8 Pro Guitarists SHRED at 300BPM!
ฝัง
- เผยแพร่เมื่อ 15 มิ.ย. 2024
- I asked 8 of my favorite guitarists to all solo over a Rhythm Changes at 300BPM and talk about their approach. Hope you get a lot of inspiration and education from watching! Share with a friend and comment your #1 takeaway below 👇
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Special thanks to Cole Davis for providing the bass line backing track! Check out more from him here:
Instagram: @coledavisbass
Patreon: / coledavismusic
Links for all the featured guitarists 🎸
Barry Greene:
TH-cam: / @barrygreene
Website: barrygreenevideolessons.vhx.tv/
Rodney Jones:
Website: www.rodneyjones.com
For course information: "jazzguitarscholars@gmail.com"
Hristo Vitchev:
Modern Guitar Jazz Books: www.modernjazzguitarbooks.com
TH-cam: / hristovitchev
Gumroad: gumroad.com/hristovitchev
Instagram: / hristovitchev
Cecil Alexander
Instagram: / cecilalexandermusic
TH-cam: / @cecilalexander8773
Will Brahm:
Instagram: @willbrahm
Spotify: spotify.link/kAIzGjPhrDb
TH-cam: / @willbrahm
Larry Koonse:
Website: eliteguitarist.com
Website: larrykoonse.com
Sheryl Bailey:
Website: www.sherylbailey.com/
TH-cam: / @kungfuaxe1
Course: Bebop Dojo Bootcamp - truefire.com/h1797
Dan Wilson:
Course: "Fretboard Freedom": www.jazzmemes.org/fretboard-f...
Course: "Harmonic Freedom": www.jazzmemes.org/harmonic-fr...
Instagram: / danwilsonguitar
0:00 The Challenge
1:18 Barry Greene Playing
3:04 Barry Greene Talking
5:49 Rodney Jones Playing
9:17 Rodney Jones Talking
10:33 Hristo Vitchev Playing
12:04 Hristo Vitchev Talking
18:32 Cecil Alexander Playing
20:46 Cecil Alexander Talking
23:29 Will Brahm Playing
25:56 Will Brahm Talking
27:11 Larry Koonse Playing
31:03 Larry Koonse Talking
36:50 Sheryl Bailey Playing
40:04 Sheryl Bailey Talking
44:02 Dan Wilson Playing
47:51 Dan Wilson Talking
50:41 Where to Go From Here! - บันเทิง
![บุกร้านไอศกรีม VJ วุ้นเส้น !!!! [ดูคลิปเต็มหน้าช่อง] #Short | PANG ORNHIRA](http://i.ytimg.com/vi/g549nEhKZdc/mqdefault.jpg)
What was your #1 takeaway? Who else would you want to see on these guitar collabs? Let me know in the comments! 👇
My takeaway is to lean into what makes your channel unique. You always manage to find the best jazz musicians to do these collaboration MASTER CLASSES. You've amassed a huge community of musicians and we are lucky that you can share their knowledge with us. Don't waste your time on other people's pettiness on TH-cam. Keep on keeping on, and keep doing these collabs!
🤔🤔🤔🤔🤔😂😂😂
Nothing replaces hard work and "shedding." Would like to hear Matteo Mancuso's overlay. th-cam.com/video/sEto6JFY-ZU/w-d-xo.html. And as usual Chase, thank you for another superb lesson, and for creating the chapters for easy search.
I love Barry’s comments! How about Dave Stryker!
Pasquale Grasso…
Larry Koonse gives a masterclass in orchestration, variation, pacing, big picture, right there that should be required study for every jazz guitarist! 🙌🙌
He sure does!
Reminds me of your playing Keith 😊
@@JesseEngelGuitar Awwww shucks! ❤️
Cecil Alexander & Dan Wilson on Fire!!!! #1
Yes! 🙌
Larry Koonse’s solo told a complete story and his comping was a masterclass in voicing. Love all the chops these players demonstrated, Txs for doing this Chase!
Agreed! Glad to share it with you all! 🤘
BARRY!!!!!!!!
