Dear friend. You have some potential in composing, but this concerto is obvious written by not a professional composer. You need to study a lot to uncover your potential talent. Or you can choose the easy way: listen to those people in comments and feel your self a new Stravinsky. And of course the only reason why no player would like to play your music is that “the modern music society is unable to see a true talent anymore…” good luck, any way.
I’ll say this over and over again. TH-cam in general just has a plethora of talented musicians that surpass my expectations by a lot. You are truly a great composer and musician.
I'll say that you should continue making orchestral music like this one you made. It was so beautiful to hear that. You have my support🙏 Greetings from Brazil 💫
Around 7, I started listening to the classical music everyone has heard such as Bach, Mozart, Beethoven. Maybe around 8, I began to listen to classical 80% of people have heard like Tchaikovsky, Chopin, Liszt. I stuck with that for a while until branching out to the likes of Wagner, Rachmaninoff, and the swarm of early romantic composers. I would latch on to the more dynamic composers: Stravinsky, Schnittke, (Maybe Mahler if you counted him so) around 14 years old. Interestingly, only then did I start to appreciate modern music. Before, I could not stand the repetition among other things. Through the fairly large swath of music that I've tasted, some enjoying and others spitting out, this one is incredibly different. I enjoyed this piece a lot, and I'm someone who's really picky (Like those snobs that "ooh hoo hoo, your simpleton's music is hardly comparable to my purest taste,"), but one of the interesting things about it is how it completely shatters this conception that I had. If I listened to Tchaikovsky, of course it'll be good, so I had no hard time trying to be adventurous and to listen to his pieces I hadn't yet heard - I could trust it'll be good. On the other end, if I saw a piece by some random bozo with around 100 subscribers, there is no way it could be good. After all, I have listened to a number of pieces from small channels, often getting what I expected: An absolutely and utterly mediocre piece at best. Yet this one is not just good, good as in one of those songs/pieces you hear once, say it sounded good, then forget about, it's great. Not to exaggerate or hyperbolize, but this piece genuinely sounds like it was created by one of the greats, one that I will listen to again sometime. The only differences are: 1. You can hear the software with the notes being cut off, which is out of your control. 2. It has clearly modern techniques. But even with 2, I could still potentially argue that it may have been some later Rachmaninoff piece. What I am trying to say is: Absolute cinema.
@@hexo878Listening over it again, it’s definitely a Russian contemporary styled piece - namely something that Rachmaninov may make. It also seems to feature a very Bruckner-esque development (In fact, there are a few points in this piece that sound almost exactly like an excerpt from Bruckner’s 8th). If I wanted to be extremely critical, a few things I would point to are 1: When you build up to an explosive point, you don’t always let the piece resolve itself, it’s as if you let the piece start the develop, then you yank it away, trying to keep it sort of in its ‘home’ melody. As if, you found some melody that you really liked (It is extremely good), and didn’t want to let it go. 2: At some points, the piece seems relatively ‘unsupported’ so to speak. The higher pitched, main melody may have a beautiful sound going on, but the lower bases and trumpets sometimes don’t build much of a skeleton for the main melody to travel on. 3: At the same time, the music sometimes blends too homogenously together, where the separation of different notes sort of just becomes a blob of noise, making it hard to discern much progression. One example is around 20:40 where the woodwind almost merge with the brass section. 4: Key changes? Wonderful piece
TRULY AMAZINGG, I swear this is one of the best pieces I’ve listened in a while, especially from a pretty new composer like you. Please keep the work upp, I’ll always stay in tune for your latest works ✨
Wow! I really enjoyed it! I admire the dedication and bravery it took to compose a piano concerto! As some experienced musicians have written, it does need polishing and more development of fewer themes but it's easier said than done. I would definitely do much worse and probably never even finish. Hope you keep composing and improving, waiting for your next piece!
This is really good stuff man. Looks like you had fun making this. I will say this, as a percussionist I like adding crash cymbals leading to a climax with a triangle roll. I think that there would be some great places to add that. But again, I add way much percussion in my pieces. Overall, great piece.
