Violinmaker Peter Westerlund Part 87 Back to basics

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  • เผยแพร่เมื่อ 27 ก.ย. 2024
  • Violinmaker Peter Westerlund, Sweden explains his unique way of violin arching and some theory behind it.

ความคิดเห็น • 8

  • @wanjiage4038
    @wanjiage4038 2 ปีที่แล้ว

    It is help me a lot from beginning, thanks millions!!

  • @charalamposdafermos8236
    @charalamposdafermos8236 2 ปีที่แล้ว

    Thank you very much for your effort! It really is THE tool for me and definitely you have to ruin first to create later.

  • @doatsouth3224
    @doatsouth3224 7 หลายเดือนก่อน

    Having made a few violns myself and realizing that in many of the sounds you are hearing when listening for tap and scratch tones, there are many tones and overtones, or could I say frequencies within each individual sound.
    I believe the reason some people can't discern the pitch, is because it's not necessarily the absolute note you were hearing but a lot is that you are are adjusting frequencies out of balance within that pitch... Thoughts?

    • @westerlundsviolinverkstada9892
      @westerlundsviolinverkstada9892  7 หลายเดือนก่อน

      Well, it is not a clear note. Scratching a flat piece of wood, where the pitch gets higher when you get closer to the edge gives a hint of what it is about.

  • @iustineeel5441
    @iustineeel5441 2 ปีที่แล้ว

    Please, if you can put subtitles.

    • @westerlundsviolinverkstada9892
      @westerlundsviolinverkstada9892  2 ปีที่แล้ว

      Sorry, but I don´t think subtitling this would improve my bad english. I just haven´t time for making more work with the editing.
      Besides, I do it for free, choosing not to have enervating adds, that might give me a dollar every now and then.
      This is not a violin making school, but a sharing of some findings that I find interesting. It is there for anyone to use or dismiss.

  • @bodilskumsrud520
    @bodilskumsrud520 2 ปีที่แล้ว +1

    Very interesting...thank you!
    What a lo ely job this must be...!