ROLI probably missed the last C for adding another Seaboard Block on the end, however, this is really annoying. Excellent review and so in-depth. Thank you, Robin.
It is annoying, but it'd be more annoying to have 2 Cs if you put two of them together, wouldn't it? So yeah, it makes sense and it only affects you if you're thinking from C to C. Perhaps it'll help escape that habit.
i don't t hink they 'miss' the 25th key to be honest.. suprise surprise.. their Roli 25 has well.. 25! yes 25 keys.. and something which I still find more useful: The MPE Control Settings for adjusting the Range of the 5x MIDI expressions on each preset. Every single sound needs these controls to be adjusted and tweaked constantly. So it's a real drag to keep stopping and having to adjust these fundamental controls on the dashboard.. it just kills the whole workflow for playing this instrument! But hey nowirres, because they have 'cleverly' created another Roli block to their Roli 'bollocks' line!! I guess this is just for us to keep 'investing' right? And no mention of having to also pay to unlock Equator and be able to use this instrument properly.. Especially, when there are no synths with full MPE support yet. Honestly, their corporate trap-thinking just s..ks.. in my humble opinion..
There is a perfect logical reason to the 24 key layout (perfect 2 octaves) and the "missing" no.25. It's because these seabord blocks are intended to be daisy-chained. That would of course be very weird one side of the daisy-chained Seaboard had two C's ;)
Robin, you’re right that the seaboard block is not a direct substitute for a standard midi keyboard controller in particular for piano type parts but...it can work as a compact controller in a table top environment. Blocks dashboard offers the ability to change the sensitivity of the velocity map so that you don’t have to hit it as hard as you were in the video. You can also save that configuration so that it can be recalled later should you change it again. If you have one or more Lightpad blocks linked in, you can set them up as controllers for virtually any parameters in either the virtual instrument you are using or even the DAW, again all recallable within Blocks Dashboard. I am another who finds the blocks system very usable even with non MPE instruments and the reason is that these controllers along with stuff like the Linnstrument allow for intuitive and direct musical expression. The cellist, saxophonist, flautist, guitarist can add vibrato and volume/ tone at the exact rate and depth they want at any given time without having to go for a controller wheel or paddle. This is a game changer for the keyboard but as you rightly allude to, you won’t be able to master it without a bit of practise. Very few bass players are able to pick up a fretless bass and immediately play all their existing parts in tune without a bit or even a lot of practise. So yes, if you want a piano, it can be made to do it but it’s not ideal and if you are approaching your music as a classic “synthesist/ sequencer creating loops and then modifying tones etc. by twiddling knobs and plugging in patch leads, then maybe it’s not for you. But if you want to apply natural, real sounding musical expression to your parts as you play them, at the price point, it’s probably unparalleled. Oh, and the Lightpad Blocks are great for playing tunes on as well, with all 5 dimensions of expression - maybe you should try out a couple of them?
Thanks for your comments. It all comes together as a really nice system - but part of my personal remit was to deal with the product as it was - without upgrading Equator, without adding Lightblocks - how useful is it by itself as advertised? And in my view it's pretty great, but not for everyone or everything. For your application though - perfect!
Thumbs up on this comment, as I’m a fretless bass player digging deeper into piano playing and midi controllers. I had the wonderful fortune of finding an abandoned and then even further discounted Seabord block in a pawn shop. I’m excited about the prospects, enjoying the curve, and I’m finding my current dexterity and ear training transferring rapidly. I’ve caught some TH-cam vids that unwittingly demonstrate this instrument played quite out of tune. Nothing worthwhile comes easy!
I think the reason the C key is missing is because it's designed for being able to put several blocks together if you want to. If there was a C key at the top when you put two blocks together you'd have two C keys next to each other.
