Strange. There's alot of tones here that their new digital delay also does. As their SDE-3000 is actually analog, you can make it sound analog instead of digital with the same type of modulation. Just strange...
Its crazy that this pedal exists. Roland won't even remake their analog synths yet their guitar brand BOSS made a modern 12 bbd delay....thats insane. Love it so much!
@@juicythedj750 - If they (properly) re-issued their classic 80s synths and they were priced comparitive to the recent re-issues like OB-X8, Pro 5/10 and MiniMoog I think they would be pretty damn popular. Hell, I'd even be happy to see Roland release a new true analog (not software posing as hardware) synth. Surely they have the skills.
@@riloh58Roland doesnt have the skills to make analog synths. its especially evident because they sub contracted out the design of the SE-02 and the System 500 to other companies.
@@kujumz806 - Good point. I remember that. Maybe one day they will get the know how back in house. I rarely see a Roland or Boss box these days that interests me (and that is probably as much because I don't really need anymore gear) but this delay looks very interesting.
It is great to watch the evolution in guitar effects. We've got digital effects, and also a new generation of analog effects. What an era! Great playing and demo guys!
I just LOVE how you showcase the new pedal by breaking down a piece of music like a production/composing lesson. It feels so natural and exciting to hear you play and speak with such a passion, not necesserily about "new product" but more like new tool to create something beautiful. I'm touched but in a good way. Best wishes to all of you and kudos to Mr. Honore for as always great playing
Fun fact : the original Boss DM-1 used CCD (NOT BBD) technology. I've got one. Under the bonnet, it has a 5101 chip (a Reticon, but not from the SAD/BBD family). VERY dark-n-warm... to a fault. (and I found it decades ago on de'bay' for 25$usd.... best pedal "find" ever, for me.) Anyway, since this new Boss unit re-uses the external design esthetic, I thought I would mention the obvious.
17:54 was the best moment. Just two friends appreciating the effect that a song has on us as people. Really cool how they can't articulate into words exactly what they're thinking, but they both understand each other! Lol Great stuff.
I would kill for a CE-1 reissue in this format. Closest I got was with polish Grobert CE-1 copy but Boss probably has enough R&D to make it even closer with modern parts and add some extra features on top of that.
My money is on not a CE-1 reissue, but an "MD-101", if you will. Now that Boss has built an 8 BBD chip platform, they have the capability of building an MD-101 with dual modulation engines using 4 chips each. Two at once of Chorus, Dimension, Tremolo, Phaser, Flanger, or Vibrato, in any order you like.
If they do, i bet that will still be mono in , stereo out too, like this unit. I think they have dropped a clanger not making this stereo in. In the present rising popularity of stereo set ups they have hobbled its potential application. And tbh, at this price .. 0:02
Regarding Edge's tone from the War era, when they toured that album, Edge's main delay became the Korg SDD-3000 which was a digital delay (listen to New Years Day at Red Rocks, phenomenal performance). I used one back then myself and it was an incredible sounding unit. That was a mainstay in his rig for years and was the main delay all over The Unforgettable Fire.
Those are a sound all their own. Early digital stuff was lofi compared to todays possibilities so those lower bit digital delays have a really cool thing too
@@justinguitarcia I assure you there was nothing lofi about the SDD-3000. It had character and sounded less clinical than some of today's digital delays (or even late 80s units like the Korg A3 which Edge used too), but it was NOT lofi. The Memory Man, sure, but not the SDD-300 or the TC2290 which was also quite popular back then.
Check out Daniel Lanois if you aren't familiar with him. He produced The Joshua Tree and co-produced The Unforgettable Fire. He also produced Emmylou Harris' masterpiece The Wrecking Ball and Neil's Le Noise. And he's absolutely killer on guitar and still uses the SDD-3000.
