Beauty Lighting with Quasar Science (Sony FX6)

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  • เผยแพร่เมื่อ 21 มี.ค. 2021
  • Starve the ego, feed the soul.
    Talking head captured with the a7S III using S-Cinetone. Edited in Davinci Resolve 17. Should I get another Sony FX6?
    Find full-length BTS on Patreon:
    / machadovisuals
    AFFILIATE LINKS
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    Modifier: amzn.to/3mVGqJl
    Check out my LUT pack here:
    www.machadovisuals.com/luts
    My Favorite Variable ND for 4x5 matte boxes:
    www.revarcine.com/?ref=kCv9ig...
    (use code 'ISTHATARED' for 20% off)
    My favorite on-set comms: amzn.to/3uFy2hf
    Video gear I use:
    kit.co/robchado
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ความคิดเห็น • 49

  • @dathofilms
    @dathofilms 3 ปีที่แล้ว +9

    2 weeks later everyone on TH-cam: how to do cloud lighting 😂

  • @TommyCallaway
    @TommyCallaway 3 ปีที่แล้ว +13

    Love what you did with the clouds, those are fun!!

    • @robchado
      @robchado  3 ปีที่แล้ว +1

      #buymorelights

  • @chadwin
    @chadwin 3 ปีที่แล้ว +1

    "Always two there are. No more. No less."
    hahaha great quote and beautiful work!

  • @JayJayYUP
    @JayJayYUP 3 ปีที่แล้ว +4

    4:47 that "fire" look is awesome.

  • @atdavidlee
    @atdavidlee 3 ปีที่แล้ว

    Clean and packed full of information as always Rob! Love the look you went for, awesome work man!

  • @limeatchangex9526
    @limeatchangex9526 3 ปีที่แล้ว

    Awesome work, Rob! Thanks for sharing!

  • @richarddzisiewski7197
    @richarddzisiewski7197 3 ปีที่แล้ว

    Love it...precise and to the point. Great piece

  • @adambobroy7682
    @adambobroy7682 3 ปีที่แล้ว

    This looks so awesome. Def picking up the fx6 asap!

  • @ladislavsvencik
    @ladislavsvencik 3 ปีที่แล้ว

    Wow, that looks great!!!

  • @rayt_visual
    @rayt_visual 3 ปีที่แล้ว

    Art Did a great job. Well done to your mini crew. Smart thought on the autofocus. Really enjoy those clouds out of China balls. Overall nicely done to the team collab

  • @TheWorldofPierre
    @TheWorldofPierre 3 ปีที่แล้ว +1

    Hiding the MCs in the clouds was genius! Great video mate as usual.

  • @popartmediaPL
    @popartmediaPL 2 ปีที่แล้ว

    You just inspired me to get my usual film jobs done and start to plan some passion project. Amazing idea and execution :-)

  • @remarkable-media
    @remarkable-media 3 ปีที่แล้ว

    Love this. Thanks for this review!

  • @corey1022
    @corey1022 3 ปีที่แล้ว

    Good stuff as always!

  • @jasielm5258
    @jasielm5258 3 ปีที่แล้ว

    Great stuff

  • @sergiofilmmaker94
    @sergiofilmmaker94 3 ปีที่แล้ว

    bro this is so cool

  • @Whaever_1981
    @Whaever_1981 3 ปีที่แล้ว +1

    Excellent work. As for the Quasar Rainbows, you don't need to connect the RJ45 cables in order to use Lead/Follow mode.
    Out of the box, the tubes will communicate with one another when you set them to wireless mode in the LEAD/Follow program.

    • @robchado
      @robchado  3 ปีที่แล้ว +1

      Good to know, thanks!

  • @GriffinConway
    @GriffinConway 3 ปีที่แล้ว

    Great stuff Rob! Lighting and set dec turned out great. Would love to see a walk through of your van at some point. That’s the next big ticket item for me for gear purchases.

    • @robchado
      @robchado  3 ปีที่แล้ว

      I'm actually adding some upgrades to the van over the next few weeks. I'll definitely make a video on it!

  • @anthonyfilms
    @anthonyfilms 3 ปีที่แล้ว

    Sony on point looks good sir

  • @BarefootMediaTV
    @BarefootMediaTV 3 ปีที่แล้ว

    curious when to use a kino flo/diva light vs an aputure or nanlite COB LED. Doing testimonials and b-roll ive been using nanlite forza 300 lights, but our freelancers always have kinoflo or diva lights. They dont seem expensive so im curious why choose one over the other? if the professionals are all using the kino/divas, why are aputure and nanlite selling way more lights?

  • @chrisnguyendop
    @chrisnguyendop 3 ปีที่แล้ว

    Would love to know your thoughts on the Sony Zeiss 50 1.4 vs Sony 50 1.8?

