Simply wonderful! Sir András seems at his most happy and relaxed when playing with his own orchestra, Cappella Andrea Barca - and it is lovely seeing Yuuko Shiokawa in the 1st violins. Thank you so, so much.
they have a great concertmaster too - Erich Hobarth of the Concentus Musicus Wien. love this ensemble - like a chamber version of Claudio Abbado’s Lucerne Festival Orchestra
Music as such, as a masterpiece, is certainly going strong. But what about the appeal it has? I look and see mostly old people on stage playing for old people in the audience. What next?
I can't beleive it.... Mozart! Plus Andras Schiff virtuoso with this wonderful Orchestra.. This is gorgeous.! Just music, but transdandanced! God is present in this tune...
Andras Schiff possède un toucher exceptionnel, D’une immense délicatesse et légèreté 😌qui conviennent tellement à l’oeuvre de Mozart. Son piano parle, chante. Un moment tellement précieux à l’écoute de ce grand pianiste.
Ah!! Mozart, Andras completely at home here...opening bars of the third movement always stirs memories of the street scene when piano being transported in that great movie 'Amadeus'
@@excelsior999 Thankyou From A corner of dreamful and immeasurable profound Tokyo 🍙🍥🍢🍘🍡🥟🍱🍜🍚🍇🍓🍄🌸💮⛩️🎋🎎🎏👘🗼🎑🎴🇯🇵 Cherry Blossom in full bloom is falling Everywhere is covered with immeasurable pale pink pedals 🌸💮🌸💮🌸💮🌸💮?🌸👘👘👘👘👘👘👘?
III movimento: Rondò. Allegro 23:50 Pianoforte: idea tematica A (apertura) 24:00 Orchestra: idea tematica A 24:09 Pianoforte: idea tematica A (conclusione) 24:18 Orchestra: enfatizza/sottolinea la conclusione del Pianoforte 24:29 Pianoforte: idea tematica A 24:37 Orchestra: fanfara conclusiva 24:49 Fiati (Clarinetto/Fagotto/Flauto): intervento solistico (nuovo materiale) 25:15 Pianoforte: elaborazione del materiale proposto dai fiati 26:18 Pianoforte: idea tematica B 26:28 Fiati (Clarinetto/Fagotto): idea tematica B 26:38 Flauto: intervento solistico 26:42 Pianoforte: prende spunto dal Flauto per un intervento virtuosistico 27:15 Orchestra (Corni)/Pianoforte: coda che riporta a: 27:24 Pianoforte: idea tematica A 27:33 Orchestra: idea tematica A elaborata (tonalità minore) 27:55 Pianoforte: serie di trilli che conducono alla Cadenza (improvvisazione) 28:27 Fiati: idea tematica C (apertura) Più lento 28:54 Archi/Pianoforte: idea tematica C 29:18 Fiati: idea tematica C (conclusione) 29:45 Archi/Pianoforte: idea tematica C (conclusione) 30:22 Pianoforte: riprende la guida 30:57 Pianoforte: trilli e cadenza (improvvisazione) 31:36 Pianoforte: idea tematica A (apertura) 31:45 Orchestra: idea tematica A 31:54 Fagotto/Flauto: intervento solistico 32:02 Pianoforte: prende spunto dall'intervento solistico dei fiati 32:41 Pianoforte: idea tematica B 32:51 Fiati (Corni/Clarinetto): idea tematica B 33:02: Flauto/Clarinetto: intervento solistico 33:06 Pianoforte: prende spunto dall'intervento dei fiati 33:36 Pianoforte: cadenza (improvvisazione) 35:01 Pianoforte: idea tematica A (apertura) 35:10 Pianoforte: idea tematica A (conclusione) 35:50 Fiati (Clarinetto/Fagotto/Flauto): intervento solistico 36:14 Finta conclusione e coda finale
Grazie per la spiegazione così dettagliata che solo uno studioso può capire ma che mi aiuta a comprendere meglio lo sviluppo del concerto. Io ho 80 anni e purtroppo non ho potuto studiare pianoforte, però mi piace conoscere le dinamiche di ogni cosa anche se complesse. Un caro abbraccio da Brescia Italia ❤😂❤
Clever 1st Movement Cadenza. Subtly inserts the Adagio from Sonata K. 332. Brilliant! Actually laid my hands on a concert C. Bechstein at the NAMM Show in 2022. Treble and bass bridges are actually a single piece of wood. Incredible Piano!
i believe modern bechsteins are made entirely differently than the older ones. top quality still - thats for sure. im no piano expert, but i think the older ones of the 1890s and this scale design sound different. this particular piano i think was owned and played by Wilhelm Backhaus. just the same, sure is good to see and hear other makes of pianos used in concerts other than Steinway.