You, sir, can play notes faster then I can blink. 😄
Thing Eternal is heat
Dan and Cecil are insane and genius. Thank you for this.
They sure are! Transcription of their solos available soon! 👍
all my guitar heros in one video, just Bobby Broom missing then its complete :D
thanks, awesome work Chase.
Haha I had him on a previous one 😄
Great to contrast these different approaches to solving rhythm changes.
Glad you think so! Thanks for listening!
Burning. Thanks for having me Chase!
Of course! Glad to have you 🙏
Nice job dude
Wow, this was inspiring, I love hearing everybody - they're all my heroes - thanks for making this happen!
My pleasure! Thank you for listening.
This is such a great video, i love that some of the talking sections are super in-depth, this is basically a full blown masterclass shared by different players where together they make a really comprehensive picture and so much to explore.
I'm 100% going back to this video for reference on my next practice sessions.
Glad you enjoyed it! Be sure to check out the past guitar collabs I’ve done if you haven’t yet 👍
I enjoy these series of hearing the various guitarists approaching different tunes, it goes with the subject of learning jazz, which is what you yourself teach us in detail with your great lessons. I enjoy this channel very much.
I appreciate that! Glad you're enjoying the channel 👍
it's great to see such a variety of ideas and styles, thanks a bunch👍
Glad you like them!
There is SO much here from Everyone. Excellent resource to keep us busy for years. Thank you Chase.
My pleasure! To add even more to it, I’m releasing full transcriptions for many of these artists inside Chase’s Guitar Academy 🤘
This is such a fantastic video. I will be watching this for years to come.
Love to hear that 🙏
Sheryl with the lyricism even at this tempo.
Amazing to hear!
Thanks!
Wonderful! Thank you for putting all this together Chase!
Rodney! 🔥
Glad you enjoyed it! 👍
Simple awesome lessons! Thank you all!
Glad you like them!
That was full on! Big thanks to all of you for doing this . A master class bombardment of awesomeness : ) Loved it
Glad you dig it! Make sure to check out all of the previous jazz guitar collabs I’ve done too if you haven’t 👍
Barry simply owns this - heads and shoulders !!!! Wow!
Just another day at the office for Barry 😄
Guitarist no. 3 "4 notes over each chord" at the slow tempo, and the closely located inversions, leading to the next, starting on different chord tones works for all instruments, and is a nice way to start mastering rhythm changes.
Gives you a handle on the A which of course, is a turnaround, and which therefore, of course will apply and be used on ALL tunes with a I vi ii V turnaround too. So mastering rhythm changes is absolutely essential.. ? Duh? Gee I'm slow. GREAT STUFF!!!! thanks.
Thanks for inviting me to play alongside these heavies! I really enjoyed everyone's creativity, sharing their own voices. To me, this is the essence of improvisation: developing your own voice!
Love having you on these, Sheryl! I totally agree, and it was great hearing everyone's personality shine through even on such a structured challenge format.
Unbelievably solid content! Mind blowing. Stellar.
Much appreciated! 🤘
Barry never disappoints!!! Been listening to him (and purchasing GREAT lessons from him) for years.
Cecil was a new revelation to me. Loved his phrasing and how relaxed his articulation was. Definitely off to check out his work now!
Thanx for another terrific vid, Chase.
Absolutely! Glad you dig the video! 🤘
Agreed
What such a great idea, Chase! Multiple lessons in just one video. It is so interesting to see the many different approaches on the Rhythm Changes! Great video!
That’s the idea! I want these videos to be a super valuable resource for inspiration and education on important jazz forms 👍
Great idea chase ❤️❤️🎶🎵loved all players! So many nice ideas and personalities 🌞🌞
✨️Torsten you are the new George Benson❤ the New boss guitar👍🏼 you know perfectly each Benson's soul blues riffs and runs, also the scat🔥🔥🔥💯😎👍🏻 the best no doubt.... hope see you soon here in Chase Maddox videos lessons🙏🏼🤩
Thank you! Glad you dug it 🙏
@@robertolopez5186 thank you my friend 🙏🏻🙏🏻❤️
@@ChaseMaddox I mean it, a great channel!! 🎶🎵⚡️⚡️
loved it - living vicariously through these players as I'll likely never get to this level. cecil alexander's "yeah, I can play this fast, what are you gonna do about it?" stare is still the greatest.
two others I love to see do turbo stuff like this are pasquale grasso and ben eunson
Haha Cecil's in the ZONE!
