Violin maker Peter Westerlund Part 86 Tuning the bass bar

[@DavideSora]

Hi Peter,
a big like to your sharing attitude, greetings for a happy 2022.

[@westerlundsviolinverkstada9892]

Thank you Davide! All the best to you too. Maybe we see each other in 2022.

[@itdock]

Thanks for this! I learned a lot.

[@johnnyberglund841]

Knock Knock On Hsevens Wood, så kan kommentaren ju bli!
Intressant video. 😮

[@lokeunderdal7475]

Tack Peter, bra förklaring! Skulle du stämma bjälken på en cello och kontrabas på samma sätt?

[@westerlundsviolinverkstada9892]

Ja.

[@lokeunderdal7475]

Tack för svar!

[@philipgregorysougles1744]

I think that the dead wood concept makes sense. why make it longer no structural support doesn't occur? Function over form for everything aiming top performance

[@mkdijkstra4855]

i see a lot of basebarrs close to the f hole, (top he top round opening of the f hole), your seems to be more far away from it?, what is the rule for this?

[@westerlundsviolinverkstada9892]

Different schools say different things. I have the middle joint as a guideline for where to start. If the F´s are close to each other, the bar ends up close to the hole. Also if the instrument is assymetric, it could influence the look.