BOSS seems to be in a very productive phase these days ... RC-s, Slicer, Space-Echo, .... Whot a great new pedal-monster ... OK OK it's not cheap BUT this is bringing back the original and beloved delay sound in a most usable and versatile way ... Great stuff, great demo 👍👍👍👍👍
The all analogue electro~harmonix Deluxe Memory Man has an EFFECT OUT and a DIRECT OUT which can be used to create a stereo effect. It also has a CHRS/VIBR control to do the classic Memory Man modulation.
Damn, that was like one big hitsong from 30 Seconds To Mars or U2 or something. That's analog effects for you and great ones like these are getting few! Where do I SIGN!
Back in the day, I just used a reel to reel recorder to do a delay. I don't think it sounded as good as the pedal. I don't own the reel to reel anymore, but the '70 Tele I was using is still my guitar.
ปีที่แล้ว
Delays since today, can't be better. This is top of analog delay post 2000's
Sounds good man! I had the Boss DD3 for many years and thought that nothing could compare………and then I found the Strymon Volante. In my opinion, the Strymon Volante is the best of the best for delays
I use an Ibanez AD-9, it has a warm tone as well as a pretty useful range of delays. Wouldn't mind a digital delay but the AD-9 has done well so far...
@@OilCanHarry2U I don't know anyone else who has been able to do this but try turning the Delay Level and Repeat up full, leave the Delay Time at about 11 o'clock. Now play a note on your guitar and then move the Delay Time backwards and forwards to increase/ decrease the delay time (may need a good amount of volume on the amp and guitar volume up full). When I do this it produces a way out spooky effect that I have not heard annywhere else! 😆 Done it before the lights came on at a couple of gigs for a laugh and the crowd loved it!
I have the RE-201 (an absolute UNIT, btw) and I love how BOSS is getting the most out of that very cool chassis. It's literally the same box with different guts. I don't need this, but I kinda want it anyway. 🤪
Pete is all of us trying to get that Andy Summers chord position at 20:04 as we try to grow a third arm. I have been sporting DD-200 for a couple of years now, and while it serves its purpose, I have been hunting for something analog on Reverb recently, and haven't pulled the trigger. This though may make me finally do it, even at that price point, I don't see it ever leaving my board.
£450.00 is a lot for this , although it does a lot , and is analogue ( in a loud live band situation can anyone tell ?) , suppose will be brilliant in studio ( not stereo “in” though ) so maybe a Strymon / Eventide / Zoom MS70CDR ( budget pedal but stereo in and out ) , EHX comparison , great demo as ever
LOL- If you can't tell the difference between an analogue or digital delay, you have a bad ear. I don't understand guys who get into like certain chip sets or clipping diodes or something like that- but the difference between analogue and digital delay is like night and day man- even in a loud band.
@@stoneysdead689 Disagree, most none cork sniffers will never be able to tell the difference in the mix. Maybe in an isolated solo and only then if you are a bit of a cork sniffer..
Nothing wrong with a bit of cork sniffing, and let’s be realistic, how many of these will actually be used in a live band setting vs being used at home to pretend to be the Edge? £450 being expensive is subjective, if I had a mortgage it would seem expensive right now, but I’ve long since paid it off so it’s totally affordable.