I got suprised when I heard the theme from the second movement of a Mozart piano sonata in F major appear in this concertos first movements cadenza. That was a suprise.
Beautiful and I now feel that Yunchan Lim and The Fort Worth S. Orchestra at the 22 Clyburn did it comparably well. The only 2 recordings of this lovely concerto I have found. I feel that Prof Schiff with his vast experience and young Yunchan with his youthful verve and brilliant musicianship are brothers at heart with Bach and Mozart=would love them to get together.
I just noticed Schiff is playing a Bechstein. Schiff’s technique is superb, but perhaps the piano is also contributing to the overall lyrical quality of the performance?
It's a personal opinion on what composer's music touches your heart and moves you. As for me and my piano playing Beethoven Sonatas or Chopin Ballads and Nocturnes speak to my heart and soul and what I prefer playing the most.
קונצ'רטו שהוא קורנוקופיה של הפתעות מוסיקליות! משום-מה, מנגנים אותו לעתים רחוקות באולמות הקונצרטים וברדיו. כאן, בביצוע מופתי הן של התזמורת והן של הסולן.
Beautiful, wonderful performance!! A comment on the piano and the pianist: I'm noticing more and more that I appreciate Mr. Schiff more and more, but his personal Bosendorfer less-and-less, because the sound on the non-Bosendorfers seem to have so much more character and metallic depth than the super-woody BD. It took me a few minutes to finally glimpse that this is a Bechstein (I thought maybe a Steinway, but definitely very different from the BD) but I immediately knew not a Bosendorfer. I don't know what Mr. Schiff or anybody sees in the Bosendorfer. I like the Bechstein sound, but there is just something so "classic" about the Steinway timbre (Bechstein is in the ballpark). I think of it in two ways: the balance of wood and metal in the sound (almost pure wood in BD, Steinway and Bechstein close in this regard), and the sense of the piano case mixing the sound; in Bosendorfer, I feel like I'm just hearing the individual pitches, with heavily wooden timbre, with no sense of a container; in a Steinway I seem to hear the synergy of all the notes being combined in a box - in a good way - creating all kinds of colors, with that subtlely bell-like "metal" quality. Steinway sounds both modern (metal) and classic (wood) this way, in just the right balance.
anyone know who wrote the cadenza in the first movement? 12:56 is a quote from the slow movement of piano sonata 12 by Mozart which was written in the same key if I'm not mistaken ..so cool
Hey! At 34:47 he snuck in a couple of bars from the 27th piano concerto (K595) or actually more like the K596 song. Is that even allowed? It's like forward time travel. Do other soloists do that kind of thing?
quite a dry sound, but thats really the charm of the Bechsteins of the 1890s. the overall scale design of modern Bechsteins have changed almost completely. if im not mistaken, this particular piano was owned by Wilhelm Backhaus
Why doesn't he play Liszt? I was at the Academy in Budapest from 1991-1994 and he came into my room where I was practising and said he needed the room to teach in lol.
00:28 1. Allegro
14:40 2. Andante (Variations)
23:45 3. Allegro
There is absolutely no one like mozart
Can you recall no melody of mine?
Yes...indeed!!!!
Nem como Andras Schiff....
Andras does such a wonderful job of bringing the music of Mozart's genius to life.
He’s one of the best Mozart pianists out there
Bravo! Schiff is one of the best player of Mozart for me. Especially, his No 9 concert has took me to deep world of Mozart,s music.
This is what mature playing means.
It was good when he was young, but his tasteful performance is also wonderful.
Simply wonderful! Sir András seems at his most happy and relaxed when playing with his own orchestra, Cappella Andrea Barca - and it is lovely seeing Yuuko Shiokawa in the 1st violins. Thank you so, so much.
Yuuko shiokawa
Yes!!! Happiness!!!
they have a great concertmaster too - Erich Hobarth of the Concentus Musicus Wien. love this ensemble - like a chamber version of Claudio Abbado’s Lucerne Festival Orchestra
Ahh, I thought that was his wife sitting 2nd stand❤1st violin🤙🎼🎶
Idk … He’s pretty relaxed when playing Bach …
Tout se résout dans l'allégresse et la joie intériorisée avec Mozart
Mozart is an absolute magician for music ❤🎉!
