Blues jr is great if you play in a band - because there's a difference between playing on your own or within a band context. The Blues jr is great when what you really need is the mids to stand out and have your sonic space in the song.
@@ThomannsGuitarsBasses The way I see it, not necessarily at home and alone. If you're for example in a trio, say with a saxophone and a singer, you need all the bass you can get because there's no one there to fill that lower end space. So in that case I would suggest an amp with a bigger speaker. But in a live band with drums and bass, the first thing that the soundman is going to do is apply a hi-pass filter to the guitars, so in that case, with a Blues Jr, you would not have a slot of extra frequencies particularly on stage that are ultimately removed from the front of house/monitors mix anyway. My point is that it depends on the type of use the amp is needed for, not just the sound itself. That's just my opinion though - I might be wrong.
A lot of us home players have only got space/budget for one amp and we need to get a lot out of it. Would love to see a video or video series where you guys take a few of those all in one tube amps, like the H&K tubemeister/grandmeister, Marshall JVM, Blackstar HT series etc and find classic tones with them, with and without pedals, e.g. Country twang, blues, classic rock, modern metal, to really show the versatility and help people pick one that nails the styles they like. Your videos are so informative and I think you guys could do the best job with this sort of subject!
Blues jr lover here. Modded mine with BillM mods and never looked back. My amp takes pedals great and I get great tones from it. I also set my master on ten and the volume around 3ish. Also use a 12au7 preamp tube, more headroom due to less gain of the tube. Big difference to my ears. This all adds up to a really good amp.
Tips for settings - volume 12, fat switch off, treble 5, bass 6, middle 5, master 6, reverb 3.5. Nice versatile overdrive sound without any harshness, cleanup with guitar volume. I had a bias mod added to drop the fixed bias, to calm the amp down a bit and not burn through tubes so fast.
That’s loud 😂 I cranked mine for a few mins. Master on 12 and volume on 9. No pedals. Sounded full and open and backing off the guitar volume gave great cleanup. But I can’t play that loud very often so I’m looking at a speaker that takes overdrive pedals better than the Jensen which can get muddy in the mids and harsh on the top end. Like there’s too much presence or something. Do you know what the mod was for the bias?
this was really a great demo of the sounds, thank you. Interestingly, apart from the JHS, I preferred the tweed sound for all the others, there was such a good gritty bite, and a deeper tone on it, to my ears. Great tips, I think I'll be going for the tweed myself.
I’ve been using my blues jr and HX effects for quite a while now. What I think the problem is, people over use effects. I’ve always just used them to ‘color’ an amp, not re-invent it. I also put a Texas heat speaker in my tweed.
I have one that came with a 25 watt Greenback. Does pretty well with rock tones, and pedals in general. This was from the Blues Jr. III FSR run, "after the gold rush" or something. Not tweed, but looks close with gold tolex and a wheat grille.
I have owned a tweed Blues Jr for about 15 years. I believe it's the first Mexican made generation. I paired it with an original Catalinbread Formula 5, the two work together so well. A very overdriven Fender tweed tone. Thanks for this vid, I will checkout your channel for sure!
I have the LTD tweed jr. LOVE it. I actually wanted to "upgrade" by buying a Marshall Mini Silver Jubiliee 2525c but ended up keeping the BJr because it sounds GREAT.
I have the Blues Jriii, (Limited Edition) Royal Blood 250 made? Essentially red tolex with a factory Celestion Greenback. The amp by itself sounds great. It also takes pedals well. From Tele to Strat to Les Paul it has great cleans and when it breaks sounds great to my ear.
Hi Kris, I own a Fender Blues Junior USA 1997 and i run it with the volume on 5, treble on 5, mid on 5/6, bass on 12, master around 4 (sweetspot) and reverb around 6...... I don't use the "Fat" switch...... For pedals: From guitar - Korg Pitchblack XS - Morley Classic Wah - Ibanez TS9 - Ibanez TS9 - Carl Martin Chorus X II - Ibanez AD9 - to amp...... If i need a more "hardrocky" sound i use a guitar with humbuckers and turn down the mid...... Same as with my Fender Hot Rod Deville USA 1996, both sound pretty simular, but the Junior is more suitable for smaller gigs...... But never have any sound issues with my Blues Junior......