In the Roland synth and drum machines, there wasn't a 404. The 303 was the infamous Computer Controlled Bass Line. The small silver one. The bassline and squiggly talking alien sound on everything from Orange Juice - Rip it Up, to A Guy Called Gerald - Voodoo Ray to almost every Acid House and Acid Techno track. The 101 was the famous portable keytar, available in multiple colours - also a great bassline synth on Voodoo Ray and in pop on William Orbits tracks with Madonna like Ray of Light. The 202 was the much lesser known but similar cousin of the 101 and 303. Then the others X0X0X were drum machines. 505, 707, and 727 were PCM sample based, everything from punchy dry sounds to latin sounds. The 707 is a minor legend still though (The House Music Anthem (Move Your Body), INXS - Need you Tonight, Never Gonna Give You Up. Rick Astley!). The analog 808 was the drum machine of choice in electro, hip-hop, and electro pop from Marvin Gaye Sexual Healing, Afrika Bambataa to well ... almost all of 80s Electro, Hip-Hop and 80s pop (think near sine wave booming low kick drum, bone snappy snare, tuneful toms, satisfying smooth hats ... and cowbells!). The hybrid analog / lo-fi sample 909 is the drum sound underpinning most house and techno - for example Orbital's - Chime (also squiggly 303 bubbling lead line). The 909 is the sound of the ubiquitous four on the floor kick drum, punchy military snares, grimy punchy hats and slamming toms ... The 606 had same form factor and silver casing as the 303. And a similar family sound to the 808, less sounds, but sounded gentler, pleasant sounding (especially the hats) and the kick especially was comparitively, short and gentler in the bass, compared to the 808 (see Massive Attack - Protection).
@@Space_pulse Yes, good point. They were mentioning TRs and Rhythmn machines (Roland's TR-909 was labelled Rhythm Composer. But Boss had the SP-303 sampler. And there is the famous Boss SP-404 sampler. Just not an old Roland TR or TB 404.
@@compucorder64 lol I was admittedly a little lost and probably misread your post, too. I thought maybe someone was referencing a Roland 303 drum machine somewhere, maybe they were confusing it with the boss SP-303?
Better be amazing and sound true and such an amazing sounding pedal for $500 … it better give that true analog delay. Not a steep price but not cheap either! Congrats Boss on another sale😂
I wonder how the noise floor is? I do so many shows with in ears and noise, buzz, pops, can be very obvious in that setting. This pedal sounds ridiculously inspiring though. Wow.
My problem with GT is that it has too universal controls not easy to dial. I liked so much RE-202, whatever i dial, it sounded good, because controls are in sweet spot. At the same time i can replicate the sound on GT, but not to dial. So if you have enough experience and know the sound you need, GT is very good, but if you are looking for new inspiration, GT does not work for me.
this sounds so good, right up my alley - but damn its pretty darned expensive. I've whittled my delays down to two DM2Ws but I could see myself putting them on the chopping block to part fund one of these bad-boys
![Best Ever Analogue Delay? [Boss DM-101, Carbon Copy, Suhr Discovery plus DD-200 & TimeLine]](http://i.ytimg.com/vi/MxapIxkDmAs/mqdefault.jpg)
![Best Ever Analogue Delay? [Boss DM-101, Carbon Copy, Suhr Discovery plus DD-200 & TimeLine]](/img/tr.png)
Looks like Boss has done it again.
They are so good at this, we shouldn't be surprised!
GOAT
@@rgeraldc80s BAAAA
Strange. There's alot of tones here that their new digital delay also does. As their SDE-3000 is actually analog, you can make it sound analog instead of digital with the same type of modulation. Just strange...
Its crazy that this pedal exists. Roland won't even remake their analog synths yet their guitar brand BOSS made a modern 12 bbd delay....thats insane. Love it so much!
This ^^^^^^
My thoughts exactly.. fingers crossed it's an indication of a shift in direction :)
@@juicythedj750 - If they (properly) re-issued their classic 80s synths and they were priced comparitive to the recent re-issues like OB-X8, Pro 5/10 and MiniMoog I think they would be pretty damn popular. Hell, I'd even be happy to see Roland release a new true analog (not software posing as hardware) synth. Surely they have the skills.
@@riloh58Roland doesnt have the skills to make analog synths. its especially evident because they sub contracted out the design of the SE-02 and the System 500 to other companies.
@@kujumz806 - Good point. I remember that. Maybe one day they will get the know how back in house. I rarely see a Roland or Boss box these days that interests me (and that is probably as much because I don't really need anymore gear) but this delay looks very interesting.
Love it when the captain can’t contain his glee while Pete is playing… Always the hallmark of a fun video demonstrating a great piece of kit!
cos he knows how many units Petes demos help shift :P
@@BkBk-gy6vr pretty sure your right- but that strategy works VERY well!
