are but with this Video a lot of Technical people are satisfied.
    What will be difficult is getting an even better Eurovision production next year but im sure they will come up with something even more brilliant.

    • @duderRechthat
      @duderRechthat 7 หลายเดือนก่อน +1

      At this point, the goal may as well be to simply keep the production at the level that it is. Pretty much a perfect setup to showcase all the performances.

    • @NickyHendriks
      @NickyHendriks 3 หลายเดือนก่อน

      Well, I must admit that I do like the lists with the amounts of hoists, fixtures (and types), kilometers of truss, universes and so on, this is more a showcase of how it was designed and put into play which I also like. Can't really compare them I think.

  • @thetechy9442
    @thetechy9442 7 หลายเดือนก่อน +2

    Absolutely insane, so impressive to watch, and a great behind the scenes video too!

  • @larsmorch
    @larsmorch 7 หลายเดือนก่อน +2

    These shows were SO fantastic to watch!!!!

  • @Patichu
    @Patichu 6 หลายเดือนก่อน +4

    Hand down favorite eurovision stage in years

    • @misterp4865
      @misterp4865 3 หลายเดือนก่อน +1

      Agreed! Best one yet!

  • @vocativusss
    @vocativusss 5 หลายเดือนก่อน +2

    Yep, stage this year was amazing. Many coutries used advantages of this setup and with properly working cameras result was truly stunning. Eg. with Czechia. Congratulations to all technicians. That was a piece of very good job and even with sometimes - let's say - primitive music, it was at least looking like masterpiece.

  • @eurovisionandfriends
    @eurovisionandfriends 7 หลายเดือนก่อน +2

    Awesome video
    And great job guys. The stage and the show in the arena, that was awesome !!! ❤❤🎉

  • @BobSmith-tb7rw
    @BobSmith-tb7rw 6 หลายเดือนก่อน

    Thank you Event Elevator for this behind the scenes look, done a great job on this slick video. I love looking at the production aspect of ESC and the seeing these shots of the stage and up close to the lights and fixtures

  • @IceBotYT
    @IceBotYT 7 หลายเดือนก่อน +1

    Wowwwwww. That was so fascinating to watch, seeing the behind the scenes of live events like this is always a treat. Thank you for sharing!

  • @a_creative_username930
    @a_creative_username930 6 หลายเดือนก่อน

    I always love these behind the scenes videos. These show haw moch work and love is put into these shows.

  • @LightStarLuca
    @LightStarLuca 7 หลายเดือนก่อน +3

    I've been waiting for this video for sooo long. Thanks 🤗

  • @jpawlowski
    @jpawlowski 7 หลายเดือนก่อน

    Thank you so much for the insides, that‘s really interesting to know all those details from the scenes behind ❤

  • @mr.t359
    @mr.t359 6 หลายเดือนก่อน +1

    Was an amazing production. My 2nd favorite eurovisions since 2020. My favorite was 2021. 2021 literally had an amazing ambience. Also stage was beautiful, followed by the venue and stagings.

    • @equinoxxed_7502
      @equinoxxed_7502 6 หลายเดือนก่อน

      mine is 2018 (i think? the one that was in Israel) that one had amazing songs, and banger design for each song!

    • @Justynaotowska
      @Justynaotowska 5 หลายเดือนก่อน

      @@equinoxxed_7502 The one that was in Israel was 2019. But it's okay, it's easy to confuse these contests!