An ineffable achievement! Must’ve been a monumental undertaking what with the sheer concentrated intensity of such a grand orchestra. Get this one in the portfolio right away, Rachmaninoff! - George
this is insanely good. cant believe its your first project writing for piano. love the orchestration as well. i would love to play this if i ever get the opportunity
As a fellow composer, i must say this one is very very good, maybe some things i wonder why you did them like that (but not in a bad way, just that i find rather interesting), It definetly has that vibe of the romantic period but it is quite not like it, rather you have accomplished that while you sound very expressive, you still dont loose that personal touch of yours and imo, thats amazing. I would say that Rachmaninoff influences are clearly there and some Beethoven too i would say. overall, this is a great piece. Keep the good works coming :)
Spectacular! I hope this will be played by a real orchestra someday. Thank you for sharing your composition with us, hopefully this gets more attention in the future :)
Honestly, just WOW. Thoose textures and musicality and everything really. I hope one day i will be as creative as you were with this composition. Bravo maestro !
A pretty concerto! Here's my two cents: 1) A lot of the notation can be fixed with a few cross staffing stuff. The octaves on the piano at rehearsal mark D can split between the hands (though I'm not entirely sure if this is what you intended, otherwise take this with a grain of salt) 2) A concerto is meant to be in sonata form, yet you wrote it in a somewhat strophic form. Don't use too many distinct ideas and learn to write in a proper sonata form; less = more, as most people say. Stick to one or two ideas and develop from there. (If you need elaboration, just tell me) 3) Be sure to mark a2, a3, a4, etc for winds and brass and divisi and unison for the string section. This is crucial to mark since it's telling the group which person has to play or when they both have to play the part. For divisi and unison is similar, but it's exclusive to the strings and tells them how to divide the parts to each player (you can even put three notes and simply put "divisi a3" on their part). 4) Interesting how you labelled the second movement as "part 2." For this particular video, just don't do it. For a score (if you put all the movements in one file, though I would recommend not to do this), you can: -Add system break (not page or staff, as neither the former or latter create a new system) -Add text box -Add title, subtitle, and composer (or just put the text box and type in a giant "II") That's all I have to say just from hearing it. I'll go more in depth if I could just see the score a bit better. Either way, a great start as a composer! You're off to the races in no time! -Splatissimo Musique
Hello @@yeetrydommusic! I will gladly give my two cents to those in need! It's important to keep the musical idea "present" while still sounding fresh when developing. You don't want to completely change or create a new theme, rather, you can vary it to sound familiar to the listener. This can be a change of rhythms, different textures (instrumentation, ranges, etc.), new key centers, or just simply giving it to a different instrument of similar range (I like trading between Viola and French Horn, as an example) In short, keep the thematic material simple enough so it doesn't seem to run off somewhere else when it changes - or, as I call it, "feels like home, but in 4K." -Splatissimo Musique
i love the work (small tip, if want better audio quality you should export the audio separately make sure the settings on the export are on the highest level, then line them up together in an editing software) but this is a lovely work
Fantastic work, I am especially addicted to first movement for days now! Any Patreon/Paypal link to thank you for the piece (and hopefully increasing your motivation to continue writing and publishing music)?
Your counterpoint is excellent, the balance between the brass and strings is very well thought out. The piano part is divine, the themes converse perfectly fluidly. Your work has vigor, fiber, determination and fury, and this is rare in balance with the refinement brought by the strings. I would like to know your name, because a mature composer signs the work and you are one of them, could I know about you? Do you have an email? I am really interested in your work.
@hexo878 Dont forget to contact me, your work is promising. Really. I appreciate this and your symphonie. My data is public. Ok. Thanks for to share your work from world. Dear
I'm actually doing working on something rly simmilar to this right now i only have the first movement done rn but the second is like 99% im about to post it
El primer movimiento es milagroso! El segundo es bello sin duda y el tercero honestamente no es de mi completo agrado pero, sin duda es un trabajo maravilloso . Mis felicitaciones a tan talentoso y dedicado compositor
Very well composed, congratulations. Obsviously we can't feel the full potential expressivity of it due to the fact that it is not played by real people on real instruments (even though for virtual instruments, it sounds better that expected, the problem of lack of expressivity and flexibility remains, especially during the solo piano parts). Just a random idea, but maybe if you are a pianist as well, you could try to record the piano part yourself and put the orcestra above afterwards.
