Mozart Piano Concerto No.20 in D Minor, K.466 | Ruben Xhaferi
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- เผยแพร่เมื่อ 28 เม.ย. 2024
- 00:00 | Mozart Piano Concerto No.20 in D Minor, K.466
00:40 | I. Allegro (Cadenza by Beethoven)
15:50 | II. Romance
25:38 | III. Allegro assai (Cadenza by Beethoven)
Ruben Xhaferi pianoforte
Orchestra Conservatorio G.B.Martini | Alberto Caprioli direttore
Concerto di Inaugurazione dell'Anno Accademico 2022/2023
Bologna, Teatro Auditorium Manzoni, 23.01.2023
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Невероятно красиво❤
MAGISTRAL PIANISTA. DE MIS PIANISTAS PREFERIDOS, ES CON QUIEN MÁS ME IDENTIFICO. NO ME CANSO DE VER Y ESCUCHAR EL NÚMERO 20 DE MOZART, TOCADO CON TANTA ADMIRABLE MAESTRÍA.
PLAYING TOUCHING WITH MIND AND HEART.
Grandioso!!!! È la prima volta che riesco ad ascoltare questo concerto fino alla fine, non suonato da ABM.
Oh! graceful, magnificence, gorgeous, especially sensibility is so graceful not only key board articulation but also tempo is so natural. I hear Beethoven said "Tempo is Music"
Colossal
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This Wonderful performance is beyond description and immeasurable and off the charts, and evokes comfortable feelings and a peace of mind
Beautifully played. Bravo. Greetings from lebanon.
Magnífica interpretación
Mozart sublime me da energía
Ti luhet piano shumë e bukur! Shumë sukses!! ❤️🇦🇱🖤
மனதைத் தாலாட்டுதே போதும்
Cadenzas by Beethoven is the best . Love it !
Pianista eccezionale musica divina
😊
Meraviglioso
Sublime ❤
Es excelente muy bueno extraordinario
Concerto sublime!
Grande Ruben!👊
Molto bene il pianista
Thanks a lot
Ruben/ Prince -Pianist!
Very good pianist 👍🏻
withdraw my cadenza question. it's clear. I understand the ojection to modern instrumentation of Mozart's masterpieces, but to my ear (except for the cradenza) it is a beautiful performance
Bravissimo Ruben
8٩
Maravilloso!!! ❤🎉😮
Bravo
⚘⚘⚘⚘⚘
L'œuvre d'un compositeur vit du regard qu'on lui donne. Elle n'est pas limitée à ce qu'elle est, ni à celui qui l'a produite, elle est aussi faite par celui qui l'entend. La musique, la peinture sont un espace de questionnement et de méditation où les sens que l'on lui attribue peuvent venir se faire et se défaire à tout moment✨ que ce soit Mozart, VDGG, Jul ou Beyonce Knowles
😢😢🎉🎉
這个人的鋼琴弹🉐️够水平啊！
a beautiful performance. I wonder who wrote the credenza played during the 1st movement. definitely not Mozart. ?Beethoven or Liszt?
Pls see description.
최고.최고!!!
Some would object to the modern tuning of A=440Hz when Mozart’s own equal temperament tuning system in 1780s Vienna was c. 425-429Hz-
Some others might object to this magnificent concerto being perform’d on a modern grand piano rather than Mozart’s own forte-piano type with the 40-note pedal board (‘almost like a 2nd piano’, to quote Thomas Attwood from his first visit to M. c. 24th July 1785) - why don’t modern performances add the use of the organ-stile pedal board to a forte-piano ?
Some might also object to the fact that this wonderfully talented pianist chose to use Beethoven’s somewhat overblown 19th century cadenzas to the first & third movements which ‘go 16 notes above Mozart’s own Walter forte piano keyboard of 60-keys’ - instead of composing his own or using one of dozens of more appropriate late-18th century-stile cadenzas in the public domain ?
Finally, some might also (rightly) object to the clumsy interruptions of TH-cam commercial advertising which ruins the Elan of Mozart’s carefully-crafted works - this practice is intolerable to Mozartean audiences & must cease…
I confess I am getting irritated not a little by all these ‘unhistorical’ modern gargantuan grand Steinway-style renderings of especially Mozart’s divine keyboard music -
Thankfully the beautifully-train’d orchestra captures most of the essence of the actual notes on the page - to me, this great talent should reserve his ‘heavy hand’ for the later romantic composers such as Rachmaninov & others of his ilk - Mozart, it must be admitted, should be play’d exactly as he himself would have heard it and for which exact solo instrument he wrote-for … if M. was writing for modern styl’d, giant Boesendorfer-type monster pianos (had they existed in c. 1785) he would have penn’d compleatly different notes altogether on the page to make use of their distinct sonority and range …
Bueno y cuenteme por favor donde si se puede escuchar una versión en estos instrumentos como usted lo describe, hay alguna muestra de esta pueza interpretada de esa forma? De otra manera el vie to sigue fluyendo... Saludos
Why not interrupt the cadenza with a commercial? Oh, wait! They did that already!
Wonderful music terrible camera work
Modern A=440Hz destroys all the charm and sensibility of Mozart's sowl.
Big shame!
Wasn't that beautiful.