It is great to watch the evolution in guitar effects. We've got digital effects, and also a new generation of analog effects. What an era! Great playing and demo guys!
I just LOVE how you showcase the new pedal by breaking down a piece of music like a production/composing lesson. It feels so natural and exciting to hear you play and speak with such a passion, not necesserily about "new product" but more like new tool to create something beautiful. I'm touched but in a good way.
Best wishes to all of you and kudos to Mr. Honore for as always great playing
Fun fact : the original Boss DM-1 used CCD (NOT BBD) technology.
I've got one. Under the bonnet, it has a 5101 chip (a Reticon, but not from the SAD/BBD family). VERY dark-n-warm... to a fault.
(and I found it decades ago on de'bay' for 25$usd.... best pedal "find" ever, for me.)
Anyway, since this new Boss unit re-uses the external design esthetic, I thought I would mention the obvious.
17:54 was the best moment. Just two friends appreciating the effect that a song has on us as people. Really cool how they can't articulate into words exactly what they're thinking, but they both understand each other! Lol Great stuff.
I would kill for a CE-1 reissue in this format. Closest I got was with polish Grobert CE-1 copy but Boss probably has enough R&D to make it even closer with modern parts and add some extra features on top of that.
Yup, re 202, this, CE-1 gotta be on the list.
My money is on not a CE-1 reissue, but an "MD-101", if you will. Now that Boss has built an 8 BBD chip platform, they have the capability of building an MD-101 with dual modulation engines using 4 chips each. Two at once of Chorus, Dimension, Tremolo, Phaser, Flanger, or Vibrato, in any order you like.
I'm hoping for the same thing, I was so happy when they did the DC-2W.
If they do, i bet that will still be mono in , stereo out too, like this unit. I think they have dropped a clanger not making this stereo in. In the present rising popularity of stereo set ups they have hobbled its potential application. And tbh, at this price .. 0:02
@@gcvrsa stop stop, I can only get so errect.
Regarding Edge's tone from the War era, when they toured that album, Edge's main delay became the Korg SDD-3000 which was a digital delay (listen to New Years Day at Red Rocks, phenomenal performance). I used one back then myself and it was an incredible sounding unit. That was a mainstay in his rig for years and was the main delay all over The Unforgettable Fire.
Those are a sound all their own. Early digital stuff was lofi compared to todays possibilities so those lower bit digital delays have a really cool thing too
@@justinguitarcia I assure you there was nothing lofi about the SDD-3000. It had character and sounded less clinical than some of today's digital delays (or even late 80s units like the Korg A3 which Edge used too), but it was NOT lofi. The Memory Man, sure, but not the SDD-300 or the TC2290 which was also quite popular back then.
Yes I think sdd3000 was a 12 bit delay while modern units are 24 bit, that made the Korg kinda lo-fi
Wasn’t he using the deLuxe memory Man during war?
Check out Daniel Lanois if you aren't familiar with him. He produced The Joshua Tree and co-produced The Unforgettable Fire. He also produced Emmylou Harris' masterpiece The Wrecking Ball and Neil's Le Noise. And he's absolutely killer on guitar and still uses the SDD-3000.
BOSS seems to be in a very productive phase these days ... RC-s, Slicer, Space-Echo, ....
Whot a great new pedal-monster ... OK OK it's not cheap BUT this is bringing back the original and beloved delay sound in a most usable and versatile way ...
Great stuff, great demo 👍👍👍👍👍
Boss is once again showing us all how it's done 👍
I did as suggested and watched this video with a reasonably decent set of headphones and my word that is a sweet sounding pedal
I like how violent the tap tempo light is
Sounds amazing and has every features needed. At this price range it has to!
Good analog delays are expensive, but they worth every penny you put in.
Too funny. When Pete was playing the intro, my mind went to U2 immediately. Nailed it.