PERSONALLY MY FAVOURITE MOMENTS:
MOV I
2:11
4:07
7:37
MOV II
10:55
13:35
14:57
MOV III
17:36
20:15
22:10
My favorite movements are between 0:00 and 22:57 :)
Dear friend. You have some potential in composing, but this concerto is obvious written by not a professional composer. You need to study a lot to uncover your potential talent. Or you can choose the easy way: listen to those people in comments and feel your self a new Stravinsky. And of course the only reason why no player would like to play your music is that “the modern music society is unable to see a true talent anymore…”
good luck, any way.
I’ll say this over and over again. TH-cam in general just has a plethora of talented musicians that surpass my expectations by a lot. You are truly a great composer and musician.
I'll say that you should continue making orchestral music like this one you made. It was so beautiful to hear that. You have my support🙏 Greetings from Brazil 💫
It's very grand job! Awesome!
This is absolutely fantastic work! Subscribed!
Around 7, I started listening to the classical music everyone has heard such as Bach, Mozart, Beethoven.
Maybe around 8, I began to listen to classical 80% of people have heard like Tchaikovsky, Chopin, Liszt.
I stuck with that for a while until branching out to the likes of Wagner, Rachmaninoff, and the swarm of early romantic composers.
I would latch on to the more dynamic composers: Stravinsky, Schnittke, (Maybe Mahler if you counted him so) around 14 years old.
Interestingly, only then did I start to appreciate modern music. Before, I could not stand the repetition among other things.
Through the fairly large swath of music that I've tasted, some enjoying and others spitting out, this one is incredibly different. I enjoyed this piece a lot, and I'm someone who's really picky (Like those snobs that "ooh hoo hoo, your simpleton's music is hardly comparable to my purest taste,"), but one of the interesting things about it is how it completely shatters this conception that I had. If I listened to Tchaikovsky, of course it'll be good, so I had no hard time trying to be adventurous and to listen to his pieces I hadn't yet heard - I could trust it'll be good. On the other end, if I saw a piece by some random bozo with around 100 subscribers, there is no way it could be good. After all, I have listened to a number of pieces from small channels, often getting what I expected: An absolutely and utterly mediocre piece at best.
Yet this one is not just good, good as in one of those songs/pieces you hear once, say it sounded good, then forget about, it's great. Not to exaggerate or hyperbolize, but this piece genuinely sounds like it was created by one of the greats, one that I will listen to again sometime. The only differences are:
1. You can hear the software with the notes being cut off, which is out of your control.
2. It has clearly modern techniques.
But even with 2, I could still potentially argue that it may have been some later Rachmaninoff piece.
What I am trying to say is:
Absolute cinema.
Wow. This truly means so much to me, thank you so much for commenting this!
@@hexo878Listening over it again, it’s definitely a Russian contemporary styled piece - namely something that Rachmaninov may make. It also seems to feature a very Bruckner-esque development (In fact, there are a few points in this piece that sound almost exactly like an excerpt from Bruckner’s 8th).
If I wanted to be extremely critical, a few things I would point to are
1: When you build up to an explosive point, you don’t always let the piece resolve itself, it’s as if you let the piece start the develop, then you yank it away, trying to keep it sort of in its ‘home’ melody. As if, you found some melody that you really liked (It is extremely good), and didn’t want to let it go.
2: At some points, the piece seems relatively ‘unsupported’ so to speak. The higher pitched, main melody may have a beautiful sound going on, but the lower bases and trumpets sometimes don’t build much of a skeleton for the main melody to travel on.
3: At the same time, the music sometimes blends too homogenously together, where the separation of different notes sort of just becomes a blob of noise, making it hard to discern much progression.
One example is around 20:40 where the woodwind almost merge with the brass section.
4: Key changes?
Wonderful piece
This is Perfection!
This is fantastic! Sub earned
This played while I was eating. And I find myself listening.