Octavia>Boss OD3>Tweed Blues Jnr is the bomb. Try it. Dial the treble down to 2 and turn the reverb off. Use a reverb pedal and/or analog delay. Tonal goodness!
I'm glad for the opinions given here, gotta say it gave me the best info I've been wanting to know! This has been one of the most helpful videos I've ever watched on this Amp, thanks man!!!!
I have a Greenboard Blues Jr. with Bill M mods, a Celestion Greenback speaker and a Heyboer transformer, all recommended by Bill. My pedals include a Spark Boost and a Red Ecstasy mini, and they sound fantastic.
I prefer the basic sound of the Pro Junior to be honest - volume, tone, 15W and a 10" speaker - smaller cab but not boxey. At the risk of repeating myself (other forums) the Pro Junior has had to sub one of the two 40W Hot Rods the guitarists in my band routinely use, and it's certainly pokey enough for small/medium bar gigs (mic on kick drum only and vocal PA). Volume on the edge of breakup (around 4 which is were the volume is basically maxed out) with a BB preamp type pedal for more gain. Speaker out is a bit fiddly, but is there if you want to move more air.
I have a Black made in Mexico. It's an MK 2 or MK 3. Had to replace the reverb tank. No other issues. This replaced a 65 twin, it was 2 loud. I love the sound with my Mexican Tele running classic 52 pickups, also my American Tele. Never used pedals. The Tele really suits this amp. My neighbours now talk to me again!
I have a Blues Junior Tweed modded with Eminence Cannabis Rex Speaker, & play a lot clean without pedals. Vol 3, Fat off, Treble 3, Bass 8, Middle 6, Master 10 - 12. I use the guitar volume a lot. But when I want something more, - Ibanez TS808, Boss BD-2, Tone City Golden Plexi, Boss CH-1 Super Chorus, Marshall EH-1 Delay, mix & match pedals for tone.
These amps sound much better if you implement the Bill M audio mods. I think I did just about every mod available from Bill M and the amp sounds amazing for a small portable combo amp. The upgraded output transformer mod makes the amp 22 watts, which makes it possible to play the amp with a full live band.
Max the master . That’ s the key . All the brittleness is gone . Use the amp as a non master amp by crancking it . Volume about 3 or four and it loves the most pedals
My Blues Jnr IV with the Fromel mods and a Neo Li'l Texas speaker is an amazing pedal platform. Even my old Tweed Blues Jnr iii with Jensen took most all overdrive and fuzz pedals really well. A very pedal friendly amp.
@@kyledonworth3845 I did the twin mod so I got less gain, about 1/2. I did the presence, the tone stack mod, the EQ fix that splits the 3 band EQ into individual sections, the output power transformer, the cathode follower, and the power supply enhancement. I also put the head in it's own cabinet.
Kris, you can most likely make anything (even crap) sound at least okay :D Love you're playing man! I had the BJ IV but never loved it. I am, however, very happy with my Tone Master Deluxe Reverb
I got the BJ iv, it is a great tube amp, what i dont like about it is that the amp get so loud after master volume at 2 (way too loud for home practice), and it dont have a fx loop
Great video, thanks Kris. I have the tweed version and found it fussy with drive pedals. Using the Keeley compressor as a boost actually sounded nice. I run the bass at 0 as it flubs out when being driven with humbuckers. Treble around 3 and mids the same. With volume at 5-6 I get some breakup. If you can run the master even at 3-4 it opens up nicely. When I get back from holidays I’ll keep trying drive pedals with those settings.
Awesome video. Never though about speakers in that way. Can you organize, that you will make some "neutral" sounding amp like Revv D20, set it with pedals. And then show the differences and how to work with them with another type of speakers? Like some vintage Celestion types (greenback or alnicos), modern Celestions (like Redbacks) and some American voiced (eminence, Jensens)?
Thanks a lot my dude! I'd love to make a video on different speakers in the same cab, it's just really hard to organise. I won't give up those and make it happen if possible. Might take a while though :D Cheers //Kris
Thanks for the info. I used a Blues Jr for 3 days. Sent it back due to not being what i wanted. I went with the Blues Duluxe in the end. Upgraded everything such as the caps, valves, speaker. It now sounds like a pro amp that i use for my blues stuff!