I wish Antertons would open a US location with shipping from a U.S. warehouse. Love their videos and would like to support them.
This is THE ultimate analogue delay !
The all analogue electro~harmonix Deluxe Memory Man has an EFFECT OUT and a DIRECT OUT which can be used to create a stereo effect. It also has a CHRS/VIBR control to do the classic Memory Man modulation.
Best sounding, most versatile delay I have ever heard. Holy moly.
I am so excited for this pedal. Boss did a fantastic job with this one
That PAN setting when listening on headphones is AMAZING!
This is the first Boss pedal that has seriously caught my interest. Wow!
FWIW: TB-303 is a bassline synthesizer module which the whole acid-house genre is based around, while TR-505 606 707 808 909 are drum machines indeed
Hha! I was looking for this comment ✊🏻
“The new Boss pedal that takes you back to reliving your deepest emotional scars” thx Pete, there goes the sponsorship, mate 😂💕
Dude, Analog Sound Digital Brain….. that’s the best of both worlds
My search for the ultimate analog delay might be over. Boss really nailed the design. Expensive as heck, though. Thanks.
*The J. Rockett Clockwork also has true stereo out aswell (as an analogue delay) :)*
Not exactly true stereo on clockwork which has a stereo image. You cannot have panned delay.
@@soutterolivier aaaah, ok
We need a Boss Chorus in that type of enclosure 😍
The stereo effects are amazing
Damn, that was like one big hitsong from 30 Seconds To Mars or U2 or something. That's analog effects for you and great ones like these are getting few!
Where do I SIGN!
Great educational and entertaining look at this! Learned about Heritage guitars a bit as well! Keep it up!
Back in the day, I just used a reel to reel recorder to do a delay. I don't think it sounded as good as the pedal. I don't own the reel to reel anymore, but the '70 Tele I was using is still my guitar.
Delays since today, can't be better. This is top of analog delay post 2000's
Love the little cover of Human Nature at the outro! BOSS strikes again!!
strikes back with mono input
Pete "The Man" showing us a beautiful example once again, Thanx Guys,Awesome Demo.!!
These guys are great!!! Informative and entertaining every time. Love it!!!!!
🤯🤯🤯🤯🤯🤯🤯 All I can say is that BOSS has an army of genious engineers.
this is the ULTIMATE Delay pedal! :O
A very satisfying immersive experience.
Unbelievably cool. I need one of these. Wow.
Damn, what a great intro… Seriously thinking about getting this one… Keep on rockin
Sounds great
I was ready to pull the trigger until I saw the price tag. $250 seems more reasonable, but I am super impressed with it.
Sounds good man! I had the Boss DD3 for many years and thought that nothing could compare………and then I found the Strymon Volante. In my opinion, the Strymon Volante is the best of the best for delays
12:20 Great insight
16:10 😂
16:15 Sold
i know its comparing apples to oranges but this make the eventide h90 look like really good value after the stick it got for its pricepoint...
That’s a (great) but entirely digital effect unit.
I use an Ibanez AD-9, it has a warm tone as well as a pretty useful range of delays. Wouldn't mind a digital delay but the AD-9 has done well so far...
I’ve used the very same pedal for 40 something years….totally agree with your take on the pedal.
@@OilCanHarry2U I don't know anyone else who has been able to do this but try turning the Delay Level and Repeat up full, leave the Delay Time at about 11 o'clock. Now play a note on your guitar and then move the Delay Time backwards and forwards to increase/ decrease the delay time (may need a good amount of volume on the amp and guitar volume up full). When I do this it produces a way out spooky effect that I have not heard annywhere else! 😆 Done it before the lights came on at a couple of gigs for a laugh and the crowd loved it!
@@gawentaylor6838 That's the effect every guitarist does when they get a delay. Also used in dub and house music.
dual mod at 21:22 reminds me 'Voices in the rain' by Snowy White
Nice Song
Uh...wow. Sounds absolutely amazing.
