Nice but you should write the number 6 so that it is not mistaken for a flat-sign b. Your 6 has a straight vertical back and a "square circle". Do you see what I mean? A "cheat-sheet" user would write Am/c. In fx. Handel Complete Works edition you can find nice examples of how to write 6 and b without blending them.
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This is so useful, to develop a contrapuntal progression from a fairly basic chord scheme shown so logically and clearly is absolutely brilliant. In 16 minutes I understood more about counterpoint than I ever have. Thanks so much for yet another great video.
Awesome, I was actually thinking about this (creating counterpoint from given chords) some while ago. What a great coincidence. Thank you for those great videos!
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I have seen a lot of video of that kind and let me say Music Matters is by far the best ! Thank you Mr Green, your words are gold and so pedagogical ! Bravo !
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Gareth, you are the best! I nearly jumped out of my chair when ypu played the Green Version. A wonderful piece of architecture and an illuminating explanation. Bravo...and Thanks!!
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I'm still working on my keyboard skills, and this is out of my pay grade. But I sat in on the course anyway, as I have done for almost two years with your video classes. And I have never felt hopelessly lost, since you always include a home base with your calm presentation. For a retired health care provider who used to joke about my lack of musical understanding, this is a life changing event. Merci beaucoup to you and Alex. I hope both of you have watched my video on exercises to stabilize and strengthen the low back. Thirty seconds of exercises that could be done every day, since it's only thirty seconds. Oh, BTW, it SHOULD be done every day, since it's only thirty seconds. Also included are treatments for the shoulders and hands. Oh My Aching Bach
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This is awesome! So valuable, and I was amazed how great it sounded at the end. Just like a classical piece of counterpoint - much more so than the fragments as you went along. Cheers.
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Very helpful. Provides yet another way to put short pieces together by a kind of craft process. The thing about this kind of approach is that it doesn't feel immediately intuitive, but works by initially a kind of bottom up approach of fragments. Then the gaps are filled in - and finally - [is this top down?] the whole thing is put together - and is a reasonably interesting short piece. Such short pieces could then be used as components in larger pieces - for example if orchestrated - or if not orchestrated just used in a larger structure. Great stuff!
Thank you Mr. Green. It so happens that yesterday I first encountered the term "baroque pop" and it has me wanting to incorporate counterpoint into the piece I'm currently working on, and today TH-cam suggests this video! I had to look up quavers 😂
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Oh, how I wish I'd had access to this lesson back in 1983, when I was studying counterpoint. My compositions would have been so much better (and would have no doubt have received higher marks). Thank you.
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This is a very good lesson to develop composition chops. I've just finished studying counterpoint and found this method of writing perfect for my compositions. Thank you!
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Thank you so much for videos with great explanations, Mr. Green. Mr., I'm very curious about how to write harmony melodies for a main melody when there are already chords (like for two singing voices), and how to sing a harmony melody just by hearing the existing melody with or without the beat (arrangement). I hope you will make a video about this subject, I'm very excited. Thank you ♥.
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I always find it interesting when we assume our way of doing things is the only way. Example: Some individuals in the comments thought that you were mistaken for using IIb for first inversion chords. I grew up in Jamaica (once a British colony) and moved to the United States so I am aware of difference ie. crochets vs quarter notes. We must remember not to get caught up in language and/or symbols being absolute. We should focus our intention on the thing being referred to and the context.
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Thank you very much! I got good ideas to play melody in higher octave (right hand) with addition of two more notes in lower octave (left hand) to make chords. By making such arrangements in turn I gets idea to play dual melody both in parallel and contrary motion.
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Thank you Gareth. Would Psalm chants be a source of an interesting video? They have always struck me a a musical haiku (and the singing of psalms as having sometinh in common with rapping though not in consent of course)
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Txs! Sorry but bII would be in G the Ab minor chord. What you played was a II6 chord. Thats an a minor with a c in the bass. We in Germany say Terz-Sextakkord or only Sextakkord or first inversion.
Yeah. It’s weird to name those 1st inversion chords as “b” chords. After all, seeing those notes it’s clear what chords they are. We learnt as “II6” not “IIb”.
Hi Gareth, I am a long time admirer of your tutorials. They definitely helped me improve my understanding of music and composition as a science not just as an art. In the example you are providing, you kept alternating the main subject/motif between the Soprano and the Bass every two beats. I know you are trying to maintain some sort of balance, but is that a must? What other variations on that would be acceptable? Thanks and keep up the great work you are doing!
Thanks for your support. The imitation is regular here but there are many other possibilities if you want to place entries one or three beats apart or wider.
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Nice but you should write the number 6 so that it is not mistaken for a flat-sign b. Your 6 has a straight vertical back and a "square circle". Do you see what I mean? A "cheat-sheet" user would write Am/c. In fx. Handel Complete Works edition you can find nice examples of how to write 6 and b without blending them.
a is root position
b is first inversion
c is second inversion
Your videos are brilliant, Mr. Green. You have become the headmaster of the music school I was never able to attend. Thank you truly.