  • @mrtpik
    @mrtpik 7 หลายเดือนก่อน

    Thank you for Your great work. This has been the greatest Eurovision on the visual aspect

  • @MariaCarabin
    @MariaCarabin 6 หลายเดือนก่อน

    Super interesting! Danke für das Video! ❤

  • @SkylineSights
    @SkylineSights 7 หลายเดือนก่อน +1

    The Best Production

  • @romik_esc
    @romik_esc 7 หลายเดือนก่อน

    Great job guys! Best Eurovision Ever!👏

  • @ashykins
    @ashykins 7 หลายเดือนก่อน +2

    One of my dreams is to work on a stage this big and its always so cool to see how everything is made and done

  • @osku9884
    @osku9884 7 หลายเดือนก่อน +3

    OMG IVE BEEN WAITING AND LOOKING FOR THIS SO MUCH! IN DEPTH AND NEW CONTENT EUROVISION 2024 TECH showcase.😎😍😃😃

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +1

      Thx so much! We're so happy to give everybody some insights of this years EUROVISION tech.

  • @DarcyLighting
    @DarcyLighting 7 หลายเดือนก่อน

    Oh yes. Been waiting for this ❤️ Thankyou

  • @briefmarke3747
    @briefmarke3747 7 หลายเดือนก่อน +1

    Thanks for this insight
    i was genuanly waiting for this

  • @lightkingdomknights
    @lightkingdomknights 7 หลายเดือนก่อน

    Many, many thanks to you, EE guys, who made this awesome review! Glad 2 hear that Ola is back in the game. In 2009, when Moscow hosted Eurovision, he made the greatest gift to me and my colleagues by taking us a little trip around the venue. So many years passed by and I still remember every single moment!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +1

      Ola is a true gentleman. He also gave us great support this time, because it's not always very easy to show insights. The Swedes really outdid themselves this time with the EUROVISION and created a super immersive show conpect.

  • @elowine
    @elowine 7 หลายเดือนก่อน

    Ah great you made another video, really enjoyed last years too! Insane how much tech is used, not enough viewers realize how much crazy tech is used to produce a show like this.

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +1

      It's really fun to see the different styles and working methods of the various EUROVISIONS. Each country has its own vibe. In general, the last productions in Rotterdam, Turin, Liverpool and now Malmö were at a really impressive level.

  • @jayshawncook1454
    @jayshawncook1454 4 หลายเดือนก่อน

    Hi I was wondering what kind of set up is this because I want stage lights like this and what a cool video

  • @norswede
    @norswede 6 หลายเดือนก่อน +4

    As a Swede paying for this show with taxes, I am so proud that my taxes goes to professionals that makes a mark. Not everything is sports..

  • @HM-Lighting
    @HM-Lighting 7 หลายเดือนก่อน +2

    What is the best way to become an Internation Lighting Designer for shows like Eurovision

    • @kernelpanic2887
      @kernelpanic2887 7 หลายเดือนก่อน

      Start on small concerts and work your way up

    • @michaelknight2342
      @michaelknight2342 7 หลายเดือนก่อน +3

      Decades of pain and suffering for your craft

  • @rowandevving
    @rowandevving 5 หลายเดือนก่อน

    I've never seen a guy so enthusiastic about lights as that in my life

  • @MarvinNeumannOfficial
    @MarvinNeumannOfficial 7 หลายเดือนก่อน

    Thanks for this! So inspiring and interesting!

  • @TACKLINGTHETASTE
    @TACKLINGTHETASTE 7 หลายเดือนก่อน +2

    absolutely incredible! please give us more insights! I'd love to see where Riedel has evolved into, the last BTS ist already some years old...

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +1

      Yes, you could go into endless technical depths. Unfortunately, access is always very limited on site. Good idea to arrange a major project with Riedel tech in focus.

  • @cameronclarkhull
    @cameronclarkhull 6 หลายเดือนก่อน +2

    I was there in person. It looked stunning. Shame the security wouldn't allow me to speak to the technicians afterwards, but hey ho.
    Really appreciate this video 😊

  • @emanminus
    @emanminus 6 หลายเดือนก่อน

    Great insight!

  • @UsaRiverTvTz
    @UsaRiverTvTz 10 วันที่ผ่านมา

    wow amazing

  • @jasonparker1454
    @jasonparker1454 5 หลายเดือนก่อน +1

    60 Universes in Moving Lights maybe crazy but i think when we talk about Pixelfixtures 60 Universes you can achieve pretty fast. so the question is 60 Universes for which fixtures.