Never had issues with boosting my blues jr mk1, ive got a fulltone fulldrive v2 that sounds great going through it, my old bad monkey was great in it too! But then again thats a certified Klon Killer lol
I had a Blues Jr. Tweed and I couldn't get the sounds that I wanted, it was harsh, scratchy and the reverb was unpleasant. I decided to sell it and get a Princeton 68, best decision I've ever made, beautiful sparkly and warm tone, it's the perfect amp
a great example how different speakers can transformer an amp ,, The jensen has more 1 kHz and more 5Khz brightness. The Celestion A-type has more midrange around 600-700Hz and much darker above 3.5kHz.. I really like this guys videos. Informative and he has a great personality. I saw another guy comparing a boss bd2, a boss sd1 and a boss od-3 with a fender deluxe reverb with the bright Jensen C12N. It was obvious that the BD-2 with its scooped midrange and excessive top end is not a good match with that speaker.. (he had the tone knob around 11.30 o'colck) .. The 0D-3 was good at transforming the fender amp more to a marshall sound.. The SD1 worked best with the amp started to overdrive on its own a little.
Idk if Kris will be the one responding to comments, but im curious on how that Sire compares to a real Telecaster. I currently own a Player Series Tele and that thing out of the factory has way too many problems with it. I absolutely love the sound and the feel of the Tele, but not sure if i want to spend so much on getting it to play right, or if i should just look for a new one. We are talking cost of leveling and crowning frets, nut replacement, and set up. Plus i would still need to find a good luthier in my area first. Might be easier and cheaper to sell my Tele to replace it with another one. Despite the problems, its a guitar i instantly connected with, which makes this decision hard.
Too much treble mostly with the Tele, Sire? My American deluxe sounds great through my 3 but I have to un notch the treble bleed. Great rock sounds. Try this 4 with a plim soul pedal, fat and awesome.
I agree that's the worst amp for pedals if you use a compressor with the paddle it seems to help and back down the volume I sure hope you know which pedals to use cuz I would love to see
I have a Tweed one with the Jensen C12N and it sounds really harsh with most drive pedals (bedroom settings with a Strat) like Blues Driver, ShredMaster, MXR BC108 Fuzz Face. I’m thinking of getting rid of it for that reason...
I own a fsr tweed one. 2017. Jensen speaker. I find it kind of sharp in the top end so I have the eq with treble and mids at 4 and bass at 8. I've had the amp a few years and I feel the speaker has broke in some. I run it clean with input around 2 and master 3 or whatever loudness I want. For dirt I run my 2015 amptweaker tight metal jr in. It sounds great at bedroom levels. I probably would change the speaker to celestion gold alnico($299) for a fuller sound. I do have a bassbreaker 45 combo so I don't need to crank my bj
Noob question for the tweed version: could you not just turn down the treble/tones (to taste) on the tweed amp, the guitar, and on the pedals as well (to taste) to compensate?
Are there any differences between the two versions of the Blues Jr. other than the cosmetics and the factory-installed driver? Because frankly, neither of those drivers is very good, and I would immediately replace them, but if there are other changes to the circuit, then I'd like to know. My current Mesa/Boogie F-50 1x12 combo is very heavy for its size, and I'm looking for something smaller and cheaper that I could use for jam sessions, and the like. I would still be controlling my tone from my pedalboard, but the pedalboard I use for jam sessions is much smaller and simpler than the one I use for regular gigs.
There are tone differences in the circuits regarding the older US made Jr's versus the new versions. The tweed and tolex versions have the same circuit. It's the speaker difference you're hearing.
I never thought this amp sounded bad with pedals. A friend has a standard and I have a Bill M modded one, wich is one of my fave amps of all time. Both sound great with my pedals.
Can you build a pub/bar gig-able pedal board that can work with a Fender deluxe reverb or twin, that can make hard rock, heavy blues and old metal tones for moments when you may have to borrow an amp or use a supplied amp that isn’t yours, and have all your tone come from pedals?
Are the circuits on these two Blues Juniors also different or is it only the speaker and tolex? They sound incredibly far apart. A similar show on Vox AC-15/30 would be awesome as they're also famous for being picky with pedals
As far as I know the differences are the speaker and the tolex, otherwise the amps are the same. Thanks man, the AC15/30 episode will be made. Cheers //Kris
Can you make one with the Blackstar Artist 15 amp? I have had it for years, and maybe it’s just my pedals , but want a great hi gain sound, but yet it eludes me . Thanks. Good video, never had any fender amps
Yes, or for me I found have volume at least half way up so the treble bleed is not so pronounced. Master to suit desired level. Running low volume makes it too treble-y.
