Hi, I created some detailed notes so I can follow this routine myself and I'd figure I'd share since some people asked about a PDF in the comments. I also made up some names to go along with each exercise. If anything is wildly off post a comment and I'll correct it later. --- 1 - "Root Note Identification" Use the CAGED system to find common root notes in the different shapes and positions. Go all the way up the neck. Use the common notes as a guide, and make sure to play all of them every time you switch positions. Start with C, and work around the circle of fifths. Goal of this is to help fretboard visualization. 2 - "1-3-2-4 Exercise" Play across the fretboard using the finger pattern 1-3-2-4, one finger per fret. Start on the low E and work towards the high E. Once you play the last note, shift your hand up one fret then work back towards the low E, still using the 1-3-2-4 finger pattern and starting with a down stroke. Goal of this is to get your fingers in a good mood. 3 - "Chromatic Hand Synchronization" Starting from the A on the G string, play the chromatic scale up to and down from the A on the high E using alternate picking. On the way down from A, pick the Bb twice to the restart the pattern with a down stroke. Repeat this pattern until you reach A natural on the G string again, then work back down the neck. Goal of this exercise it to warm up the right hand and to get both your hands in sync. 4 - "Slide Pentatonic on the Big Strings" Play the Am pentatonic scale on the bottom 3 strings, starting from the E. Play the scale in one position, then on the last note, slide up to the next note in the next position. Play this new pentatonic scale down to the root. Repeat this pattern up the neck, then work your way back down. This exercise can be done with any key, Am is just an example. Goal is to view the guitar more horizontally instead of vertically. 5 - "Slide Pentatonic on All Strings" Same idea as exercise 4, but each pentatonic run spans 2 octaves and all 6 strings instead of 1 octave and the bottom 3 strings. Goal is same as well. 6 - "Hybrid Picking Workout" Hybrid pick by alternating between downstrokes with your pick and plucks with your middle finger. Skip a string when you pluck, i.e. if you pick the A pluck the G. Play the F major scale this way, alternating between triad arpeggios and pentatonic scales as your work down the neck. This means play the an F triad, Gm pentatonic, Am triad, Bb pentatonic, C triad, Dm pentatonic, Edim triad, and finally F pentatonic. Slide between the final note to next root note after your chord or pentatonic scale. The chord arpeggios only come down from the low E, and the pentatonics only work up. This is very weird sounding on paper, so reference this tab by Ben C-D to get a better idea of what's going on, postimg(dot)cc/SjTFSMDW. The goal is to work on both hybrid picking, and another unique way to look at scales. 7 - "Double-Stop Cascade" In a major key, play the melodic line of 1-2-b3-3-5-6 in 3 octaves with various double-stops up the neck. Start in 3rds for 1-2-b3-3, then 4ths for 5-6, then 3rds for the next 1-2-b3-3, then triads, then 6ths. Walk down in the pentatonic scale while still using double stops. Having fun with the voicings is the important part here. Think of a vaguely country sound and you'll be in the right territory. Goal is to explore different sounds and chord voicings.
I’ve implemented Asato’s routine for more than a week now. This routine really helps piece things together. The first exercise is great in learning octaves and their relationship on the fretboard. I know where the notes are but there’s a difference in letting your fingers memorize them. I’m still working on the 6 and 7th exercises. Currently I’m working on playing with less stress and more accuracy. I realize the importance of how you practice is how you play. I’m taking it slow. Allowing my fingers to be accurately placed, avoiding buzz and ensuring my notes are full. This routine is a daily keeper 🙏🏻
This was incredible. Just in terms of finger strength, & dexterity - Wow. Mateus Asato is next-level. I love his playing. Thanks for sharing. oNe LovE from NYC
OMG Asato lol. Every time he says "Oh i forgot to mention that part there, yeah" the WHOLE EXERCISE LEVELS UP. I love the difficulty in just learning the theory behind them. It's like concentrating a calculus textbook down to a 10 page cheat sheet. I am creating the tablature to each exercise in all keys eventually... it just takes a very long time.
Thank you for this! I guess I’ve been living under a rock for the past several years. I just discovered Mateus a couple of weeks ago and my mind has been blown ever since. Been obsessed with his playing and wanted to learn more of how he thinks as a musician. This video is perfect for me! Forever grateful for you, Mateus and Joe. 🙏🏼
Deve-se passar um filme na cabeça do Mateus, tendo treinado estes exercícios por tanto tempo e ter atingido um nível insano de técnica e depois repassá-los.
When I only had an acoustic guitar, I would always play the exercise 5 alteast 2 years before I got my electric guitar, it helped me visualize the fret board easier when starting out
I think in #7 he actually switches to "4ths" for those transitions in between all the 3rds & 6ths. IF the lower held note is the next note from the scale.. so the note above it is a 4th. Of course they are indeed 5ths if the order was inverted. He is a wizard!!
