Hi, höre von vielen Seiten wie gut das Plugin ist, und werd es mir jetzt zulegen. :-) Falls ihr es noch weiter entwickeln wollt, fände De-Mouth, und De-Click für Schmatzgeräusche usw. mega. Dann hätte man wirklich alles in einem.
I'm about to get this tool... it seems to be a huge time-saver for sure. But even before I put my hands on it, according to this video, I already see some improvement suggestions. 1) Alongside LUFS integrated, it would be really amazing to include an option to have also dBFS Peak target levels. 2) It would be great to have the possibility to edit all the leveling points individually at 0.1dB resolution. 3) Would be really helpful to Include an underlayered curve or waveform of the expected output level after processing, before printing the processing actually, so we can visually check the whole gain structure consistency. 4) It would be also helpful to include an Spectral view to check the freq content, not only as a pure waveform level, in order to properly validate the leveling suggestions automatically made by the plugin. A waveform visual alone doesn't give any info about the freq content of the source audio, even if LUFS Integrated could approximate that. 5) Considering the ARA2 potential capabiliies, it would be great to include a level match function mirroring other tracks from the same session. This would be a really huge time-saver function when mix prep several DI guitar tracks or matching several background vocals for instance. 6) The price is a bit step according to the average cost of plugins nowadays. 7) With due respect, I would suggest to use a pro voiceover in your videos, less talking,and walkthrough more real life examples and more diverse sound sources. 8) Great tool. Keep up the good work guys!
Works great. I usually have two tracks for a single lead vocal (in case of overlapping phrases so that my time-based processing doesn’t get stuck). Because of this, I’d typically open Melodyne or another ARA plugin on both tracks. This plugin works (sort of) with this workflow. However, it seems to not retain settings between both plugins. For instance, if I select a preset or change the target loudness on one window, it doesn’t get mirrored to the other plugin. It’s actually quite confusing. If you could address this issue, that would be fantastic!
Very cool. I'm already using DynAssist in some projects. And I have a feature request: for non ARA use (Logic on Silicon Mac) ... can you please make the plugin record tracks while freezing/unfreezing the tracks (like it works in non ARA Melodyne)? This way you wouldn't have to record in realtime (= huge time saver). Thanks and keep up the great work!
CLA hits -20db on his blue 76 , you call that little compression? Also Jaycen uses cla vocals comp section as a itb replacement for his otb parallel chain. He uses it after compressing with MV2 and RVox/RComp
Ya, I'm a professional engineer. I edit my vocals first, but I still need PLETNY of compression to get them to sit in the mix correctly most of the time. Not all the time, but most of the time. So, I get what he's going for, but I think it's a bit "misleading" to say, for one, "pros" don't use heavy compression and, for two, teach people that using less compression is the only way to do it like the pros do. It's just not true.
@@matt_nyc_audioengineer exactly, it all depends on the material we're given. But the guy on the video name dropped the people that uses compression like crazy and then giving a false information that they do light compression is totally misleading
I haven't tried it yet, but if it does what it promises, I think the price is fair. However, for that price, I expect it to work PERFECTLY and not have to go back in afterward and adjust things. If it does it right the first time consistently, then I think the price is fair. Just my opinion!
@@MixedbyToryG I feel you on that. But it's not that hard to clean up your own recordings. Once you learn your daw and do it enough it's second nature. Im not saying this plugin wouldn't be a time saver or whatever else. I'm just saying. The price of plugins are a but much. It's only my opinion though
Hi, höre von vielen Seiten wie gut das Plugin ist, und werd es mir jetzt zulegen. :-) Falls ihr es noch weiter entwickeln wollt, fände De-Mouth, und De-Click für Schmatzgeräusche usw. mega. Dann hätte man wirklich alles in einem.
Best Plugins of the last 15 Years,
Time Safer and Game changer!
