I purchased your "Art of Trailer Editing" course. That's totally changed my way of approach editing. Now I'm trying to purchase your music editing course. This is the best editing channel I've ever seen on the Internet. Thanks from India for your effort behind this
An absolutely fantastic video. I've enrolled into a couple of your courses over the last couple of years and I can't believe you're giving these high quality videos away for free on top of how good the paid stuff is. Amazing. Interestingly that little tidbit about 70mm being cut in half to create 35mm seems to always be missing from any other video I've watched about aspect ratios. I don't know why, because it's such a fascinating decision that they made and it became such an important one as well. It's so important to understand that history if you want to get a real grasp on these things, I think.
So glad you enjoyed the video and found it helpful! It’s definitely surprising how interesting a seemingly dry topic like aspect ratios can actually be when you dig into it.
Thank you! I'm not a film maker - I'm an "enthusiast" photographer (ie: I make no money from it) but I found this absolutely fascinating. Please keep these videos coming.
I have been preaching ratio. 70mm for years. Explaining for years. Since way before it was known. I have been filming video and editing in the 70mm ratio of video when I was told it was not proper and people won't get use to it since the early 80's. Then a few years later Music Video's started doing the same things, and the editing studio I was working for considered me a prodigy. BUT THIS IS THE BEST Documentation I have ever seen on the subject. Beyond Excellent Job. SUPER 70 MM BEYOND EXCELLENT JOB! Thanks. - Toronto, Canada. PS: I would love for TV Manufactures to create a constant height TV so we can watch all films the way they were shot. Without having any unused pixels. Doing a constant height home theatre with your projector is great. And when I build my next home theatre with a projector. I am going for constant height. I miss the days of the travelling matte that use to be used in the theatres in the old days, as well as the curtains. But now a days it just a big screen with a floating image within the white screen. PPS: I only felt that IMAX back to 70 mm worked really well in Guardians Of The Galaxy 3D, and it actually felt like a character and well used tool in Batman V Superman. Although I really appreciated the moments when Nolan used it in Batman. Those two films I mentioned are my favourite uses of it. I didn't notice it as I was watching Batman V Superman. I felt it. I felt it in the scene and story. Then realized what they had done. When and why. Excellent job. I will subscribe and watching all your videos, thanks.
this is best editing channel in whole univers.. i love this you guys so much... i learn and bcom good editor bcoz of you .. tysm for great videos.. love from india.. tysm again.. please keep it up guys
That was a blast - an educational video based on a timeline to make it a story. Congratulations on putting that together, very informative and entertaining at the same time - anyone might think you know what you are doing! Thanks for putting it together I shall now be telling people in the pub why 1920x1080 (1.78) is the omnipresent HD aspect ratio - and it is not what they might have thought. Tremendous stuff - and anyone thinking this video may be a bit dry - just press the play button and sit back and be surprised. KP
I have been influenced to shoot in 2:40, but after this excellent educational video, I have realized my big mistake and will now shoot my feature in 1:85. Thank You
Thanks a billion for the outstanding video. I felt I am attending a lecture in a film school with full concentration not to miss any part. What I wish to see more about how your gear can affect the choice for aspect ratio. Or, not affecting at all. Thanks again to the best editing channel.
Wow! What an excellent piece of information. I learned, I reinforced the little I knew, and you gave me a voice about the new vertical viewing tendencies. We, humans, have a natural angle of view in landscape format. Thanks a lot!
Well.... thats gotta be one of the most informative videos I've ever had the pleasure to watch. It's most certainly earned you a big fat SUB. 😎📷👊 It was fascinating and taught me so many things including how little I know. 😄. I arrived here after searching vids on aspect ratio as I've been editing a lot of my photography to a final framed 1.85 ratio. Ive been doing this for a while as I view most of my work on my big TV and I enjoy the 1.85 ratio filling the screen. I find viewing other ratios quite annoying. I've been wondering why I feel this way about my viewing experiences and now it all makes more sense why I favour this aspect ratio, and why it doesn't always suit the images im producing. Every days a school day. 😄📷😎👊👋
Heya Steve! We are so glad you enjoyed the video. It was a labour of love and we wanted to make something considered and informative about. Check out our series 'What Drives the Cut' th-cam.com/video/MP1ezQ9ahXw/w-d-xo.html We'd love to know what you think of it.