Thank you, I freaking love this video. Thank you Mateus for showing us your secrets! One thing I also noticed is that in the chromatic runs you accent every 4th note which helps to keep the hands synchronized at high speeds.
Agora eu entendo como ele diz que não se sente bem em ensinar, o feeling não se ensina. Você pode ensinar a teoria musical, pode ensinar as técnicas, pode mostrar exemplos do que faz e dizer "pegue o que eu faço" mas os gênios NÃO conseguem ensinar a genialidade. Sei muito bem disso por que a genialidade é como a loucura, não sou gênio mas entendo da segunda.
Around 28:30 when Mateus says he’s playing 5ths, he’s actually playing fourths. Hope this clears up some confusion! Amazing insight and a very thorough warm up routine, lots to learn here : ) thank you!
Further clarification: On the A&D string pair he’s playing thirds, then on the D&G pair he’s playing fourths, then back to thirds for the G & B pair and then on the GBE string set he’s playing the whole triad with the third in the base (the 3rd on the G string, the 5th on the B string and the root on the top e)
Thanks for having me! That was fun! You’re one of a kind, Joe! ✨
Thank you so much for sharing this! I will definitely be putting this into practice every day!
Aô, Campo Grande! ❤️
Mateus! Thanks a million.. this has been a blast 😊🎶
Love u mateus !
Please do how you dial in your tones :)
I actually need to warm up to warm up the Mateus ‘s warm-ups
Hi, I created some detailed notes so I can follow this routine myself and I'd figure I'd share since some people asked about a PDF in the comments. I also made up some names to go along with each exercise. If anything is wildly off post a comment and I'll correct it later.
---
1 - "Root Note Identification"
Use the CAGED system to find common root notes in the different shapes and positions. Go all the way up the neck. Use the common notes as a guide, and make sure to play all of them every time you switch positions. Start with C, and work around the circle of fifths. Goal of this is to help fretboard visualization.
2 - "1-3-2-4 Exercise"
Play across the fretboard using the finger pattern 1-3-2-4, one finger per fret. Start on the low E and work towards the high E. Once you play the last note, shift your hand up one fret then work back towards the low E, still using the 1-3-2-4 finger pattern and starting with a down stroke. Goal of this is to get your fingers in a good mood.
3 - "Chromatic Hand Synchronization"
Starting from the A on the G string, play the chromatic scale up to and down from the A on the high E using alternate picking. On the way down from A, pick the Bb twice to the restart the pattern with a down stroke. Repeat this pattern until you reach A natural on the G string again, then work back down the neck. Goal of this exercise it to warm up the right hand and to get both your hands in sync.
4 - "Slide Pentatonic on the Big Strings"
Play the Am pentatonic scale on the bottom 3 strings, starting from the E. Play the scale in one position, then on the last note, slide up to the next note in the next position. Play this new pentatonic scale down to the root. Repeat this pattern up the neck, then work your way back down. This exercise can be done with any key, Am is just an example. Goal is to view the guitar more horizontally instead of vertically.
5 - "Slide Pentatonic on All Strings"
Same idea as exercise 4, but each pentatonic run spans 2 octaves and all 6 strings instead of 1 octave and the bottom 3 strings. Goal is same as well.
6 - "Hybrid Picking Workout"
Hybrid pick by alternating between downstrokes with your pick and plucks with your middle finger. Skip a string when you pluck, i.e. if you pick the A pluck the G. Play the F major scale this way, alternating between triad arpeggios and pentatonic scales as your work down the neck. This means play the an F triad, Gm pentatonic, Am triad, Bb pentatonic, C triad, Dm pentatonic, Edim triad, and finally F pentatonic. Slide between the final note to next root note after your chord or pentatonic scale. The chord arpeggios only come down from the low E, and the pentatonics only work up. This is very weird sounding on paper, so reference this tab by Ben C-D to get a better idea of what's going on, postimg(dot)cc/SjTFSMDW. The goal is to work on both hybrid picking, and another unique way to look at scales.
7 - "Double-Stop Cascade"
In a major key, play the melodic line of 1-2-b3-3-5-6 in 3 octaves with various double-stops up the neck. Start in 3rds for 1-2-b3-3, then 4ths for 5-6, then 3rds for the next 1-2-b3-3, then triads, then 6ths. Walk down in the pentatonic scale while still using double stops. Having fun with the voicings is the important part here. Think of a vaguely country sound and you'll be in the right territory. Goal is to explore different sounds and chord voicings.
You da man Gill
thank you so much gill
Massively helpful, thank you. Couldn't quite work out what I was supposed to do in 7 but that makes it a lot clearer.
