nice video. never underestimate the bass singer high notes. also video suggestion sequal if you want. tenors destroying the 2nd octave in chest b2 to c2
Lowest tenors I can think of (will add more if I think of any) Casper Fox - G#1 Adam Lopez - Bb1 xeesf - Bb1 Peter Hollens - B1 Paul McCartney - B1 Bass Man Matteo - B1 David Larson - B1 Michael Spyres - B1 Eli Jacobson - C2/B1 Billy Joel - C2 Henry Nilsson - C2 Julius-Martin Benz - C#2 Tim Waurick - C#2 George Harrison - C#2 Caleb Hyles - D2 Nathan Sharp - D2 Neil Cicierga - D2 Roomie - D2 Pier Arion - Eb2 Dimash Kudaibergen - Eb2 David Phelps - E2 Elton John - E2 Mitch Grassi - E2
@@BassManMatteo Elton John started off as a tenor earlier in his career, but his voice has changed and now he's a lyric baritone I think. His most famous songs were recorded when he was younger.
If you want to hear basses destroying the 4th octave even better, even though you did good adding Mikhail Zlatopolsky (whom is the only bass on this video whose high notes I really enjoy), you should listen to Jerome Hines, Cesare Siepi, Samuel Ramey, and Nicolai Giaurov (I guess I'm just biased because the guys I listed are operatic bass singers lol).
Not trying to take any other bass down, but in my humble opinion, the bass that brings the most energy on the tenor/baritone range in this video is Colm Mcguinness!!! His high chest notes sound so fluid and loose!!! His rocky vibes brings me such a high energy, at the point to remind Marvel/DC or even DBZ biggest fights!!!😍😍😍😍😍 His smoothness singing is butter melting at a higher rate!!!🤩🤩🤩🤩🤩
You should also include Eric Holloway if you’re making a part 2 to this. He can conquer the upper register with confidence, while shaking the earth with his low stuff!
Agreed!! He is an absolute beast at his upper registers, we shouldn't neglenct the fact that he can go super low, and yet making tons of work to get those the high notes sounding and being strengthened, which I apreeciate and must give all my respect to him, because people don't know how hard it is, what is truly being a Low Oktavist, and what is it like to sing in a place, let's just say that it really is not your beach because you are so used to sing confortable in your modal place, and you did all the best to conquer that. The same goes for tenores and baritones!!!
@@YourlocalNoVAgeek *Don't like is what I wanted to say. It just feels he doesn't receive enough attention and recognize for the hard things he does, in order to make a great SongPlaylist!!!
@@hugobasilio1303 Well most of the time, Mr. Holloway doesn't have as much vocal weight in the 4th octave as many baritones and tenors do (listen to Lauritz Melchior so that you know what I mean). I do, however, appreciate the fact that he's trying and that for a voice as low as his he can sing quite high chest notes. And there are some occasions in which his upper register has tons of vocal weight, such as in his cover of "Nessun Dorma" in which, at the climax, he sings an F#4.
Mostly Zlatopolsky had really good high notes above C4, as well as Vladimir Miller (and to an extent, Peter Barber). Most basses have decent high notes, but not amazing. They don't have that energy that baritones and tenors have in the 4th octave.
Love it!
Hi Peter
Thank you Peter!!
Nice video! Glad to see Tim’s highs from “Hooked on a Feeling” and Geoff’s Bb4 from “Peaches”.
Nice seeing you here
@@BangYongguk-sf8ly I'm everywhere
nice video. never underestimate the bass singer high notes. also video suggestion sequal if you want. tenors destroying the 2nd octave in chest b2 to c2
O thanks for suggestion!!
Lowest tenors I can think of (will add more if I think of any)
Casper Fox - G#1
Adam Lopez - Bb1
xeesf - Bb1
Peter Hollens - B1
Paul McCartney - B1
Bass Man Matteo - B1
David Larson - B1
Michael Spyres - B1
Eli Jacobson - C2/B1
Billy Joel - C2
Henry Nilsson - C2
Julius-Martin Benz - C#2
Tim Waurick - C#2
George Harrison - C#2
Caleb Hyles - D2
Nathan Sharp - D2
Neil Cicierga - D2
Roomie - D2
Pier Arion - Eb2
Dimash Kudaibergen - Eb2
David Phelps - E2
Elton John - E2
Mitch Grassi - E2
@@BassManMatteo dude, that's a huge list!! I will def think of doing this sometime
@@BassManMatteoNice list!
@@BassManMatteo Elton John started off as a tenor earlier in his career, but his voice has changed and now he's a lyric baritone I think. His most famous songs were recorded when he was younger.
Thanks for representing Tim's "You're So Yesterday". Such a banger lmao
Wow, two videos within the span of one week! What’s happening? 😄
I really hope to release 2 vid every week haha😅
7:54 god damn colms range is insane
Higher register from bassist sound different instead their lower register. Interesting
for basses, 4th octave is so high. I'm not bass though, It's hard to hit F4.
If you want to hear basses destroying the 4th octave even better, even though you did good adding Mikhail Zlatopolsky (whom is the only bass on this video whose high notes I really enjoy), you should listen to Jerome Hines, Cesare Siepi, Samuel Ramey, and Nicolai Giaurov (I guess I'm just biased because the guys I listed are operatic bass singers lol).
Not trying to take any other bass down, but in my humble opinion, the bass that brings the most energy on the tenor/baritone range in this video is Colm Mcguinness!!!
His high chest notes sound so fluid and loose!!!
His rocky vibes brings me such a high energy, at the point to remind Marvel/DC or even DBZ biggest fights!!!😍😍😍😍😍 His smoothness singing is butter melting at a higher rate!!!🤩🤩🤩🤩🤩
Happy Halloween to you guys
You should also include Eric Holloway if you’re making a part 2 to this. He can conquer the upper register with confidence, while shaking the earth with his low stuff!
Agreed!!
He is an absolute beast at his upper registers, we shouldn't neglenct the fact that he can go super low, and yet making tons of work to get those the high notes sounding and being strengthened, which I apreeciate and must give all my respect to him, because people don't know how hard it is, what is truly being a Low Oktavist, and what is it like to sing in a place, let's just say that it really is not your beach because you are so used to sing confortable in your modal place, and you did all the best to conquer that.
The same goes for tenores and baritones!!!
I just hate people who don't give any recognition for those who want to make their upper limits, sounding so good as tenors and baritones do!
Hate is a strong word, but yeah, their highs are under-appreciated!
@@YourlocalNoVAgeek *Don't like is what I wanted to say.
It just feels he doesn't receive enough attention and recognize for the hard things he does, in order to make a great SongPlaylist!!!
@@hugobasilio1303 Well most of the time, Mr. Holloway doesn't have as much vocal weight in the 4th octave as many baritones and tenors do (listen to Lauritz Melchior so that you know what I mean). I do, however, appreciate the fact that he's trying and that for a voice as low as his he can sing quite high chest notes. And there are some occasions in which his upper register has tons of vocal weight, such as in his cover of "Nessun Dorma" in which, at the climax, he sings an F#4.
Mostly Zlatopolsky had really good high notes above C4, as well as Vladimir Miller (and to an extent, Peter Barber). Most basses have decent high notes, but not amazing. They don't have that energy that baritones and tenors have in the 4th octave.
But they can get pretty close to that with plenty of practice!
Most of them are baritones
This is just fundamentally wrong.