Finally we got a Studio assistant 😅👍🏼💪🏽
I'm about to get this tool... it seems to be a huge time-saver for sure. But even before I put my hands on it, according to this video, I already see some improvement suggestions. 1) Alongside LUFS integrated, it would be really amazing to include an option to have also dBFS Peak target levels. 2) It would be great to have the possibility to edit all the leveling points individually at 0.1dB resolution. 3) Would be really helpful to Include an underlayered curve or waveform of the expected output level after processing, before printing the processing actually, so we can visually check the whole gain structure consistency. 4) It would be also helpful to include an Spectral view to check the freq content, not only as a pure waveform level, in order to properly validate the leveling suggestions automatically made by the plugin. A waveform visual alone doesn't give any info about the freq content of the source audio, even if LUFS Integrated could approximate that. 5) Considering the ARA2 potential capabiliies, it would be great to include a level match function mirroring other tracks from the same session. This would be a really huge time-saver function when mix prep several DI guitar tracks or matching several background vocals for instance. 6) The price is a bit step according to the average cost of plugins nowadays. 7) With due respect, I would suggest to use a pro voiceover in your videos, less talking,and walkthrough more real life examples and more diverse sound sources. 8) Great tool. Keep up the good work guys!
Awesome boys, can't wait to try Version 2 :-)
Trying it today.
Works great. I usually have two tracks for a single lead vocal (in case of overlapping phrases so that my time-based processing doesn’t get stuck). Because of this, I’d typically open Melodyne or another ARA plugin on both tracks. This plugin works (sort of) with this workflow. However, it seems to not retain settings between both plugins. For instance, if I select a preset or change the target loudness on one window, it doesn’t get mirrored to the other plugin. It’s actually quite confusing. If you could address this issue, that would be fantastic!
Very cool. I'm already using DynAssist in some projects. And I have a feature request: for non ARA use (Logic on Silicon Mac) ... can you please make the plugin record tracks while freezing/unfreezing the tracks (like it works in non ARA Melodyne)? This way you wouldn't have to record in realtime (= huge time saver). Thanks and keep up the great work!
When will this be on sale?
Can you also use this for live streaming? Thx 🙏🏼
Doubt it
CLA hits -20db on his blue 76 , you call that little compression? Also Jaycen uses cla vocals comp section as a itb replacement for his otb parallel chain. He uses it after compressing with MV2 and RVox/RComp
WHO cares what Jaycen does?
@@paulmistygatz7888
The guy in the video, as he mentioned him few times
@@paulmistygatz7888 guy in the video does
Ya, I'm a professional engineer. I edit my vocals first, but I still need PLETNY of compression to get them to sit in the mix correctly most of the time. Not all the time, but most of the time. So, I get what he's going for, but I think it's a bit "misleading" to say, for one, "pros" don't use heavy compression and, for two, teach people that using less compression is the only way to do it like the pros do. It's just not true.
@@matt_nyc_audioengineer exactly, it all depends on the material we're given. But the guy on the video name dropped the people that uses compression like crazy and then giving a false information that they do light compression is totally misleading
Will there be an ARA2 integration for ProTools?
can you manual edit the automation ?
Funktioniert das Plugin auch auf Mac M3?
werds‘ nachher einfach mal testen aber bin schon bissle hyped
does this work in Fl studio? thanks
CLA uses 1176 -10db on his vocals
The price is ridiculous
I haven't tried it yet, but if it does what it promises, I think the price is fair. However, for that price, I expect it to work PERFECTLY and not have to go back in afterward and adjust things. If it does it right the first time consistently, then I think the price is fair. Just my opinion!
It works perfectly! This plugins is magic
If you’re like me and can’t afford to pay an assistant to edit my vocals and save time, the price is more than reasonable.
@@MixedbyToryG I feel you on that. But it's not that hard to clean up your own recordings. Once you learn your daw and do it enough it's second nature. Im not saying this plugin wouldn't be a time saver or whatever else. I'm just saying. The price of plugins are a but much. It's only my opinion though
This guy just lied to his audience. CLA uses tons of compression on his vocals. Not buying anything from a low character liar.
He has no idea who CLA is😂
100%. Synonymous for it!
Any daw can do this shit.
Please use knowledge to do it.
This shit is ridiculously overpriced
Any phone can do calls, why aren’t you using a cable phone?
@@paulmistygatz7888 I use both. But for calling I use your idea
I'm guessing you don't walk everywhere?
Intéressant mais le prix fait fuir