Sublime ... Mastery of Mozart 's Piano (Concerto 22 E flat major). Since his death almost 233 years passed by; his music still going strong.
The third movement of this concerto moves me with its genial innocence even today, thirty five years since I first heard it.
Music as such, as a masterpiece, is certainly going strong. But what about the appeal it has? I look and see mostly old people on stage playing for old people in the audience. What next?
I love this so much ❤
This concert is simply beautiful
I can't beleive it.... Mozart! Plus Andras Schiff virtuoso with this wonderful Orchestra.. This is gorgeous.! Just music, but transdandanced! God is present in this tune...
Zauberhaft, brillant interpretiert! Ein wahrer Ohrenschmaus!
Se réveiller avec le concerto 23 de Mozart c'est un plaisir hors du commun ,vive Mozart
This is pure gold!! ❤
Andras Schiff possède un toucher exceptionnel,
D’une immense délicatesse et légèreté 😌qui conviennent tellement à l’oeuvre de Mozart. Son piano parle, chante. Un moment tellement précieux à l’écoute de ce grand pianiste.
I totally agree!
Excellent!!!! Interesting ornaments by Schiff. Best performance of entire work I’ve ever heard .
Sublime concerto de Mozart , quel plaisir ! ❤
Simply wonderful. Thank you so very much for uploading.
Un allegro joyeux...par un pianiste enthousiaste ! Merveilleux orchestre également.
Ah!! Mozart, Andras completely at home here...opening bars of the
third movement always stirs memories of the street scene when piano being transported in that great movie 'Amadeus'
Marvellous. Thanks a lot for such beautiful gift for my musical Sunday!
Grandioso;Sir A.Shiff hermosa interpretación del mas grande genio de Los Clásicos:W.A.Mosart
Děkuji za krásný den s vámi na tabletu krása jerabkova
La plus belle interprétation de ce concerto de Mozart...😇🌹
He is a great Alchemist of thepiano embodying the musical aesthetics of Mozart
Bravo!!
Bravo, a masterful performance by András Schiff, playing piano and conducting. A memorable performance, highly enjoyable...
Schiff holds an unchallenged position as an interpreter of Mozart
And
he is a great Alchemist of the piano embodying the musical aesthetics of Mozart
Very well put.
@@excelsior999
Thankyou
From
A corner of dreamful and immeasurable profound Tokyo
🍙🍥🍢🍘🍡🥟🍱🍜🍚🍇🍓🍄🌸💮⛩️🎋🎎🎏👘🗼🎑🎴🇯🇵
Cherry Blossom in full bloom is falling
Everywhere is covered with immeasurable pale pink pedals
🌸💮🌸💮🌸💮🌸💮?🌸👘👘👘👘👘👘👘?
I have yet to hear a Mozart piece of music that is not simply great, Andras Schiff with double duties, great [performance on both.
God bless.
I listened a more than 100 times kv482. This is a coronation❤❤❤❤❤❤
III movimento: Rondò. Allegro
23:50 Pianoforte: idea tematica A (apertura)
24:00 Orchestra: idea tematica A
24:09 Pianoforte: idea tematica A (conclusione)
24:18 Orchestra: enfatizza/sottolinea la conclusione del Pianoforte
24:29 Pianoforte: idea tematica A
24:37 Orchestra: fanfara conclusiva
24:49 Fiati (Clarinetto/Fagotto/Flauto): intervento solistico (nuovo materiale)
25:15 Pianoforte: elaborazione del materiale proposto dai fiati
26:18 Pianoforte: idea tematica B
26:28 Fiati (Clarinetto/Fagotto): idea tematica B
26:38 Flauto: intervento solistico
26:42 Pianoforte: prende spunto dal Flauto per un intervento virtuosistico
27:15 Orchestra (Corni)/Pianoforte: coda che riporta a:
27:24 Pianoforte: idea tematica A
27:33 Orchestra: idea tematica A elaborata (tonalità minore)
27:55 Pianoforte: serie di trilli che conducono alla Cadenza (improvvisazione)
28:27 Fiati: idea tematica C (apertura) Più lento
28:54 Archi/Pianoforte: idea tematica C
29:18 Fiati: idea tematica C (conclusione)
29:45 Archi/Pianoforte: idea tematica C (conclusione)
30:22 Pianoforte: riprende la guida
30:57 Pianoforte: trilli e cadenza (improvvisazione)
31:36 Pianoforte: idea tematica A (apertura)
31:45 Orchestra: idea tematica A
31:54 Fagotto/Flauto: intervento solistico
32:02 Pianoforte: prende spunto dall'intervento solistico dei fiati
32:41 Pianoforte: idea tematica B
32:51 Fiati (Corni/Clarinetto): idea tematica B
33:02: Flauto/Clarinetto: intervento solistico
33:06 Pianoforte: prende spunto dall'intervento dei fiati
33:36 Pianoforte: cadenza (improvvisazione)
35:01 Pianoforte: idea tematica A (apertura)
35:10 Pianoforte: idea tematica A (conclusione)
35:50 Fiati (Clarinetto/Fagotto/Flauto): intervento solistico
36:14 Finta conclusione e coda finale
Grazie per la spiegazione così dettagliata che solo uno studioso può capire ma che mi aiuta a comprendere meglio lo sviluppo del concerto.