It's funny that they showed The Wire when discussing 1.77 (16:9), because the show was originally framed for 1.33. HBO had to do a lot of work to paint out crew and equipment on the sides of the frame when they remastered the show in HD.
Where scope fails is when it's not only used as "less" but when that less is also compounded by filling up less of the screen of EVERY movie's final destination. And that's a TV in someone's home. TVs are 16:9 and scope feels SMALL on them compared to 1.85, 2:1, or even as small a change as 2.2:1. Home projection is still pretty bad unless you drop 5k+ on laser or god knows how much on a professional-level projection system, and most people aren't going to do that. Future movies should all consider that at the end of the day, a 16:9 window is going to be displaying the movie, and they should block and frame all aspect ratios used in the film (yes, switching is allowed AND useful) with that regard in mind. It sucks how many movies are less than optimal to me because they appear so small on my TV, and on top of that, actors faces are too zoomed in on or there's too much negative space. Luckily, I have VLC media player, so I can custom crop to whatever I want at any time during the movie. Most movies in scope can be cropped to 2:1 and look better. ALL of them can be cropped to 2.2:1 and look better. And SOME of them can even be taken as far as 16:10 or even 3:2 in certain scenes and it still works, though once you get below 1.85:1 it starts to degrade, particularly when you perfectly match it to 16:9 as that feels more like "TV" or a Disney/Pixar/Dreamworks/etc. movie since there's no boxing at all, letter or otherwise.
Glad that I found your video on motion picture aspect ratios. I'm currently seeking to locate someone or a company that specializes in formatting Digital Cinema Package (DCP). I have a Short film in post-production editing. Would you be able to provide any referrals? Thanks so much!
Here's my thing: I love the look and feel of images shot through an anamorphic lens, but I prefer the 1.85:1 aspect ratio. That particular combo doesn't exist, does it? I know you could just crop the resulting 2.35:1 image to 1.85:1, but that just throws away so much material-it feels like a waste.
I like 2:1 aspect ratio. It looks epic but not do much. The double square gives a good frame to compose movy shots. Netflix supports this ratio for its own productions. It looks nice on tv screens and cinema sreen as well.
Titanic was shot on spherical lenses on super35, yet matted to 2.39. Skyfall was shot on spherical lenses on a 1.78 sensor and matted to 2.39. That means there is extra image available for blowing up to the taller IMAX aspect ratio.
The ONLY complaint here was that in numerous spots herein, the music was as LOUD or LOUDER (caps intended) as the narrator's voice. For me as a viewer, that was VERY distracting. Otherwise, way cool video! Thanks!
Why not make the size of the film cell identical to the aspect ratio? It also makes no sense to me why IMAX, the largest film format ever made, would go with the 4:3 ratio instead of the 1:85:1 ratio. Also, if they simply made the perforations larger, they wouldn't need to have so many.
Initially the film cell was identical to the aspect ratio. But as audiences demanded new aspect ratios it would have been impractical to design a new camera each time.
@@FilmEditingPro I see. Do you happen to know if it would be possible to create a positive film stock for large formats like IMAX, as opposed to the negative stock I believe is conventionally used?
It’s hit n miss for me I have both crt 4:3 n 16x9 flatscreen n I synced rocky4&5 and 4:3 was further away n showed top n bottom but wide screen cut it out for sides n is more zoomed in Star Wars is same I have vhs n dvd versions n dvd shows top bottom n more on sides down side is it’s cropped with black bars on every side like why not make it to fit 16x9 tv I guess to keep not only all sides of frame but also clarity
Not all 4:3 versions of movies are equal! Some are pan and scans of the original widescreen material. Others use the original open matte negative to reveal more image not seen in the original theatrical release. These are often more enjoyable than pan and scans as they yield more comfortable compositions.
