Probably the best ending I ever wrote
ฝัง
- เผยแพร่เมื่อ 3 พ.ค. 2024
- Prelude No. 21 in C Major for Orchestra - Yoav Shati (2023)
This piece was orchestrated along with 3 others as part of a suite so I used the key of C major instead of B♭ major. The other pieces will be uploaded soon
The orchestra allowed me to play a lot more with color and intensity in a way that I can't do on piano (maybe one day, but that will take a lot more work) and I especially like the result during the ♭III V I progression I mentioned in the piano version's video's description
My favorite comment from the MuseScore page is "listened with my eyes closed and was walking through a meadow, with butterflies chasing each other and deer leaping about in the distance". I hope the deer and butterflies survived measures 29-30
Piano version: • I composed this piece ...
Score: musescore.com/user/27851272/s...
Everything else: linktr.ee/YoavShati
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instrument list:
2 flutes
2 oboes
2 clarinets in B♭
2 bassoons
2 horns in F
2 trumpets in B♭
timpani
harp
first+second violin sections
viola section
cello section
contrabass section - เพลง
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What I really about this piece s the crescendo throughout. Really good idea!
Thank you!
1:12 This part is awesome bro, reminds me of Don Giovanni by Mozart
Which part of Don Giovanni? It's been a while since I watched it (and it was with piano accompaniment) so I'll have to look it up
@@yoavshatiRight at the beginning, there’re some tense and loud chords like the one you used approached after a very quiet part
Do you have any tips for composing orchestral pieces? Or really anything lol? I find much joy in writing and if I could get better I'd appreciate it
Try learning about the instruments and listening to pieces (with real recordings) to hear what the composer did with the instruments. The TH-cam channel "Orchestration Online" has lots of very useful videos about orchestration, including a yearly challenge where people submit orchestrations of the same piano piece and get criticism (you can watch the videos about these to see what mistakes people make and how you could avoid them, for example)
Also, just try stuff. Pick a short piece or part of a piece and orchestrate it or arrange it for the instruments you've learned about. Share that online and get feedback, and then you can learn from that too for the next piece
For composing an orchestral piece I would suggest not orchestrating everything fully right away, and only getting the main idea across in the first draft and then going back and adding instruments. Of course, if you have a melody that you just know has to be played by a bassoon you can write that in write away, but if you fill in all the details from the start it will take ages to write anything (though it is possible. I think William Grant Still used to orchestrate everything in detail in the first draft)
Hope that helps!
@@yoavshati me personally, i just go with feeling
Listen the end of the piece probably the last month in my head❤
I want to hear live performance of this music.
It's good
A live performance of any of my pieces would be amazing!
Beautiful!
Thank you!
Good job!
Thank you!
I absolutely LOVE whatever happened near 0:37
I remember thinking it sounded similar to the overture to L’italiana in Algeri, but I listened to it again and it doesn't really
@@yoavshati this always happens with music I make too. I'll make a riff then eventually find out I subconsciously copied another song but I always compare them with my friends and they usually say that they're nothing alike or barely similar. It always has to do with the feeling it brings you.
I have the opposite of this a lot of the time. I compose something and people say it sounds like something else
Very Good 👏
Thanks!
Fa mi reeeeee doooo❤
I recognize you really like Sibelius
I think I only know 2-3 of his pieces. Maybe I should listen to him more