0:07 O Ewigkeit, du Donnerwort (Arie) 4:46 O schwerer Gang (Rezitativ) 7:01 Mein letztes Lager (Arie) 10:06 Der Tod bleibt doch (Rezitativ) 14:30 Es ist genung (Choral)
Really? I'm so sorry to hear that. Do you know the reason why Shunske Sato is quitting the orchestra? His brilliance in the orchestra is so different... Oh, I'm really, really sorry... 😢
Even for this expert ensemble, this performance is outstandingly beautiful and thoughtful. Many thanks on USA's Thanksgiving Day for this masterly interpretation of our greatest composer.
@@herrickinman9303 Actually, I thought exactly the same: these performances are always excellent, but this particular performance stands out even more.... so yes, ''even for this [already] expert ensemble'.
" Netherlands Bach Society," I enjoyed this performance very much. The artistry of these muscians and singers moves one's soul through this expressive piece of Bach's. With the deepest appreciation and admiration for this ensemble. 🙏❤
@Herrick Inman Thank you, sir, for your thoughtfulness. Happy Holidays ❤️ By the way, I am not a tech savey, and it has been difficult to learn to express myself on these phones with these tiny letters.🎶 Happy April's Day tomorrow.
This whole thing is amazing, and I especially love the opening movement, but that chord progression at the opening of the chorale 14:30 is nuts! Bach always delivers with some crazy genius!
Amazing, it's always delightful to listen to the music of Bach and this performance is absolutely awesome. Many thanks, "Netherlands Bach Society", for sharing!
Wunderschöne Aufführung dieser kompakten doch perfekt komponierten Kirchenkantate mit durchsichtigen doch herrlichen Stimmen vierer genialen Solisten und gut harmonisierten Stimmen des ausgezeichneten Chors sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und geniale Violinist/Dirigent leitet das ausgezeichnete Barockensemble in verschiedenen Tempi und mit perfekt kontrollierter Dynamik. Die Resonanz ist auch ideal. Wunderbar vom Anfang bis zum Ende!
La espiritualidad y la fe están siempre presente en la obra de Bach. Gracias al director, a los músicos y a los cantores. Excelente interpretación! Un cordial saludo y felicitaciones. +José Luis Mollaghan
This is providence, it is not possible otherwise! Last year I presented a work in which I played several versions of the Violin Concerto in Am, BWV 1041: you published your recording a few days before and I was very pleased. Here, I have to present Berg's Violinkonzert "dem Andenken eines Engels" which quotes this Bach cantata in 2 days, and once again I will be able to play your interpretation! Thank you very much for your work!
I can't always hear the solo violin (could be going deaf...), otherwise exceptional performances by all. The counter-tenor's wonderful voice quality saves the secco recitatives.
A truly remarkable comment is given in the annotation to this video: "There was plenty to fear in the Lutheran faith of Bach’s day. Life on earth was a cesspit of afflictions - one long string of laments, complaints, worries and moans. At the end, a heavenly reward awaited you, if you were lucky. But how could you be sure you would receive it? This question instilled great fear in the congregations of Bach’s time." Fortunately, in our enlightened time, life is a series of pleasures, "Die Todesangst, der letzte Schmerz" are meaningless words, and such things as "Ewigkeit", "Seele", "Heil", "Verderben" can only be taken seriously by deeply backward people...
In the meantime, here are a couple other versions of BWV 20: La Petite Bande/Sigiswald Kuijken: th-cam.com/video/RaWkWtC6s_s/w-d-xo.html J.S. Bach Foundation, St. Gallen (Switzerland): th-cam.com/video/vJX8hlCZC8M/w-d-xo.html
Dear Ulises, at this moment we don't have a Spotify channel. The All of Bach project is deliberately set up as an online streaming platform via allofbach.com and since a few years on TH-cam as well. We believe that online streaming is a very effective way to spread our recordings to a worldwide audience. Also, video adds an extra experience: as if you were present at the concert. That information will be lost if you separate the audio from the video. On top of that, the legal agreements with our musicians prohibit the separation of video and audio.
Hi Deborah, that's Matthias Havinga on the organ! You can always find more information about the performance credits on our website www.bachvereniging.nl/en/allofbach!
appreciate the explanatory written intro - insightful and engaging. but where is the biblical verse being sung? including these words is a big + The Word.