Anyone use the tweed version with a multi effects pedal? I have this amp and considering a Nux MG-30 or Headrush MX-5 or something similar. I'm wondering how the amp plays with the effects in these digital modelers?
I like reviews and comparison videos, but how many of us can make really informed decisions when we have limited budgets for our gear? I can’t, for example, justify owning 4 or 5 ODs, Delays, Dstrs, etc. Plus listening through earbuds on a phone. You get the picture. We can’t swap gear like baseball cards. There seems to be some classicism ($) here that can make me feel “out of the loop.”
Infos, frische Infos. Wer mag noch Infos? Einfach nehmen bitte, heute früh noch auf dem Baum, jetzt in Ihren Händen. Trauen Sie sich, nehmen Sie welche! 😂 //Kris
The FIRST thing Blooz Jr owners should do is clip the leg(s) of the C-3 capacitor, that's what makes the amp so harsh-sounding. It's a small disc cap close to the input jack, and basically acts like a bright switch that's always on. Fender makes some really DUMB decisions. It will dramatically improve the amp tone, trust me.
![อยู่คนเดียวกับเขา - ส้ม มารี (Zom Marie) [Official MV]](http://i.ytimg.com/vi/gq1cWAIQDLg/mqdefault.jpg)
Blues jr is great if you play in a band - because there's a difference between playing on your own or within a band context. The Blues jr is great when what you really need is the mids to stand out and have your sonic space in the song.
Such a good point! 🙌 It's basically made for stage use and not to impress at home playing alone. //Kris
@@ThomannsGuitarsBasses The way I see it, not necessarily at home and alone. If you're for example in a trio, say with a saxophone and a singer, you need all the bass you can get because there's no one there to fill that lower end space. So in that case I would suggest an amp with a bigger speaker. But in a live band with drums and bass, the first thing that the soundman is going to do is apply a hi-pass filter to the guitars, so in that case, with a Blues Jr, you would not have a slot of extra frequencies particularly on stage that are ultimately removed from the front of house/monitors mix anyway.
My point is that it depends on the type of use the amp is needed for, not just the sound itself. That's just my opinion though - I might be wrong.
This is why I don’t like my Blues Junior tbh. 99% of the time I’m playing by myself and practicing. I’m looking to get a different amp
Can it overpower drums?
@@octtrinittolavg I've never put the volume more than 5 with a drum kit - if the drums is mic'd, you can mic the amp as well.
A lot of us home players have only got space/budget for one amp and we need to get a lot out of it. Would love to see a video or video series where you guys take a few of those all in one tube amps, like the H&K tubemeister/grandmeister, Marshall JVM, Blackstar HT series etc and find classic tones with them, with and without pedals, e.g. Country twang, blues, classic rock, modern metal, to really show the versatility and help people pick one that nails the styles they like.
Your videos are so informative and I think you guys could do the best job with this sort of subject!
Would love this too, trying to upgrade to a tube amp and can’t pick!
Blues jr lover here. Modded mine with BillM mods and never looked back. My amp takes pedals great and I get great tones from it. I also set my master on ten and the volume around 3ish. Also use a 12au7 preamp tube, more headroom due to less gain of the tube. Big difference to my ears. This all adds up to a really good amp.
Tips for settings - volume 12, fat switch off, treble 5, bass 6, middle 5, master 6, reverb 3.5. Nice versatile overdrive sound without any harshness, cleanup with guitar volume. I had a bias mod added to drop the fixed bias, to calm the amp down a bit and not burn through tubes so fast.
That’s loud 😂
I cranked mine for a few mins. Master on 12 and volume on 9. No pedals. Sounded full and open and backing off the guitar volume gave great cleanup.
But I can’t play that loud very often so I’m looking at a speaker that takes overdrive pedals better than the Jensen which can get muddy in the mids and harsh on the top end. Like there’s too much presence or something.
Do you know what the mod was for the bias?
Chris, I 100% agree with you on the jr. I find it just awesome for Blues with no pedals at all.
this was really a great demo of the sounds, thank you. Interestingly, apart from the JHS, I preferred the tweed sound for all the others, there was such a good gritty bite, and a deeper tone on it, to my ears. Great tips, I think I'll be going for the tweed myself.