  • @kagsakcadri5228
    @kagsakcadri5228 3 ปีที่แล้ว

    how would the image and gradations change if u rated it at base instead of 200 and brought up the noise floor compensating with fill instead, achieving the "same" lighting ratios? i understand why one would use specific fixtures for their effect, just very technically speaking. anyway really cool project thanks for posting

  • @RussellBrew
    @RussellBrew 3 ปีที่แล้ว

    Have you had any luck recording and playback through your Atomos? (re: playback exposure) I'll actually be testing that out tomorrow during a pre-light.
    I hope Sony can work out some of these kinks. It's such a good camera but these little quirks are hard to live with on set.

    • @robchado
      @robchado  3 ปีที่แล้ว

      Yes, you could feasibly record through the monitor with exposure "baked-in," but you'd probably want to use HDMI (which I really prefer not doing) so you can trigger recording. I wish Sony would implement the same features as the FS7!

  • @f0t0b0y
    @f0t0b0y 2 ปีที่แล้ว

    Might get a second or a ARRI mini LF 😳

  • @brendonw3178
    @brendonw3178 3 ปีที่แล้ว

    What equipment setup do you use for laying flat the mattbounce? I had a photoshoot today and was struggling to get a non janky bounce setup

    • @robchado
      @robchado  3 ปีที่แล้ว +1

      A good 'ol c-stand 🙂

    • @brendonw3178
      @brendonw3178 3 ปีที่แล้ว

      @@robchado perfect, I have exactly one Cstand

  • @Powersfilms
    @Powersfilms 3 ปีที่แล้ว

    Talk to me about that Arri Dove Tail adapter on that Sony FS6. Is that an Arri Dove Tail to Manfrotto 501 adapter? It looks awesome and I'm in the market for picking one up. Excellent video.

    • @robchado
      @robchado  3 ปีที่แล้ว

      Wooden Camera Universal Baseplate!

  • @dukemenangoravelsyata1429
    @dukemenangoravelsyata1429 2 ปีที่แล้ว

    👍

  • @MattRozier1
    @MattRozier1 2 ปีที่แล้ว

    Robert what battery plate are you using for the fx6?

    • @robchado
      @robchado  2 ปีที่แล้ว +1

      Wooden Camera gold mount plate!

    • @MattRozier1
      @MattRozier1 2 ปีที่แล้ว

      @@robchado I always love how you expose your skintones. Can I ask, where do you have your zebras set for skintones in Slog3 on the FX6? I know you use a SmallHD external monitor - in which case, if using false colour and a lut, do the usual rules of trying to get a touch pink in the highlights on faces still apply (depending on skintone)? Or are you using different methods to get where you get to?

  • @JustJoshTech
    @JustJoshTech 3 ปีที่แล้ว

    Super cool

  • @Himoneygibson
    @Himoneygibson 3 ปีที่แล้ว

    what dolly is that its so fluid

    • @robchado
      @robchado  3 ปีที่แล้ว

      Dana Dolly. Definitely not my favorite, but it's what we had!

  • @isaacbedford3644
    @isaacbedford3644 3 ปีที่แล้ว

    Where did you get that ramp for your van?

    • @robchado
      @robchado  3 ปีที่แล้ว

      Amazon! EZ-ACCESS Suitcase 10'

    • @isaacbedford3644
      @isaacbedford3644 3 ปีที่แล้ว

      @@robchado Thank you

  • @olivermould3987
    @olivermould3987 3 ปีที่แล้ว

    Great film. For Slog 3, do you have to expose 2 stops over or does the FX6 do filming automatically
    ?

  • @tannerg440
    @tannerg440 3 ปีที่แล้ว

    *me regretting buying my a7sIII* 😳

    • @robchado
      @robchado  3 ปีที่แล้ว +2

      Still a fantastic camera 🙂

    • @Whaever_1981
      @Whaever_1981 3 ปีที่แล้ว +1

      Indeed, the A7SIII is pretty much an FX6 but more compact, with no internal ND's. Compactness is very handy for many scenarios. Both are great. Supplement your A7SIII ;)

  • @MohamedKeita
    @MohamedKeita 3 ปีที่แล้ว

    Hi Robert, I almost missed this video. If by looking at the thumbnail there was something identifying this video as 1 of yours, I would have clicked. I clicked because of the FX6 and was surprised to see your face ! Can you add your logo or something to help identify your videos at the 1st glance ?

  • @limitedhangoutlive
    @limitedhangoutlive 3 ปีที่แล้ว

    The work is great but the idea is so overdone. “Look at us we’re woke” is getting so cringe at this point.