❤Great vid Chase Maddox!✨️
can't get any better... top level guitar players, great advices, you always bring the best to the table🔥💯 keep it up !👍🏼💥
Thank you! Trying to bring you all the best that I can, so I appreciate your feedback 🙏
Good idea that came to reality, well done thx !
Thank you for watching!
Always loved Barry Greene's playing. So clean
Absolutely!
This is the best, most fun, and most educative challenge ever. Well done, everybody! ❤
Thank you! Have you seen the previous guitar collabs I've done on the channel?
@@ChaseMaddoxSome of them I've seen, definitely will check out the rest. This one resonated.
Great! I put a playlist in the video description to gather them all 👍
Waht a treat! Great to see or hear the different personalities or concepts that come out each individua. Cecil Alexander is extremely comfortable at such blazing tempo. I also love Dan Wilson s feel and phrasing; amazing technique with such cleanliness. I would love to hear what Matteo Mancuso or Joshua Meader would sound like in such context.
I agree! I’ll see if Matteo or Joshua are up for a future video 👍
Chase, this was wonderful.. Thank you! For me the biggest take-away was how each player backed out of the storm of chords to simplify (one to five etc.) and stretch their melodic approach resulting in smoother lines.. Great lesson! As a hard bob student, that is what I am working on.
Thank you! That’s a great takeaway! 👍
I play jazz fusion, dabbled in bebop. I may have to up my game after seeing these masters. All incredible. Thank you for introducing me to these amazing artists.
My pleasure, thanks for watching!
A killer group of guitarists! Amazing to see how they each approach playing at a fast tempo like this 🔥
They crushed it! 🙌
I see what'cha did there! Very well played, sir! Very well played! #strengthinnumbers
I'm glad you appreciated this video! 🙌
Hristo's exercise is great!
This is gold Chase! Gold!
You’re welcome! P.S. I hope this was a Seinfeld reference 😄
@@ChaseMaddox it was 😃🤙
Haha amazing 😁
Great players and very interesting to hear about their very useful insights for anyone venturing into the shark-infested waters of fast rhythm changes, or just rhythm changes in general.
Thanks for watching!
Nice work gentlepeople! 🤙🏼
Thanks Chase. I’ll definitely be checking out folks showcased.
Cheers, Daniel
And yes, relaxation, knowing where the subdivisions are, hearing the tune, making musical sense… ;-)
Thanks for watching! Great takeaways! 👍
Cecil. Man....his playing was amazing and then he started talking. Really great soloing concepts and easy to understand and implement without a deep dive into music theory.
Hope that was helpful and inspiring for you!
It's not just good to see all those great players, but also rewarding: like a bunch of mini-lessons. For me personally was very good to see Rodney Jones (playng "cold" as he said, I always remember him very young playing in the Jazz Festival of São Paulo with Dizzy Gillespie), the Larry Koonse section was a great diversion with that intervals and chords, and the Cecil very ellucidating substitutions ideas. Thank you all!
Thank you for watching! Great takeaways.
Cecil 🙌🏻 and Barry
Yes!
Guitarist number 3 strikes me as much more in control, playing more lyrical lines, a more individual sound, way cleaner .
a) much cleaner b) much more "modern" c) (for me) much more interesting. d) tone is fat and more nuanced
takeaways.. play on a) solid or semi solid body b) lighter strings c) modern effected tone c) play post hard bop stuff like Ford, Metheney, Abercrombie, Scofield, Lage et al on rhythm changes
I love rhythm changes and I am very talented making the worst possible choices of notes to play on this tune! If sounds good someone else played that!
Who could ask for anything more? 😂 ❤
Hopefully you enjoyed this!
Please continue doing these series. There is no better way to learn than watching or listening to some of the from best players play. Maybe a future idea would be have these players do a couple of comping choruses as well.