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Thank you SO MUCH for this video, it is astounding how much this makes sense after so many years of not understanding. Thank you!
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This is so useful, to develop a contrapuntal progression from a fairly basic chord scheme shown so logically and clearly is absolutely brilliant. In 16 minutes I understood more about counterpoint than I ever have. Thanks so much for yet another great video.
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Awesome, I was actually thinking about this (creating counterpoint from given chords) some while ago. What a great coincidence. Thank you for those great videos!
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I have seen a lot of video of that kind and let me say Music Matters is by far the best ! Thank you Mr Green, your words are gold and so pedagogical ! Bravo !
That’s most kind.
I do appreciate your huge knowledge in musical science. Thanks a lot! I wish we had a teacher like you in our education at uni.
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Yet another hot topic delivered in a readily attainable manner! Thanks!
A pleasure. Hope you’re well
So happy to see the demonstration of development! Can’t wait to try it out later! Thank you!
A pleasure. Enjoy!
If only I had this chanel 50 years ago it would have helped me no end. Very well though out and well explanned.
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Gareth, you are the best! I nearly jumped out of my chair when ypu played the Green Version. A wonderful piece of architecture and an illuminating explanation. Bravo...and Thanks!!
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Mr Green, you’ve done it again! Clear and simple and absolutely wonderful. Thank you so much!
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This guy is the Numero Uno! I could listen to him all day, fantastic communicator.
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Best counterpoint explanation ever! Thank you.
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Your instruction is incredible. What a blessing to have found your channel.
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I like very much these news videos for those of us who are already familiar with the basics. Great job!
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I'm still working on my keyboard skills, and this is out of my pay grade. But I sat in on the course anyway, as I have done for almost two years with your video classes. And I have never felt hopelessly lost, since you always include a home base with your calm presentation. For a retired health care provider who used to joke about my lack of musical understanding, this is a life changing event. Merci beaucoup to you and Alex.
I hope both of you have watched my video on exercises to stabilize and strengthen the low back. Thirty seconds of exercises that could be done every day, since it's only thirty seconds. Oh, BTW, it SHOULD be done every day, since it's only thirty seconds. Also included are treatments for the shoulders and hands.
Oh My Aching Bach
That’s great. Many thanks.
This channel is a gold mine
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So much valuable knowledge on this channel I can’t believe it’s for free!
A pleasure. Enjoy.
Such an enjoyable way to learn from such a generous instructor. All without the classroom intimidation. My absolute favorite! Thank you.
You’re most kind.
Amazing methodology! I like it how it gradually moves from simple to more complex
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Thanks so much! I always found it important to have a chord progression that you like before beginning any composition. Thanks so much!!
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This is awesome! So valuable, and I was amazed how great it sounded at the end. Just like a classical piece of counterpoint - much more so than the fragments as you went along. Cheers.
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Another brilliant exposition! Like shining a light in the dark.
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Very helpful. Provides yet another way to put short pieces together by a kind of craft process.
The thing about this kind of approach is that it doesn't feel immediately intuitive, but works by initially a kind of bottom up approach of fragments. Then the gaps are filled in - and finally - [is this top down?] the whole thing is put together - and is a reasonably interesting short piece.
Such short pieces could then be used as components in larger pieces - for example if orchestrated - or if not orchestrated just used in a larger structure.
Great stuff!
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Wow thats really amazing teaching, and this piece of music is also great! Thank you so much!
That’s most kind.
Thank you Mr. Green. It so happens that yesterday I first encountered the term "baroque pop" and it has me wanting to incorporate counterpoint into the piece I'm currently working on, and today TH-cam suggests this video! I had to look up quavers 😂
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Oh, how I wish I'd had access to this lesson back in 1983, when I was studying counterpoint. My compositions would have been so much better (and would have no doubt have received higher marks). Thank you.
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I am going to have to watch that again and again but already I can see what a great, informative video that is. Thank you so much.
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Exactly what I need right now! Thank you!
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Thank you for this lesson Gareth Green! It was very helpful and I appreciate every thing you do! Keep it up and thank you again!
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Another great video tackling practical composing. Very insightful information
Glad it’s helpful. Hope you’re well.
This is a very good lesson to develop composition chops. I've just finished studying counterpoint and found this method of writing perfect for my compositions. Thank you!
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I think you've just saved me a *lot* of time sir. I'll read Fuchs later.
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Very understandable, and it sounds very pleasing.
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absolutely love this vid!! clean, easy to follow
all other videos about counterpoint is making it messy
you explained it perfectly!! :D
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Outstanding instruction. Thank you, GG.
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You are a very engaging and pleasant teacher.
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This is great Gareth. Thank you very much!