THANKYOU 🙏
Thank you sooooooooooooo muuuuuuch Gill!!!! Really helpful indeed. Cheers from Brazil!
This is the most important guitar-practice video of the last decades... SO GOOD.
I spent a LONG time figuring out what the pentatonic pattern is @24:42 Here's the notes from top to bottom: G-C-F-A#-D-G-C-F-B-D-G-C-F-A#-D-G.
I’ve implemented Asato’s routine for more than a week now. This routine really helps piece things together. The first exercise is great in learning octaves and their relationship on the fretboard. I know where the notes are but there’s a difference in letting your fingers memorize them. I’m still working on the 6 and 7th exercises. Currently I’m working on playing with less stress and more accuracy. I realize the importance of how you practice is how you play. I’m taking it slow. Allowing my fingers to be accurately placed, avoiding buzz and ensuring my notes are full. This routine is a daily keeper 🙏🏻
Hi David! If it’s I’d be very grateful if you can send me too the files thanks a lot man! andrea.trabucco@hotmail.com 🙏🏻🎸🌅
@@ANDRETRABUCCO_TAI sent 🙏🏻
@@davidacosta3874 Can you send me too? andrelucashere@gmail.com
I appreciate a lot 🙏🏼
@@andrelucasai done 🙏🏻
David Acosta thank you very much My friend 🙏🏻☮️🎸
Man just covers the whole music theory with a warm up. This is extremely helpful. Thank you!
the whole music theory
-lol
I get the idea you don't really know what music theory is.
Next: Lari Basilio pls
good idea
This was more educative in 30 minutes than a whole year in guitar classes. Thanks for that.
This was incredible. Just in terms of finger strength, & dexterity - Wow. Mateus Asato is next-level. I love his playing. Thanks for sharing. oNe LovE from NYC
I watched this whole thing and I don't even play guitar
Loving this video series! I'd love to see Julian Lage's Warm up routine. Anyone agree? Thank you once again! X
Even Asato’s warmups sound awesome. Amazing.
Finally the secret is found
this is my first time hearing mateus speaking lol
Thanks for these! Asato is a modern hero.
OMG Asato lol. Every time he says "Oh i forgot to mention that part there, yeah" the WHOLE EXERCISE LEVELS UP. I love the difficulty in just learning the theory behind them. It's like concentrating a calculus textbook down to a 10 page cheat sheet. I am creating the tablature to each exercise in all keys eventually... it just takes a very long time.
does anyone have tab on #7?
its confusing me
Thank you for this! I guess I’ve been living under a rock for the past several years. I just discovered Mateus a couple of weeks ago and my mind has been blown ever since. Been obsessed with his playing and wanted to learn more of how he thinks as a musician. This video is perfect for me! Forever grateful for you, Mateus and Joe. 🙏🏼
This literally became my new practice routine lol
18:11 18:10
18:11 18:10
18:11 0,25 18:10 0,75x
great exercises! thank you. also curious, what is the black hollow (or semi?) guitar with tailpiece at 35:20 for instance?
that's a guitar made by an exciting new company in Michigan - Midcoast Guitars.. check them out!
Deve-se passar um filme na cabeça do Mateus, tendo treinado estes exercícios por tanto tempo e ter atingido um nível insano de técnica e depois repassá-los.
Tosin Abasi's Warm Up pls
can someone tell me how to implement exercise 6 to my playing? is it just practicing hybrid picking?
Random question: Why does the image quality change when seen from the sides?
Really great video and exercises. No 7 A and B you can hear alot of his normal style coming from that. Thanks mam
I need these exercises. Thank you
I have it on my youtube pag - tabs and Guitar pro!
I would love to see josh meader or Matteo mancuso on this series next
Yeees please!
that would be fantastic
When I only had an acoustic guitar, I would always play the exercise 5 alteast 2 years before I got my electric guitar, it helped me visualize the fret board easier when starting out
Thew way his face lights up at 3:22 is real nice. Music is wholesome stuff
This was a great video! You are a great host.
what key is the way back on the second part of exercise 7 where he said that he does a Triad on the D key?
I love how Mateus Asato,,give the lesson for free❤️❤️❤️
Thank you for posting! And Thank you Mateus for sharing. 🙏🏽
Wow! This gave me some really useful stuff to work on!
A PDF of all of these exercises would be a huge help
Just did it. It's the last video of my youtube channel. Hope you like it, cheers!
Thank you@@nicolasfresard!
Awesome exercises.Feels like i wanna do this a routine.. Big thanks 🙏
Big thanks for taking the time to do this and sharing it with us all :D Love both your energies! So gassed to get this warm up into my routine!
please do a Julian Lage warm up one :D
Yes! Julian Lage, please!
