Sample from 1:15 to 1:46 is Rimsky-Korsakov, Capriccio Espagnol, Movement 4 (Scena e canto Gitano), about a minute into the movement, violin pizzicato parts.
I keep coming back to this track, it's easily the most beautiful and majestic in this whole OST filled with distressful, strange sounds, this feels like a little pinch of hope amidst the madness.
Objective: Roxas and the Wraith Mask opened your eyes to the lunacy you were about to commit. Defeat the assassin you thought to hold all answers, and procceed to Kingdom Hearts and Xemnas.
Never would have tied Drakengard 1's OST to Scott Walker, but now that you mention it, it does bear some resemblance to some of the string sections in Scott 3 or 4
Come on now everyone knows Drakengard 1 is shit in gameplay. But the OST is interesting especially hearing its evolution until we hit NieR. Great story too
Drakengard will be a lousy game, but in part this also contributes to the fact that it is a game that is not designed for you to enjoy it in any way, it is a story of pure agony and insanity
@@xue8196 True, but a game (like That Dragon Cancer) can be made to not be enjoyed and still not feel visually uninspired almost all the way through, nor be 40 hours long
I'm in love with 2:02, how the low strings sound like they're winding down and dying out. This track is gorgeous, it feels pretty ominous to me on that front
By this point Caim is alive, bonded with a dragon he hates, sure, but enjoying the sensation of flying, something he never really felt. He even has some hope since the seals are still around at this point. He's not quite happy, but he is thrilled.
The soundtrack is definitely better than the gameplay, but it's still not too bad imo. I remember just thinking I'd never heard anything like this back in 2007.
Personally, I think this must be what actually plays in Sora's mind as he meets the Nobodies and Heartless in every new world he finds while having fun and making friends.
While it's true that in comparison with the other melodies this is rather soothing, which it is and by a landside, there's just an ominous feeling going on in the background. Fittingly, this plays after allying with Angelus, and knowing that the forest's tribe is being slaughtered. The melody represents Caim's first time properly soaring the Sky, while the percussion and accords are representative of Inuart's worries at the moment, looming over our heads while we play on a (from a player's perspective) new gameplay style, reflecting yet again on our connection with the main character. Honestly, one of the more detailed comments I can do regarding the soundtrack of this game.
Personally, I think this must be what actually plays in Sora's mind as he meets the Nobodies and Heartless in every new world he finds while having fun and making friends. In other words, the "hero" causes a bloodbath while enjoying the best life has to offer, in spite of the hardships. I shouldn't be so hard on him though. It's more Riku and DiZ's fault, who gaslight him.
You know the best part about "Extraordinary Arioch" and chapter 2's OST ? They're the most magical pieces of the OST. It's something you expect to listen in fantasy stories, even if it's presented in a twisted manner. And personally, I think it'd fit "Kingdom Hearts". Half of the stuff done by and upon the kids there is pretty messed up when you think about it. And they're motivated by lack of contact with reality.
![[TH] VALORANT Champions Seoul - Grand Final - EDG vs TH](http://i.ytimg.com/vi/WvObMc9VelI/mqdefault.jpg)
The genius in the composition of this OST can't be understated. This whole album is Nobuyoshi Sano and Takayuki Aihara's magnum opus in my opinion.
It's a very jarring soundtrack in that people either love it, or absolutely hate it.
This track sounds like it's gliding through the air gracefully. This whole soundtrack is tonal perfection
My all-time favorite video game OST.
Almost every track can be a final boss tune. Amazing.
IF ONLY THE 'EVENT' TRACKS WERE ALSO FREE OF VOICES.
Perfectly said
Oh ello dere
Sample from 1:15 to 1:46 is Rimsky-Korsakov, Capriccio Espagnol, Movement 4 (Scena e canto Gitano), about a minute into the movement, violin pizzicato parts.