I’ve been using my blues jr and HX effects for quite a while now.
What I think the problem is, people over use effects. I’ve always just used them to ‘color’ an amp, not re-invent it.
I also put a Texas heat speaker in my tweed.
I have one that came with a 25 watt Greenback. Does pretty well with rock tones, and pedals in general. This was from the Blues Jr. III FSR run, "after the gold rush" or something. Not tweed, but looks close with gold tolex and a wheat grille.
I have owned a tweed Blues Jr for about 15 years. I believe it's the first Mexican made generation. I paired it with an original Catalinbread Formula 5, the two work together so well. A very overdriven Fender tweed tone. Thanks for this vid, I will checkout your channel for sure!
I have the LTD tweed jr. LOVE it. I actually wanted to "upgrade" by buying a Marshall Mini Silver Jubiliee 2525c but ended up keeping the BJr because it sounds GREAT.
I have the Blues Jriii, (Limited Edition) Royal Blood 250 made? Essentially red tolex with a factory Celestion Greenback. The amp by itself sounds great. It also takes pedals well. From Tele to Strat to Les Paul it has great cleans and when it breaks sounds great to my ear.
Hi Kris,
I own a Fender Blues Junior USA 1997 and i run it with the volume on 5, treble on 5, mid on 5/6, bass on 12, master around 4 (sweetspot) and reverb around 6......
I don't use the "Fat" switch......
For pedals:
From guitar - Korg Pitchblack XS - Morley Classic Wah - Ibanez TS9 - Ibanez TS9 - Carl Martin Chorus X II - Ibanez AD9 - to amp......
If i need a more "hardrocky" sound i use a guitar with humbuckers and turn down the mid......
Same as with my Fender Hot Rod Deville USA 1996, both sound pretty simular, but the Junior is more suitable for smaller gigs......
But never have any sound issues with my Blues Junior......
My blues Jr is my favorite amp.
I have a vintage 64 Princeton among other fantastic amps as well.
Huge thanks for this video! I was decided on the tweed and this shifted my thinking. Really useful
Octavia>Boss OD3>Tweed Blues Jnr is the bomb. Try it.
Dial the treble down to 2 and turn the reverb off. Use a reverb pedal and/or analog delay. Tonal goodness!
Love it Kris that you are giving your opinions here. Looking forward to checking out this series, great content!
just change the speaker to a vintage 30 and do the popular easy to do midrange mod and you will just love your JR again, cheers 🎸🎸
I'm glad for the opinions given here, gotta say it gave me the best info I've been wanting to know! This has been one of the most helpful videos I've ever watched on this Amp, thanks man!!!!
Thanks so much man, much appreciated! //Kris
I have a Greenboard Blues Jr. with Bill M mods, a Celestion Greenback speaker and a Heyboer transformer, all recommended by Bill. My pedals include a Spark Boost and a Red Ecstasy mini, and they sound fantastic.
I prefer the basic sound of the Pro Junior to be honest - volume, tone, 15W and a 10" speaker - smaller cab but not boxey. At the risk of repeating myself (other forums) the Pro Junior has had to sub one of the two 40W Hot Rods the guitarists in my band routinely use, and it's certainly pokey enough for small/medium bar gigs (mic on kick drum only and vocal PA). Volume on the edge of breakup (around 4 which is were the volume is basically maxed out) with a BB preamp type pedal for more gain. Speaker out is a bit fiddly, but is there if you want to move more air.
I have a Black made in Mexico. It's an MK 2 or MK 3. Had to replace the reverb tank. No other issues. This replaced a 65 twin, it was 2 loud. I love the sound with my Mexican Tele running classic 52 pickups, also my American Tele. Never used pedals. The Tele really suits this amp. My neighbours now talk to me again!
I have a Blues Junior Tweed modded with Eminence Cannabis Rex Speaker, & play a lot clean without pedals. Vol 3, Fat off, Treble 3, Bass 8, Middle 6, Master 10 - 12. I use the guitar volume a lot. But when I want something more, - Ibanez TS808, Boss BD-2, Tone City Golden Plexi, Boss CH-1 Super Chorus, Marshall EH-1 Delay, mix & match pedals for tone.