Tv Program or Movie 16:9 no black bars is legendary, directors should shoot at whatever resolutions they want but all important stuff should fit within 16:9 area. 1920x1080 16:9 full screen no black bars looks so cool on my old 50 inch tv.
This is already standard practice. It's called shoot and protect. Cinematographers will frame with multi aspect ratios in mind. It's also sometimes called safe framing.
![เปิดใจ "อาจารย์เบียร์ คนตื่นธรรม" อดีตเคยสุดทุกทาง ถ้าใช้หนี้หมดไปบวชแน่ l [Nickynachat]](http://i.ytimg.com/vi/IxeE0xVhy08/mqdefault.jpg)
On of the best educational videos about filmmaking that I've seen on youtube. HUGE Thanks!
Thank you so very much for being kind to all the independent filmmakers in the world.
Amazing video! Everything is great - the explanation, the animations, the sound design, the narration... bravo!
Thank you very much!
This has to be the best video about aspect ratios on TH-cam! * amazed *
This is just outstanding... It speaks to how to film using cinemascope
Oh man, if only you were able to include Marvel's WandaVision series. Aspect ratio flexing on that one!
Excellent video, by the way!
I purchased your "Art of Trailer Editing" course. That's totally changed my way of approach editing. Now I'm trying to purchase your music editing course. This is the best editing channel I've ever seen on the Internet. Thanks from India for your effort behind this
Awesome, thank you, Aby! Its great to have you with us :)
An absolutely fantastic video. I've enrolled into a couple of your courses over the last couple of years and I can't believe you're giving these high quality videos away for free on top of how good the paid stuff is. Amazing.
Interestingly that little tidbit about 70mm being cut in half to create 35mm seems to always be missing from any other video I've watched about aspect ratios. I don't know why, because it's such a fascinating decision that they made and it became such an important one as well. It's so important to understand that history if you want to get a real grasp on these things, I think.
So glad you enjoyed the video and found it helpful! It’s definitely surprising how interesting a seemingly dry topic like aspect ratios can actually be when you dig into it.
I'm surprised this video doesn't have more views. It's one of the best breakdowns of AR on TH-cam
Thank you! We are too 😂
@@FilmEditingPro Haha... Slow and steady! In the future, this might blow up.
Thanks for creating it🔥
This channel is the best editing channel by far. Loved the video.
Thanks, Rory!!
The best video about aspect ratio to date!
Masterpiece knowledge .
Thank you! I'm not a film maker - I'm an "enthusiast" photographer (ie: I make no money from it) but I found this absolutely fascinating.
Please keep these videos coming.
Great to have you with us, Shane! We’ll keep them coming.
I have been preaching ratio. 70mm for years. Explaining for years. Since way before it was known. I have been filming video and editing in the 70mm ratio of video when I was told it was not proper and people won't get use to it since the early 80's. Then a few years later Music Video's started doing the same things, and the editing studio I was working for considered me a prodigy. BUT THIS IS THE BEST Documentation I have ever seen on the subject. Beyond Excellent Job. SUPER 70 MM BEYOND EXCELLENT JOB! Thanks. - Toronto, Canada.
PS: I would love for TV Manufactures to create a constant height TV so we can watch all films the way they were shot. Without having any unused pixels. Doing a constant height home theatre with your projector is great. And when I build my next home theatre with a projector. I am going for constant height. I miss the days of the travelling matte that use to be used in the theatres in the old days, as well as the curtains. But now a days it just a big screen with a floating image within the white screen.