Io ho 80 anni e purtroppo non ho potuto studiare pianoforte, però mi piace conoscere le dinamiche di ogni cosa anche se complesse.
Un caro abbraccio da Brescia Italia ❤😂❤
Clever 1st Movement Cadenza. Subtly inserts the Adagio from Sonata K. 332. Brilliant!
Actually laid my hands on a concert C. Bechstein at the NAMM Show in 2022. Treble and bass bridges are actually a single piece of wood. Incredible Piano!
i believe modern bechsteins are made entirely differently than the older ones. top quality still - thats for sure. im no piano expert, but i think the older ones of the 1890s and this scale design sound different. this particular piano i think was owned and played by Wilhelm Backhaus.
just the same, sure is good to see and hear other makes of pianos used in concerts other than Steinway.
Good catch on the K. 332!
Великолепное незабываемое исполнение. Андраш Шифф неподражаем. Спасибо!
Моцарт обладал уникальным даром, высокой избирательной восприимчивостью.
Shift is marvellous but let’s not forget Peraya…
Fascinante. Adoro este concerto. Obrigado.👏👏👏👏👏👏
I got suprised when I heard the theme from the second movement of a Mozart piano sonata in F major appear in this concertos first movements cadenza. That was a suprise.
The point, in Schff art of interpretation, is his deep sense of humour.
Uchida? Fischer?
finally a concert with the CAB! thank you!
Beautiful!!!
I always love the gloomy leading note on the 2nd movement... so beautiful
23:00 the genius of Mozart. he enters on the second inversion instead of root position.
Maravilloso que Gran Artista y excelente la orquesta, mil gracias
Increíble versión. El tercer movimiento es de una belleza inigualable. Bravo A. Schiff y orquesta por esta gran interpretación de esta obra maestra !
Y el Andantino en mitad del Allegro es sublime.
Vaya, ilustre Manfred. Donde nos venimos a encontrar. Schiff es realmente sublime en este repertorio.
csodàlatos zeneileg és technikailag is a legnagyobb elismeréssel Janos
Que maravilla tocar el piano y conducir la orquesta !!!!
Pótolhatatlan élmény! 🌾
Simplesmente Maravilhoso! O que falar???? Bravo! Mozart é obra de Deus!!!!
Un pianiste heureux de partager ! ❤
bravissimo Andràs ich bin stolz auf Dich
0:28 1st movement | 8:45 horn moment | 14:15 ending | 14:21 ending
14:44 2nd movement |
23:50 3rd movement | 28:40 curious moment |
bravissimo Andràs
Awesome!
Incomparable
Mozart is a God!
Un'altra perla di Schiff
Superb!
Maravilhoso!
Finished, thanks for sharing this great music
No conocìa esta obra.... muy bello... muy diferente a los otros conciertos para piano de este mismo compositor
AMADEUS!!
meravigliosa interpretazione.
Wolfgang Breinschmid from the VPO on flute. Beautiful performance!!
heavenly
Ein gutes orchester video solist
Beautiful and I now feel that Yunchan Lim and The Fort Worth S. Orchestra at the 22 Clyburn did it comparably well. The only 2 recordings of this lovely concerto I have found. I feel that Prof Schiff with his vast experience and young Yunchan with his youthful verve and brilliant musicianship are brothers at heart with Bach and Mozart=would love them to get together.
Bravo!
I just noticed Schiff is playing a Bechstein. Schiff’s technique is superb, but perhaps the piano is also contributing to the overall lyrical quality of the performance?
I was thinking it’s very well suited to Mozart’s music. A very sweet, clear sound.
⚘⚘⚘⚘⚘
31:00 4th mvt of Beethoven's Sonata Op 26 n°12 in A flat major was almost there 🙂
I appreciate this observation 😂
The Best Friend you can get out there, in the Vast Divine Space.
outstanding
好棒棒......謝謝 !!