  • @SasukeUchiha-pt4hp
    @SasukeUchiha-pt4hp 6 หลายเดือนก่อน

    What visualizer they was using for this project??

  • @dougle03
    @dougle03 7 หลายเดือนก่อน +1

    I generally watch Eurovision now for the technical show, less about the performers, more about the technology and how it's being applied. For sure, for a manufacturer, getting your kit onto the Eurovision stage must do wonders for their marketing.. lol - It's amazing how LED/Laser has really taken over from traditional light sources; Was there any traditional lamps in use for the show..?

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      You can find the whole equipment in our article (it's in German, sry) eventelevator.de/storys/esc-malmoe/ The only fixtures that were a bit more traditional were the ROBE Forte, T1 and T2. The lighting manufacturers naturally have a high interest in getting the latest models into the show, of course. The Ayrton Rivale was a good workhorse I think, the Martin Mac One too. With these high numbers, you have to stay within budget somehow.

  • @49albatros
    @49albatros 6 หลายเดือนก่อน

    hi tommy
    this video changed my perspective by a landlside.
    i've noticed that every person is just a human being. no matter the intentions
    thx for that and good luck for ur future journey
    be yourself

  • @mauritsjacobse3179
    @mauritsjacobse3179 6 หลายเดือนก่อน +2

    when u guys capture footage of a piece of software on a pc, please sneakily put in the software name like filming the top corner a bit more, so people like me can look up the software and research it

  • @MMate
    @MMate 6 หลายเดือนก่อน

    What software is used to control the LED displays?

  • @ppsthlm
    @ppsthlm 6 หลายเดือนก่อน +6

    This years contest was a total disaster when it comes to all the political bullshit that was happening - BUT all of this; the stage, the lighting, the special effect- wow- the best ever!! Absolutely stunning!! Well done

  • @keinname7478
    @keinname7478 7 หลายเดือนก่อน

    been waiting for this video!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +1

      Hey - we're pleased that we've managed to shoot a few insights directly on site again. It's not always easy but Ola gave us great support.

  • @zaposerver
    @zaposerver 7 หลายเดือนก่อน

    Would be interesting to know the power supply requirements for the whole production (light+kinetics+sound+broadcasting). Are we still talking about megawatts or already gigawatts? 🙂

  • @julienvile6226
    @julienvile6226 5 หลายเดือนก่อน

    great video, well done for the work! what is the name of the software that allows you to create the visuals on the video walls???

  • @psausp
    @psausp 7 หลายเดือนก่อน +3

    Respekt! Grossartiges Video!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +5

      Hey psausp, vielen Dank, freut uns! Dann hat es es sich ja gelohnt, nach Schweden aufzubrechen. Und mit dem Sieg der Schweiz müssen wir nächstes Jahr müssen gar nicht sooo weit fahren 🤘.

  • @tomreidarriland813
    @tomreidarriland813 7 หลายเดือนก่อน

    Dear @Eventelevator. Can you pleace make a simuler video about the camera production? Whitch is also amazing!

    • @EventElevator
      @EventElevator  6 หลายเดือนก่อน

      Thx Tom, we'll put that on the agenda for next year. We'll have to see how the access is and who will be responsible. We are from Germany and Switzerland is not far away, so there is a chance that it will be a bit easier and we will know more people.

  • @stefanlausen6824
    @stefanlausen6824 6 หลายเดือนก่อน +1

    😀😀😀😀😀😀😀😀Wow !!!!!!!!!!!

  • @johnarnett10
    @johnarnett10 7 หลายเดือนก่อน

    incredible.

