Try Large Format Photography If You Can
ฝัง
- เผยแพร่เมื่อ 11 มิ.ย. 2024
- If you want to be a great photographer, at some point you'll want to try shooting film with a large format camera. In the past everything was shot on LF, and it's still a great choice for landscape photography, still life and studio work. Shooting 8x10 takes a bit of practice to get right and these tips might be helpful.
This video is NOT sponsored.
Do you have a question? Ask in the comments section.
Rob Skeoch is a career photographer, working for five newspapers and wire services before joining the team at Major League Baseball for 17 seasons and the NFL for 14 seasons. Then he was a national manager for the camera group at Sony North America before going back to shooting.
Now he shoots for gallery shows around the world, mostly street work and portraits made with a Rollei twin lens. For 35mm shooting he uses a Nikon F3 and a couple M-mount Leica cameras and shoots mostly Ilford film.
tips for shooting black and white film,
HP5 FP4Pan F Ilford Zeiss ZM Distagon Summaron Biogon Leica Leica R6.2 R6.2 R6 Nikon Nikon F3 Nikon F3T Nikon FM3A Pentax Pentax LX Pentax MX Canon Canon F1 Canon New F1Minolta Minolta X-700 Olympus Olympus OM4 Olympus OM3 Olympus OM4T Olympus OM3T Contax Kodak Fiilmprocessing darkroom black and white b&w developing film at home developing black and white filmdeveloping 35mm filmdeveloping roll film loading film developing reels loading 35mm film on reel loading 35mm film loading 35mm into development tank #blackandwhitephotography, #filmphotography, #blackandwhite, #filmprocessing, #film, #bw, #ilfordhp5, #filmisnotdead, #blackandwhitephoto, #filmcamera, #35mmfilm, #leica, #nikon, #darkroom, #darkrooms, #film, #filmcamera, , #leica, #leicasociety, #ilford, #120film, #rolleiflex #rollei, #gitzo #kodak, #kodakfilm35mm #kodaktmax400 #streetphotography,, photo, photography, picture, 135mm lens, 35mm film, black and white, rollei, ilford, portrait, #nikon, #canon, #pentax, #zeiss #distagon #18mm #zeisslens #leicaphotography #leica_world #leicaimages #leicalens, #leica_camera #leicam6 #nikonf3 #nikonfm2 #canon_official #minolta #olympus #Leicam6 #Leicam #hp5 #ilfordhp5 #slr #slrcamera #slrcanon #hasselblad #hasselblad_camera #pentax67 #pentax645 #fuji #rolleiflex #largeformat #viewcamera #ebonycamera #deardorff - บันเทิง
This is excellent. The only reason I was shooting 4x5 "in my youth" is because of the weight of an 8x10; even the Canham 8x10 was not light. The price of films was not an issue at the time, although the film holders were a lot more money than the 4x5 holders. If I were to purchase a large format camera again I would go for Chamonix.
They are nice ones, I had some of the Charmonix film holders when I shot with 57.
I have a couple of 4x5 cameras and primarily shoot black and white, when shooting color I now shoot it as a 6x9 with the roll film holder. Expense is the only reason that I have never went to 8x10. I agree the sharpness is the advantage of large format and perspective control.
At least you're out there shooting and having fun. I like 6x9 as well.
juist found your channel. Makes me miss my sinar p2. new sub.
Glad you enjoyed the show!
Nice pictures and video, Rob. Sometimes, I still use my Cambo Legend 4x5" with Apo-Sironar S 210 and Grandagon 90mm. The B&W is unique.
Glad you're out there having some fun!!
Thanks for presenting this talk on large format.
It is not a subject of interest to me … but I learned a lot
Glad you enjoyed it!
Split Rock - great
Glad you're enjoying the videos.
@@stillshootinginblackandwhite l like watching Canadian shooters especially former pros. If you’ve not seen Todd Korol who is also a former and l still believe working journalist who l think is Alberta based he is worth checking out. I myself live in Toronto and recognize a lot of the environs you shoot in. Overall you have a good channel. I recognize it’s not your end goal to push hyped content, so it’s a nice to see you share your knowledge.
Yes I know Todd, we worked the Stampede together years ago. He's doing a great job. Again an actual photographer, not a TH-camr talking about cameras.
I love hearing your talks like this. I shoot 4x5 and I am struggling to get into the 210mm. I definitely prefer my 135mm. I also have a Fujinon SF 180mm but it doesn't get used all that much because of the whole soft focus thing. I definitely found the 135mm easier to use in the home studio I had set up before I moved because of the space constraints I had. Some day I would love to borrow someone's 8x10 and try out that 210mm on it. I think that would be just about the perfect focal length for me and I already have it. It would also be nice to be able to use x-ray film without cutting it down...
I hope you get a chance to try it out.
X-rey films are great. Orthohromatic efekt like esthetics. Get mammografic type which is one side emultion. The rest is coverd duble sided, not so scratch resistant when developing and gives not so sharp results but super cheap and great fun anyway. I shoot 18x24cm and do contact prints.
That sounds like fun.
By now, Chamonix makes really nice cameras. My F2 4x5 is a very fine piece of Chinese craftsmanship (yes, those small shops over there do incredible things) and was halfway affordable. But their 8x10 is crazy expensive (I would rather buy the Intrepid 8x10, even though not nearly as good). Well, maybe, one day in the far future, I might jump ship to "real" large format. No darkroom, but with 8x10 contact prints become an option.
The key is to get out shooting and have some fun.
I enjoy your content a lot, you clearly have a vast amount of experience and knowledge and I appreciate you sharing with us. Of course, I am subscribed. My only constructive comment is that including your curriculum vitae in all your videos gets a bit tedious.
Thanks, will do!
Once again: spellbinding. I find your work delightful. Thanks for the inspiration.
I’m using FP4+ (partly thanks to your work with it) in a Mamiya C220. It came with a 55/4.5 (which I love). And lately I’ve been experimenting with a 180/4.5. Yes to working with a tripod. A nice, heavy, aluminum Manfrotto one.
Briefly, I owned a Crown Graphic. I didn’t give it a chance. One outing with it on a bitterly cold, damp Kingston mid-winter day gave me a chill I remember well 16 years later.
I sold it on eBay to a guy north of Moscow. (Not Moscow, Ontario!)
That great thing is you're out there shooting and having some fun.
Great information. Being limited by the number of film holders if you are not developing the film immediately how is the film stored / transported until development?
I would unload all the holders at night, into empty boxes that I kept just for that reason. Then reload them. I likely had 8-10 holders at the time, so about 20 shots. More than enough for most days.