Came here cause I remembered I did some cool headphone mixes for performers back in sam6 and 7 back in the day. Now I forgot but looks like you use auxes for that
Hi, I usually make a playback mix using a buss, but realtime mix for the recording artist is done in RME Totalmix fx. Having a realtime mixer for live instruments allow zéro latency. Then the playback from the DAW is often just a ruff mix so musician can follow the song if overdubs are needed ;)
Merci Marco pour ce tuto et tes explications très claires ! Je n'utilise pour le moment les AUX uniquement pour mes reverbs et delays... (D'autres projets m'obligent à aller plus en profondeur) En fait c'est beaucoup plus complet que ça ! Je vais devoir me repasser la vidéo plusieurs fois et prendre des notes 😂 Bonne continuation et vive Samplitude !
Because of this problem, I left work on the Samplitude, so I can not make a reverb and send it to the tracks..!!!!!! very complicated.. I hope they fix it in the future and make it like - Cubase - Studio one - and others
What problem ?? This video isn't about a problem.. It just explains the facts of what a buss and what an aux is.. it is like that since the 50's first multichannels physical mixers... At some point we can't claim about problems everytime we're too lasy to learn...
muchas gracias Don Marco Primeau , por enseñarnos algo nuevo , la verdad esque con tu video e aprendido lo que me hacia tanta falta en Samplitude , muchas gracias y de todo corazón te lo agradezco , de verdad , lo apreciare bastante , dejo mi like y mi suscripción en este canal 🙌❤❤❤❤❤❤
Yes there is 2 ways to do it. Arm for recording on the buss itself and start recording OR create a new track and select the buss you want as input, arm and record
@MarcoPrimeau I tried to make the new audio track to have input coming from buss but I don't see a way to select the buss to be input on the audio track
@@PPCRecords If, on a buss, you aim it for recording and hit record it will record the signal generated by that buss on the buss track so you can deactiate de effects and still hear them from the recorded audio. Althought I never needed to do so. ah, if it is to lower the CPU usage, you can also freeze the track.. ;)
@MarcoPrimeau ok gotya. The thing is that. I DO want to record the reverb where it's printed on the track. I know it's sounds crazy but that what I want. Because I want to record vocals with effects printed but I dint see a way in Samplitude to do that
Of course you can.. Be aware that if one source going to the aux is louder or jumpy, it will make every signal in the aux compressed at the same time. therefor let's say you send every track to the aux then compress, if the bass activate the compressor every instruments level will go down ;)
I'm not sure I get the question. you can record any amount of tracks and then send their output to a submix buss. it's not common practice to record directly on a buss even if some DAWs allow it.
It's just a preference of mine. When I capture a video of me talking, I use Samplitude alone to grab the audio from a mic close to me and the camera video and sound from a distance. Then on Davincy Resolve, I use the automatic alignment based on waveform. But when I talk on the cam and want to show the computer screen at the same time as having the audio, I prefer sending the output of samplitude to OBS directly. In this instance OBS records the screen visual, my mic on a track and samplitude's sound on a seperate track.. So in Davinci Resolve I end with a video from OBS with 2 audio tracks + the video from the camera with an audio track as well. Then I sync everything automaticly and just have to mute the mic the parts where Samp produce sound (to avoid hearing direct sounds from Samp and the mic at the same time.) A bit tidious, but effective to me.. I think my next video could explain just that.. ;)
You can do whatever you want.. The common mix is to place the lead vocal in the middle and the backvocals panned left and right. So the buss should be stereo.
Came here cause I remembered I did some cool headphone mixes for performers back in sam6 and 7 back in the day. Now I forgot but looks like you use auxes for that
Hi, I usually make a playback mix using a buss, but realtime mix for the recording artist is done in RME Totalmix fx. Having a realtime mixer for live instruments allow zéro latency. Then the playback from the DAW is often just a ruff mix so musician can follow the song if overdubs are needed ;)
Marco! Thank you. Aux & Bus now working in harmony. Nothing could be finer!
