For centuries, the master would work and his apprentices would watch and learn. Here it is no different; but the master gets to work in peace while the thousands of viewers listen silently, go off to apply what they have gleaned, and the art multiplies. Same as it ever was; better than it ever was.
Thank you again, Guy. Just when I think I know your routine, you divulge an amazing gem that I had never considered before. The LH tenths sound very rich --- wish I could reach them.
There's a good video here on TH-cam where they create Hollywood film music very quickly using a notation for the chords and a look up table of codes based on the mood required.
Hi Gabriele, Template in a Weekend focusses on building an Orchestral Template inside of Cubase. We are working on a Logic Pro version, however all the techniques are transferable for other DAWs
Very useful, yet again. Inspiring too! Thank you! :-) I can't help noticing how much time you save having all your instruments ready loaded in one massive template. Any ideas you have are down in seconds on the right instrument. Obv there are many instances of Kontakt open, running myriad sample libs. Symphobia for one. Did you just painstakingly build that from scratch or is there a pre-made template for DP or, in my case, Cubase available somewhere?
+Frederik Treu Pehrsson Glad you enjoyed the video. The DAW being used in this video is Digital Performer, Guy is currently using the most updated version of the software DP9. Check out th-cam.com/video/1gzasU-fMvk/w-d-xo.html to see it in action.
First off, thank you kindly for your insights here. I would like to add that it may be a little shortsighted to tell people what patch/sound won't work before even given the assignment. I.E. a xylophone may in fact be the only sound that "sells the story" at that moment on screen. We (your viewers) don't have "your" clients, so telling us that a sound won't fly is misleading, especially for composers w/o on the job experience yet. Thanks
I am currently testing a new AI composer where i work and i will be brutally honest here most composers are going to be out of business in less than 3 years. It is that good and can write any genres with very little input. So i spent 2 years of my life to learn composing for nothing, sadly technology is our worst enemy in many ways...
Surprising that he did not mention any musical terms like, minor keys, dissonance, moving parts, low vs high elements, etc., even though he was doing all of that.
For centuries, the master would work and his apprentices would watch and learn. Here it is no different; but the master gets to work in peace while the thousands of viewers listen silently, go off to apply what they have gleaned, and the art multiplies. Same as it ever was; better than it ever was.
Fantastic watching someone else work, so much to learn just from observation.
Thanks so much for doing these!
Thank you again, Guy. Just when I think I know your routine, you divulge an amazing gem that I had never considered before. The LH tenths sound very rich --- wish I could reach them.
There's a good video here on TH-cam where they create Hollywood film music very quickly using a notation for the chords and a look up table of codes based on the mood required.
very cool tutorials my man
Another FANTASTIC tutorial..!!
What is is that sounds in the background at 17:12 some kind of trill or what? And from what sample?
These are WONDERFUL!! "Please sir, I want some more."
This is awesome! You must have a beastly computer!
Thinkspace education, what is the the name of the piano sample you use in the emotive section minute 9.35?
Would you mind telling me the chords at 19:46 they sound awesome together :)
Fantastic. Is there somewhere I can get/purchase the full content for this video?
Thank you!
+Bismuth Music You're welcome. Stay tuned for more content!
This is just what I needed. Very insightful! So how can I get full versions of these videos? Very interested!
Can anyone tell me what Midi Keyboard he is using here?
It's an M-Audio Keystation Pro 88 :)
ThinkSpace Education thanks :)
Hi Guy, is this template the same that you build in the course "template in a week end" ? Thanks
Hi Gabriele,
Template in a Weekend focusses on building an Orchestral Template inside of Cubase. We are working on a Logic Pro version, however all the techniques are transferable for other DAWs
Thanks for the answer 😃. It's possible to know the full patch list of this template ?
I'm afraid this template has probably been lost to the sands of time by now! Very sorry.
Is there any new bonus content coming to Cinematic Orchestration also ?
Oh how far Guy’s videos have come!
Very useful, yet again. Inspiring too! Thank you! :-)
I can't help noticing how much time you save having all your instruments ready loaded in one massive template. Any ideas you have are down in seconds on the right instrument. Obv there are many instances of Kontakt open, running myriad sample libs. Symphobia for one. Did you just painstakingly build that from scratch or is there a pre-made template for DP or, in my case, Cubase available somewhere?
+Armonici Ritmi Painstakingly made from scratch. he covers it in another video.
What software are you using? I want to learn it
This is Digital Performer. But there are lots of other DAWs on the market you could try.
Amazing!
What is the name of the program?
+Frederik Treu Pehrsson Glad you enjoyed the video. The DAW being used in this video is Digital Performer, Guy is currently using the most updated version of the software DP9. Check out th-cam.com/video/1gzasU-fMvk/w-d-xo.html to see it in action.
Thanks :)
what the piano sample are you using please?
Jaafar Muthanna it looks like he was using emotional piano which could either be by tonehammer or soudiron.
First off, thank you kindly for your insights here. I would like to add that it may be a little shortsighted to tell people what patch/sound won't work before even given the assignment. I.E. a xylophone may in fact be the only sound that "sells the story" at that moment on screen. We (your viewers) don't have "your" clients, so telling us that a sound won't fly is misleading, especially for composers w/o on the job experience yet. Thanks
this video is really good.+1 by me
how many of ram in your pc samples slaves run VSL
"it's... not very interesting." Haha. Great video!
smooth midi pattrn
7.15 made me laugh
I am currently testing a new AI composer where i work and i will be brutally honest here most composers are going to be out of business in less than 3 years. It is that good and can write any genres with very little input. So i spent 2 years of my life to learn composing for nothing, sadly technology is our worst enemy in many ways...
Surprising that he did not mention any musical terms like, minor keys, dissonance, moving parts, low vs high elements, etc., even though he was doing all of that.