Absolutely beautiful...! Fascinating to watch you paint and a beautiful demonstration of 'less is more'...🤩🎨...your unique style is instantly recognisable! Thank you Thomas!
Thomas Good afternoon, I was very inspired by your work from the very beginning and learned a lot from you and now I have achieved good skill, thank you very much for today's lesson and in general for all the work!!❤
Thomas ! Your work is absolutely beautiful and inspiring! Love this piece! The sky is stunning. The overall piece is stunning! Thank you for sharing. Learning from a master❤
Thank you, Maestro. You've created a clean, well-stated art piece as usual. I tried yellow in my landscape skies, and it came out looking more like smog. I will endeavor to try your technique again.
@@marywilliamson2559 cheers Mary . Ochre is a sky sometimes works better than a fresher yellow might - they tend to go green. Not always bad but often not what you want
@@thomaswschaller Dear Thomas, love your approach and philosopher . Really admire your work from far away in Africa.. thank you for sharing your ideas and thoughts. Claire
Beautiful painting! The way you explain your process and philosophy is so helpful and inspiring. I've noticed that you always take the time to read comments and respond to them. So humble. Thank you for making these videos❤
I just found your channel and I almost can't believe you put out so much quality content for free! I'm hitting the membership button right away. I discovered your work on instagram and I'm amazed, such beautiful pieces. The light, the mood, the architecture
The left side arched opening is stark white, yet should be in shadow even darker than the shaded area as the interior is also in deep shadow. The fact you left it makes it stand out like a sore thumb. On a positive note: I totally enjoyed this painting and learned a lot about the way you did the sky and clouds. Thank you.
Don't struggle too much - Just breathe , relax, use water, and remember it's just a lot of fun . And if the painting isn't "perfect" - you're on the right path
Hi Thomas. Is your "liner brush" [the one you use for landscaping] custom made? Its effects on trees is marvelous! If so, how did you make it? Thanks. Ron from the Philippines.
Yes - Mineral Violet is by Holbein. One reason I like it is because it is easily modified - Bere I used a bit of Neutral Tint to make it a bit more grey
Thanks very much for this tutorial. I was watching something this past Friday here… about 9 pm PDT…I was about to make a comment on your sky…as I try to practice a “sky a day”. I tried to post it, and all of a sudden..the tutorial was “ poof” gone. I’m assuming it was just meant for your patrons perhaps, and placed on general TH-cam by accident. Skies can definitely be difficult for me.
@@thomaswschaller well I was fascinated with it …so I thought it was really good, ha! I like skies that are stormy ..so it’s hard for me to try to paint a cloud that’s a bit more crisp, if you know what I mean. It seems like we get heavy, gray, and sometimes green gray clouds that roll in from the Pacific with the wind …and get abutted by the Cascade mountains that we have in the Pacific Northwest….so, I’m more used to seeing them than the crisp ones as is here. Thanks again for a great tutorial.
when you put the shadows in your Artwork it just brings them to life, specially the mix or the pallette you use are extraordinary, I presume they are complementary colours and are very similar to Van Gogh's palette, it takes years to master your signature colours to bring the painting to life. I am learning and try as I may I invariably gravitate to matching the colours of the visual or any object and giving to much detail. in other words simply copying the image from photo to the paper, works out well but it does not give me satisfaction and makes me feel lack of creativity.
Thanks so much - Yes - my shadows are almost always a study in complements. Here - Violets and Yellows - This helps to add a little electricity and energy more than simply flat grey tones would
Thomas, the thumbnail shows a lot more purple in the lower sky, and less of the brownish layer, than what we see in the video. I really like the purple, did you add that in later ?
It's the same painting - The lights on my video setup sometimes bleach out too much color - so I will adjust them. The thumbnail is a regular - more accurate - photo
love your paintings as always, but i find this funny: TS: "i prefer using sedimentary colors so i don't like quinacridones and phthalos" also TS: "anyway here's imperial purple, manganese blue hue, and neutral tint" (and no i'm no color purist but doest the artist protest too much?) I JEST I JEST
there's a method to my madness. All pigments have an element of "staining" of course - But I try to favor those that are more sediment-based rather than those that are primarily dye-based
@@gibbsphenomenon Maybe. But it's anything but a detail. There's an ocean of difference between sediment-based and dye-based pigments : how they behave and how they affect the outcome. I really don't care at all what anyone else chooses to do , but I was just trying to explain why I use what I do for anyone out there who may care.
So generous of you to share your techniques and tips. Beautiful work, thank you!
Watching you paint was mesmerizing! Truly remarkable!!
Thomas, again, another beautiful painting. Your drawing is amazing. Love everything about it..
Thanks Arlene
Love your color palette, I think I need to make some changes. The clouds and foreground tips were great. I love the entire work, thanks for sharing.