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Wow, this is very helpful the way you broke it all down. Thank you!
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Brilliant Gareth, thanks very much!
A pleasure
Amazing Gareth! Thank You for sharing this rare and expensive knowledge
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Danke!
That’s most kind. Thanks for your support.
Indeed, it IS "useful". Thank you so much for another great morning lesson, Mr Green. Here in Korea, it's a morning hour right now.
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Gareth you are an absolute legend! Thank you for sharing your knowledge with us mear mortals... ^^
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Hi everybody, I'm JS Bach and I approve this video 😁👍😁
😀😀
That looked particularly useful for realising a figured bass.
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Thank you so much for videos with great explanations, Mr. Green.
Mr., I'm very curious about how to write harmony melodies for a main melody when there are already chords (like for two singing voices), and how to sing a harmony melody just by hearing the existing melody with or without the beat (arrangement). I hope you will make a video about this subject, I'm very excited. Thank you ♥.
Ok. Will consider how we might best do that.
This was a well taught lesson, i thank you sir.
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This was knowledge more than welcome! Thank you
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Absolutely brilliant. And wonderfully presented. Thank you ❤️
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Thank you for your work!
That’s most kind.
Thanks for educating us with your great knowledge of music, you are a true inspiration for me 🙏🙏🙏
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Great lesson! Thank you!
A pleasure
This is fabulous. Thanks for the video.
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Love it, very Bach like
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Jesu Joy
wonderful video! you make it sound so easy!
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This is so good! Great video!
Glad it’s helpful
Excellent! Thank you so much for bringing us your light and knowledge on this particular matter. I really appreciate it. Cheers!
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Great video! Well explained!
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Bravo! So much education is so little time. Thanks so much!
Thanks Carl.
Wow, amazing, thank you for this fantastic lesson
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Thanks a lot! Wonderful Video...
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❤ thanks so much for the great video!
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Superbly done.
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Good lesson. Thank you for posting
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Absolutely brilliant as ever.
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@@MusicMattersGB Thank you. Have a lovely weekend.
Awesome sir Gareth! Thank you very much...!!!
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Great video as always. Clear, concise and interesting! The well of inspiration never runs dry 😃
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This video is very helpful. Thank you!
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Many thanks.
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That's so BACH! Awesome!!
😀
I always find it interesting when we assume our way of doing things is the only way. Example: Some individuals in the comments thought that you were mistaken for using IIb for first inversion chords. I grew up in Jamaica (once a British colony) and moved to the United States so I am aware of difference ie. crochets vs quarter notes. We must remember not to get caught up in language and/or symbols being absolute. We should focus our intention on the thing being referred to and the context.
Absolutely!
Can't thank you enough for these videos
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That’s great a lesson!
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This is fantastic. Thx!!!
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Thank you very much! I got good ideas to play melody in higher octave (right hand) with addition of two more notes in lower octave (left hand) to make chords. By making such arrangements in turn I gets idea to play dual melody both in parallel and contrary motion.
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Beautiful. Thank you so much sir. 🙏
That’s most kind.
I like your counterpoint.
That’s kind
excellent work!
Most kind
Very nice, thank you!
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Wonderful lecture, thanks!
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Great topic and well explained.
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I really like the 3rd version!
😀
The blue notes are always the best!
😀
Loved it!
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Great video thankyou!
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Thank you so very much!!
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Thanks for this! Btw you look great - congrats!
Thanks very much
Thank you for this
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Great Stuff!!
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Thank you very much for the video!
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Thank you Gareth. Would Psalm chants be a source of an interesting video? They have always struck me a a musical haiku (and the singing of psalms as having sometinh in common with rapping though not in consent of course)
That’s certainly a possible topic.
Great job thank you very much
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Txs! Sorry but bII would be in G the Ab minor chord. What you played was a II6 chord. Thats an a minor with a c in the bass. We in Germany say Terz-Sextakkord or only Sextakkord or first inversion.
II in first inversion in the key of G would be a chord of A minor with C at the bottom.
Yeah. It’s weird to name those 1st inversion chords as “b” chords. After all, seeing those notes it’s clear what chords they are. We learnt as “II6” not “IIb”.
Two international systems:-
The one you know plus the a b c method
@@christopherheckman7957 right sorry i meant bII chord, that would be ab minor in G.
Hi Gareth, I am a long time admirer of your tutorials. They definitely helped me improve my understanding of music and composition as a science not just as an art. In the example you are providing, you kept alternating the main subject/motif between the Soprano and the Bass every two beats. I know you are trying to maintain some sort of balance, but is that a must? What other variations on that would be acceptable? Thanks and keep up the great work you are doing!
Thanks for your support. The imitation is regular here but there are many other possibilities if you want to place entries one or three beats apart or wider.
Amazing
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great stuff
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great!
Glad it’s helpful
increíble
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