I am a Roli Seaboard 49 user and is a joy playing the 49 keyboard. I got my Seaboard 49 way before the Blocks modules even came out and wanted to try the new expressive playing technology. Along with the 49 keyboard it came with the full version of Equator and the Dashboard software. With the initial patches/sounds for the Equator, I can also download many more online preset sounds for full version of Equator. I connect my Roli 49 via USB cable to a Windows computer. Yes the Roli 49 is expensive but for me found it was worth the money to have. Note: there is no extension capability to the Rise 49. When I saw Blocks, I really didn't care to get the Blocks keyboard mainly because Blocks does not have standard size dimension keys to play on. I dont need Bluetooth cause I am permanently setup in a studio environment with the Seaboard 49. The Blocks, if you add/extend more keyboard modules, I think the slide bars only work the length of each module, far as I know??. My Seaboard 49 - the slide bars will function the full length of the keyboard. If you dont mind the smaller key size keyboard, the Blocks should function the same and at less cost - then my Seaboard 49.
Thank you for that detailed review! Definitely the best, most compete Seaboard review I've seen! Love the candid nature. And to put Roli (the company) at ease.. despite the downsides, I might actually end up getting one.
Love the HHGTTG reference... Release velocity is for varying ADSR release speed. Make a note cut off more dramatically by a quicker release, and then fade out more slowly by a slow release (faster key_up event). I suspect MiniMoog is responding to aftertouch, but it’s not mapping to that CC because the other CC messages are coming in first (your fingers move forward and back even when you are trying to just press inward). If you could force the Roli to NOT send any other CC messages at the same time as you’re pushing into the surface, the MiniMoog MIDI learn would map to that CC.
Thanks for the review, I just ordered a few of these after watching some reviews, but I had some doubts since just about every other review I've seen focuses on how cool it is, so I appreciate that you really sat down with this thing. My main thing is animation and illustration, so I'm no musician by any means (I probably have 10 minutes of experience when it comes to music) with that said, I just need a way to get some music for my animations I'm happy to hear it works well for that you mentioned something about it being "cinematic".
A terrific review which does not fail to point out problems, as well as the good features. In fact this controller is very useful for controlling complex parameters of virtual instruments (violin, trumpet, clarinet) from Samplemodeling and Audiomodeling. Thanks
Very informative video. I watched hundreds of them but yours is the most comprehensive one. I just ordered a Seaboard Rise 49. It comes with the full version of Equator. An it fits very well to my studio set. I have some Native Instruments stuff, so I can use a bunch of Kontakt instruments in Reaper all with MPE support. I'm very exited. I'd really like to know in which condition the rubber surface of your Blocks is after these two years. For you I think you choosed the wrong Roli product. You'd better orderd a Seaboard Rise 25. It has the third C, the keys are bigger and the Equator is bundled in full version.
Thank you for the comprehensive video. May I know if your seaboard block was connected directly to the surface or was it connected to another interface (which was in turn connected to the surface)? Looking at this to connect to my thinkpad which has thunderbolt 4.
In Reaper, my only gripe is pitch editing is useless because the resolution of the lane is out of whack. They haven't bothered to fix that in years of people requesting it.
The last C is not missing but is an option for another block attached to this one. So if you attach two blocks one next to the other you will not have double C. Simple?
@21:33 You might also like the snapcases, which add some additional rubberized friction to hold it in place better on most surfaces if you're playing it more expressively.
would you recommend this for someone who wants to use it as a midi controller but also learn some piano? or woulda digital piano be a better option? thanks.
Hi ! I really like how you reviewed this . Can you suggest among these midi controller to pair with this roli to have a big area to create music. M thinking between APC 40, MASCHINE MK3 OR PUSH 2. m more interested in fun live session nothing into too complex recording and stuff. M new to this whole world of electronic music . Please suggest sir but for live sessions
Hey - those midi controllers have a specific purpose and so it depends on what you want to use. Push and the APC 40 are designed for Ableton Live, so if you are using Live then they are a good choice. Maschine is designed for it's own Maschine software and NI Komplete - if that's what you want to use then get that. Check out what other people are using them for.
this has been incredibly helpful, thanks for breaking this down as much as you have, learned a heap. until watching this i was going to pass on the seaboard because, as far as i could tell, only the slide input could be mapped at your total discretion. bitwig to the rescue. would love to see someone do this style of pure input breakdown for the square blocks, and the loop, live, and touch blocks
thank you for going over the midi 1.0 implementation details. do you know if there has been any community projects to make mapping midi easy for DAWs like ableton?
Epic review! Thank you for putting so much time and effort into this review. Indeed the keyboard has a strange grabby silicone surface and odd foam inside. The Linnstrument also seems like an interesting contraption. . .