Thank you! I know jack about classical, but I knew this OST sampled heavily from it. I can satiate my curiosity now. 🤗
Love you for that 😊🎉❤
I keep coming back to this track, it's easily the most beautiful and majestic in this whole OST filled with distressful, strange sounds, this feels like a little pinch of hope amidst the madness.
This OST is a real treat with headphones on.
I love this one so much. It captures the sensation and beauty of soaring in the sky while twisting it into a sinister song of death and destruction
This ost is amazing
I agree. I wish we had the rest of the music from.Chapter 2 also, there's great variations that play during cutscenes.
my favorite track out of the drakengard ost. I love how exciting it is yet still has the drakengard music style
It really gives the impression you are fulfilling something, that's not bad honestly
One of my favorites from the game. Suits the level design so much.
I love this game
Well. We must cleanse the sky of these insects.
Objective: Roxas and the Wraith Mask opened your eyes to the lunacy you were about to commit. Defeat the assassin you thought to hold all answers, and procceed to Kingdom Hearts and Xemnas.
Kinda reminds me of Scott Walker when he started doing more offputting/horror-like music back in the late 60s
Never would have tied Drakengard 1's OST to Scott Walker, but now that you mention it, it does bear some resemblance to some of the string sections in Scott 3 or 4
Posers hate on Drakengard's ost "Muh bad game"
Bad game, really interesting and experimentally ingenious soundtrack
Come on now everyone knows Drakengard 1 is shit in gameplay. But the OST is interesting especially hearing its evolution until we hit NieR. Great story too
Cowards never heard of plunderphonics before
Drakengard will be a lousy game, but in part this also contributes to the fact that it is a game that is not designed for you to enjoy it in any way, it is a story of pure agony and insanity
@@xue8196 True, but a game (like That Dragon Cancer) can be made to not be enjoyed and still not feel visually uninspired almost all the way through, nor be 40 hours long
Hey, this one isn't really depressing and/or ominous. What happened?
Yes it is
I'm in love with 2:02, how the low strings sound like they're winding down and dying out. This track is gorgeous, it feels pretty ominous to me on that front
@@pentexsucks43 oh hi
It's still early on in the game the horror hasn't completely set in yet
By this point Caim is alive, bonded with a dragon he hates, sure, but enjoying the sensation of flying, something he never really felt. He even has some hope since the seals are still around at this point. He's not quite happy, but he is thrilled.
「BGMが異質すぎてオーケストラの人達に変人と思われた」
※実話
The soundtrack is definitely better than the gameplay, but it's still not too bad imo. I remember just thinking I'd never heard anything like this back in 2007.
Keiichi Okabe
Wrong
Not even close lmfao
Personally, I think this must be what actually plays in Sora's mind as he meets the Nobodies and Heartless in every new world he finds while having fun and making friends.
While it's true that in comparison with the other melodies this is rather soothing, which it is and by a landside, there's just an ominous feeling going on in the background.
Fittingly, this plays after allying with Angelus, and knowing that the forest's tribe is being slaughtered. The melody represents Caim's first time properly soaring the Sky, while the percussion and accords are representative of Inuart's worries at the moment, looming over our heads while we play on a (from a player's perspective) new gameplay style, reflecting yet again on our connection with the main character. Honestly, one of the more detailed comments I can do regarding the soundtrack of this game.
Personally, I think this must be what actually plays in Sora's mind as he meets the Nobodies and Heartless in every new world he finds while having fun and making friends.
In other words, the "hero" causes a bloodbath while enjoying the best life has to offer, in spite of the hardships. I shouldn't be so hard on him though. It's more Riku and DiZ's fault, who gaslight him.
You know the best part about "Extraordinary Arioch" and chapter 2's OST ? They're the most magical pieces of the OST. It's something you expect to listen in fantasy stories, even if it's presented in a twisted manner.
And personally, I think it'd fit "Kingdom Hearts". Half of the stuff done by and upon the kids there is pretty messed up when you think about it. And they're motivated by lack of contact with reality.