  • @T1hitsTheHighestNote
    @T1hitsTheHighestNote 7 หลายเดือนก่อน

    OMG, the mixing area looks like a mixture of a LAN party and Mission Control at NASA! So impressive how they pieced all these things together!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +1

      Yes, the main FOH was very-very impressive this time because not only all the light consoles for keylight, FX light and audience light and so on were together but also the kinetic and pyro consoles were in the same place. Plus the audio mixing desk for the arena and so on. A total 19 MA Lighting grandMA3 consoles were used all around. It's like being on a massive Star Trek bridge.

    • @cendrapolsner8438
      @cendrapolsner8438 6 หลายเดือนก่อน

      @@EventElevator I remember walking straight into the arena and the first look of the FoH gave me actual shivers! I loudly exclaimed "Oh my god, oh. my. god!!!" so jittery that people around me started laughing and mocking me. I couldn't move for 15 min...just looking with a slack jaw, thinking how absolutely INSANE the FoH looked, trying to figure out the logistics between the stations.

  • @asitmaiti7613
    @asitmaiti7613 7 หลายเดือนก่อน

    Bgm music also improve and the design is immersive experience All the best Event Elevator

  • @matou9250
    @matou9250 4 หลายเดือนก่อน

    What is the most important renter for this eurovision ? What society?

  • @songwritingcontestnews-nn3gd
    @songwritingcontestnews-nn3gd 7 หลายเดือนก่อน

    A few concert at Eurovision it was fun behind the stage

  • @julianreverse
    @julianreverse 7 หลายเดือนก่อน

    Good recovery with the new knee Ola. Get well soon!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      Exactly, all the best from us too. Ola fought his way through ESC fantastically, even with his damaged knee. We can't wait for him to get back on his feet - then things will really get going! OKAY BYE!

  • @valeekatona
    @valeekatona 6 หลายเดือนก่อน

    I would love to work with these guys. I was building similar stuff in a resort in Greece for hotels, setting up stages, lights for dj pool parties, live music. I would love to work in such environment.

  • @SJAAKYT
    @SJAAKYT 7 หลายเดือนก่อน

    helloo music loverssss

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      One of the best Production Manager, ever!

  • @BLOBSCAN
    @BLOBSCAN 5 หลายเดือนก่อน

    Bravi!

  • @filipstevanovic9829
    @filipstevanovic9829 6 หลายเดือนก่อน +1

    lighting was miles better last year in my opinion

    • @indi2174
      @indi2174 4 หลายเดือนก่อน

      Where is last year ??

    • @alexandrosvovidis
      @alexandrosvovidis 4 หลายเดือนก่อน

      @@indi2174 UK/ Liverpool

    • @Gfynbcyiokbg8710
      @Gfynbcyiokbg8710 หลายเดือนก่อน

      Absolutely not

  • @robifitlabnaumovic2096
    @robifitlabnaumovic2096 7 หลายเดือนก่อน

    super

  • @Philipp-ed7ie
    @Philipp-ed7ie 7 หลายเดือนก่อน +9

    Data rates of 2 TerraBYTE/s? That's insane 🤯For context: Europe's largest internet exchange (DE-CIX Frankfurt) had a throughput record of 2.1 TB/s (17 TBit/s) in April :D

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +7

      Philipp. Exactly, that's such an incredible figure. To be precise, the peak for this EUROVISION was also 2.1 TB per second at the end.

    • @Philipp-ed7ie
      @Philipp-ed7ie 7 หลายเดือนก่อน +3

      @@EventElevator Maybe you can give us some insights into the backbone architecture next year as well. At those data rates there must also be an insane amount of hardware involved. E.g. how much audio/video data is pushed through the network, how is it distributed into the world, what kind of networking gear is involved, etc.

    • @cendrapolsner8438
      @cendrapolsner8438 6 หลายเดือนก่อน +1

      Yeah. Those 2 TByte and the 60 universe rig were my jaw vs. gravity moments. Incredible, just mindblowing! I loved how Ola is just so nonchalant about it all, like, yeah, big deal but no biggie, it's Eurovision...