Thanks Robin VIncent for another full and REAL review. MPE is certainly a work in progress.. I would really like to see how the Roli would work with PPG synths on your review as they claim is 'MPE compatible'. Altohugh, I have been able to use it only in Mono, and even then it's very 'inconsistent'... Same thing for intricate multi-ltibral synth set ups within DAW's...Cheers
Thanks for the very in depth review, Robin. I have played with a Seaboard Rise (in a shop) and did find it quite intuitive for me personally. In Cubase, if you set the MIDI channel to "any" would it not record all the data on one track?
There is a quick workaround for roli Bluetooth on Windows 10. Download midiberry and loopmidi. Not very elegant but does the job for now:) ps. Or spend £52 on a CME widi bud Bluetooth dongle.
Thank for the tip. I now have mine working with Cubase on my Surface Pro (albeit with a bit of latency) but it`s a start!! And, I`ll start hassling Roli to pull their finger out and get this sorted with Windows machines. They fobbed me off a year ago, but if a workaround can do this then they are being f*cking lazy by not get getting it fixed from their end...
17:13 - this is because you can connect second roli block to have 4 octaves and NOT doubled "c" key - in fact when we have low budget and decide to have onli one Roli block, then lack of this "c" pitch is annoying
Yes that's right..... so the two Roli keyboards are identical yes? Both have missing top Cs right? Put them together and now the left hand one has a top C (the bottom c in the right hand Roli) - with me so far? But the right hand Roli still has no top C! Look it's not a big deal, i understand the design decision and you're not the first person to be upset by the injustice of my criticism - but there you are :)
Excellent and thought provoking review - important point about will it work for you and while you might have various bits of kit you think you will use it with it's only until you've got one that you find out if it actually does or not - and if it does work with a bit of kit you have is it that awesome to control the filter, resonance, FM depth, release time plus a bunch of other things all at the same time?. My advice for anyone is to try and get one as a demo for a while. Re the Rise I think a huge difference is the 3 sliders & X/Y pad. In MIDI mode that gives you an additional 5 MIDI CC controls on top of the 5 within the key wave part.
On a point about the software, I was really disappointed to see that I needed to borrow my roommate's iPhone to get my blocks updated, just for Blocks Dashboard on Mac OS to read them. Seeing your bluetooth issue for your Surface tablet sums it up - they catered these devices to be iOS friendly, but really need to get the computer markets better supported - both Mac and PC.
Molten Music Technology true. but as an owner of 2 Keith McMillan K-boards as well the extra key in the middle was really annoying. so I prefer it this way. :)
Hi, I'm starting to use MIDI in my music making. I'm getting surgery soon and am losing the ability to play 2handed instruments for a couple months. I'm looking at the seaboard so I can control some effects with just one hand. Do you know if Reaper can control MPE "Expressions" like bitwig can at 41:50? I don't think I have the money to buy bitwig, and my university doesn't offer it. Amazing amazing review. I really know what I'm getting now. Subscribed
Another thing, I think I just missed this section, Can it just function as a barebones midi keyboard as well? If I don't want any of that 'expression' in a performance can I 'turn it off'?
Yes, Reaper has the ability to record and edit MPE info - not like Bitwig exactly but it can be done. I’m pretty sure the Seaboard comes with an 8 track Bitwig. And yes any non-mpe synth will just behave like it’s any other midi controller- you don’t have to map the expression controls to anything.
I love your in-depth reviews! MPE is super exciting to me, but I haven't had a chance to really try any of these kinds of instruments out and feel like it'd be best to wait a year or two for the tech to mature just a little bit more. Have you ever looked into the Linnstrument?
at 15:54 that's not a C, you think your pressing its a B. apart from that your review is great :) I use the seaboard rise, it does take some adapting from the standard keyboard.
how good/useful is the Role seaboard block if you're not interested in using it with their proprietary software. I'm only interested in using it as a general purpose midi controller, how viable is it for that use.... (non-mpe) ??
the thing is, that I thought the spongy-ness of it would be great for drum programing but I still need a keyboard layout as well as well for sketching melodic ideas. I just don't need the mpe capability.... I also wanted to ask you if it ran off of usb bus power so that I could use it with an akai mpc live via the mpc usb ports?