I'm struck by the dissonance between the subject -- 18th century music on antique instruments -- and the frantic video editing, where it's rare to be able to count to three before the camera cuts to a different instrumentalist (the vocalists are treated better). A little more time spent on the players would go a long way in matching the music, and letting the audience better appreciate the quality of the musicians.
Thank you for your two cents on the adequacy of the intensity and dynamic range of "counter-tenors" for this cantata. How did you reach this conclusion, given that (1) the alto part was composed for a boy alto or an adult male falsettist and likely performed by the latter and (2) the cantata was composed for the Leipzig liturgy, not for a weekend at the opera? BTW, _countertenors_ is unhyphenated.
@@declamatory What about the "timbre"? This is a historically informed performance of music composed for the Leipzig liturgy, not for the opera. The alto part would not have been sung by a contralto with the thick, warbly _timbre_ you admire. Female voices were not used in German church music until the 19th century. _Taceat mulier in ecclesia._
@@herrickinman9303 The fact that Bach could not use certain forces does not determine that he would not use better ones if they were available to him. There's no doubt that he'd love das WKlavier on the modern piano rather than the harpsichord limited in many ways. Likewise, I'm convinced he'd choose female alto over a male voice outside of his natural range, almost always inferior. Being faithful does not equal excluding best means of expression, within reasonable limits, of course .
![[LIVE] : ONE ลุมพินี 88 | คู่เอก "ป้อมเพชร vs อัสลามจอน"](http://i.ytimg.com/vi/1ZqTVVbMgbo/mqdefault.jpg)
0:07 O Ewigkeit, du Donnerwort (Arie)
4:46 O schwerer Gang (Rezitativ)
7:01 Mein letztes Lager (Arie)
10:06 Der Tod bleibt doch (Rezitativ)
14:30 Es ist genung (Choral)
Congratulations Netherlands Bach Society!
Amazing how this song is 300 years old today. Timeless classic
Красивое звучание камерного состава исполнителей. Понравился стиль исполнения, где всё - к месту. Спасибо!
Bach all days...Bach Forever....I love Bach. Soli Deo Gloria 🌌🌠🎼🎶🎺🎻🎹
Das offne Grab is the absolute highlight for me. The counter tenor is brilliant.
Best ending chorale ever
I'll cherish this recording for ever...Creating music with my best friends is an amazing privilige!
❤
the voices are gems exquisite .... and they're gems from Heaven. the band is also outta this world excellent.
Wonderful recording! It is a pity Shunske Sato won't be coming back to the Netherlands Bach Society next year! He is a great musician. Bedankt!
oh really?who's going to be the next artistic director?
Ah, but his masterful recordings will always be there to enjoy!
Really? I'm so sorry to hear that. Do you know the reason why Shunske Sato is quitting the orchestra? His brilliance in the orchestra is so different... Oh, I'm really, really sorry... 😢
Sato is leaving NBS?!? 😢
why is Sato not returning to the Netherlands? Where will he go?
Weltklasse
Even for this expert ensemble, this performance is outstandingly beautiful and thoughtful. Many thanks on USA's Thanksgiving Day for this masterly interpretation of our greatest composer.
Even for this expert ensemble?
@@herrickinman9303 Actually, I thought exactly the same: these performances are always excellent, but this particular performance stands out even more.... so yes, ''even for this [already] expert ensemble'.
@@herrickinman9303 stop trolling .I.
This is beautiful. It is fantastic. Great singers. Love to see messrs. Henstra and Havinga in action. Well actually the whole band
Splendid !!! 💐
Wonderful performance! So beautiful and so true!
Beautiful bass voice 😍
Freiheit, Hoffnung, Zuversicht,danke
What an absolute gem this is! I just can't believe we have access to this for free. Thank you again!
" Netherlands Bach Society,"
I enjoyed this performance very much. The artistry of these muscians and singers moves one's soul through this expressive piece of Bach's.
With the deepest appreciation and admiration for this ensemble.
🙏❤
Your 1st sentence is unintelligible. You make it sound like the composer is conducting this performance. _Society_ is singular.
Thank you for your keen observation. I am very ill at this moment. My mind gets ahead of me , but not the meaning from my heart. Respectfully ✨️
@@cheri238 I'm sorry. I know how that is. Get well.
