Beethoven - Symphony No. 3 in E flat major, "Eroica" (SWR-Sinfonieorchester, Michael Gielen)

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  • เผยแพร่เมื่อ 24 ม.ค. 2020
  • Live in Freiburg und Baden-Baden with the SWR Symphony Orchestra conducted by Michael Gielen
    Watch the complete Beethoven Symphonies: bit.ly/EA-BeethovenSymphonies
    Subscribe to EuroArts: goo.gl/jrui3M
    SWR Symphony Orchestra
    Michael Gielen - conductor
    Ludwig van Beethoven - Symphony No. 3 in E flat major, "Eroica"
    0:45 I. Allegro con brio
    16:16 II. Marcia funebre. Adagio assai
    29:24 III. Scherzo. Allegro vivace
    35:08 IV. Finale. Allegro molto
    Produced by SWR
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ความคิดเห็น • 39

  • @zacharybancroft747
    @zacharybancroft747 3 ปีที่แล้ว +59

    Who else is here from Music 101 with Dr Hinckley?

  • @jorgeurzuaurzua4011
    @jorgeurzuaurzua4011 4 ปีที่แล้ว +10

    Michael Gielen was an Austrian musician, composer and conductor recently deceased. Having to flee from Vienna due to jewish familiars, he lived in many places, including Argentina where he completed musical studies. He was respected as a conductor specializing in modern music, including first presentations of works including Ligéti, with emphasis in modern opera. His rendering of the Beethoven third is formally faultless, even though his approach is very distant from the classic German school of the XX century. His tempo may be considered too fast for the Eroica, a solemn and even funereal work. However, it is an interesting rendering, a high quality recording, worth listening to.

    • @hansdekorver7365
      @hansdekorver7365 4 ปีที่แล้ว +4

      Lively first movement , so very good ( the same tempo as Jordi Savall ). " Funereal " is only the second movement ?

    • @jorgeurzuaurzua4011
      @jorgeurzuaurzua4011 4 ปีที่แล้ว +2

      @@hansdekorver7365 Sir, you are right in both counts. The funereal march is just the second movement and the tempo of the first may be the same used by Jordi Savall. My point is that the Eroica is solemn all over ("To the memory of a Great Man"), and I tend to prefer the interpretations of classical German school masters such as Fürtwangler or more recent conductors such as Celibidache. The baroque and renaissance masters such as Savall or more modern such as Gielen tend to prefer a faster tempo. I believe that on the matter of opinions the field is always open. At any rate, as romans wisely said, "de gustibus non est disputandi".

    • @hansdekorver7365
      @hansdekorver7365 4 ปีที่แล้ว +2

      @@jorgeurzuaurzua4011 O.k. Maybe it is often what you are used to.
      But......is " disputandi " also correct ? ( versus " disputandum " )

    • @jorgeurzuaurzua4011
      @jorgeurzuaurzua4011 4 ปีที่แล้ว +2

      @@hansdekorver7365 Sir, you are correct, it is "disputandum". Moreover, I was in error attributing it to the romans, it was written by a modern French, Brillat-Savarin. Are you from the Nederlands by any chance?

    • @hansdekorver7365
      @hansdekorver7365 4 ปีที่แล้ว +2

      @@jorgeurzuaurzua4011 Dear sir , I must admit I am from Amsterdam ! ( but how did you know ? )

  • @chenliu3480
    @chenliu3480 4 ปีที่แล้ว +6

    Original tempo! Awesome!

  • @georgiaguardian4696
    @georgiaguardian4696 2 ปีที่แล้ว

    I have listened to many no. 3. This has got to be one of the best performed and also BEST RECORDED. Why only 17k views so far? Most people are missing out!

  • @tarakb7606
    @tarakb7606 2 ปีที่แล้ว +2

    Wonderful performance!

  • @andrewium
    @andrewium 4 ปีที่แล้ว +4

    Great performance! I love the faster tempo :-)

  • @marcellodeangelis573
    @marcellodeangelis573 4 ปีที่แล้ว +4

    Strings sound very good. The woods are of fair competence. The brasses are in certain passages not very precise. The musical tempo is the right one (I have an "Eroica" by Abbado for the DG label which is so slow as to be soporific! "A" Bravo!" for the timpani player

    • @novagerio9244
      @novagerio9244 4 ปีที่แล้ว +1

      "The musical tempo"....now, you "metronomist", did you ever hear of reverb?

  • @h.h.9289
    @h.h.9289 3 ปีที่แล้ว +1

    Merveilleux Michael Guilin . Lumineux,elegant,sans tapage. Écouter aussi ses symphonies de Malher. Sa famille avait fui le nazisme Parceque juifs pour se réfugier à Bueno Aires.On pense à tous les génies qui n’ont pas eu la même chance et que l’humanité a perdu..

    • @h.h.9289
      @h.h.9289 3 ปีที่แล้ว

      Pardon: Guilen et non Guilin...

    • @ATHill-uj7ip
      @ATHill-uj7ip 3 ปีที่แล้ว

      @@h.h.9289 Gielen

  • @hyperion700
    @hyperion700 4 ปีที่แล้ว +2

    Wow, what an impetus

  • @stiofaingoff8860
    @stiofaingoff8860 2 ปีที่แล้ว

    Van? Or Von?

  • @josecordano2805
    @josecordano2805 4 ปีที่แล้ว +1

    La obra es muy buena pero lo prefiero escuchar con instrumentos antiguos porque escucho los violines un desastre mucha emoción o lo hacen vibrar no pasa nada

  • @user-lm4jf1py5m
    @user-lm4jf1py5m 4 ปีที่แล้ว +4

    Оркестр красочный, дирижёр превосходен, но слишком быстро, вложенные автором страсти сменяются быстрее, чем протекают эмоции. Учитесь у Клемперера, лучше у позднего. Он и показал огненного Бетховена.

  • @novagerio9244
    @novagerio9244 4 ปีที่แล้ว +2

    A metronome - who thought that intellect came before emotion and Gestaltung.

  • @Stavroghin77
    @Stavroghin77 4 ปีที่แล้ว +2

    Too fast. Try Celibidache. Or Klemperer...

    • @michaelremish3123
      @michaelremish3123 4 ปีที่แล้ว +3

      Stavroghin77 have you studied the score?

    • @Stavroghin77
      @Stavroghin77 4 ปีที่แล้ว +2

      @@michaelremish3123 No sir, I can't say I did. And I'm sure this rendering is extremely correct and 'truthful' to the score, however, no shivers down to my spine... Just a 'layman''s opinion.