I don't think you can blame either Roli or Microsoft for the lacking features. The Bluetooth feature can be enabled with an updated bluetooth module, so they have to presume you *could* have done that. However, your Surface is not equipped with Bluetooth BLE module. If it is, then you need to download some additional software (that may or may not have come with the Creative Update).
Yes I can. ROLI are so certain of their awesomeness that when they say something should do something then it should damn well do it without me having to fudge it or have insider information.
even on OSX it isn't plug and play. It is a cumbersome set up procedure. I think they don't have everything "production ready" except for possibly the Blocks/IOS stuff. Everything else requires "insider" information.
That was the best Roli review I have ever watched and it also came with quite a few good laughs. I found the Roli block difficult to use and just impossible to use on a dark stage (all black keys). I may try one with full size keys someday but for me the blocks version is only good for solos using the Roli Equator software and not some watered down version. For piano type playing I found it useless and less expressive than a traditional keyboard. Thanks for the great review.
*Great* video that expresses how I feel about my Role key block too ~ when it's mad it's great. And then sometimes it's... blarghh. BTW - did I detect a bit of the Bagpuss melody in your end music?
Thanks This Video was useful, I was considering getting the Roli Block now I'm not all that enthused with the product especially at it's current price.
Regarding non-MPE compatible instruments, I've seen a few videos of people using it with Native Instruments Kontakt, wish you would have touched upon that in your video (so it could be 2 hours long.... :D), as that's my main reason for being interested, controlling orchestral sample libraries using it.
@@MoltenMusicTech Thanks I've been looking for a good midi controller with great aftertouch and it's interesting how hard it is to find. Any suggestions?
It really depends on what you're looking for. MPE controllers tend to be weird and don't play anything like a piano. You'll find regular (channel) aftertouch on most MIDI controllers so just go with the one you like the look of. If you want poly aftertouch it's actually hard to come by on its own - it tends to be on a synth like the Hydrasynth - many people mistake regular channel aftertouch for polyphonic aftertouch, because channel aftertouch feels like it works polyphonically.... but poly AT means each note can apply aftertouch to that note only.... if that makes sense. Best bet at the moment is the Korg Keystage, but with MIDI 2.0 launching properly this autumn (i believe) maybe more will arrive www.korg.co.uk/products/keystage
@@MoltenMusicTech Yes! I’ve thought about the key stage but heard mixed things. My Keystep has aftertouch but it’s sort of hard to press down. My Sub37 has great aftertouch though. Just amazing how difficult it is to find a solid mid range midi controller
cool kbd. Expression is SO important. its the soul of music. happy to learn about this product. loved the review - awesome. I was wondering if the expressiveness can be notated in cubase like or in a proper notation software. ( all these .25 notes etc.. ) important.
Good question and honestly I don't know. I imagine most score software would route the different MIDI channels to different staves and it would all fall apart at that point. I tried a bit of "MPE and notation software" and didn't get anywhere.
I only watched part of this, the latter part which was most relevant to me. Seems like you really understood these. I have two of these. I LOVE them but they definitely don’t replace a piano imo. Noise, the app for iOS is absolutely terrible. The sounds are great but the functionality of the app for looping etc is absolutely abysmal, beyond a joke. The touch block, loop block etc are vastly overpriced, and only necessary if you are using a computer, an ipad screen makes them pretty redundant. They also basically only work as is in Noise/Equator. I think it would be better to use a separate much cheaper midi controller to control what they can do. In Noise, the best sounds are the SWAM acoustic modeled sounds of saxes etc. These are absolutely incredible. But if you want to use them outside Noise or Equator, in Audiobus, AUM, GarageBand etc, and put effects etc on them, then there is only one way: get a second ios device and route them to an audio interface as line in. In other words, treat them as a hardware synth! I ended up getting a second ipad so i could do this. You also need to get at least two seaboard blocks if you want to play with any level of expression. Missing that top C is too frustrating otherwise. So, here’s what you are looking at if you want to use this with any kind of freedom: 2 blocks, an audio interface, 2 ios devices or an ios device and a laptop, paying more money for more sounds in Noise or getting Equator fully version. Plus, if you want to play piano sounds, you basically have to buy a separate standard midi keyboard. PLUS, you are currently very limited as to what 3rd party synths etc work with this. Currently, a few of The Moog ios synths work well, Volt works great. Tardigrain is OK but has no pitch bend. PPG Infinite doesn’t work properly as its maximum pitch bend is 24, you need 48 to get proper glissando. Many other synths would work better if they went to 48 on pitch bend, but many only go to 24. So, you can meet a lot of frustration owning these. You can end up buying apps that you think will work well with them, only to find that you have wasted your money or are limited in what you can do, compared to how it is with Roli’s own sounds. However, they work extremely well with certain sounds. If you have the money, get two, get three, get a second os device, it’s worth it if you want to be able to play incredibly realistic string and wind instruments on a keyboard, and play synths more expressively. They also feel great to play. I have also had problems in some apps with notes sticking on the seaboard. And Roli’s customer support is currently incredibly slow. Currently seems to be often around 1 or 2 weeks!!!! It’s early days for this tech, I’m sure it will get better.