Thank you Anna, don't worry about Herrick ;)
@Herrick Inman Thank you, sir, for your thoughtfulness. Happy Holidays ❤️ By the way, I am not a tech savey, and it has been difficult to learn to express myself on these phones with these tiny letters.🎶
Happy April's Day tomorrow.
This whole thing is amazing, and I especially love the opening movement, but that chord progression at the opening of the chorale 14:30 is nuts! Bach always delivers with some crazy genius!
Alban Berg actually quotes this chorale in the second movement of his Violin Concerto. It is a crazy Bach line for sure!!
Also Bernd alois Zimmermann finished his last work "die Eklesiastische aktionen" with it, before he comit suicide
Amazing, it's always delightful to listen to the music of Bach and this performance is absolutely awesome. Many thanks, "Netherlands Bach Society", for sharing!
Magique !!! Merveilleux !!! Exceptionnel !!! Bravo Mesdames Messieurs les artistes...
Wunderschöne Aufführung dieser kompakten doch perfekt komponierten Kirchenkantate mit durchsichtigen doch herrlichen Stimmen vierer genialen Solisten und gut harmonisierten Stimmen des ausgezeichneten Chors sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der intelligente und geniale Violinist/Dirigent leitet das ausgezeichnete Barockensemble in verschiedenen Tempi und mit perfekt kontrollierter Dynamik. Die Resonanz ist auch ideal. Wunderbar vom Anfang bis zum Ende!
Ach, wie hatte ich dieses ewiggleiche leere Stroh doch vermisst, das der werte Mitkommentator so überaus gerne drischt.
Amazing performances. Leaves me close to tears. Thank you!
西洋古典音楽の真髄を観たような気がします。この残り火を 決して絶やさぬよう希望します。
Fantastische uitvoering! Zeer professioneel en met uitstekend invoeling van de teksten.
Gracias!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Such uplifting music to confront the dread of eternity.
Thank you to share this video
So Beautiful 😍
Essas Cantatas nos leva para mais perto de Deus. Muita gratidão a todos que nos proporcionam isto.
La espiritualidad y la fe están siempre presente en la obra de Bach.
Gracias al director, a los músicos y a los cantores. Excelente interpretación!
Un cordial saludo y felicitaciones. +José Luis Mollaghan
This is providence, it is not possible otherwise!
Last year I presented a work in which I played several versions of the Violin Concerto in Am, BWV 1041: you published your recording a few days before and I was very pleased.
Here, I have to present Berg's Violinkonzert "dem Andenken eines Engels" which quotes this Bach cantata in 2 days, and once again I will be able to play your interpretation!
Thank you very much for your work!
Wat een onbeschrijfelijk mooie uitvoering!
So wonderful! I must share with my friends. Thank you.
Sehr erquickend und aufs vortrefflichste musiziert! vielen Dank!
Превосходно!
Beautiful Bach Cantata🍃thank's NBS
Fantastic. So beautiful.
Hell yeah, my guy Sato is here
아름답다는 말로도 부족하다. 황홀한 이기분... ㅠㅠ
Nada más relajante escuchar y ver un buen video de este canal despues de disfrutar el partido de Brasil-Serbia...
Sublime 🧡
The last coral is quoted in Alban Berg's masterful violin concerto (for the memory of an angel) of 1935.
Could that last chorale BE any more beautiful? Love the colors of the added horn and organ.
Yes yes yeeeees! 🤩
Masterfully performed. Did old Bach have it ever performed like this in his day?
Beautiful work!
Finally👌
Hope and fear go with earth life.
300 Years Old Today
Ensemble mélodieux France ♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️
Stephan Macleod❤
I can't always hear the solo violin (could be going deaf...), otherwise exceptional performances by all. The counter-tenor's wonderful voice quality saves the secco recitatives.
A truly remarkable comment is given in the annotation to this video:
"There was plenty to fear in the Lutheran faith of Bach’s day. Life on earth was a cesspit of afflictions - one long string of laments, complaints, worries and moans. At the end, a heavenly reward awaited you, if you were lucky. But how could you be sure you would receive it? This question instilled great fear in the congregations of Bach’s time."
Fortunately, in our enlightened time, life is a series of pleasures, "Die Todesangst, der letzte Schmerz" are meaningless words, and such things as "Ewigkeit", "Seele", "Heil", "Verderben" can only be taken seriously by deeply backward people...