What camera does Mateus use for his video ?
Some of these remind me of the lessons I have seen in the past on Pebber Brown’s channel.
you're here for the 7th warm-up, don't lie
A PDF study guide would be great......too much to pick up in a video
Hey a few people have been asking for tab for ex. 6. I hope this helps.
i.postimg.cc/NfYgx8XP/5-E4-AFE9-A-858-E-4-C2-E-A617-492-DE2-C92509.jpg
@@bend-c8405 number seven would be awesome! thanks for number 6
Just did it. It's in my youtube channel!
I didnt undestand a thing after the 5th exercise :(
Wow all of these lessons are amazing. Thank you!
Bro what type of camera does he use?
Thank you REVERB for arranging all these and THANK YOU MATEOUS, i have never seen guitarist like you its so juicy and melodic
Love this video series! Again, I would like to se Joes warm-up
missed ya Joe!
GREAT video. Thanks very much for sharing.
Thanks to both of you.💐
hey, his hand is small, right? the way he play c major looks like another fancy chord.
Thank you so much for this
This is great!!! Thank you guys!
Aren't the minor pentatonic exercises also major pentatonic exercises?
I think in #7 he actually switches to "4ths" for those transitions in between all the 3rds & 6ths. IF the lower held note is the next note from the scale.. so the note above it is a 4th. Of course they are indeed 5ths if the order was inverted. He is a wizard!!
Learning the neck is the big one ,
can someone explain the last exercise in a detailed manner, i cant understand what these fourths, sixths, thirds are,
Wow great feature Reverb woooah gonna put this work on my own too🔥🔥🔥🎸🎸keep this content sir featuring great artist
Thank you, I freaking love this video. Thank you Mateus for showing us your secrets! One thing I also noticed is that in the chromatic runs you accent every 4th note which helps to keep the hands synchronized at high speeds.
anyone know the name of that black hollow body the presenter is playing at the end there? that thing is beautiful
love this, thanks for sharing it
Agora eu entendo como ele diz que não se sente bem em ensinar, o feeling não se ensina. Você pode ensinar a teoria musical, pode ensinar as técnicas, pode mostrar exemplos do que faz e dizer "pegue o que eu faço" mas os gênios NÃO conseguem ensinar a genialidade. Sei muito bem disso por que a genialidade é como a loucura, não sou gênio mas entendo da segunda.
Seems more like a practice routine than a warm up. 😆
Did he just comeback grabbing his guitar?
Very very good and new types of exercises thank you so much
Joe, you’re so rad. Can see the excitement of guitar playing in ya. Awesome to see! God bless!
Guys anyone has tabs on the pentatonic string skipping?
Esse vídeo vale mais que muito curso na hotmart por aí
Very interesting and super helpful !!
@ 2:07, the Wut mate
Thanks joe, thanks lot Mateus🙏🏽😇
Refreshing, fun, and .... challenging....super great - thanks for sharing.
1) 24:51 2) 24:56 3) 25:01 4) 25:08 5) 25:09 6) 25:15 / 28:10 / 28:27 / 28:29 / 28:32
so this is how you reach Ultra Instinct Asato mode!!!
wow thanks so much for this man love it
How did you play that high C at 2:23! Insane...so cool. Love your style
Thx bro
#3 reminds me of pokemon fight music
Very intelligent exercises, doesn't take much time and really helps to understand the guitar
Really helpful ✨
Thanks for the tips. Great video !
Thx for the lesson. I like how he breaks it down
Wow! Such a great lesson, thank you. 🙂
quarto do asato no brasil claramente
Around 28:30 when Mateus says he’s playing 5ths, he’s actually playing fourths. Hope this clears up some confusion! Amazing insight and a very thorough warm up routine, lots to learn here : ) thank you!
Further clarification: On the A&D string pair he’s playing thirds, then on the D&G pair he’s playing fourths, then back to thirds for the G & B pair and then on the GBE string set he’s playing the whole triad with the third in the base (the 3rd on the G string, the 5th on the B string and the root on the top e)
Good eye! Thanks man!
Dude, thanks. I'm selftaught and was very confused about that. I sat here and tried to figure out why the heck I dont see fifth here...
To further add, a fourth is an inverted fifth
@@desmondteague2441 To add to that, mateus is actually playing notes we can't see him playing, we also can't hear them either, but you feel them.
Thank you for something to strive for
7th dimension worm up hole
The exercise starting at 7:50 is really cool
What a very nice collab and content by both of you guys🥰
So happy I found this ❤
These are unreal. So helpful
GreT
This was great thanks for sharing
step 1 - have lots of time 😂
Great!
These are really great. Lots to chew on here.
23:47 “Arpeggiato” :)
Carl Verheyen next, please!