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Here's a composer I never heard of before (and first Portuguese composer I ever heard of), that deserves to get wider attention.
Very interesting piece because of its rhapsodic form. Much less predictable than Scarlatti's sonatas.
As a Scarlatti fan, I have to agree with Seixas being less predictable.
The fermata at 1:20, with the lingering B major harmony is quite piquant.
Es justo lo que andaba buscando y lo encontré por casualidad. Sincronicidad.
Juicy piece
That V7 - bVI in the beginning was really unexpected, especially with the parallel fifths in the left hand. I dig it though.
Not bad parallel fifths if they do not combine voices.
I find this particular Sonata to be more idiomatic to the fortepiano. Very nice performance here nonetheless.
Nice . Simply nice. Perhaps, the experiments with tempo may be valid.
De - spa - ...oh well
Allegrro ?!
Its played a bit too slow. If you change the youtube playing speed to 1.25 it sounds much better and becomes more a unity and much more consistent.
Disfruto mucho a Scarlatti, Rameau, Bach, etc. pero a Seixas nada mas no lo entiendo, sus melodías me “confunden” 😣
Because he is not predictable. We never know what’s follow. That’s its beauty.
@@paulofil72 predictability is part of what makes music coherent to the listener, when you lose that, your music becomes random.
a que te refieres?
@@Whatismusic123 I guess you are not a progressive rock fan then.
Based
Here's a composer I never heard of before (and first Portuguese composer I ever heard of), that deserves to get wider attention.
Very interesting piece because of its rhapsodic form. Much less predictable than Scarlatti's sonatas.
As a Scarlatti fan, I have to agree with Seixas being less predictable.
The fermata at 1:20, with the lingering B major harmony is quite piquant.
Es justo lo que andaba buscando y lo encontré por casualidad. Sincronicidad.
Juicy piece
That V7 - bVI in the beginning was really unexpected, especially with the parallel fifths in the left hand. I dig it though.
Not bad parallel fifths if they do not combine voices.
I find this particular Sonata to be more idiomatic to the fortepiano. Very nice performance here nonetheless.
Nice . Simply nice. Perhaps, the experiments with tempo may be valid.
De - spa - ...oh well
Allegrro ?!
Its played a bit too slow. If you change the youtube playing speed to 1.25 it sounds much better and becomes more a unity and much more consistent.
Disfruto mucho a Scarlatti, Rameau, Bach, etc. pero a Seixas nada mas no lo entiendo, sus melodías me “confunden” 😣
Because he is not predictable. We never know what’s follow. That’s its beauty.
@@paulofil72 predictability is part of what makes music coherent to the listener, when you lose that, your music becomes random.
a que te refieres?
@@Whatismusic123 I guess you are not a progressive rock fan then.
Based