I hope to do many more of these! I like the comping idea 👍
everyone certainly had their own way of doing it, and things to steal (umm, i mean learn..) from everyone.. great video! :)
Definitely a lot to steal here! One thing about playing at this tempo though is you can’t steal the hard work and time they all put into developing this ability.
What is the Don Bias/ Slam Stewart recording that Sheryl Bailey referred to?
What a fantastic idea.
Glad you think so!
Rodney Jones playing that outside stuff man killer
Absolutely
Some of the best in the business
They sure are!
I have problem with rhythm, I am an amateur only, but here, I can hear some shredders with weird rhythm too.
Great playing from everyone and interesting insights as well. Though every solo was stellar, Cecil Alexander’s solo remains in my head because of its melodic drive despite using a lot of chromaticism. His rhythmic choices were super hip too. Great job everyone, Love this stuff
Thanks for watching!
🙏🙏🙏🙏.....the humility and communicative skill of all these cats...!! Then I think how Dizzy, Parker blazed these trails like frontiersmen back in the 40s.....and the traditions roll on
Absolutely! 👍
Larry Koonse in the house.
wow
I was thinking the king of that would be George Benson but you know you could get his solo on rhythm changes on any of those tunes in the club Caribe recording
My main takeaway is just how much more interesting and inventive were the players who played shorter lines and left some space. Another takeaway is just how great Cannonball Adderley’s live at the Plaza solo over Oleo with Miles band was - he manages to get some unique and inventive lines in even while staying within the confines of establish bebop harmony.
Dan and Cecile had some bad ass lines!
They sure do!
Wow, all masters. Dan Wilson really awesome !
Masters indeed! 👍
Hristo!! What a monster of a player.
He sure is! 🤘
Cecil is awesome! and Will B.. godness!!!
And the older man with his chording.. wow. Bunch of great guitarists. But Kirk Hammet earns d money.
Dan plays so melodic and tons of chops! To me, his analysis had so many great points. A section, staying on the V (Oscar) or just building melodic sequences or call answer over the I chord. I can play over single chords but not at that tempo. I’ll try Ab Lydian over A section as Bb13, things like that.
Yes indeed! Hope it goes well for you 👍
will is a real human i can relate!!
Haha he keeps it real!
Looks like Dan Wilson is using the Benson picking style, and Cecil Alexander has the Benson pick angle but without the underarm position here. Rodney Jones and Sheryl Bailey are both using similar to Benson but may have developed it independently.
Thanks for watching!
Awesome playing. BTW if you ever get to hear Rodney Jones warmed up, he is absolutely terrifying. I met him at a trade show, we played a little and he said Benson told him he needed to get a life which I thought was hysterical. Anyway, beautiful humble guy and monster player. Great post. Thks
Rodney is going to be doing a Jazz Master Session for us in Chase's Guitar Academy this month, so we'll get to experience his mastery in full force! 🙌
@@ChaseMaddox that’s really cool! He’s great
as someone who can’t play fast: wow.
everyone crushed it. cecil and will blew me away especially. but really everyone was amazing-dan wilson: hf! such a killin variety of takes on RC. reminds me its ok to be yourself. larry koonse absolutely owned it by seeming to slow the time down.
One of my favorite parts was still being able to hear each person’s personality at this tempo.
totally! hey chase-was just in class at OS Pro with Chris Parks and we were talking about your compilation vids of great players. Itd be cool to do a chord melody episode and invite chris. Hes a monster at that. just a thought!
Cecil has the best timefeel done cleanly and sense of trafitional historical references. Rodney has dumped cliches the best and inserted moderisms using Trane , Woidy Shaw and McCoy inspirations but has some of his own approaches. I can hear their oen sounds and not think of guitar as much.
Thanks for watching and letting us know what you think!
The Larry Koonse thing is big band. He created a big band arrangement on the guitar
Great way to put it 👌
This is a wonderful video with fantastic insights! However, up until Will Brahm (who was kind enough to start with a few measures of rests), the only thing on my (admittedly feeble) mind was "where's one?". It's hard for me to listen at that tempo, let alone play, without the melody as a reference point. Great stuff, though.