These amps sound much better if you implement the Bill M audio mods. I think I did just about every mod available from Bill M and the amp sounds amazing for a small portable combo amp. The upgraded output transformer mod makes the amp 22 watts, which makes it possible to play the amp with a full live band.
These amps sound better using analog pedals. Wish he'd chime in on that.
Max the master . That’ s the key . All the brittleness is gone . Use the amp as a non master amp by crancking it . Volume about 3 or four and it loves the most pedals
My Blues Jnr IV with the Fromel mods and a Neo Li'l Texas speaker is an amazing pedal platform. Even my old Tweed Blues Jnr iii with Jensen took most all overdrive and fuzz pedals really well. A very pedal friendly amp.
Awesome demo Kris. Thanks for the tips.
This breakdown is fantastic. Thanks for the run through.
I have a Blues Jr V3 but, I modified it so it's a long ways from stock. I play it through a mesa 2-12 cab, It does great.
I have also modded mine with a ‘black face’ mod kit, more gain, negative feedback pot and a new speaker. Fantastic amps
@@kyledonworth3845 I did the twin mod so I got less gain, about 1/2. I did the presence, the tone stack mod, the EQ fix that splits the 3 band EQ into individual sections, the output power transformer, the cathode follower, and the power supply enhancement.
I also put the head in it's own cabinet.
Kris, you can most likely make anything (even crap) sound at least okay :D
Love you're playing man!
I had the BJ IV but never loved it. I am, however, very happy with my Tone Master Deluxe Reverb
What OD pedal(s) would you suggest for the Tweed Blues Jr? i totally agree with your comments.
I got the BJ iv, it is a great tube amp, what i dont like about it is that the amp get so loud after master volume at 2 (way too loud for home practice), and it dont have a fx loop
Great video, thanks Kris.
I have the tweed version and found it fussy with drive pedals. Using the Keeley compressor as a boost actually sounded nice.
I run the bass at 0 as it flubs out when being driven with humbuckers. Treble around 3 and mids the same. With volume at 5-6 I get some breakup. If you can run the master even at 3-4 it opens up nicely. When I get back from holidays I’ll keep trying drive pedals with those settings.
Opinions in the music world vary greatly. I have never heard of anyone suggesting that the Blues Jr doesn't take pedals well. Quite the opposite.
NEVER heard this. Any overdrive I've tried sounds great.
Great Sounding Amp. I actually liked the tweed a bit better, personally..
Awesome video. Never though about speakers in that way.
Can you organize, that you will make some "neutral" sounding amp like Revv D20, set it with pedals. And then show the differences and how to work with them with another type of speakers?
Like some vintage Celestion types (greenback or alnicos), modern Celestions (like Redbacks) and some American voiced (eminence, Jensens)?
Thanks a lot my dude! I'd love to make a video on different speakers in the same cab, it's just really hard to organise. I won't give up those and make it happen if possible. Might take a while though :D Cheers //Kris
I have the tweed one and put s emenice swamp thing in. Sounds awesome
Amazing comparison, exactly what I wanted to hear between each :)
Thanks for the info. I used a Blues Jr for 3 days. Sent it back due to not being what i wanted. I went with the Blues Duluxe in the end. Upgraded everything such as the caps, valves, speaker. It now sounds like a pro amp that i use for my blues stuff!
Blues deluxe is a great amp, far too loud for me though
Oh Kris, that intro is awesome - video too ;)
Thanks so much Andrew! Glad you like it. //Kris
I would also recommend the Nobels odr-1 for the tweed version
cool!😊
Amazing video.This was so helpful
Wicked video, AC15 or AC30, yes please!
Cheers Craig! //Kris
Never had issues with boosting my blues jr mk1, ive got a fulltone fulldrive v2 that sounds great going through it, my old bad monkey was great in it too! But then again thats a certified Klon Killer lol
I had a Blues Jr. Tweed and I couldn't get the sounds that I wanted, it was harsh, scratchy and the reverb was unpleasant. I decided to sell it and get a Princeton 68, best decision I've ever made, beautiful sparkly and warm tone, it's the perfect amp
Great video … btw i have the Tweed version … the amp works great with a EVM12L, then it’s also loud enough for little gigs …
a great example how different speakers can transformer an amp ,, The jensen has more 1 kHz and more 5Khz brightness. The Celestion A-type has more midrange around 600-700Hz and much darker above 3.5kHz.. I really like this guys videos. Informative and he has a great personality.