  • @ungh8365
    @ungh8365 7 หลายเดือนก่อน

    Great to see the Finnish pyros back in Eurovision!

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      Yea! The Oy Pyroman crew really burns for their job.🔥

  • @edmoorebsc
    @edmoorebsc 7 หลายเดือนก่อน

    I'm enjoying that both super creative designers have basically the exact same pair of glasses - I guess that's why they call them designer glasses...

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      So true 😉 statement glasses are really an absolute must in the creative sector 🤓

  • @songwritingcontestnews-nn3gd
    @songwritingcontestnews-nn3gd 7 หลายเดือนก่อน

    September time generation Eurovision Song Contest 🎼

  • @shirkahn92
    @shirkahn92 7 หลายเดือนก่อน +5

    The "side ladders" sucked from a live viewing perspective - blocked many times the view in the arena and diminished the experience - and the tickets (hotel, train etc.) were not cheap. Even in the lower ranks the views were blocked - maybe one should reconsider this feature to not use it in the future again..Even though it looked cool on TV ;)

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน +14

      We can totally understand that from the visitor's point of view. Unfortunately, the EUROVISION is being designed more and more for TV viewers. Many effects can only be seen on television. I think it always depends entirely on the arena how you can design all the sightlines. But the advantage of being a real live spectator is that you can always see the changeover. We always find that fascinating. It's like a pit stop.

    • @julianreverse
      @julianreverse 7 หลายเดือนก่อน +1

      It's a TV show ... nothing there has been designed for audience ...

    • @TheWhitePianoKeyProductions
      @TheWhitePianoKeyProductions 7 หลายเดือนก่อน

      It's a tv program where you are a prop on stage. Just something anyone going has to keep in mind

  • @erikap7105
    @erikap7105 6 หลายเดือนก่อน

    i don't know any of these terms but this video was still so interesting!!

    • @EventElevator
      @EventElevator  6 หลายเดือนก่อน

      Erika, thx, we're so happy that even non-technical people enjoy our videos. Yea! 🌈

  • @kimothemo
    @kimothemo 2 หลายเดือนก่อน

    This is the Champions League of music

  • @xoggas
    @xoggas 6 หลายเดือนก่อน

    OH
    MY
    GOD
    30k channels just for one truss!
    That's really really crazy!

  • @Kroinkel
    @Kroinkel 6 หลายเดือนก่อน

    You guys did a magnificent job!
    Could any one - and I truly mean 'anyone' - contact me on taking an internship?
    Ceci était une petite blague... - Ou bien pas - papa?

  • @tgchannel8007
    @tgchannel8007 5 หลายเดือนก่อน

    Grand MA3 LETS GOOOOOOO!!!!!!

  • @horuzin
    @horuzin 6 หลายเดือนก่อน

    How come the stage was in a shape of a Swiss cross and Switzerland 🇨🇭 won the contest? 🤔

    • @EventElevator
      @EventElevator  6 หลายเดือนก่อน

      Well, the Swedish flag also shows a cross. But you're right, Switzerland will have to come up with something completely new for next year 🙃

  • @jones0093
    @jones0093 6 หลายเดือนก่อน

    nice

  • @bigcrush-vl6wj
    @bigcrush-vl6wj 7 หลายเดือนก่อน

    wow

  • @seansteele-hb6hc
    @seansteele-hb6hc 7 หลายเดือนก่อน

    Switz winner the 2024 Eurovision song contest

  • @seansteele-hb6hc
    @seansteele-hb6hc 7 หลายเดือนก่อน

    wow Sweden

  • @martingarrixmashups4953
    @martingarrixmashups4953 7 หลายเดือนก่อน +1

    This gives me Martin garrix rai 2024 vibes😏😏

  • @songwritingcontestnews-nn3gd
    @songwritingcontestnews-nn3gd 7 หลายเดือนก่อน