A melody up front would've definitely helped! Thanks for the feedback 🙏
Chase, teach us some Charlie Christian lines. He was so good and left us so early. Ty
Check out some of my older lessons! I did at least one on Charlie Christian 👍
Nice shirt
Haha thanks 👍
Riveting, Chase! Screw Peter Farrell. Since the pandemic started, I have watched a huge number of jazz guitar-related videos.. This was definitely in the top five or so. Everything about it was great.
Thank you! 🙏 You might also enjoy the previous collabs I’ve done on the channel: EPIC Jazz Guitar Collabs 🔥
th-cam.com/play/PLo3SkIOYNRwlslyIXBoHazmVpGS758CUn.html
👍
🤘🤘
Cecil Alexander for me
🤜👍
Everybody was fantastic. But im sorry. Barry, cecil and dan grabbed me. And Barry slayed. I vibed the hardest to Cecils lines tho
Thanks for watching!
Jeez, people, what are you doing, I'm DYING at 240 BPM 😂
😮
🙌
#1 Takeaway: Practice
Hahahaha this is the real takeaway! 😆
Cecil Alexander woohaaa
🔥 🔥
I'd pack up if I had to solo after Cecil or Dan.
Takeaway:
Barry Greene says it. If you try to play every chord the conventional way it's very hard to improvise fresh ideas as opposed to using many licks you already played.
His solo is very stylistically predictable and could have been played in the 50s. Technically it's highly accomplished precise and continuous.
Rodney Jones plays relatively more modern lines in a choppy spurty kind of way. He said it was his first take so it did not have a satisfyingly continuity
I like Hristo Vitchev with a Scofield/Metheny sound on the guitar (although not unique) he is able to improvise more freely as compared to Barry Greene because he has methodically figured out inversions so the changes require the minimum movement of the hand. The approach is very efficient using inversions of triads at first and then practicing specific modes for each chord.
Cecil Alexander has a very plain sound clean tone. He has great flow in his playing and was able to make it easier to use substitutions by not playing every chord change as he describes, just playing some V, Is but when you are listening he don't get the impression he is simplifying. He also uses some wider interval sequences here and there and throws in some blues licks.
Will Brahm has a beautiful tone where with some reverb and (compression?) Nice touch on the guitar, great flow and phrasing. He takes "breathes" within the solo. Larry Koones uses a lot of chords in his playing. On the surface somewhat in that old 40s style and in his single note runs but he does something with a pedal point fingering , one finger stays down while the other fingers change chords. Brad Mehldau does that on piano with some of his Beatles stuff which was very original. He simplified the chords which was another solution to the problem with playing this fast as Barry Greene described. Sheryl Bailey played melodically and properly following the changes and had a good flow. I thought stylistically it was very predictable like Barry Greene could have been done in the 50s as well as the very plain guitar tone. It was hard getting past here fingering issues where a certain portion of her notes we don't hear, the finger is not pressing down the string enough to properly sound the note. Dan Wilson plays somewhat like George Benson. He has a great flow and he digs in plucking hard on certain notes which punctuates the lines and has a lot of be bop dynamics His solo had the most fire and he threw in some nice chords and blues licks. He also talks about not playing every chord. That is one of the keys to the problem Barry Greene was talking about. You have to hear every chord, to be able to play each chord but when you actually play don't feel like you have to outline each chord or prove that you covered it. But you have to be able to do that (ta least at slow tempo) so when you leave out something he keep track of where you are. So when you practice these changes loop sections of them, play you most note dense riffs and then play them again one note per chord or even one note tremolo that works for two chords. Then mix that with some of the dense notes riffs to make it musical. I think that is the best method and the other best method was Hristo Vitchev's where he figured out inversion triad fingering leading to not have to require as much hand movement/finger motion between chords and this other thing Alexander and Dan Wilson talked about , you don't have to play every chord and as you do that you can use substitutions sometimes. Metheny uses a lot of that triad inversion approach like Vitchev but I think I heard in Alexander a short phrase of quartal sequence. That's a good spice if you are focusing on triads.
