This material on video is raw material an this is the first styling. The first styling on broadleaved trees is never impressive like the first styling on conifers. He has arrange base structure, and for better ramification and fine refinement, we need 5-7 years more. It would be interesting to see tree then, and judge it. It is funny to said that this tree is instant bonsai, when it will not be ready for the exhibition before other trees styled that day on Generation Bonsai. Material is impressive, especially base and nebari. Should we underestimate this tree only because of big scars? Why is allowed to have shari, sabamamiki … on olives but not on caprinuses? Because some Italian masters think so an it is a trend? If nature is an inspiration for bonsai people, then we know that deciduous trees often have scars and holes, than emphasises tree character.
Shari and sabamiki on deciduous trees don't not look natural, deadwood rots on deciduous trees! That's why it's usually not done, not just because some italians think so. Wild olive naturally develop lot of deadwood.
I wish I could have seen the roots on that tree. I have an Oak in the yard that has been very stunted for many years. Now I want to Prune the roots for a box or something and try to make an outdoor Bonsai out of it. I am in Wisconsin... Zone 4.... and I have no idea where to learn how to do it without watching 1500 youtube videos I love this mans style.
I enjoyed your commentary on stepping away from "tradition" and embracing what makes the best tree :) There's a common thread about a lack of female participation in bonsai - I see several in this video, are there also clips of those trees?
ich finde die Preise auch immer ein abschreckend. Dabei musst du aber sehen das der Preis am möglichen Endproduktwert angesetzt wird. Anscheinend gibt es Leute die soviel zahlen. Wer glück hat und ein bisl in der Stadt mit dem Fahrrad rumfährt findet so manchen Schatz in Hecken und wenn du nochmehr Glück hast lässt sich der Besitzer auch dazu überreden diesen herzugeben wenn du einen neuen reinsetzt.
Nice to see a demo on a deciduous tree, most are usually carried out on Conifers. Keep these coming.
Brilliant! when the pupil is ready the teacher appears, thank you is all I can say 💪😀
I enjoyed your work! Thanks!
That looks very hard wood to cut. Great to how to deal with the stumps and wiring.
This material on video is raw material an this is the first styling. The first styling on broadleaved trees is never impressive like the first styling on conifers. He has arrange base structure, and for better ramification and fine refinement, we need 5-7 years more. It would be interesting to see tree then, and judge it. It is funny to said that this tree is instant bonsai, when it will not be ready for the exhibition before other trees styled that day on Generation Bonsai. Material is impressive, especially base and nebari. Should we underestimate this tree only because of big scars? Why is allowed to have shari, sabamamiki … on olives but not on caprinuses? Because some Italian masters think so an it is a trend? If nature is an inspiration for bonsai people, then we know that deciduous trees often have scars and holes, than emphasises tree character.
Thanks Marija for your explanation! Love to see this tree in a few years from now.
Shari and sabamiki on deciduous trees don't not look natural, deadwood rots on deciduous trees!
That's why it's usually not done, not just because some italians think so.
Wild olive naturally develop lot of deadwood.
You would do well by really upping your game in regards to carving skills. Other than that, a beautiful prospect for a collected tree.
Use the terrier dremel bit (from Graham Potter).
I wish I could have seen the roots on that tree. I have an Oak in the yard that has been very stunted for many years. Now I want to Prune the roots for a box or something and try to make an outdoor Bonsai out of it. I am in Wisconsin... Zone 4.... and I have no idea where to learn how to do it without watching 1500 youtube videos
I love this mans style.
I enjoyed your commentary on stepping away from "tradition" and embracing what makes the best tree :) There's a common thread about a lack of female participation in bonsai - I see several in this video, are there also clips of those trees?
Coming soon! :)
In the background there is a woman with a ponytail working on a tree in an orange colored bowl. Would love to see her work there.
thank God for walter pall ! hahaha
Auf dem Zettel steht 1.950,- ? Ist das der Preis für diesen Baumstumpf? Ob das noch was mit Yamadoribonsai zu tun hat, muss jeder selber entscheiden.
ich finde die Preise auch immer ein abschreckend. Dabei musst du aber sehen das der Preis am möglichen Endproduktwert angesetzt wird. Anscheinend gibt es Leute die soviel zahlen. Wer glück hat und ein bisl in der Stadt mit dem Fahrrad rumfährt findet so manchen Schatz in Hecken und wenn du nochmehr Glück hast lässt sich der Besitzer auch dazu überreden diesen herzugeben wenn du einen neuen reinsetzt.
10:24 Jesus guy put a new damn blade in that thing I mean damn
dont spoil any tree at the beginning i always put my hand on the screen to dont see the finished tree :D
Haha sorry :)
The ancient German art of repeatably hitting a tree with an angle grinder. Class! lol
Walter isn't german
@@aaron6841 to be fair germany and Austria are sharing a history
the Fairytale style? Or how a tree looks 2 years after it is been hit by an aeroplane! :)
Nigel Saunders of The Bonsai Zone would not be impressed :D
Gareth Richardson “This comment is a laugh react”
Trust Walter to demo a deciduous tree. 🤣👍
Schade, eine Veranstaltung in Deutschland und einer der großen, alten Bonsai Künstle Deutschlands hat seine Muttersprache völlig vergessen.
We only show the English speaking so you better blame us for leaving out the German speaking :)