PPS: I only felt that IMAX back to 70 mm worked really well in Guardians Of The Galaxy 3D, and it actually felt like a character and well used tool in Batman V Superman. Although I really appreciated the moments when Nolan used it in Batman. Those two films I mentioned are my favourite uses of it. I didn't notice it as I was watching Batman V Superman. I felt it. I felt it in the scene and story. Then realized what they had done. When and why. Excellent job.
I will subscribe and watching all your videos, thanks.
Great to have you with us and thank you for the very kind words!
this is best editing channel in whole univers.. i love this you guys so much... i learn and bcom good editor bcoz of you .. tysm for great videos.. love from india.. tysm again.. please keep it up guys
Thank you!
I think the best tutorial on aspect ratio that I have seen... thank you!
Fantastic Video and explanation. Better than film school.
This is a great treatment of this topic - the best I have ever seen here on TH-cam!
Exceptional and educational! Very well done. Bravo!
Thank you! Cheers!
Beautifully done. Very informative and really creative visuals.
Thanks, Rich!
Profound treatment of this topic! So good. Thank you!
Amazing video. Congratulations guys.
This is hands down the best video on the subject of aspect ratios ever.
Thank-you so much! glad you enjoyed it.
Perfectly done, amazing content.
Wow this was INCREDIBLE! Thanks to everyone who was involved in making this.
Excellent! I just can't appreciate it enough your effort and knowledge. Brilliant.
This was excellent and very helpful, thank you
The views doesn't do justice to the amount of work that has been put into this video. Truly amazing. lots of love❤
That was a blast - an educational video based on a timeline to make it a story. Congratulations on putting that together, very informative and entertaining at the same time - anyone might think you know what you are doing!
Thanks for putting it together I shall now be telling people in the pub why 1920x1080 (1.78) is the omnipresent HD aspect ratio - and it is not what they might have thought. Tremendous stuff - and anyone thinking this video may be a bit dry - just press the play button and sit back and be surprised.
KP
Such a comprehensive video.. Loved it !!
I have been influenced to shoot in 2:40, but after this excellent educational video, I have realized my big mistake and will now shoot my feature in 1:85. Thank You
Very glad it was helpful!
I am impressed. This is beautifully made and and so clear. I have already visited the page. Thanks!
just excellent!!! Thank you so much for making this!
You’re welcome - very glad you liked it!!
I couldn't have said it better myself - a delightful explanation and reasoning!
Thank you so much - very glad you enjoyed!
Well done. This video deserves way more views than it currently has.
Thank-you Pedram! Spread the word please :)
So useful and informative🔶
Love the breakdown! As much as I love 2.40 there are merits to all ratios!
Thenk you very much for all the work you guys put in your videos. Inspiring.
Thank you too!
Beautifully done and very informative! Thank you!
Thanks a billion for the outstanding video. I felt I am attending a lecture in a film school with full concentration not to miss any part. What I wish to see more about how your gear can affect the choice for aspect ratio. Or, not affecting at all. Thanks again to the best editing channel.
It’s great to have you with us, Tarek, and thank you so much for the kind words!
Thanks for your amazing video. So This awakened me and opened my eyes to realize how deep filmmakers' knowledge.
Simply splendid! Thank you so much for this wonderful lesson in the power of knowing your frame. Nailed it!
You’re very welcome, Yadira!
Very informative and educational, exceptional execution! Thank you.
Fantastic information, well done.
Thank-you.
thanks for the panoramic view of aspect ratios... absolutely enlightening !
cheers from Rio
So glad you enjoyed it.
Excellent video on a subject that most normal people do not think about or notice when sat in the cinema or watching tv at home, thank you!!
Very well done! Great information!
Thank you kindly!
Outstanding video!
Thank you! 👍🎞✂️
Wide ranging, thorough, well informed and artistically aware. Exemplary, I would say.
Thank-you :) That's the perfect compliment.
It's wonderful information for beginners like me. And the way of explaining is simple it's easy to understand. Thank you so much.
Thanks so much. Glad you enjoyed it.