Wonder if this will end up in the growing midi controller pile that’s in the corner of my studio....lol.Great review though love the molten music stuff.👍🏻
i'll watch the rest of this later. but yes. I run windows. I do not have a mac. I want to use bluetooth, and I have to use a cable.. Done. thanks for making this a nice big point right at the start instead of my trying to work out _why_ my bluetooth doesn't work. back to the vid
Very good review! I recently got my songmaker kit with full equator and it is very different. You can play it as a piano, but it does not make much sense. Just when I am on the go (just own a big MIDI keyboard with is not fun to walk around with). MPE is awesome but very different to play. And I prefer the usb connection with my new MacBook Pro 2017 instead of bluetooth because of some minor lags. So far so good: very interesting but completely different instrument :)
@@MoltenMusicTech Having now bought a seaboard I can confirm you can indeed play with long fingernails, but it is easier to play if your nails are short. My fretting hand (ie short nails) glides and 'rocks' on the keyboard more smoothly than my picking hand and without fear that a nail might damage it. Great overview MMT thank you.
Loopop just made a video about using Softube with a hardware modular system using the ES-8 audio interface. Didn't know the Roli Softube module existed until you showed it. Put the two videos together and that might be a legitimate way to control CV with the Seaboard. I think I'm getting a clearer picture how I want to spend my next $10,000.
1:11:08 - you should buy two ;) Maybe they'll send you one. Plus maybe give you the full version of equator so you can review all of those features as well. I somehow got the full version (maybe with the Song Maker Kit).
With 2 you'd still be missing the top C. I think it's fabulous with their own software but i wasn't interested in doing a puff piece on how great their own eco system was - i was more interested in how it fitted into an existing environment.
I don't deal with companies who don't give all features of software, I do like this but you're relying on their software totally, which Im trying to get away from. Great video.
I hope they will come up with something wearable, keytar or ......... Nice video as always . In reason you need to create dub track and of you go . Cheers
This is by far the best video I have watched on the ROLI. I am not a MIDI musician. I play instruments and love the nuance of an actual string and the expressiveness. The weird world of technobabble isn't for me. Anyway, I don't need to say anything more because you have done it so well. Really easy to watch, engage with, great sense of humour. Your honesty about the product is objective and balanced, and you've kind of reassured me that the ROLI with its software is exactly what I wanted it for. If I want to buy a piano, I would buy a piano. The expressive MPE and squidgy keys are cool. Thank you for this great vid, I will deffo subscribe.
They have bundled them together into different kinds of kits (songmaker, beatmaker, etc.). I don't know if you noticed, but they have magnets on them and connect electronically to each other. That is a key aspect of the design of the "blocks" system. I don't think it is outside of the expectation that you might have to connect a few of them to have your use cases met. I could even foresee a block to connect to your analog systems at some point. You can however do it "out of the box" if you use the software. However, I get your point, as they seem to have locked the UI for those bits in places which seems to make your point.
If I was a piano player, I'd get two Roli Seaboard Blocks and the touch block. Still under $700 which is amazing given the portability, the flexibility and the expressiveness of the system. I think you can also configure your ipad or iphone to do some of the functions as well.