Wow! That’s a lot of takeaways! Thanks for watching 🙏
That tempo was too slow for cecil alexander, 😄😄 what a creative and wonderful playing. Well he was actually the guitarist i was waiting to listen to and he never dissappoints. Every other guitarist was awesome too.
Haha you're right!
why everyone plays on the beat the whole time? wouldve loved to hear some off beat playing or different time signatures
Because the tempo is 300BPM 😂
Cecil Alexander, Will Brahm & Dan Wilson absolutely destroyed it
Yes indeed!
Where’s the great Bass backing track!? Come on, man.
This was beautiful, btw
I liked Cecil the most. He had the best time, in my opinion.
Cecil is killin’! 🤘
Cecil
🙌
Ben Eunson couldn't make it to the jam? :(
Hopefully next time! But please let him know you'd like to see him participate 🙏
You MISSED The phenomenal "BEN EUNSON"!
And he could easily play at 340 BPM with no sweat 😂😂
By the way, these lineups are incredible man! 🔥🔥
But would love to see ben eunson join in the next one! 🙏🙏
Let him know! I asked him to participate but he was not able to 👍 Hopefully for a future one!
@@ChaseMaddox Thank you Chase! Love your stuffs and contents brother. Please keep up the good work! ❤❤
I appreciate it! 🙏
How to contact you?
Email me at contact@jazzmemes.org 👍
If you want to see who's SWINGIN' ... or not 🙄 pop that playback speed down to .75, or .5!! 🤪
Or just enjoy what they’re presenting?
Barry, Cecil and Dan are just ridiculous here
For real. Going to do a follow up soon analyzing some of the solos in this including them 👍
@@ChaseMaddox Thanks Chase. Very interested in what they will have to say, it's quite shocking how well they handled this haha.
Dan Wilson sounded the best overall to me. Greene uses a machine gun approach that is an instant turn off, but he certainly has the chops.
Thanks for watching!
Not a competition but Dan Wilson 🏆, Cecil Taylor close second
Bring Grasso to a challenge like this
Would love to! It helps if people send him this video and ask him to participate 👍
good idea with the time stamps removes the need to edit all the fluff of them talking, remember kids, real musicians do the talking with their instruments!
This video rules! I especially liked Larry Koonse. Of course they’re all brilliant players. Have you ever heard of a guitarist named Peter Farrell? Maybe you could feature him
I feel like he's been featured PLENTY on the channel 😂
@@ChaseMaddox lmao
Next time call Pasquale
Maybe for a future one!
all epic players, but i must say i dont understand why alot of jazz guitarists like the all picking style, to me it just sounds too much of a struggle, even though they´ve practised it alot. only a personal opinion from my own taste and liking, ofcourse, because damn i respect these guys for wanting to develop such a strong right hand. to me cecil stands out because he´s so godamn relaxed when playing all picking.
Thanks for watching!
A perfect example of what Music is NOT. Speed is good for race cars or bikes not Music.
So what’s the speed limit for tunes? What’s the max tempo that’s acceptable to you?
It’s a helpful exercise in life to keep in mind that there are many alternate modes of appreciation of any given thing. For the commenter above, they do not appreciate rhythmic tension and quicker tempi. It should be considered a blessing to our society that there are countless alternative music styles containing music which is cognitively and experientially easier to follow.
Edit: the comment above should be aware that such an immature reply feels justified from insecurity. It also speaks more to that insecurity being from ignorance to fast jazz and/or an inability to play such as these musicians. Were it a random complaint against something to which they are not connected…well, that is just douchy.
Good video!
@@JosephVanceDude The comment above is from someone (me and many others)that have enough of people that thinks music is a competition rather than an ART . In every genre (metal...jazz...classical etc..) when speed becomes excessive it become exclusively a boring demonstration of useless skills . The3 Gymnopedies from Satie are way better than the flight of the bumblebee ....the former connect with the sublime the latter is an annoying insect that connect with the desire to smash it.
@@ChaseMaddox The limit is when you can't hear anymore emotions and hear just noise.
Bad take. Speed can definitely be used to convey emotions.