I saw another guy comparing a boss bd2, a boss sd1 and a boss od-3 with a fender deluxe reverb with the bright Jensen C12N.
It was obvious that the BD-2 with its scooped midrange and excessive top end is not a good match with that speaker.. (he had the tone knob around 11.30 o'colck) .. The 0D-3 was good at transforming the fender amp more to a marshall sound.. The SD1 worked best with the amp started to overdrive on its own a little.
Idk if Kris will be the one responding to comments, but im curious on how that Sire compares to a real Telecaster. I currently own a Player Series Tele and that thing out of the factory has way too many problems with it. I absolutely love the sound and the feel of the Tele, but not sure if i want to spend so much on getting it to play right, or if i should just look for a new one. We are talking cost of leveling and crowning frets, nut replacement, and set up. Plus i would still need to find a good luthier in my area first. Might be easier and cheaper to sell my Tele to replace it with another one. Despite the problems, its a guitar i instantly connected with, which makes this decision hard.
Jensen sounds much better! Got myself an Eminence C Rex for my Blues Jr. Sounds great.
Great video with great conclusions 👍🤓
Too much treble mostly with the Tele, Sire? My American deluxe sounds great through my 3 but I have to un notch the treble bleed. Great rock sounds. Try this 4 with a plim soul pedal, fat and awesome.
id like to see the AC30 version of this, since I have (and love) one!
I agree that's the worst amp for pedals if you use a compressor with the paddle it seems to help and back down the volume I sure hope you know which pedals to use cuz I would love to see
Yeah I'd like to see it used with analog pedals vs digital. Huge difference.
The tweed sounded fantastic.
I have a Tweed one with the Jensen C12N and it sounds really harsh with most drive pedals (bedroom settings with a Strat) like Blues Driver, ShredMaster, MXR BC108 Fuzz Face. I’m thinking of getting rid of it for that reason...
Great Interpretation of aerials 👍
Thanks David! //Kris
The aerials medley was a nice treat 😋
Thanks dude, glad you recognised it. I changed it up a little, haha! //Kris
@@ThomannsGuitarsBasses "a little" 😜... Nice job man, always enjoy your videos!
I own a fsr tweed one. 2017. Jensen speaker. I find it kind of sharp in the top end so I have the eq with treble and mids at 4 and bass at 8. I've had the amp a few years and I feel the speaker has broke in some. I run it clean with input around 2 and master 3 or whatever loudness I want. For dirt I run my 2015 amptweaker tight metal jr in. It sounds great at bedroom levels. I probably would change the speaker to celestion gold alnico($299) for a fuller sound. I do have a bassbreaker 45 combo so I don't need to crank my bj
Noob question for the tweed version: could you not just turn down the treble/tones (to taste) on the tweed amp, the guitar, and on the pedals as well (to taste) to compensate?
Are there any differences between the two versions of the Blues Jr. other than the cosmetics and the factory-installed driver? Because frankly, neither of those drivers is very good, and I would immediately replace them, but if there are other changes to the circuit, then I'd like to know. My current Mesa/Boogie F-50 1x12 combo is very heavy for its size, and I'm looking for something smaller and cheaper that I could use for jam sessions, and the like. I would still be controlling my tone from my pedalboard, but the pedalboard I use for jam sessions is much smaller and simpler than the one I use for regular gigs.
There are tone differences in the circuits regarding the older US made Jr's versus the new versions. The tweed and tolex versions have the same circuit. It's the speaker difference you're hearing.
Thank you!
Epic intro!!!
Thanks so much man! We love this intro too. It started out as a joke and we turned it into an epic joke. I mean... intro. 😂 Cheers buddy //Kris
My recent research suggests that it is vital to have a overdrive pedal of which you can roll off the bass...................
I've enjoyed using pedals through the blues junior. But it took a while to dial it in.
Take the tweed, put in a swamp Thang speaker and pair it with a tube screamer. Perfect
wish u compared it with humbucking pickups since the tele single coils are too chimy to start with.
Max the master and set gain/volume knob to the volume you want. This brings these little amps to life and it will take pedals great.
I never thought this amp sounded bad with pedals. A friend has a standard and I have a Bill M modded one, wich is one of my fave amps of all time. Both sound great with my pedals.
Metal Guitarist : You cant play Aerials by SOAD on a blues junior..
