How to master loud with least distortion
ฝัง
- เผยแพร่เมื่อ 3 ก.ค. 2021
- In this video I speak about how to use a clipper in mastering to achieve loud master.
Welcome to the sonic realm of Tim Karabajak, a certified mastering engineer with a passion for elevating music to its highest potential. At BSMastering, we don't just master tracks; we breathe life into your music, ensuring it stands out in today's competitive landscape.
Exclusive Offer for New Clients: Dive into the world of professional mastering with an exclusive 50% discount on your first order. Request a quote now at www.bsmastering.com and embark on a journey to sonic excellence.
Discover My Work
• Audio Portfolio: Immerse yourself in my mastering artistry on / boogie-snail
• Studio Insights: Peek into my professional space at www.bsmastering.com
Connect with Me
• Facebook: / timkarabajak
• Instagram: / bsmastering777
• Email: For business inquiries, reach out to bsmastering@gmail.com
Stay Updated: Don't miss out on the latest projects and updates. Subscribe www.youtube.com/@boogiesnail/... and join our growing community of music enthusiasts and professionals.
About Tim Karabajak: With a rich educational background from New York University and specialized training from industry-leading institutions like Hofa College and Mastering Academy UG, I bring a blend of academic excellence and real-world experience to every project. My journey has been enriched by the "Pro Production System" course by Jordan Valeriote and the Mastering Masterclass by Friedemann Tischmeyer, positioning me as a mastering engineer with a global perspective and a meticulous ear for detail.
If you're seeking not just a service, but a partnership to elevate your music, let's connect. Together, we'll achieve the world-class sound your music deserves. - เพลง
Hi,
you reduce the overall gain by 3db and the clipper output by 3db too. Then you push your limiter gain by nearly 3db. Are all of these gain adjustments fixed regardless of the target lufs? Is the 7db increase of the clipper input the only parameter to get the 4db boost you need or am I getting it all wrong?
Thanks
The first thing I’m reducing is the overall level of the track. I reduce the level by 3 dB. Basically my strategy is here to create a little bit of headroom. Then I go for STANDARD CLIP I choose Hard Clip. From my experience it sounds most of the time more transparent than soft clipping option. I increase the Input Gain by 7 dB to throw it into the clipping. Basically it is just 4 dB over my initial gain reduction. I set the Output to -3dB. Finally I increase gain on the ProL2 limiter by 3.1dB. Basically I increased just 0.1dB. My gain reduction is just 0.6 dB. Of course it sounds also a little bit muddier, squeezed and distorted. But the amount of distortion is not as high as you would get it with two daisy chained limiters. In other words I pay less for achieving this -6LUFS target loudness with the clipper.
@@boogiesnail Hey man, great video tutorial! I wonder what is the specific benefit of reducing the output of the clipper by 3 db and then increasing the input of the limiter by 3.1db? How is it superior to just having the limiter input at 0.1 db if you did not reduce the clipper output? What is the difference that makes the difference here?
@@garrymkrtchyan1833 Hey Garry, I reduce the overall level of the track by 3 dB to create a little bit of headroom. Finally I increase by 3.1dB gain on the ProL2 limiter. But basically I increased just 0.1dB. With this alternative method using the clipper my gain reduction is just 0.6 dB. Of course it sounds also a little bit squeezed and distorted. But the amount of distortion is not as high as you would get it with two daisy chained limiters. In other words I pay less for achieving this -6LUFS target loudness.
Finally a good mastering engineer on the TH-cam
Thank you 🙌
Great vid, thanks Tim !
Thank you! You are always welcome ✊🏻✊🏻✊🏻
Thanks for all the valuable information...
Welcome 🙏🏻
Thank you for sharing.
Thank you 🙏🏻
Thanks for sharing the limiting techniques.
You are more than welcome 🙏🏻
Good job, bro, thanks!
Always welcome 🙏🏻
Thank you
🙏🏻
Hi, thank you for interesting information ✊🏻✊🏻✊🏻
Glad you like it🙏🏻
"Hello, gays, Tim here from Boogie..."
На самом деле, Hey, guys…. Но можно и так 🙂 👍🏻🙏🏻🤝
Thanks daddy
Welcome 😉
Subbed
🙌
Timur bey teşekkürler, güzel net aktarmışsınız.
çok teşekkürler🙏
This is only measured loudness. Question is : how to improve perceived loudness ?
Please have a look at this video: th-cam.com/video/IVBxqwYpiHk/w-d-xo.html
But why does a clipper distort less than a limiter? It distortrs the waveform of the signal even more by literally cutting the top off of it. Is it because of the time constants of the limiter? Or do the overtones run up into inaudible range so quickly, that there are less overtones in the audible range?
The idea and the whole thing is how to pay the least amount for the muddy distortion. Two limiters is one option and using a clipper is an alternative method...Of course it sounds also a little bit muddier, squeezed and distorted but with this alternative method the amount of distortion is not as high as you would get it with two daisy chained limiters. It is just a mastering technique...
Thanks
🙏🏻🤝
I would love some contact with you.
Love for you to work on my tracks.
Thank you 🙏🏻 Once you’re ready please use this address for contacting me: bsmastering@gmail.com
fabfilter settings are wrong pro l3 :/
Pro L3?
@@boogiesnail channel linking , transient 0 and the release 0 . Lookahead 0 . Always better results . PS nice PSI's :)
@@Groove81TV Thanks! In fact I'm not a fan of ProL2. DMG Limitless or Sonnox Oxford are my bodies :)
@@Groove81TV what is the correct settings please?
You forget to mention Dirac room calibration every time
May be.... I'm using Dirac Live