Merci Marco pour ce tuto et tes explications très claires ! Je n'utilise pour le moment les AUX uniquement pour mes reverbs et delays... (D'autres projets m'obligent à aller plus en profondeur) En fait c'est beaucoup plus complet que ça ! Je vais devoir me repasser la vidéo plusieurs fois et prendre des notes 😂 Bonne continuation et vive Samplitude !
well after your umpteenth tutorial finally everything is clearer to me on how to use the Bus and Aux, good Marco.
Because of this problem, I left work on the Samplitude, so I can not make a reverb and send it to the tracks..!!!!!! very complicated.. I hope they fix it in the future and make it like - Cubase - Studio one - and others
What problem ?? This video isn't about a problem.. It just explains the facts of what a buss and what an aux is.. it is like that since the 50's first multichannels physical mixers... At some point we can't claim about problems everytime we're too lasy to learn...
Thanks for that
muchas gracias Don Marco Primeau , por enseñarnos algo nuevo , la verdad esque con tu video e aprendido lo que me hacia tanta falta en Samplitude , muchas gracias y de todo corazón te lo agradezco , de verdad , lo apreciare bastante , dejo mi like y mi suscripción en este canal 🙌❤❤❤❤❤❤
Can you record the effects on a audio track using a submix buss?
Yes there is 2 ways to do it. Arm for recording on the buss itself and start recording OR create a new track and select the buss you want as input, arm and record
@MarcoPrimeau I tried to make the new audio track to have input coming from buss but I don't see a way to select the buss to be input on the audio track
@MarcoPrimeau and so for option one, if I put a reverb on the buss and record from the buss, it will also record the sound with the reverb?
@@PPCRecords If, on a buss, you aim it for recording and hit record it will record the signal generated by that buss on the buss track so you can deactiate de effects and still hear them from the recorded audio. Althought I never needed to do so. ah, if it is to lower the CPU usage, you can also freeze the track.. ;)
@MarcoPrimeau ok gotya. The thing is that. I DO want to record the reverb where it's printed on the track. I know it's sounds crazy but that what I want. Because I want to record vocals with effects printed but I dint see a way in Samplitude to do that
Excellent job helping me understand this.
Hi Marco, can I use a compressor in an Aux ? Thanks in advance ! (y)
Of course you can.. Be aware that if one source going to the aux is louder or jumpy, it will make every signal in the aux compressed at the same time. therefor let's say you send every track to the aux then compress, if the bass activate the compressor every instruments level will go down ;)
@@MarcoPrimeau Thank you Marco 👍
Sir please should a Submix bus for all my vocals be in mono or stereo?
how can i record submix onto a track please?
It's very easy, create a new track, change the input go at the bottom in the track list and choose your buss, arm for record hit R !!
hola Marco, te saludo desde mexico...se puede grabar una serie de pistas al submix buss?
I'm not sure I get the question. you can record any amount of tracks and then send their output to a submix buss. it's not common practice to record directly on a buss even if some DAWs allow it.
@@MarcoPrimeau muchas gracias Marco
Thanks heaps.
One Question said that you use OBS to acquire sounds. I only use Samplitude to record, is it always the same in concept?
Thank you.
One Question said that you use OBS to acquire sounds. I only use Samplitude to record, is it always the same in concept?
Thank you.
It's just a preference of mine. When I capture a video of me talking, I use Samplitude alone to grab the audio from a mic close to me and the camera video and sound from a distance. Then on Davincy Resolve, I use the automatic alignment based on waveform. But when I talk on the cam and want to show the computer screen at the same time as having the audio, I prefer sending the output of samplitude to OBS directly. In this instance OBS records the screen visual, my mic on a track and samplitude's sound on a seperate track.. So in Davinci Resolve I end with a video from OBS with 2 audio tracks + the video from the camera with an audio track as well. Then I sync everything automaticly and just have to mute the mic the parts where Samp produce sound (to avoid hearing direct sounds from Samp and the mic at the same time.) A bit tidious, but effective to me.. I think my next video could explain just that.. ;)
Sir please should a Submix bus for all my vocals be in mono or stereo?
You can do whatever you want.. The common mix is to place the lead vocal in the middle and the backvocals panned left and right. So the buss should be stereo.
Sir please should a Submix bus for all my vocals be in mono or stereo?
Sir please should a Submix bus for all my vocals be in mono or stereo?
Sir please should a Submix bus for all my vocals be in mono or stereo?