Oh lovely reliability and compatibility with the bluetooth... More of the Roli level of completion. I’m not on Windows any more, but shit, Roli. If it doesn’t work, don’t advertise it.
I really love the idea of MPE expression to play instruments and sounds in a more interesting and realistic way. I'm not much of a keyboard player but would like to improve. I don't tend to like mini keys and especially how the unit seems to slide around the desk (I wasn't expecting that). I do like the idea of full sized rise 49 but it's very expensive for testing the water with this new technology. I guess both have the same layout and would be similarly tricky to learn? There's also the linnstrument to consider at that kind of price. I think if I buy the Seaboard Blocks and register before the 11th November you get full versions of strobe and equator which makes it a pretty good deal.
Yep. The more I investigate ROLI Seaboard Blocks and make music, the more I see how powerful it is... Greetings from Spain! Peace ✌️🤩✌️
ROLI probably missed the last C for adding another Seaboard Block on the end, however, this is really annoying. Excellent review and so in-depth. Thank you, Robin.
It is annoying, but it'd be more annoying to have 2 Cs if you put two of them together, wouldn't it?
So yeah, it makes sense and it only affects you if you're thinking from C to C. Perhaps it'll help escape that habit.
i don't t hink they 'miss' the 25th key to be honest.. suprise surprise.. their Roli 25 has well.. 25! yes 25 keys.. and something which I still find more useful: The MPE Control Settings for adjusting the Range of the 5x MIDI expressions on each preset. Every single sound needs these controls to be adjusted and tweaked constantly. So it's a real drag to keep stopping and having to adjust these fundamental controls on the dashboard.. it just kills the whole workflow for playing this instrument! But hey nowirres, because they have 'cleverly' created another Roli block to their Roli 'bollocks' line!! I guess this is just for us to keep 'investing' right? And no mention of having to also pay to unlock Equator and be able to use this instrument properly.. Especially, when there are no synths with full MPE support yet. Honestly, their corporate trap-thinking just s..ks.. in my humble opinion..
Yea it's modular...
They want you to buy 2, although I would have prefered a Seaboard block with 37 keys, which would have been more useful.
Its not magically missing, its political - why not to by 2..... or 3....
There is a perfect logical reason to the 24 key layout (perfect 2 octaves) and the "missing" no.25. It's because these seabord blocks are intended to be daisy-chained. That would of course be very weird one side of the daisy-chained Seaboard had two C's ;)
Robin, you’re right that the seaboard block is not a direct substitute for a standard midi keyboard controller in particular for piano type parts but...it can work as a compact controller in a table top environment. Blocks dashboard offers the ability to change the sensitivity of the velocity map so that you don’t have to hit it as hard as you were in the video. You can also save that configuration so that it can be recalled later should you change it again. If you have one or more Lightpad blocks linked in, you can set them up as controllers for virtually any parameters in either the virtual instrument you are using or even the DAW, again all recallable within Blocks Dashboard.
I am another who finds the blocks system very usable even with non MPE instruments and the reason is that these controllers along with stuff like the Linnstrument allow for intuitive and direct musical expression. The cellist, saxophonist, flautist, guitarist can add vibrato and volume/ tone at the exact rate and depth they want at any given time without having to go for a controller wheel or paddle. This is a game changer for the keyboard but as you rightly allude to, you won’t be able to master it without a bit of practise. Very few bass players are able to pick up a fretless bass and immediately play all their existing parts in tune without a bit or even a lot of practise.
So yes, if you want a piano, it can be made to do it but it’s not ideal and if you are approaching your music as a classic “synthesist/ sequencer creating loops and then modifying tones etc. by twiddling knobs and plugging in patch leads, then maybe it’s not for you. But if you want to apply natural, real sounding musical expression to your parts as you play them, at the price point, it’s probably unparalleled. Oh, and the Lightpad Blocks are great for playing tunes on as well, with all 5 dimensions of expression - maybe you should try out a couple of them?
Thanks for your comments. It all comes together as a really nice system - but part of my personal remit was to deal with the product as it was - without upgrading Equator, without adding Lightblocks - how useful is it by itself as advertised? And in my view it's pretty great, but not for everyone or everything. For your application though - perfect!