Wow! What an excellent piece of information. I learned, I reinforced the little I knew, and you gave me a voice about the new vertical viewing tendencies. We, humans, have a natural angle of view in landscape format. Thanks a lot!
You’re very welcome! Our trainer Leon is the wizard being this lesson. I think he nailed it too! -Chris
beautifully explained
Well.... thats gotta be one of the most informative videos I've ever had the pleasure to watch. It's most certainly earned you a big fat SUB. 😎📷👊
It was fascinating and taught me so many things including how little I know. 😄. I arrived here after searching vids on aspect ratio as I've been editing a lot of my photography to a final framed 1.85 ratio. Ive been doing this for a while as I view most of my work on my big TV and I enjoy the 1.85 ratio filling the screen. I find viewing other ratios quite annoying. I've been wondering why I feel this way about my viewing experiences and now it all makes more sense why I favour this aspect ratio, and why it doesn't always suit the images im producing. Every days a school day. 😄📷😎👊👋
Heya Steve! We are so glad you enjoyed the video. It was a labour of love and we wanted to make something considered and informative about. Check out our series 'What Drives the Cut' th-cam.com/video/MP1ezQ9ahXw/w-d-xo.html
We'd love to know what you think of it.
Awesome presentation
Amazing content thank you so much
Great video I have ever seen ❤
It's funny that they showed The Wire when discussing 1.77 (16:9), because the show was originally framed for 1.33. HBO had to do a lot of work to paint out crew and equipment on the sides of the frame when they remastered the show in HD.
Best channel on TH-cam..
Fascinating history lesson. Thanks
Glad you enjoyed it
Super informative. Thanks!!
Glad you enjoyed it!
Excellent...
Awesome course
Another great content.
Great video. That's all I can say !!
Thanks so much.
Brilliant!
From Where we can Get This Software ????
And What is The Price ??????
Is it Possible to use By Smartphone also ???????
Thank you very much
Thank you ❤
ten out of ten amazing
Nice to meet you.....
Thanks for coming
Where scope fails is when it's not only used as "less" but when that less is also compounded by filling up less of the screen of EVERY movie's final destination. And that's a TV in someone's home. TVs are 16:9 and scope feels SMALL on them compared to 1.85, 2:1, or even as small a change as 2.2:1. Home projection is still pretty bad unless you drop 5k+ on laser or god knows how much on a professional-level projection system, and most people aren't going to do that.
Future movies should all consider that at the end of the day, a 16:9 window is going to be displaying the movie, and they should block and frame all aspect ratios used in the film (yes, switching is allowed AND useful) with that regard in mind. It sucks how many movies are less than optimal to me because they appear so small on my TV, and on top of that, actors faces are too zoomed in on or there's too much negative space. Luckily, I have VLC media player, so I can custom crop to whatever I want at any time during the movie.
Most movies in scope can be cropped to 2:1 and look better. ALL of them can be cropped to 2.2:1 and look better. And SOME of them can even be taken as far as 16:10 or even 3:2 in certain scenes and it still works, though once you get below 1.85:1 it starts to degrade, particularly when you perfectly match it to 16:9 as that feels more like "TV" or a Disney/Pixar/Dreamworks/etc. movie since there's no boxing at all, letter or otherwise.
so good!
Thanks, Ryan!
Gooooooood no dislikes
*William Castle's Fantasy/Comedy ZOTZ! was presented in 1.85:1.*
Great video
Thanks! Really appreciate that. Check our What Drives the Cut Series too. Would love to know what you think.
I am personally willing to buy your online courses about video editing. This video change my mind about your paid courses.
Looking forward to having you with us!
Glad that I found your video on motion picture aspect ratios. I'm currently seeking to locate someone or a company that specializes in formatting Digital Cinema Package (DCP). I have a Short film in post-production editing. Would you be able to provide any referrals? Thanks so much!