TRULY AMAZINGG, I swear this is one of the best pieces I’ve listened in a while, especially from a pretty new composer like you.
Please keep the work upp, I’ll always stay in tune for your latest works ✨
Fantastic Dear
Need to get this performed. Enter it into a competition and really work at it. I want to hear this live.
Wow, I really enjoyed that. Great composition
The second mov melody is outstanding
It would be so cool if a bunch of people recorded a part on their instrument and could be a virtual orchestra, this sounds amazing!
Wow! I really enjoyed it! I admire the dedication and bravery it took to compose a piano concerto! As some experienced musicians have written, it does need polishing and more development of fewer themes but it's easier said than done. I would definitely do much worse and probably never even finish. Hope you keep composing and improving, waiting for your next piece!
This is really good stuff man. Looks like you had fun making this. I will say this, as a percussionist I like adding crash cymbals leading to a climax with a triangle roll. I think that there would be some great places to add that. But again, I add way much percussion in my pieces. Overall, great piece.
Dude, this is incredible, never stop making music!
An ineffable achievement! Must’ve been a monumental undertaking what with the sheer concentrated intensity of such a grand orchestra. Get this one in the portfolio right away, Rachmaninoff! - George
Je suis un compositeur en herbe et j'aimerais avoir autant de talent que toi. Très bien fait.
this is insanely good. cant believe its your first project writing for piano. love the orchestration as well. i would love to play this if i ever get the opportunity
La entrada del 2do movimiento es muy buena!!
Gran trabajo!!
Wow, just wow, this left me speechless, bravo!
That cadenza is fire
The intro sounds real cinematic, nice one! We need more composers like yourself.
this is amazing, great job!
As a fellow composer, i must say this one is very very good, maybe some things i wonder why you did them like that (but not in a bad way, just that i find rather interesting), It definetly has that vibe of the romantic period but it is quite not like it, rather you have accomplished that while you sound very expressive, you still dont loose that personal touch of yours and imo, thats amazing. I would say that Rachmaninoff influences are clearly there and some Beethoven too i would say. overall, this is a great piece. Keep the good works coming :)
Spectacular! I hope this will be played by a real orchestra someday. Thank you for sharing your composition with us, hopefully this gets more attention in the future :)
Thank you very much!
Stop this is so awesome!
Please make a two piano reduction video!
Amazing! Love to find other young composers writing in a more romantic style :D
Honestly, just WOW. Thoose textures and musicality and everything really. I hope one day i will be as creative as you were with this composition. Bravo maestro !
A pretty concerto!
Here's my two cents:
1) A lot of the notation can be fixed with a few cross staffing stuff. The octaves on the piano at rehearsal mark D can split between the hands (though I'm not entirely sure if this is what you intended, otherwise take this with a grain of salt)
2) A concerto is meant to be in sonata form, yet you wrote it in a somewhat strophic form. Don't use too many distinct ideas and learn to write in a proper sonata form; less = more, as most people say. Stick to one or two ideas and develop from there. (If you need elaboration, just tell me)
3) Be sure to mark a2, a3, a4, etc for winds and brass and divisi and unison for the string section. This is crucial to mark since it's telling the group which person has to play or when they both have to play the part. For divisi and unison is similar, but it's exclusive to the strings and tells them how to divide the parts to each player (you can even put three notes and simply put "divisi a3" on their part).
4) Interesting how you labelled the second movement as "part 2." For this particular video, just don't do it. For a score (if you put all the movements in one file, though I would recommend not to do this), you can:
-Add system break (not page or staff, as neither the former or latter create a new system)
-Add text box
-Add title, subtitle, and composer (or just put the text box and type in a giant "II")
That's all I have to say just from hearing it. I'll go more in depth if I could just see the score a bit better. Either way, a great start as a composer! You're off to the races in no time!
-Splatissimo Musique
Hi! do you have any tips in regarding developing ideas???
Hello @@yeetrydommusic! I will gladly give my two cents to those in need!