Chris : Hold my beer...
Hahaha, rules are there to break them, right? 😅 Well, some of them at least. Thanks buddy! //Kris
Can you build a pub/bar gig-able pedal board that can work with a Fender deluxe reverb or twin, that can make hard rock, heavy blues and old metal tones for moments when you may have to borrow an amp or use a supplied amp that isn’t yours, and have all your tone come from pedals?
Sounds awesome man, love the idea! Let me write it down before I forget it. 😆 Cheers //Kris
What do you think to use a Blackstar Dual HT overdrive? And is a Boss GT1 usefull?
7:11 Yes, freaking AC30 😂
7:12 Exactly this one! xD
Ok, so the BJ is not a good Platform. Which tube combo would you recommend?
Put a Celestion in the tweed….viola! 👍🏼😘
You do need to retube (matched tubes) he amp (Tweed) because the factory tubes pretty bad.
Are the circuits on these two Blues Juniors also different or is it only the speaker and tolex? They sound incredibly far apart. A similar show on Vox AC-15/30 would be awesome as they're also famous for being picky with pedals
As far as I know the differences are the speaker and the tolex, otherwise the amps are the same. Thanks man, the AC15/30 episode will be made. Cheers //Kris
I thought the black one sounded great with the blues driver here. I have a pro junior, how close is it in sound compared to the blues junior?
Can you make one with the Blackstar Artist 15 amp? I have had it for years, and maybe it’s just my pedals , but want a great hi gain sound, but yet it eludes me . Thanks. Good video, never had any fender amps
It's really good with pedals You just have to cut the treble bleed thingy off.
Yes, or for me I found have volume at least half way up so the treble bleed is not so pronounced. Master to suit desired level. Running low volume makes it too treble-y.
I want tweed but with the A-Type speaker
Anyone use the tweed version with a multi effects pedal? I have this amp and considering a Nux MG-30 or Headrush MX-5 or something similar. I'm wondering how the amp plays with the effects in these digital modelers?
The tweed blues Jr. has a much smoother sound . The other one has a brittle harsh sound .
that's the C-3 disc capacitor...clip one leg of it, and the brittle brightness is gone!
Tweed is absolutly warmer!
Hi, where can I buy that decibel meter in your video?
I like reviews and comparison videos, but how many of us can make really informed decisions when we have limited budgets for our gear? I can’t, for example, justify owning 4 or 5 ODs, Delays, Dstrs, etc. Plus listening through earbuds on a phone. You get the picture. We can’t swap gear like baseball cards. There seems to be some classicism ($) here that can make me feel “out of the loop.”
Sounds like the Jensen is the culprit when a pedal doesn't work in the tweed. Which is why everyone needs one of each!
Small combos can work great for pedals. But not this one.... I sold mine for this very reason.
It did not like pedals at all.
Nice tele!! Is that a Sire Larry C?
Yessir! It's a great guitar. //Kris
@@ThomannsGuitarsBasses Thanks
it hit 110 dB!
It's a loud amp if you crank it! 😅 //Kris
Both of the amps are the same internally I thought
Have we just proved that all the grumblings about the Blues Junior simply boil down to user error? It's not the gear. It's the player.
How about don't use an amp at all? Go from signal processing direct into the board.
Boss ,sd1
All this time I thought the both Blues Jrs have the same sound 🤷🏿♂️
Je mehr info's desto besser, her damit 😂
Infos, frische Infos. Wer mag noch Infos? Einfach nehmen bitte, heute früh noch auf dem Baum, jetzt in Ihren Händen. Trauen Sie sich, nehmen Sie welche! 😂 //Kris
@@ThomannsGuitarsBasses Lololoooool 😄👍🚀
with the kasleder toxic twins, every amp sounds great.. well, almost - the fender hotrod ML couldn’t care less 🤬😅
Vox AC10 is much better for pedals IMHO.
My blues jr won't grow up 😞
Get it? Eh?
The build quality of the new ones is atrocious though.
The FIRST thing Blooz Jr owners should do is clip the leg(s) of the C-3 capacitor, that's what makes the amp so harsh-sounding. It's a small disc cap close to the input jack, and basically acts like a bright switch that's always on. Fender makes some really DUMB decisions. It will dramatically improve the amp tone, trust me.
I did this and it sounds muddy