You are a real teacher. You know what your students need and you communicate it clearly, without the prideful self-importance and bullshit I see in so many other videos. 10/10
For a young guy you obviously have a ton of experience and you communicate so well. I spent many years painting live models from Hollywood at the California Art institute. My initial drawing teacher now considered one of the best painters in the world same (age as you now ) could demonstrate but couldn’t communicate it. I only lasted 12 classes with a guy who now gets )$100,000 a painting. I am a big fan of your unique ability to be able to do but also your very outstanding communication skills. Really good job on your growth.
Thanks! Yeah being a good painter and being good at teaching and explaining are two different skill sets lol I also feel I know what it's like to try and learn oil painting on your own from home because other than an intro oil painting class when I was 17 (which was very helpful and taught by a great instructor) I had to learn on my own from videos.
Excellent teacher, possibly because as a self-taught artist, learning was a conscious process for you. You make so much sense of all these concepts I've heard, but never really understood. Cheers.
Watercolorist Edgar Whitney taught the scaling of same objects as Momma, Papa, Baby. No two the same size or height and different distance between. He would hold out his thumb, index finger and pinky to represent the three. It works for anything in a painting using objects. 3 trees, three rocks, 3 telephone poles, 3 birds etc.
I’ve been listening to your video over and over as I’m fixing dinner. Every time I listen to it, something else sinks in. I’ve learned more from you than any other painter on TH-cam‘s. I do nearly all of my painting outside and I’ll spend all day long doing it. I’m retired so there’s no rush. I don’t paint in my studio too much, because when I do I tend to go more toward technical and the paintings lose their looseness. all I want to do is get good and impressionistic style landscapes. That’s all I care about. I don’t care about selling paintings, I don’t care about doing any other kind of paintings. Everyone tells me that I’m really good, some tell me I’m getting better my first teacher, from a couple years ago, is amazed. I truly appreciate your experience and knowledge and your developed skill and the way that you present.
Great, helpful video, Chris. I hear you talk a lot about “pushing and pulling paint.” Could you perhaps do a demonstration of what exactly you mean by that?
You are awesome!! One of your biggest fans and thank you for responding on Instagram. That means you are attentive and don't mind answering questions or offering help when needed.
It's just satisfying to see you build your painting step by step. Also I had stopped painting in oils for a while but your videos make me to sit down and paint again and I'm in love with the medium again!
Great info! Thanks. Might try painting a subject from a photo that I've painted before, this time following your tips. Will be interesting to see the difference!
This video is very informative on a lot of things not to do, but u don’t say why these are not good things, for example, how doing the wrong things impacts your painting! Bad a newbie these rationales help me to internalize the don’t do concepts! However, it’s a quick video and perhaps ur explanations can b found in a different video, if so, please direct me to those! Regardless, the info here is still helpful!
I have been asked to do two paintings, each 2 hours of time to complete. Please advise me on size and strategy. I plan to use your blocking technique for sure.
Hi Chris, Thanks for all of your content. I commonly paint in oils, however there are occasions where I use acrylic. If you have already done a video on this medium, then disregard this , but if you haven't, ( and I will search your channel page for it ) it would be great to have some of your input with regards to extenders or not using them. I really like your channel and you have helped me get out of a rut.
1- focal point, the lightest and darkest meet. that book is very helpful. symmetry is not good, varies in shape and form. focal point not in the center of the painting. drawing with burnt sienna, not to draw detail, simplify, big shapes and composition. the further sky, dark to light, thin to thick, value: 4 sky=lightest, mountain, tree=darkest value. black and white,
Do you have any other book suggestions? I would love to read Edgar Payne's book after hearing you talk about it, however I can't find it for less then 50$
sorry to double post but, wanted to let you know I just found your videos and have been watching them. I am learning so much. I am just skipping around and not watching them in order. That's because every video has something to teach me.
It's funny you say as humans we tend to go with things set out in order like putting skies at the half way point, ect. My mind tends to do the opposite. I have to work on that part and I naturally am drawn to doing things 'a little off center'. I do this in my gardens and always with my drawing. Which is fun with an engineer for a husband where it has to be precise, Perfect lines, ect.' If I ask him to critique a painting or drawing it is always because it is not centered and that kind of thing.
O.K. Mr. Painting Coach, I love how you throw in soooo much info in such a short amount of time. Thank you. One aspect I find challenging is using a variety of the same value color within an area.
bro your videos are helping me bring my paintings to the next level so thank you so much! i was hoping to get some advice on how to portray a distant hillside (or mountainside) full of trees. i can mix the right colors but tend to get lost in how to simply suggest a far away forest. thanks again so much for all of your tutoring🙏
Thank you for such a brief yet concise overview on one of the most difficult (imho) genres to paint, especially en plein air. I think a discussion of value/chroma/temperature would be worthwhile. You might even devote entire videos to each one!
