The Genius of Schubert’s Melodic Writing - Composer Insights
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- เผยแพร่เมื่อ 4 มิ.ย. 2024
- A look at the beauty of Schubert’s melodic writing and how it interacts with his use of harmony and texture. This composer insights lesson takes the opening of Schubert’s Andante from his Piano Sonata in A and explores the melodic design alongside the influence of his work as a song writer. The unusual textures and harmonic decoration amplify the expressive nature of the melody in a way that is unique to Schubert. This video will be useful to those seeking insight into Schubert’s amazing skill at melodic writing and to composers.
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🕘 Timestamps
0:00 - Introduction to the genius of Schubert’s melodic writing
1:11 - Playing the melody
1:36 - Analysing the melody
4:18 - Playing the melody with the harmony
4:58 - Analysing the melody with the harmony
13:00 - A look at how do things develop
14:44 - Conclusion
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Very informative, helpful..
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Schubert is the master of melody. What looks like a simple tune becomes an incredibly rich and gorgeous masterpiece. Thanks so much for this delightful video. It's hard to imagine what he (Schubert) might have achieved and created if he had lived longer.
I completely agree on both fronts.
I've never realised how much of a genius Schubert really was. Thank you Gareth for showing it to us !
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I once had a Schubert melody stuck in my head for well over a month and I never really got tired of it
They have that impact!
I really like the composer insights series, thanks for it!
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When I was little, I remember my father used to talk about Schubert all of the time, play Schubert, listen Schubert! I couldn't understand back then, but after doing some research and playing Schubert myself, I now do. Marvellous pieces.
That’s a lovely memory
Thanks for the insight in Schuberts melodic work. It might be worth mentioning that the first melodic phrase is 7 instead of 8 bars long. Interesting how well it works; my first impression is that it works as he is playing with upbeat downbeat confusion and different upbeat length if seen as upbeat.
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cant express enough how i love the way you showed us how to listen and understand this part of this piece
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Great video. It's amazing what a master can make of such simple melodic material! I'm inclined to "improve" by means of additional complexity, but Schubert makes every note tell. I think you covered the first movement of this sonata in a Livestream a while back. That inspired me to analyze the first movement of his Ab sonata for a class.
It’s wonderful music.
Thank you Gareth. This was a fantastic video. I am looking forward to learn this piece with you.
It’s a fabulous piece.
Thank you, Gareth. I adore your teachings.
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I found it both both; interesting and helpful. Thanks very much!
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i have been waiting this topic, thank you so much.
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What a difference the chords make ! Thank you
Absolutely
Thanks Gareth, once again a really enjoyable video giving useful insights to composition and Schubert’s writing. I feel his time as a chorister in his youth grounded him in good melody
Absolutely.
I learn so much watching your videos. This one particularly. Thank you so much
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This a very valuable information and insights. I have become more and more aware of the beautiful music of Schubert. I think the first time I realized this was when I listened to his piano trio no. 2, opus 100. I thought (and still think) that the beauty of this piece is exquisite.
Here is one recording of it
th-cam.com/video/nioKJNp8ADE/w-d-xo.html
The pianist unfortunately makes a slight mistake near the end, but not a big thing.
Fabulous composer and an amazing piece.
Great inspiring video. Schubert is a genious.
Wonderful composer
Thank you very much for this video!
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Thanks very much, very nice and wonderful analyse.
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Excellent! Thanks VERY much.
Thanks for your support
Thank you for another enjoyable post :)
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Wonderful!
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Thank you for the great video.
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Lovely talk Prof!!
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Interesting insight as always
A pleasure.
Delightful, must analyze this in dept. Such a pity he left so soon... Can only imagine Mozart living into his 50s, Beethoven 10 more years and this man at least that long.
What would our music vocabulary be in such a world
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Always excited to see another composer insights! Would love to hear about some of Clara Schumann’s composition work sometime!
Okay. A good suggestion. Much more at www.mmcourses.co.uk including details of our online courses and of our exciting Maestros programme. If you value this channel and would like to help us continue to share and develop the content please consider supporting us as a level 1 Maestro by clicking here th-cam.com/channels/8yI8P7Zi3yYTsypera-IQg.htmljoin Alternatively you can express your support for the channel by clicking on the Super Thanks button beneath any of our videos. Thank you.
Many thank's for this, been a lifelong lover of this man's music.
How about a deconstruction of a John Field nocturne?
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Many thanks for these videos. It adds so much to the music, if you know how it's crafted and it's also most helpful to understand other composers' works for own writing purposes. Could you please tell me which opus this is or the Deutschverzeichnis number?
It is D664, I think.
@@marcstauch3081 Yes, thank you!
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Thanks!
A pleasure! Thank you very much for your generosity and support for the channel!
Love Schubert. He is one my favorites definitely.
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It is good that there is full screen.
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Elucidating !!
Glad it’s helpful.
Composers usually use F for "Forté" and p for "piano". Schubert uses them as well, but also prefers to enhance these traditional dynamic markings by simply modulating to another key. It's his way of taking you on a journey through the hills and valleys of a given key. His Symphonies and Lieder are a good example of this technique.
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07:35 measures 5-6: appoggiatura using V 13th chord
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@@MusicMattersGBHello, Gareth and Co. I enjoy your videos tremendously, even on subjects familiar to me, or maybe especially those! Thanks so much from New York(actually at the moment from Salzburg-Vienna train)!
That’s really kind. Lovely to hear from you.
Anybody could write that. Lol that’s one of the funnest things I’ve ever heard. Schubert was a true genius beyond comprehension. He and Beethoven are like father and son of all modern melodic music we know today. Along with Mozart of course but great “art” came into the world with these two
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He talks about Schubert, Piano Sonata No. 13 in A, Andante (2nd mov.)
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Fantastic channel. Fantastic videos and a step by step approach to tell us what really happens, Starting from scratch and than going from melody cell to the next cell (and harmonies + rhythms) with all kinds of suggested possible evolving ways but showing than what Schubert did to make it special, rising above a normal level into the direction of the sublime and the genial/brilliant. Also good to learn an entire vocabulary about the functions of the different parts in relationship to the other parts. It becomes a kind of storytelling in this fabulous presented way. As would be composer I would like to reverse the process : telling that story with this words and determining the specifics of all the musical facets of this cells. Also very (ped)agogical and didactical presented Just the serie of video lessons I'm looking for. Just great!👍👍👍
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@@MusicMattersGB Thank you, master Gareth!
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Similarities to Arvo Part?
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I assume that all the great composers of the Classical and Baroque periods, like Haydn, Mozart, Beethoven, and J.S. Bach were melodic geniuses.
Good assumption!
Interesting how playing an Alberti bass under the melody basically changes it to Mozart...
Absolutely