Holy heavens Batman! That is one amazing cloud hack. I paint clouds in so many ways but have never thought to try this.
.thank you kind sir
Absolutely beautiful...! Fascinating to watch you paint and a beautiful demonstration of 'less is more'...🤩🎨...your unique style is instantly recognisable! Thank you Thomas!
Thomas Good afternoon, I was very inspired by your work from the very beginning and learned a lot from you and now I have achieved good skill, thank you very much for today's lesson and in general for all the work!!❤
thanks so watching
Ma il disegno è stato stampato?
@@vincenzosasso9555 The drawing was not printed. It was hand-drawn directly on the paper before the painting
Thomas ! Your work is absolutely beautiful and inspiring! Love this piece! The sky is stunning. The overall piece is stunning! Thank you for sharing. Learning from a master❤
thank you for watching and for the kind words!
哇！實在太棒了😊🎉🎉🎉🎉🎉，學到許多新技法，感謝先生示範分享😊謝謝您
The best watercolor video by far! Thanks for revealing the colors you use. That’s so very helpful.
Thank you so much
Thomas, this is wonderful demonstration! Good luck
Неймовірно красива картина! Неймовірно цікавий урок! ❤❤❤
thank you
this is chock full of great insights to your style thank you for sharing!
the pencil sketch is really amazing 🔥
thank you
Beautiful 💕 I already love it at the pencil drawing stage 😊
Wow wow and wow, this tutorial is so cool, love the way how you painted the sky with hard and soft edges and how it is merging. Amazing..
Thanks!
Beautiful! I'll be practicing that sky technique for sure.
Nice work... very beautiful! New sub. 🎉
Thanks for the sub!
Marvelous watercolor! Congratulations! 👏
wow - this is amazing! Thank you so much - I love Villa Rotunda and I love your watercolor of it.
Thank you Renate !
Thank you so much for sharing, have learnt so much from you . A beautiful painting too 😊
thanks very much
Very masterly executed!! Thankyou 🙏
Thank you
Your lights in watercolour is amazing!Thank You for sharing Your process!
Thanks
Love you work thank you ❤
Thank you very much! Your style and techniques are so inspiring
Thank you
Amazing sky! Thanks for identifying the paints used.
thanks!
I love watching you paint and talk, thanks for the wonderful tutorial
Thanks so much
Travail de Maître ❤ merci pour vos précieuses explications, j'aurais souhaité avoir une vue sur votre palette tout au long du travail
Wow just you inspired me sir. Love your appoarch the sky wet on dry and wet on wet❤. Definitely will try🎉
thanks
Love how you can get a story out of colors.
Beautiful painting!
Thank you for sharing!
Thank you so much
Bravo Thomas!
Mycket inspirerande. Jättebra!
Tack så mycket
I väntan på nästa avsnitt hälsningar från Sverige.
Thank you
Very beautiful sky❤
Thank you Tom, fantastic 👏🎨
very welcome
Thank you, Maestro. You've created a clean, well-stated art piece as usual. I tried yellow in my landscape skies, and it came out looking more like smog. I will endeavor to try your technique again.
@@marywilliamson2559 cheers Mary . Ochre is a sky sometimes works better than a fresher yellow might - they tend to go green. Not always bad but often not what you want
Pretty sky!!! And done so easily. It’s a nice alteration between soft edges and a bit of hard edges.
Enjoyed your work❤
Amazing
Well drawn n well composed n well rendered...!!
Thank you
A simple way of preserving the white of the paper for the lighter clouds. I will give this a go. Thank you again for a well explained demonstration
thanks
Thank you so much for this tutorial I am so glad that you put this on please do more of the sky
Thanks
Just love watching you creating and speaking as you paint. Thank you for sharing your techniques and knowledge.
@@marieclaireproctor-sims thanks for watching
@@thomaswschaller Dear Thomas, love your approach and philosopher . Really admire your work from far away in Africa.. thank you for sharing your ideas and thoughts. Claire
@@marieclaireproctor-sims thanks so much Claire
Such a beautiful painting - much nicer than the photo image ❤❤❤
thanks
You are an excellent painter so is you a teacher you satisfy the hungry soul to know more
Beautiful painting! The way you explain your process and philosophy is so helpful and inspiring.
I've noticed that you always take the time to read comments and respond to them.
So humble. Thank you for making these videos❤
Thanks so much - I appreciate it - We're all in this together
The sky is amazing. I really struggle with skies, they never go how I would like them to.
thanks so much
Nice landscape painting art❤🎉🎉
The trees really make the picture pop
I just found your channel and I almost can't believe you put out so much quality content for free! I'm hitting the membership button right away. I discovered your work on instagram and I'm amazed, such beautiful pieces. The light, the mood, the architecture
thanks so much !