Can you do a Bob Ross breakdown? Maybe paint along to one of his tutorials and tell us what you think of his techniques? Especially how he painted snow on mountains with a palette knife, and how he would sometimes thin the paint down a little to paint over thick paint and would say "a thin paint sticks to a thick paint". That is really different from a lot of your advice about working thin to thick, and which you're probably going to get a lot of comments on your channel asking about because Bob Ross is so popular and he said that a lot. He had some painting tricks that I think can be interesting to use here and there sparingly.
![[Full Episode] The Restaurant War Thailand ศึกพ่อค้าซ่าแม่ค้าแซ่บ Episode 2 | 29 ก.ย. 67](http://i.ytimg.com/vi/r3lfLNH6Ke4/mqdefault.jpg)
You are a real teacher. You know what your students need and you communicate it clearly, without the prideful self-importance and bullshit I see in so many other videos. 10/10
That's what I am shooting for! Thanks
Wow. You covered everything that it took me 15 years to learn. Great Video. Thank you.
Glad you enjoyed it!
For a young guy you obviously have a ton of experience and you communicate so well.
I spent many years painting live models from Hollywood at the California Art institute. My initial drawing teacher now considered one of the best painters in the world same (age as you now ) could demonstrate but couldn’t communicate it.
I only lasted 12 classes with a guy who now gets )$100,000 a painting.
I am a big fan of your unique ability to be able to do but also your very outstanding communication skills. Really good job on your growth.
Thanks! Yeah being a good painter and being good at teaching and explaining are two different skill sets lol I also feel I know what it's like to try and learn oil painting on your own from home because other than an intro oil painting class when I was 17 (which was very helpful and taught by a great instructor) I had to learn on my own from videos.
Excellent teacher, possibly because as a self-taught artist, learning was a conscious process for you. You make so much sense of all these concepts I've heard, but never really understood. Cheers.
I love the sense of humor! 😂 Makes my day every single time!
LOL
Watercolorist Edgar Whitney taught the scaling of same objects as Momma, Papa, Baby. No two the same size or height and different distance between. He would hold out his thumb, index finger and pinky to represent the three. It works for anything in a painting using objects. 3 trees, three rocks, 3 telephone poles, 3 birds etc.
The intro 😂 Reminds of a parody nature walk video I saw. “This is an Aspen tree. You can tell that it’s an Aspen, because of the way it is.”
💀
I’ve been listening to your video over and over as I’m fixing dinner. Every time I listen to it, something else sinks in. I’ve learned more from you than any other painter on TH-cam‘s. I do nearly all of my painting outside and I’ll spend all day long doing it. I’m retired so there’s no rush. I don’t paint in my studio too much, because when I do I tend to go more toward technical and the paintings lose their looseness. all I want to do is get good and impressionistic style landscapes. That’s all I care about. I don’t care about selling paintings, I don’t care about doing any other kind of paintings. Everyone tells me that I’m really good, some tell me I’m getting better my first teacher, from a couple years ago, is amazed. I truly appreciate your experience and knowledge and your developed skill and the way that you present.
Great, helpful video, Chris. I hear you talk a lot about “pushing and pulling paint.” Could you perhaps do a demonstration of what exactly you mean by that?
Great suggestion!
Great tips now I want more landscape videos 🤗
You are awesome!! One of your biggest fans and thank you for responding on Instagram. That means you are attentive and don't mind answering questions or offering help when needed.
You are so welcome!
It's just satisfying to see you build your painting step by step. Also I had stopped painting in oils for a while but your videos make me to sit down and paint again and I'm in love with the medium again!
Great info! Thanks. Might try painting a subject from a photo that I've painted before, this time following your tips. Will be interesting to see the difference!
Good luck!
Your communication skills are excellent and you transmit the information very effectively
I appreciate that!
This video is very informative on a lot of things not to do, but u don’t say why these are not good things, for example, how doing the wrong things impacts your painting! Bad a newbie these rationales help me to internalize the don’t do concepts! However, it’s a quick video and perhaps ur explanations can b found in a different video, if so, please direct me to those! Regardless, the info here is still helpful!
I have been asked to do two paintings, each 2 hours of time to complete. Please advise me on size and strategy. I plan to use your blocking technique for sure.
make a video about waves in the ocean please, Chris the perfect teacher!
Like always another very informative video. Thank you. 👍
Great video... But to be brutally honest, I didn't even notice the person in the painting until you pointed them out lol
GTREAT vid!! So helpful!
Hi Chris, Thanks for all of your content. I commonly paint in oils, however there are occasions where I use acrylic. If you have already done a video on this medium, then disregard this , but if you haven't, ( and I will search your channel page for it ) it would be great to have some of your input with regards to extenders or not using them. I really like your channel and you have helped me get out of a rut.
