Marche pour la Ceremonie des Turcs / Jean-Baptise Lully / Klaus Mäkelä / Oslo Philharmonic
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- เผยแพร่เมื่อ 20 ม.ค. 2024
- The Oslo Philharmonic with Chief Conductor Klaus Mäkelä performs Jean-Baptise Lully's Marche pour la Ceremonie des Turcs. The recording was made on 19 January 2023 in Oslo Concert Hall.
Multicamera director: Ole Sandholt
Script: Steinar Yggeseth
Music producer: Vegard Landaas/LAWO
Sound technician: Thomas Wolden
Lighting design: Petter Dahl Nielsen
Video production: Trippel-M Levende Bilder
Producer for Oslo Philharmonic: Helene Øverlie
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![⚜ Louis XIV Tribute ⚜ Marche Pour la Cérémonie des Turcs [Jean-Baptiste Lully] Le Roi Soleil](http://i.ytimg.com/vi/MVAK9kx6KM0/mqdefault.jpg)
Excellent version. The conductor and the orchestra are absolutely sure that they are absolutely right. Bravo!!!
Be careful, Klaus! Take care of your foot!
indeed! 🙂
Nice!
Klaus, you should ware heavy-duty boots
😂
@@namenlos2578ware or wear?
Finally, finally we have come to an age where all the knowledge we gained throughout the last 60 or 70 years of historically informed playing of the baroque era, has been woven into the modern orchestral performance of these pieces! Slowly but surely! Amazing performance with a baroque aura on modern instrumentarium 🎉🎉
Lol it still sucks compared to actual historically informed ensembles
@@remifasolla5324 of course, nothing can replace baroque bows, gambas, harpsichord and cohorts of four or five-keyed oboes and bassoons, but for a modern orchestra, this is a step forward. Maybe it's my frustration from those Rameau and Charpentier recordings from decades ago that speaks in such awe of this performance, but again, for modern instruments, pretty good and close!
Your analysis is wrong because the Baroque period was rediscovered by the Romantics a few decades later. *LM*
@@LucienMarine I know, but in the years of the 50s, 60s, 70s and the 80s of the 20th century, mostly up until now, non-period instrument modern symphony orchestras haven't played baroque pieces in historically informed way. I am talking about non-period instrument ensembles, ergo symphony orchestras, I am not talking about baroque ensembles. In the time of Mendelssohn they have probably played Bach and Telemann in a much different way, more style accurate than a symphony orchestra in 1960s! Of course!
@@msg776
My musical commentary aims to recall the historical context of this composition by Jean-Baptiste Lully and the means implemented at the time. It is regrettable to note that the symphony orchestras of yesterday and today play on a register that does not belong to them. The Baroque period has nuances and colors that deserve its own instrumentation. I think that this conductor Klaus Mäkelä has great qualities but has difficulty controlling his impetuosity. Youth obliges! Hoping to have met your expectations. *Lucien*
Conducting 'a la Lully' and lived to tell the tale! 🤣
Nicely performed!
😂
Always know where your feet are!
lully was a true master, his melodies are extremely catchy ...brilliant!
cok güzel caldiniz, love from Turkey♥
Love conductor and orchestra energy, there is no other way to play Marche pour la Ceremonie des Turcs.
Thank you for sharing.
So great to hear a real orchestra play this music
Tous Les Matins Du Monde'
Yes, but that version is not close to reality. th-cam.com/video/WnuTjZgn4t8/w-d-xo.html
Yes~ new version! Thank you Oslo!
Moliere et Lully à Oslo, top ! Magnifique interprétation de la turquerie du Bourgeoise Gentilhomme. Bravo Klaus Makela
SPLENDIDE ! BRAVISSIMO ! BELLE INTERPRÉTATION !
😇😇😇🥰🥰🥰😍😍😍😁😁😁😇😇😇❤❤❤🙏🙏🙏
❤❤❤🎉🎉🎉😊😊😊
Best thing I've seen Makela do; on point musically and theatrical. Hope he does more French baroque...
