DOVER QUARTET - Dvorak: "American": 4. Finale
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- เผยแพร่เมื่อ 16 ก.ย. 2024
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String Quartet No. 12 in F Major ("American"): 4. Finale (Vivace ma non troppo) by Antonin Dvorak, performed live by Dover Quartet.
You can hear this track on Dover Quartet's new album "Encores", out NOW! Listen on Spotify here: spoti.fi/2XMWdhe. The album is full of exciting and beautiful movements from some of the most well-loved quartets. And don't forget to subscribe and hit the bell - we'll be releasing more videos from the album over the coming weeks!
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Dover Quartet:
Joel Link, violin
Bryan Lee, violin
Milena Pajaro-van de Stadt, viola
Camden Shaw, cello
DOVER BIO:
“…the Dover Quartet players have it in them to become the next Guarneri String Quartet - they’re that good.” - The Chicago Tribune
Hailed as “the next Guarneri Quartet” (Chicago Tribune) and “the young American string quartet of the moment,” (New Yorker), the Dover Quartet catapulted to international stardom in 2013, following a stunning sweep of all prizes at the Banff Competition and has since become one of the most in-demand ensembles in the world. In addition to its faculty role as the inaugural Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music, the Dover Quartet holds residencies with the Kennedy Center, Bienen School of Music at Northwestern University, Artosphere, and the Amelia Island Chamber Music Festival. Among the group’s honors are the Avery Fisher Career Grant, Chamber Music America’s Cleveland Quartet Award, and Lincoln Center’s Hunt Family Award. The Dover Quartet has won grand and first prizes at the Fischoff Chamber Music Competition and fourth prize at the Wigmore Hall International String Quartet Competition.
In the 2020-21 season, the Dover Quartet debuts with Berkeley’s Cal Performances and embarks on its first-ever tour of Latin America, both of which will be conducted using virtual technology. Tour performances include collaborations with the Escher Quartet and harpist Bridget Kibbey. The quartet’s first volume of the complete Beethoven string quartet cycle, which focuses on the composer’s Op. 18 quartets, was released by Cedille Records in September 2020.
Among its many notable performances in 2019-20, the Dover Quartet made its Zankel Hall debut in collaboration with Emanuel Ax and returned to London’s Wigmore Hall. Other recent collaborators include Inon Barnaton, Ray Chen, Edgar Meyer, Anthony McGill, the late Peter Serkin, and Roomful of Teeth. Equally comfortable with repertoire from a range of eras, the quartet has worked with some of the world’s foremost living composers, including Caroline Shaw and Mason Bates.
Cedille Records released the Dover Quartet’s Voices of Defiance: 1943, 1944, 1945 in October 2017; and an all-Mozart debut recording in the 2016-17 season, featuring the late Michael Tree, violist of the Guarneri Quartet. Voices of Defiance, which explores works written during World War II by Viktor Ullman, Dmitri Shostakovich, and Simon Laks, was lauded upon its release as “undoubtedly one of the most compelling discs released this year” (Wall Street Journal).
The Dover Quartet draws from the lineage of the distinguished Guarneri, Cleveland, and Vermeer quartets. Its members studied at the Curtis Institute of Music and Rice University’s Shepherd School of Music, where they were mentored extensively by Shmuel Ashkenasi, James Dunham, Norman Fischer, Kenneth Goldsmith, Joseph Silverstein, Arnold Steinhardt, Michael Tree, and Peter Wiley. It was at Curtis that the Dover Quartet formed, and its name pays tribute to Dover Beach by fellow Curtis alumnus Samuel Barber.
The Dover Quartet is the Penelope P. Watkins Ensemble in Residence at Curtis. Their faculty residency integrates teaching and mentorship, a robust international performance career, and a cutting-edge digital presence. With this innovative residency, Curtis reinvigorates its tradition of maintaining a top professional string quartet on its faculty, while providing resources for the ensemble to experiment with new technologies and engage audiences through digital means. Working closely with students in the Nina von Maltzahn String Quartet Program, the resident ensemble will recruit the most promising young string quartets and foster their development in order to nurture a new generation of leading professional chamber ensembles.
#BrooklynClassical #DoverQuartet
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You can hear this track on Dover Quartet's new album "Encores", out NOW! Listen on Spotify here: spoti.fi/2XMWdhe. The album is full of exciting and beautiful movements from some of the most well-loved quartets. And don't forget to subscribe and hit the bell - we'll be releasing more videos from the album over the coming weeks!
Голую музыку не так интересно слушать, как наблюдать за вашей эмоциональной игрой!
Thanks!
Thank you! One stationary camera, allowing us to focus on the music and the musicians. Beautiful simplicity.