Wonderful as always! I was looking for BWV195 from this company… could I put it down as a request? (Who do I think I am? Such cheek) Arohanui.
Our channel is called All of Bach. So be patient and stay tuned: we will in the end record ALL of Bach, including BWV 195.
❤
Dat is maar luik tot dit cantata te luisteren, met de oorspronkelijke instrumenten vanuit Bachs tijd.
Can you do BWV 20 please? 🥺
This project is called "All of Bach", so they *will* get to it eventually. I don't know what their schedule is, though.
In the meantime, here are a couple other versions of BWV 20:
La Petite Bande/Sigiswald Kuijken:
th-cam.com/video/RaWkWtC6s_s/w-d-xo.html
J.S. Bach Foundation, St. Gallen (Switzerland):
th-cam.com/video/vJX8hlCZC8M/w-d-xo.html
Do you have a Chanel on Spotify??
Dear Ulises, at this moment we don't have a Spotify channel. The All of Bach project is deliberately set up as an online streaming platform via allofbach.com and since a few years on TH-cam as well. We believe that online streaming is a very effective way to spread our recordings to a worldwide audience. Also, video adds an extra experience: as if you were present at the concert. That information will be lost if you separate the audio from the video. On top of that, the legal agreements with our musicians prohibit the separation of video and audio.
Anyone here from the Berg violin concerto?
Could you please list who the other musicians are that make up the ensemble?
You can find all the credits here: www.bachvereniging.nl/en/bwv/bwv-60
Pipe Organ credit please?
Hi Deborah, that's Matthias Havinga on the organ! You can always find more information about the performance credits on our website www.bachvereniging.nl/en/allofbach!
appreciate the explanatory written intro - insightful and engaging. but where is the biblical verse being sung? including these words is a big + The Word.
You can find this (and more background information about the cantata) on our website: www.bachvereniging.nl/en/bwv/bwv-60
Got so lost when I was trying to follow along with the lyrics at the first chorale. At least the arias are manageable.
I'm struck by the dissonance between the subject -- 18th century music on antique instruments -- and the frantic video editing, where it's rare to be able to count to three before the camera cuts to a different instrumentalist (the vocalists are treated better). A little more time spent on the players would go a long way in matching the music, and letting the audience better appreciate the quality of the musicians.
I see what you're saying, but we should also praise the Netherlands Bach Society for always getting off the beaten path. It's refreshing.
Ngl, thought it was Will Ferrell in the thumbnail 😅
If you replace harpsichord to lute will be better.
바흐가너무햇네 카스트라토곡인가보네
원래 음역대 높은 파트는 어린아이가 부르는 것인데... 목소리가 너무 달라서 좀 아쉽지요 바흐가 의도한 소리는 아니기 때문에
맞아요 ㅡㅜ 아쉽네요 아이들도 인벤션 연주시킥던데 노래하는아이는 없엇나봐요 ㅠㅠ
It's a good recording, but counter-tenors just can't be intense enough and don't have the right dynamic range for this cantata.
Thank you for your two cents on the adequacy of the intensity and dynamic range of "counter-tenors" for this cantata. How did you reach this conclusion, given that (1) the alto part was composed for a boy alto or an adult male falsettist and likely performed by the latter and (2) the cantata was composed for the Leipzig liturgy, not for a weekend at the opera? BTW, _countertenors_ is unhyphenated.
@@declamatory What about the "timbre"? This is a historically informed performance of music composed for the Leipzig liturgy, not for the opera. The alto part would not have been sung by a contralto with the thick, warbly _timbre_ you admire. Female voices were not used in German church music until the 19th century. _Taceat mulier in ecclesia._
@@herrickinman9303 just my opinion. thanks for your reply
@@tartinitrumpet 😅 I love Marmite. Lots of people don't though. No offence taken.
@@herrickinman9303 The fact that Bach could not use certain forces does not determine that he would not use better ones if they were available to him. There's no doubt that he'd love das WKlavier on the modern piano rather than the harpsichord limited in many ways. Likewise, I'm convinced he'd choose female alto over a male voice outside of his natural range, almost always inferior. Being faithful does not equal excluding best means of expression, within reasonable limits, of course .