😊
Sir you not tell about the name of the colors used???
Even with a 100 videos I won’t learn about focal points 😢
chipper-knitter-8576.ck.page/62a3ba8f0f
Very helpful-thank you! Would love to see a sketchbook tour at some point. :)
Great idea!
Such great tips!
1- focal point, the lightest and darkest meet. that book is very helpful. symmetry is not good, varies in shape and form. focal point not in the center of the painting. drawing with burnt sienna, not to draw detail, simplify, big shapes and composition. the further sky, dark to light, thin to thick, value: 4 sky=lightest, mountain, tree=darkest value. black and white,
Your my hero chris
Your my hero ethan
Marry me
Do you have any other book suggestions? I would love to read Edgar Payne's book after hearing you talk about it, however I can't find it for less then 50$
Any chance you do any paid critique or online classes? I absolutley love the way you explain things.
sorry to double post but, wanted to let you know I just found your videos and have been watching them. I am learning so much. I am just skipping around and not watching them in order. That's because every video has something to teach me.
I'm definitely lacking thumbnails! It really does inform the shapes.
Beautifull painting. Can you make a vídeo about Skyscape? Tks a lot
It's funny you say as humans we tend to go with things set out in order like putting skies at the half way point, ect. My mind tends to do the opposite. I have to work on that part and I naturally am drawn to doing things 'a little off center'. I do this in my gardens and always with my drawing. Which is fun with an engineer for a husband where it has to be precise, Perfect lines, ect.' If I ask him to critique a painting or drawing it is always because it is not centered and that kind of thing.
Interestingly enough, for watercolor, we must work from light to dark. Really threw me off when I started watercolor!
Thanks again for a very helpful video,. a question how much time do you spend on the detail stage. I get caught up in detail too quickly!
dood your humor is hilarious. it's awesome to see it sprinkled everywere. it's so awkward and makes me laugh each time
I think you forgot to add some links for your other videos in there that were suppose to line up with your catchphrases
O.K. Mr. Painting Coach, I love how you throw in soooo much info in such a short amount of time. Thank you. One aspect I find challenging is using a variety of the same value color within an area.
Excellent video, such great info in one spot. Great check list to for self critiques of one's work if you can figure out what went wrong. 😁
bro your videos are helping me bring my paintings to the next level so thank you so much! i was hoping to get some advice on how to portray a distant hillside (or mountainside) full of trees. i can mix the right colors but tend to get lost in how to simply suggest a far away forest. thanks again so much for all of your tutoring🙏
This painting is really beautiful, it looks like you have a window behind you to see a beautiful beach !
You are a fantastic teacher!! Thank you so much for sharing your talent with us
Well done...always a great communicator, instructor.
Grande Maestro
That was superuseful and so much to think about afterwards.
excellent vid.,Thanks soooo much!!
Thank you for such a brief yet concise overview on one of the most difficult (imho) genres to paint, especially en plein air.
I think a discussion of value/chroma/temperature would be worthwhile. You might even devote entire videos to each one!
Great video! This information is invaluable
Great video, like the humour at the end always makes me laugh 👍
Subscribing
hi!!! can i start painting just with oil paints and poppy seed oil?
Can you do a video talking about shadow (on the ground)
Hysterical intro Chris… thank you.
Your videos are a beginner oil painters best friend!
I love the way you explain how to paint! I just subscribed. How do you keep the colors from getting muddy when painting ala prima?
I answered this for you in my new Paint Talk!
Thank you for sharing your knowledge...going to look into the book you recommended. Love this painting!
Wonderful!
Good video man, I struggle with landscapes so this was helpful
Glad it helped!
Thank you! I love your lessons!
Fantastic video, thanks!
Good job Brudda, this was an excellent video.
Glad you think so!
Getting american psycho vibes from that intro lol
I have to return some video tapes
Gud stuff dude. Thanks for the refresher. Keep up the good work!
Thanks, will do!
The opening line killed me 😂
many thanks, again.
Nice post
SO helpful. Thank you.
Glad it was helpful!
Can you do a Bob Ross breakdown? Maybe paint along to one of his tutorials and tell us what you think of his techniques?
Especially how he painted snow on mountains with a palette knife, and how he would sometimes thin the paint down a little to paint over thick paint and would say "a thin paint sticks to a thick paint". That is really different from a lot of your advice about working thin to thick, and which you're probably going to get a lot of comments on your channel asking about because Bob Ross is so popular and he said that a lot.
He had some painting tricks that I think can be interesting to use here and there sparingly.
I've had an idea about doing a video like that but I need to buy a denim shirt and afro wig
@@paintcoach And don't forget the pocket squirrel.
I have trouble with painting the backgrounds. I've heard you should spend as much time painting the background as the foreground. Any thoughts?