Thumbs up on this comment, as I’m a fretless bass player digging deeper into piano playing and midi controllers. I had the wonderful fortune of finding an abandoned and then even further discounted Seabord block in a pawn shop. I’m excited about the prospects, enjoying the curve, and I’m finding my current dexterity and ear training transferring rapidly. I’ve caught some TH-cam vids that unwittingly demonstrate this instrument played quite out of tune. Nothing worthwhile comes easy!
I think the reason the C key is missing is because it's designed for being able to put several blocks together if you want to. If there was a C key at the top when you put two blocks together you'd have two C keys next to each other.
Yes, that is the reason but I’ve got one and it’s bloody annoying
It will also be annoying when you've got two because you just keep moving the problem up the scale.
I am a Roli Seaboard 49 user and is a joy playing the 49 keyboard. I got my Seaboard 49 way before the Blocks modules even came out and wanted to try the new expressive playing technology. Along with the 49 keyboard it came with the full version of Equator and the Dashboard software. With the initial patches/sounds for the Equator, I can also download many more online preset sounds for full version of Equator. I connect my Roli 49 via USB cable to a Windows computer. Yes the Roli 49 is expensive but for me found it was worth the money to have. Note: there is no extension capability to the Rise 49.
When I saw Blocks, I really didn't care to get the Blocks keyboard mainly because Blocks does not have standard size dimension keys to play on. I dont need Bluetooth cause I am permanently setup in a studio environment with the Seaboard 49. The Blocks, if you add/extend more keyboard modules, I think the slide bars only work the length of each module, far as I know??. My Seaboard 49 - the slide bars will function the full length of the keyboard.
If you dont mind the smaller key size keyboard, the Blocks should function the same and at less cost - then my Seaboard 49.
Thank you for that detailed review! Definitely the best, most compete Seaboard review I've seen! Love the candid nature. And to put Roli (the company) at ease.. despite the downsides, I might actually end up getting one.
Love the HHGTTG reference...
Release velocity is for varying ADSR release speed. Make a note cut off more dramatically by a quicker release, and then fade out more slowly by a slow release (faster key_up event).
I suspect MiniMoog is responding to aftertouch, but it’s not mapping to that CC because the other CC messages are coming in first (your fingers move forward and back even when you are trying to just press inward). If you could force the Roli to NOT send any other CC messages at the same time as you’re pushing into the surface, the MiniMoog MIDI learn would map to that CC.
This is a very thematic review....a very expressive review for a very expressive instrument 🖒
Thanks for the review, I just ordered a few of these after watching some reviews, but I had some doubts since just about every other review I've seen focuses on how cool it is, so I appreciate that you really sat down with this thing. My main thing is animation and illustration, so I'm no musician by any means (I probably have 10 minutes of experience when it comes to music) with that said, I just need a way to get some music for my animations I'm happy to hear it works well for that you mentioned something about it being "cinematic".
A terrific review which does not fail to point out problems, as well as the good features. In fact this controller is very useful for controlling complex parameters of virtual instruments (violin, trumpet, clarinet) from Samplemodeling and Audiomodeling.
Thanks
Very informative video. I watched hundreds of them but yours is the most comprehensive one. I just ordered a Seaboard Rise 49. It comes with the full version of Equator. An it fits very well to my studio set. I have some Native Instruments stuff, so I can use a bunch of Kontakt instruments in Reaper all with MPE support. I'm very exited.
I'd really like to know in which condition the rubber surface of your Blocks is after these two years. For you I think you choosed the wrong Roli product. You'd better orderd a Seaboard Rise 25. It has the third C, the keys are bigger and the Equator is bundled in full version.
Roli's are great, but not ready for the main stream yet. Even 4 years later.
at 1703 the issue of the missing C is a design decision, so one could connect to additional Roli Seaboard Blocks for a longer keyboard
Which just moves the problem further up your keyboard
Thank you for the comprehensive video. May I know if your seaboard block was connected directly to the surface or was it connected to another interface (which was in turn connected to the surface)? Looking at this to connect to my thinkpad which has thunderbolt 4.
i plugged it in directly or via a hub if i needed something else connected.
In Reaper, my only gripe is pitch editing is useless because the resolution of the lane is out of whack. They haven't bothered to fix that in years of people requesting it.