Замечательно , благодарю!!!
The left side arched opening is stark white, yet should be in shadow even darker than the shaded area as the interior is also in deep shadow. The fact you left it makes it stand out like a sore thumb. On a positive note: I totally enjoyed this painting and learned a lot about the way you did the sky and clouds. Thank you.
in the finished painting, it is not stark white
Really good tutorial
Thank you so much Sir for this tutorial, I am struggling much with water Colour
Don't struggle too much - Just breathe , relax, use water, and remember it's just a lot of fun . And if the painting isn't "perfect" - you're on the right path
Thank you ❤
I love your painting style. Will you be planning a painting trip to Italy in the future? If so, I am interested.
Thank you - and yes - I'll be there next MAy and the following year as well . See my website for details : www.thomaswschaller.com
Thank you so much, Thomas! ❤
Very welcome
It's rare to find such a beautiful and realistic "sky in watercolour" tutorial 🎨👍🏻 About your Manganese Blue, what brand do you use ?
MAny thanks! It's just one way - but it often works. The Manganese I use is by Holbein
@@thomaswschaller ... Thomas, Thanks from FRANCE 🇫🇷😘
@@Cchouette Merci!
Hi Thomas. Is your "liner brush" [the one you use for landscaping] custom made? Its effects on trees is marvelous! If so, how did you make it? Thanks. Ron from the Philippines.
Hi Ron - No - not custom. Many people make them - but DaVinci Brushes Casseneo Series 5599 is maybe the best - It is available on Amazon
Thanks Thomas. Your paintings are really excellent. Love them all. Keep it up. So inspiring!!!@@thomaswschaller
❤❤❤❤❤❤
Truly inspiring work🥰! Is the Mineral Violet pigment a Holbein paint ? And do you add another pigment to it - it appears a little greyish???
Yes - Mineral Violet is by Holbein. One reason I like it is because it is easily modified - Bere I used a bit of Neutral Tint to make it a bit more grey
Thank you Tom😎
Thanks very much for this tutorial. I was watching something this past Friday here… about 9 pm PDT…I was about to make a comment on your sky…as I try to practice a “sky a day”. I tried to post it, and all of a sudden..the tutorial was “ poof” gone. I’m assuming it was just meant for your patrons perhaps, and placed on general TH-cam by accident. Skies can definitely be difficult for me.
Thanks - This is meant as a replacement for that video - I took it down - It was not as clear or helpful as I think this one may be
@@thomaswschaller well I was fascinated with it …so I thought it was really good, ha! I like skies that are stormy ..so it’s hard for me to try to paint a cloud that’s a bit more crisp, if you know what I mean. It seems like we get heavy, gray, and sometimes green gray clouds that roll in from the Pacific with the wind …and get abutted by the Cascade mountains that we have in the Pacific Northwest….so, I’m more used to seeing them than the crisp ones as is here. Thanks again for a great tutorial.
Спасибо!!! 🔥🔥🔥
❤❤❤❤
when you put the shadows in your Artwork it just brings them to life, specially the mix or the pallette you use are extraordinary, I presume they are complementary colours and are very similar to Van Gogh's palette, it takes years to master your signature colours to bring the painting to life. I am learning and try as I may I invariably gravitate to matching the colours of the visual or any object and giving to much detail. in other words simply copying the image from photo to the paper, works out well but it does not give me satisfaction and makes me feel lack of creativity.
Thanks so much - Yes - my shadows are almost always a study in complements. Here - Violets and Yellows - This helps to add a little electricity and energy more than simply flat grey tones would
Thomas, the thumbnail shows a lot more purple in the lower sky, and less of the brownish layer, than what we see in the video. I really like the purple, did you add that in later ?
It's the same painting - The lights on my video setup sometimes bleach out too much color - so I will adjust them. The thumbnail is a regular - more accurate - photo
Please do more of sky your work is amazing I simply love it
@@thomaswschallerYes, the thumb looks so different, thanks !
👍👍
love your paintings as always, but i find this funny:
TS: "i prefer using sedimentary colors so i don't like quinacridones and phthalos"
also TS: "anyway here's imperial purple, manganese blue hue, and neutral tint"
(and no i'm no color purist but doest the artist protest too much?) I JEST I JEST
there's a method to my madness. All pigments have an element of "staining" of course - But I try to favor those that are more sediment-based rather than those that are primarily dye-based
@ i know i'm poking fun at the me 10 yrs ago who would have obsessed over such a detail
@@gibbsphenomenon Maybe. But it's anything but a detail. There's an ocean of difference between sediment-based and dye-based pigments : how they behave and how they affect the outcome. I really don't care at all what anyone else chooses to do , but I was just trying to explain why I use what I do for anyone out there who may care.
😅