I have the RE-201 (an absolute UNIT, btw) and I love how BOSS is getting the most out of that very cool chassis. It's literally the same box with different guts. I don't need this, but I kinda want it anyway. 🤪
Still love my old Wem Copycat. Surprisingly tapes are still available 😊
Pete is all of us trying to get that Andy Summers chord position at 20:04 as we try to grow a third arm.
I have been sporting DD-200 for a couple of years now, and while it serves its purpose, I have been hunting for something analog on Reverb recently, and haven't pulled the trigger. This though may make me finally do it, even at that price point, I don't see it ever leaving my board.
I am off to dig out my Digitech Timebender and do a comparison..🤘🏼🇦🇺
Boss is boss at taking my money.
What an intro and pedal 💙
Danish Pete, do you have a pod cast? You are bigger than this channel! We love your intros 🙂
They're going to sell as many of these as they can manufacture over the next couple of years.
£450.00 is a lot for this , although it does a lot , and is analogue ( in a loud live band situation can anyone tell ?) , suppose will be brilliant in studio ( not stereo “in” though ) so maybe a Strymon / Eventide / Zoom MS70CDR ( budget pedal but stereo in and out ) , EHX comparison , great demo as ever
LOL- If you can't tell the difference between an analogue or digital delay, you have a bad ear. I don't understand guys who get into like certain chip sets or clipping diodes or something like that- but the difference between analogue and digital delay is like night and day man- even in a loud band.
@@stoneysdead689 Disagree, most none cork sniffers will never be able to tell the difference in the mix. Maybe in an isolated solo and only then if you are a bit of a cork sniffer..
Love my MS70.. Paired with the MS50 you have a kick ass mini set up..👍🇦🇺
Nothing wrong with a bit of cork sniffing, and let’s be realistic, how many of these will actually be used in a live band setting vs being used at home to pretend to be the Edge? £450 being expensive is subjective, if I had a mortgage it would seem expensive right now, but I’ve long since paid it off so it’s totally affordable.
I can buy a Boss Katana for less and not be far off mirroring this pedals tones..
Pete out here sounding like Edge with that delay
At 450 pounds for a delay, you'd expect it to be VERY good but I guess for those without a budget this is an awesome pedal!
Yeah!!! Any guitar player that likes delays. This one is it!!!
In the Roland synth and drum machines, there wasn't a 404. The 303 was the infamous Computer Controlled Bass Line. The small silver one. The bassline and squiggly talking alien sound on everything from Orange Juice - Rip it Up, to A Guy Called Gerald - Voodoo Ray to almost every Acid House and Acid Techno track. The 101 was the famous portable keytar, available in multiple colours - also a great bassline synth on Voodoo Ray and in pop on William Orbits tracks with Madonna like Ray of Light. The 202 was the much lesser known but similar cousin of the 101 and 303. Then the others X0X0X were drum machines. 505, 707, and 727 were PCM sample based, everything from punchy dry sounds to latin sounds. The 707 is a minor legend still though (The House Music Anthem (Move Your Body), INXS - Need you Tonight, Never Gonna Give You Up. Rick Astley!). The analog 808 was the drum machine of choice in electro, hip-hop, and electro pop from Marvin Gaye Sexual Healing, Afrika Bambataa to well ... almost all of 80s Electro, Hip-Hop and 80s pop (think near sine wave booming low kick drum, bone snappy snare, tuneful toms, satisfying smooth hats ... and cowbells!). The hybrid analog / lo-fi sample 909 is the drum sound underpinning most house and techno - for example Orbital's - Chime (also squiggly 303 bubbling lead line). The 909 is the sound of the ubiquitous four on the floor kick drum, punchy military snares, grimy punchy hats and slamming toms ... The 606 had same form factor and silver casing as the 303. And a similar family sound to the 808, less sounds, but sounded gentler, pleasant sounding (especially the hats) and the kick especially was comparitively, short and gentler in the bass, compared to the 808 (see Massive Attack - Protection).