It's important to keep the musical idea "present" while still sounding fresh when developing. You don't want to completely change or create a new theme, rather, you can vary it to sound familiar to the listener. This can be a change of rhythms, different textures (instrumentation, ranges, etc.), new key centers, or just simply giving it to a different instrument of similar range (I like trading between Viola and French Horn, as an example)
In short, keep the thematic material simple enough so it doesn't seem to run off somewhere else when it changes - or, as I call it, "feels like home, but in 4K."
-Splatissimo Musique
This is masterpiece. btw what notation software are you using?
OMG it is living and glittering itself
AMAZING 🎉🎉🎉
Amazing!
i love the work (small tip, if want better audio quality you should export the audio separately make sure the settings on the export are on the highest level, then line them up together in an editing software) but this is a lovely work
idk why musescore is like this smh
omg, i found my new favorite modern piano concerto
What is the order of instruments from top to bottom, I want to preform this.
@@CarterCamporeale wdym by preform? and its in the normal symphony orch score order + piano (under the timpani).
Fire brother
I liked this a lot, just don't know how I will follow your progress if I don't know who you are. I found the piano part very engaging--keep it up.
🎉🎉🎉🎉🎉💥💥💥💥🤩🤩🤩🤩YOU DEVOURED
Chef d'oeuvre 😇
Cool how long are you playing the piano for already?
Fantastic work, I am especially addicted to first movement for days now! Any Patreon/Paypal link to thank you for the piece (and hopefully increasing your motivation to continue writing and publishing music)?
Not yet!
Your counterpoint is excellent, the balance between the brass and strings is very well thought out. The piano part is divine, the themes converse perfectly fluidly. Your work has vigor, fiber, determination and fury, and this is rare in balance with the refinement brought by the strings.
I would like to know your name, because a mature composer signs the work and you are one of them, could I know about you? Do you have an email? I am really interested in your work.
@@PauloCesarMaiadeAguiar Thankyou so much! I am slowly working on getting an internet presence going so you'll find out in the future!!
@hexo878 Dont forget to contact me, your work is promising. Really. I appreciate this and your symphonie. My data is public. Ok. Thanks for to share your work from world. Dear
Its Amazing
I'm actually doing working on something rly simmilar to this right now i only have the first movement done rn but the second is like 99% im about to post it
This is music
Wow! 😳😲😳 Bravo!
El primer movimiento es milagroso! El segundo es bello sin duda y el tercero honestamente no es de mi completo agrado pero, sin duda es un trabajo maravilloso . Mis felicitaciones a tan talentoso y dedicado compositor
Very nice! Are those MuseScore sounds?
This is awesome, I had to sub. What VSTs do you use for this?
I'd also love to hear a detailed process of how you composed this!!
all free from musesounds! I did tweak them in the mixer though, could make a video explaining that process if you want?
@@hexo878 yes please that'd be awesome!!
Is it possible to print the partition? I want to learn the piano part, it’s serious (I can pay)
How about you send me an email and i can get back to you on that?
any tips on arranging and mixing?
@@Хикка-Дегроид yes im making a video on mixing now!
when it will be available in Spotify? I would listen to it
Is it on spotify?
no, sorry
@hexo878 all good, I would been listening at it for hours 🙃
i would recommend putting No. 2 instead of Op. 2, usually orchestral works follow that pattern
Nice
It is gorgeous, it reminds me of rachmaninoff
What is the name of the this write music program?
I can definitely here some inspiration from Rachmaninoff in the third movement
Very well composed, congratulations.
Obsviously we can't feel the full potential expressivity of it due to the fact that it is not played by real people on real instruments (even though for virtual instruments, it sounds better that expected, the problem of lack of expressivity and flexibility remains, especially during the solo piano parts).
Just a random idea, but maybe if you are a pianist as well, you could try to record the piano part yourself and put the orcestra above afterwards.
What notation did you use?
Probably musescore. It’s really good and it’s free
5:40 - 6:30 🥹🥹🥹
What notation software do u use?
musescore! Free sounds and all, although i do edit stuff in the mixer to try make it more realistic.
blender tutorial to here bro wowie
Interesting
reminds me of grieg and prokofiev
Shouldn't we know your name, or do you intend to go as "Unknown Somebody"? 😉😖