Here's my thing: I love the look and feel of images shot through an anamorphic lens, but I prefer the 1.85:1 aspect ratio. That particular combo doesn't exist, does it? I know you could just crop the resulting 2.35:1 image to 1.85:1, but that just throws away so much material-it feels like a waste.
I like 2:1 aspect ratio. It looks epic but not do much. The double square gives a good frame to compose movy shots. Netflix supports this ratio for its own productions. It looks nice on tv screens and cinema sreen as well.
Do you guys have a Sound effects pack which we could purchase or download? From an editor and a very big fan of FEP from India. 🙏
Hi Anand! We don’t specifically sell a standalone SFX pack but all of our paid courses include SFX as part of the whole package.
Titanic & Skyfall were presented in an expanded aspect ratio in IMAX in 2012.
Titanic was shot on spherical lenses on super35, yet matted to 2.39. Skyfall was shot on spherical lenses on a 1.78 sensor and matted to 2.39. That means there is extra image available for blowing up to the taller IMAX aspect ratio.
Are you saying that whatever the aspect ratio you use must be accompanied by the putting of aspect ratio?
Not sure what you mean! Sorry
My camera shoots in 17.9 is this ratio used anywhere?
The ONLY complaint here was that in numerous spots herein, the music was as LOUD or LOUDER (caps intended) as the narrator's voice. For me as a viewer, that was VERY distracting.
Otherwise, way cool video! Thanks!
Could you tell me how to buy a registration?
www.filmeditingpro.com/training
Why not make the size of the film cell identical to the aspect ratio? It also makes no sense to me why IMAX, the largest film format ever made, would go with the 4:3 ratio instead of the 1:85:1 ratio. Also, if they simply made the perforations larger, they wouldn't need to have so many.
Initially the film cell was identical to the aspect ratio. But as audiences demanded new aspect ratios it would have been impractical to design a new camera each time.
@@FilmEditingPro I see. Do you happen to know if it would be possible to create a positive film stock for large formats like IMAX, as opposed to the negative stock I believe is conventionally used?
I want to sign up for music editing, but I never find a link to sign up
Hi there! We just got your message and email and will send over registration details shortly.
@@FilmEditingPro Thank you. Looking forward to it.
@@iantheianthe3862 just a heads up - we sent the email around 2 hours ago. If you don’t see it be sure to check your junk/spam folders
@@FilmEditingPro Does the tutorial have CC subtitles?
It’s hit n miss for me I have both crt 4:3 n 16x9 flatscreen n I synced rocky4&5 and 4:3 was further away n showed top n bottom but wide screen cut it out for sides n is more zoomed in Star Wars is same I have vhs n dvd versions n dvd shows top bottom n more on sides down side is it’s cropped with black bars on every side like why not make it to fit 16x9 tv I guess to keep not only all sides of frame but also clarity
Not all 4:3 versions of movies are equal! Some are pan and scans of the original widescreen material. Others use the original open matte negative to reveal more image not seen in the original theatrical release. These are often more enjoyable than pan and scans as they yield more comfortable compositions.
If the screen is not filled up completely I use the zoom mode setting. I hate black bars top and bottom and the sides.
Yes, it's nice when the screen is filled. There's beautify for sure though in different aspect ratios! We need TVs that can change shape :)
@@FilmEditingPro yeah I wish there was a way to do that.
I'm pretty sure there's a TV out there that can move some speakers or whatnot to essentially change the aspect ratio.
Are you trying to say that whatever the aspect ratio you use must be accompanied by those black bars because it looks good?
No. Not at all.
Tv Program or Movie 16:9 no black bars is legendary, directors should shoot at whatever resolutions they want but all important stuff should fit within 16:9 area. 1920x1080 16:9 full screen no black bars looks so cool on my old 50 inch tv.
This is already standard practice. It's called shoot and protect. Cinematographers will frame with multi aspect ratios in mind. It's also sometimes called safe framing.
cine mahr
Thanks for watching.