Boss SP-303 was a thing, though. Maybe they’re referring to that? Lots of lo-fi beat heads love those, especially for the vinyl sim.
@@Space_pulse Yes, good point. They were mentioning TRs and Rhythmn machines (Roland's TR-909 was labelled Rhythm Composer. But Boss had the SP-303 sampler. And there is the famous Boss SP-404 sampler. Just not an old Roland TR or TB 404.
@@compucorder64 lol I was admittedly a little lost and probably misread your post, too. I thought maybe someone was referencing a Roland 303 drum machine somewhere, maybe they were confusing it with the boss SP-303?
Now we want an MD-101 and an RV-101, the modulation and reverb versions of the old enclosure.
Very Cool, Thankyou. Awesome Delay Effects and Playing.
Great delay pedal Great delay pedal Great delay pedal Great delay pedal Great delay pedal
The way Pete just pulls songs out of the air... I'm not worthy
Nice demo guys, loving this delay
My new RE 2 just arrived today and then this drops lol, luckily the space echo seems to do some of these sounds
just gorgeous device
andertons! great vid, is it buffered output as usual or true bypass? thanks if you can answer...
It’s buffered. Check the specs
Great intro Conan
Greetings from Kalamazoo, MI.
At 16:21 was that The Dane or the Origin?
Great video as always!! :)
Absolutely. Great tune ("Time After Time"). THE Miles Davis covered that song. Mmm...
Better be amazing and sound true and such an amazing sounding pedal for $500 … it better give that true analog delay. Not a steep price but not cheap either! Congrats Boss on another sale😂
I want to win that victory preamp pedal! Love this boss delay!
so what type of midi controller would one use to manage the 127 patches?
I wonder how the noise floor is? I do so many shows with in ears and noise, buzz, pops, can be very obvious in that setting. This pedal sounds ridiculously inspiring though. Wow.
The captain said multi-head Pete smiled 🤣
Boss make some of the Greatest Music products , the GT 1000 has a stack of Delays and the Analog Delays are very Good .
My problem with GT is that it has too universal controls not easy to dial. I liked so much RE-202, whatever i dial, it sounded good, because controls are in sweet spot. At the same time i can replicate the sound on GT, but not to dial. So if you have enough experience and know the sound you need, GT is very good, but if you are looking for new inspiration, GT does not work for me.
Just pre-ordered with Anderton’s
Well done. Sounds great.
I'm a sucker for anything Roland/Boss. This is cool! Please don't let me add it to my rig 😅
Lovely, just like you chaps😊
Awesome delay. Go Boss.
Great sounding pedal!
That sounds rad!
MY BIRFTHDAY IS IN AUGUST, PLEASE SEND ME ONE , MY MUM DIED RIGHT AFTER THAT THE CAT DIED , THIS PEDAL IS A SURE DEPRESSION ENDING EFFECT.
Pricey but arguably the best ever ana delay
Sounds great but I will have to stick to my Strymon Timeline. It would be great to have two matching quality amps in my bedroom studio though!
Looks & sounds just right next to the original Boss CE1.
This pedal and the roland evh...2 pedals i really2 want this year...nothing else, im tired with "boutique" scam 😊😊😊😊😊
Opening the video with Souixie and the Banshees - Dear Prudence. 👏👏👏👏👏👏
Very nice pedal !
Sounds even better than Jenny Agutter looked in 1980.
Remember the Alamo
Strymon brig or this?
Used to be right into using delay .now I just find it gets in the way will never give up reverb though lol
this sounds so good, right up my alley - but damn its pretty darned expensive. I've whittled my delays down to two DM2Ws but I could see myself putting them on the chopping block to part fund one of these bad-boys
The xvive memory is a true Analog delay which is stereo and been out for some time.
The intro bit you play to Time After Time also sounds a bit like America by Razorlight