Great!!!!!!
Meraviglioso!
BRAVO 👏👏👏👏👏👏🌺💐✌️♥️🇬🇪
Was für einen Künstler !
Was für einen Mensch:
en.wikipedia.org/wiki/Andr%C3%A1s_Schiff
Un cafe bien chaud à la main ,et ce concerto 23 c'est hymne à la vie ,n'est ce pas?
Lecon
Le concerto no 22😊
Herr Schiff führt makellos wie immer aus.
It's a personal opinion on what composer's music touches your heart and moves you. As for me and my piano playing Beethoven Sonatas or Chopin Ballads and Nocturnes speak to my heart and soul and what I prefer playing the most.
Thanks.
I enjoy Mozarts music, would like to listen more to his genius. Not my favorite composer, but all people say Mozart is great. So they must be right.
When the student is ready, the master appears. That’s how it worked out for me
Schiff made Mozart alive.
קונצ'רטו שהוא קורנוקופיה של הפתעות מוסיקליות! משום-מה, מנגנים אותו לעתים רחוקות באולמות הקונצרטים וברדיו. כאן, בביצוע מופתי הן של התזמורת והן של הסולן.
Beautiful, wonderful performance!! A comment on the piano and the pianist: I'm noticing more and more that I appreciate Mr. Schiff more and more, but his personal Bosendorfer less-and-less, because the sound on the non-Bosendorfers seem to have so much more character and metallic depth than the super-woody BD. It took me a few minutes to finally glimpse that this is a Bechstein (I thought maybe a Steinway, but definitely very different from the BD) but I immediately knew not a Bosendorfer. I don't know what Mr. Schiff or anybody sees in the Bosendorfer. I like the Bechstein sound, but there is just something so "classic" about the Steinway timbre (Bechstein is in the ballpark). I think of it in two ways: the balance of wood and metal in the sound (almost pure wood in BD, Steinway and Bechstein close in this regard), and the sense of the piano case mixing the sound; in Bosendorfer, I feel like I'm just hearing the individual pitches, with heavily wooden timbre, with no sense of a container; in a Steinway I seem to hear the synergy of all the notes being combined in a box - in a good way - creating all kinds of colors, with that subtlely bell-like "metal" quality.
Steinway sounds both modern (metal) and classic (wood) this way, in just the right balance.
Is Sir Schiff's wife Yūko Shiokawa on the second row of the first violins?
Yes, the lady is Yūko Shiokawa, his wife.
anyone know who wrote the cadenza in the first movement? 12:56 is a quote from the slow movement of piano sonata 12 by Mozart which was written in the same key if I'm not mistaken ..so cool
Is it uncommon for the soloist to write their own cadenza? Schiff could’ve written it
The Sonata is written in f major if I am not mistaken
@@zurich5607 Pretty common. This one is pretty Beethovenian.
I noticed that quote as well. Mozart on top of Mozart. Very clever!
@@zevyzions He quoted Don Giovanni in the last movement cadenza of K466, which is in the same key and mood. Extremely brilliant idea!
Hey! At 34:47 he snuck in a couple of bars from the 27th piano concerto (K595) or actually more like the K596 song. Is that even allowed? It's like forward time travel. Do other soloists do that kind of thing?
❤
ÇALAN ,ÇIĞIRANIN EMEKLERİNE SAĞLIK
bon travail. bien joué. santé en main. beau boulot. vous féliciter. Bon boulot. Merci pour le dîner
Andras Schiff is playing in a Bechstein piano. Not in a Bosendorfer (that is usual for him), nor in a Steinway & sons.
quite a dry sound, but thats really the charm of the Bechsteins of the 1890s. the overall scale design of modern Bechsteins have changed almost completely. if im not mistaken, this particular piano was owned by Wilhelm Backhaus
23:47
Mozart stimulates your brain synapses.
😊
Omg that slow movement…😮
6:12
18:37 Bach-Basso continuo mit der Linkshand werfe ich in die Waage :
Hier hat Wolfgang nicht geschlafen wie sonst oft😀
L'orchestra è auto sufficiente non aveva bisogno che la dirigesse
Why doesn't he play Liszt? I was at the Academy in Budapest from 1991-1994 and he came into my room where I was practising and said he needed the room to teach in lol.
33:36- 33:54 Cosi fan tutte
odio il trash, Mozart è il contrario
❤❤
Perfect! ..but in the end the clarinet is out of tune...
Ja in