The March for the Turkish Ceremony (Marche pour la cérémonie des Turcs) was written by Jean-Baptiste Lully in 1670. It is taken from the ninth comedy-ballet entitled « Le Bourgeois Gentilhomme » by the playwright Molière. Comedy-ballet is a combination of spoken comedies, singing, and dancing. This form was desired by King Louis XIV in order to sew together theater, music and dance without breaking the thread of the piece. Context: The King received the emissary of the Grand Turk represented by Suleiman Aga in 1669 but the diplomat's clumsiness and casualness turned into a caricature. It was then that the famous « Turkish ridiculous ballet » was born. The comedy-ballet is a veritable reservoir of the processes that Lully will find in lyric tragedy. She is entirely instrumental and is intended to be danced. So it’s ballet music. To heighten the irony of this scene, the composer employs all the instruments at his disposal and also uses percussion with oriental sounds. The march is structured around two repeated musical phrases. From the first notes, everything is done to create a solemn character as the key of G minor, the dotted rhythms similar to opera overtures and supposed to represent the march of the Sun King. This colored piece also includes a small tessitura of which the repetitions offer a journey of exploration of the timbre in the score. *Lucien*
Grand merci pour vos informations de contexte !!
@@enguerranddemarigny
Merci ami de la Musique ! *LM*
Klaus Makela y la Filarmónica de Oslo son mi combinación favorita, nunca me decepcionan!! Magnífica y divertida interpretación me hace viajar a la época de su compositor
Bravo!! Great work as always from the Oslo Philharmonic and Klaus Mäkelä!🩵🩵
SIR you are real MAESTRO 🎶🎵 much love and respect ❤❤❤❤🖤
Merci !
very good!
Delightful performance indeed bravo bravo congrats, music is our family and we will never be apart anymore 💋👍🥂💎👍👏🎁🍀
class, culture, beautiful. thank you from Australia
다양한 시도 다양한 레퍼토리~ 메켈레 음악 인생에 브라보!
I love te faces!
Une merveille mes amis ! Soyez bénis
What an epoch France enjoyed. With a King who saw himself as Jupiter and producing genius like Lilly! Unlike today's France. A scoundrel for a president and a nation in ruins.
Another version I didn't know yet.
But beautiful
Fabulous! Thanks for posting. Congrats Klaus and OP!!
Not bad 🔥
Maestro, sublime as ever. And the Oslo Philharmonic as well. Lully is applauding no doubt! Probably seated but applauding!
So cool !
Love it.
BRAVO!!!!!!!
🔥🔥🔥
Beautiful!
He is so full of the energy if music it literally bursts out of his inner being:
Muy obcuro duro "marcado"
En fin...
This is a very modern performance.
참 좋습니다
Needs piccolo or sopranino recorders doubling at the octave.
Version très pédagogique qui commence par la percussion, les basses, puis les parties intermédiaires avant d'ajouter la mélodie. Style parfait.
Cette interprétation est absolument sidérante, et allant crescendo en intensité, ça prend aux tripes ! Merci pour vos précieux détails et informations ! Makela a même respecté la direction au bâton !
@@enguerranddemarigny 🖐
Bravo!
Klasse!!!!😊
That was fun!
👏👏👏👏👏👏🎶🎵
❤❤❤
👏🏻👏🏻👏🏻👏🏻
💐👌🏼
Bravo! Mais... Maestro, Attention à ne pas vous cogner le pied!😉😅😁
What a talent this man is!
❤❤❤👍🏼👍🏼👍🏼👍🏼
Funny & brilliant! Where is the audience Louis XIV? ^_^
오스만투르크 Ceddin deden 투르크 군가 같은 리듬 같기도 하고,Jean baptise Lully가 작곡한 바로크시대 발레음악이라니 신기해요 ...루이14세가 발레하는것같기도합니다😊
Better stolen well then thought badly… ;) Nice performance!
Dude watch your foot
I dare say the orchestra would play just as well without him!
Spot on, Stevie. Lully is the father of the professional orchestra, capable of performing under any circumstances. That’s exactly the point.
@@rastislavdemko6682 It's a myth. An orchestra needs a director, the 0,0001% chamber orchestras playing without a one is an illusion, the first violin is giving the tempo and entries.
Le falta fuerza.... el báculo debe sonar con imponencia...
Heeft Klaus achteraf zijn tenen geteld?
Pourquoi se mettent-ils tous à l'interpréter comme F.-X. Roth ? 🙄
La version de Roth est bien meilleure! En fait, ses deux versions sont meilleures.
They need a more impressive Turkish Crescent... :>)))
Indeed!
Too much of the same strings... Where are the wind instruments? Not as good as François-Xavier Roth's 2min41sec version.
These string orchestral players that move all over the place while playing are so annoying. If it is the concertmaster I understand, it's suposed to do that. All the others stay still and play whatever you have to play.