    🇨🇭wins Eurovision Song Contest 🎼🇨🇭

  • @alexandrosvovidis
    @alexandrosvovidis 4 หลายเดือนก่อน

    I think this year had so much potential and production wise it may have been the best in years but it was a lot and it came off as too much for every delegation I think...
    Like for example the cameras around the stage felt like the front of the stage was changing all the time which gave you a disassociation. Which would have played nice if they were more automated or rehearsed. The shots felt too random every time.
    Also the large cubes were nice but they didn't provide anything to the performances, it was more of a stationary prop that was nice to look at but you could see inside them and the black steel took out the magic and sometimes it look like a cheap effect (ex Italy, Czechia, Moldova, Slovenia...)
    Lastly the LED ladders (on the sides) were really low in some performances (ex Ukraine) and you could see the over-exposure because of the reflection on stage and on the artists which was disappointing coming from such an expensive and big production.
    Don’t get me wrong but it was a very nice show but less is always better and I think we either should have the LED panels with the lights either the square ones that were also inside the cubes or the side ones around the stage or the cubes.

  • @songwritingcontestnews-nn3gd
    @songwritingcontestnews-nn3gd 7 หลายเดือนก่อน

    Design at the Eurovision Song Contest

  • @Vitomskisxpl
    @Vitomskisxpl 7 หลายเดือนก่อน

    The whole crew using Bose A20s!?

  • @ThangNguyen-nu5vj
    @ThangNguyen-nu5vj 7 หลายเดือนก่อน

    âmazing

  • @eurohannah
    @eurohannah 7 หลายเดือนก่อน

    190th like here :)

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      Thankkkkkkk you!

  • @Rubyzyx
    @Rubyzyx 6 หลายเดือนก่อน +1

    BACK WITH A VENGEACE LMAO NEMESIS REBORN REFERENCE???

    • @TheCoasterPotato
      @TheCoasterPotato 2 หลายเดือนก่อน

      not just me that thought that then

  • @T1yler
    @T1yler 6 หลายเดือนก่อน

    Why did we not show JOOST

  • @sonkebe5268
    @sonkebe5268 7 หลายเดือนก่อน

    Ich hab einen Kumpel, der war DJ. Der hat früher auch sowas gemacht. 🤣🤣

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      Ach ja, der Kumpel, der auch mal bei der Superbowl Halftime Show aufgelegt hat?! 🙃

    • @sonkebe5268
      @sonkebe5268 7 หลายเดือนก่อน

      @@EventElevator Ja ja, genau. Der macht viel neben seinem Kiosk.

  • @arand020976
    @arand020976 หลายเดือนก่อน

    When money doesn´t care 🙂

  • @Txbias999
    @Txbias999 7 หลายเดือนก่อน +1

    Free Joost

    • @EventElevator
      @EventElevator  7 หลายเดือนก่อน

      Welcome in Europa…Juuunge!

  • @JoboLS
    @JoboLS 7 หลายเดือนก่อน

    Ok Byeeeeeee

  • @johannesk1855
    @johannesk1855 6 หลายเดือนก่อน +1

    Not very environmental friendly.. Bring back the songs and the simplicity please.

    • @EventElevator
      @EventElevator  6 หลายเดือนก่อน

      Oh dear, we don't think there's any way back when you look at the stages of the past few years. Maybe if the ESC goes to once to a country with less money and resources.

    • @johannesk1855
      @johannesk1855 6 หลายเดือนก่อน +2

      @@EventElevator So you want the world to go under in a climate catastrophe!! Very selfish.

    • @fintonmcintyre1514
      @fintonmcintyre1514 5 หลายเดือนก่อน

      Not sure if this TH-camr can control this large Europe wide phenomenon

    • @Gfynbcyiokbg8710
      @Gfynbcyiokbg8710 หลายเดือนก่อน

      Neither is like 99% of what humans do