The production crew must been having conniption fits over that one. Yeah! Perfect venue for a quartet. Thanks for pointing it out.
Wow -- when the playing is this solid and clean it becomes a whole new piece. Congratulations. The viola is terrific -- that also makes a huge difference.
Isn't she brilliant? 4:20 to the end felt like a duet between the 1st violin and the viola.
Such an energized performance! Did anyone else notice the broken bow hair at the end? This is very relatable.
You're going to have to stop doing this to me, Dover Quartet! What an amazing performance! There's only so much I can take. Only joking. 😁I could take this all day long. Thank you, Brooklyn Classical, for another superb upload! [Could we have the gorgeous second movement as well, please? I’m sure it would melt my heart.]
Brought tears to my eyes with this perfoance. Bravo 👏🏻
This is the best performance for this piece.
"DIVINE" ❤ Someday pray to be as good as you 🙏 you're all so in sync with your tools.... literally an extention of yourselves👌 simply splendid if you ask me.
We all wish for that
Yes, the violist is superb!
wow, this is beyond anything I've heard sting quartets play.. the details are amazing and everything is so well balanced!
also; great recording :)
Bravissimo! Wonderful rendition of this epic movement! Brings back very happy memories of when my family string quartet performed this at a competition years ago. We had practised it fairly slowly for accuracy, but on the night of the competition, my father led us in much faster than we'd ever played it before... practically double time and we just had to follow him!! Performing it suddenly so much faster was absolutely exhilarating.. especially when we unexpectedly won!!!
It's all about the articulation. Superb!
Very fine musicians.
This piece sounds so energetic and festive. Great performance!
Beautifully played!
Wow wow...I love listening to the Dover quartet at work. Perfection. I love the cello but the violins and viola seal the deal🙌❤
Absolutely beautiful!
Genial gemachte Kammermusik!
Akustische und optisch!
Ein Superteam!
Danke!
Magnífica!!!
Beautiful job!!!👍
Incredible performance... and that space sounds otherworldly.
Wow, spectacular! I have never heard this song before. It's so fun to watch you play; really enhances the experience.
Another excellent performance, thank you.
Waw ... Simply brilliant!! ... Love it! ... As a quartet you sound as one!
Linda!!!!
Ottimo grazie!!!
I find it so amazing when I watch and listen, to see you play so effortlessly, with perfection!
WOW! Wonderful!
riveting performance
I am fascinated of you👏
WOW, you guys. Amazing, thank you!!!
Muito muito muito muito bons os quatro PARABENS !!!!
SALUDOS BUEN TRIBUTO
Love your performances!
That was WONDERFUL! Thank you so much.
Your tone is amazing!! 😍
Greets from Germany 😚
Wish, I could be more like you.
Excelentes PARABENS.
Wow
wow an excellent performance right here :D
wow, great work guys!!!
Applaus
🥰 Моё настроение теперь такое игривое! 😂🥰😇
I enjoyed this as much as I enjoyed listening to/seeing the Cypress String Quartet play this...which I never thought I'd say about another quartet. This was magnificent!
Please do the 3rd movement of this piece thats my favorite by far
Delicious!
Beautiful! Curious what are the devices on the floor and how are they being used during the performance?
In case you still wonder those are wireless devices (bluetooth protocol) that allow musicians to “turn the page” of a musical score that is displayed on a tablet like the iPad by tapping the peddle with your foot so you can use both hands all the time for playing music.
@@sdbryan2graças a tecnologia não preciso mais entrar em desespero sempre que precisar trocar de página
大胆で新鮮
🎶✨👏👏👏👏👏👏👏👏👏
Lovely. Why does the violist tap the button on the floor pedal a couple of times?
To turn the page
Snton dvoshak saw the feature of american classical music lied in the hands of the black american spirituals
❤😂🎉🎉😢😮😮😅😅😊😊😊😊
Stepping on pedals? Why?
They're using iPads
Stepping the device help to turn the pages on the iPad. 😊
Unsure if this is normal within a quintet, but the cellist is watching the other players, while they are only reading the sheet music. Is there a reason for this?
Its for non-verbal communication, which is an important aspect of ensemble playing, the other members do it too
They were among the eight musicians performing the Mendelssohn octet at the conclusion of the Arizona Friends of Chamber Music festival a few years ago. A friend at that performance claimed that he watched Camden (the cellist) who must have the entire piece memorized as he never looked at his part once. It is possible he always memorizes his part.
4:55
0:06
0:48
0:54
3:53
A mulher é brava. Olha só a cara dela. Kkkk
I dont understand why Dvorak was so obsessed with american culture.
you guys hurting my ears it's a musical disaster to play sometimes with no timing timing and tone and else it just my opinion good look......
?