The last C is not missing but is an option for another block attached to this one. So if you attach two blocks one next to the other you will not have double C. Simple?
And then you still don’t have a top C... it never ends, it’s perpetually incomplete
This is an honest review. I appreciate that.
@21:33 You might also like the snapcases, which add some additional rubberized friction to hold it in place better on most surfaces if you're playing it more expressively.
Super solid review…block solid!
would you recommend this for someone who wants to use it as a midi controller but also learn some piano? or woulda digital piano be a better option? thanks.
yeah, it doesn't feel anything like a piano.
Definitely the best real world review.
Hi ! I really like how you reviewed this . Can you suggest among these midi controller to pair with this roli to have a big area to create music. M thinking between APC 40, MASCHINE MK3 OR PUSH 2. m more interested in fun live session nothing into too complex recording and stuff. M new to this whole world of electronic music . Please suggest sir but for live sessions
Hey - those midi controllers have a specific purpose and so it depends on what you want to use. Push and the APC 40 are designed for Ableton Live, so if you are using Live then they are a good choice. Maschine is designed for it's own Maschine software and NI Komplete - if that's what you want to use then get that. Check out what other people are using them for.
this has been incredibly helpful, thanks for breaking this down as much as you have, learned a heap. until watching this i was going to pass on the seaboard because, as far as i could tell, only the slide input could be mapped at your total discretion. bitwig to the rescue. would love to see someone do this style of pure input breakdown for the square blocks, and the loop, live, and touch blocks
Excellent review as always ... with a little humor ... Thanks, Robin.
Thank you
Very best analysis on the web, thank you, to see absoluty before buying, congrats !!!!!
That’s the best video describing this device. Thank you!
thank you for going over the midi 1.0 implementation details. do you know if there has been any community projects to make mapping midi easy for DAWs like ableton?
ok nvm, i should just use bitwig...
Epic review! Thank you for putting so much time and effort into this review. Indeed the keyboard has a strange grabby silicone surface and odd foam inside. The Linnstrument also seems like an interesting contraption. . .
@46:13 you almost need to use a plucked instrument to take advantage of lift, at least as far as the built-in voices.
Fantastic work on this review. Thanks.
I like the old cassette tape case as an iPhone holder, brilliant.
Thanks Robin VIncent for another full and REAL review. MPE is certainly a work in progress.. I would really like to see how the Roli would work with PPG synths on your review as they claim is 'MPE compatible'. Altohugh, I have been able to use it only in Mono, and even then it's very 'inconsistent'... Same thing for intricate multi-ltibral synth set ups within DAW's...Cheers
Thanks for the very in depth review, Robin. I have played with a Seaboard Rise (in a shop) and did find it quite intuitive for me personally. In Cubase, if you set the MIDI channel to "any" would it not record all the data on one track?
Yes it would - i did try to get that across :)
There is a quick workaround for roli Bluetooth on Windows 10. Download midiberry and loopmidi. Not very elegant but does the job for now:) ps. Or spend £52 on a CME widi bud Bluetooth dongle.
Good tip
Thank for the tip. I now have mine working with Cubase on my Surface Pro (albeit with a bit of latency) but it`s a start!!
And, I`ll start hassling Roli to pull their finger out and get this sorted with Windows machines. They fobbed me off a year ago, but if a workaround can do this then they are being f*cking lazy by not get getting it fixed from their end...
17:13 - this is because you can connect second roli block to have 4 octaves and NOT doubled "c" key - in fact when we have low budget and decide to have onli one Roli block, then lack of this "c" pitch is annoying
but in fact, two Roli Blocks used together are cheaper, then one 4-octaves seaboard
Even with two Roli's you are still missing the top C
but "down C" of the second Roli replaces this "top c" - otherwise, there would be two of the same next to each other (cdefgabCCdefgabc)
Yes that's right..... so the two Roli keyboards are identical yes? Both have missing top Cs right? Put them together and now the left hand one has a top C (the bottom c in the right hand Roli) - with me so far? But the right hand Roli still has no top C! Look it's not a big deal, i understand the design decision and you're not the first person to be upset by the injustice of my criticism - but there you are :)
I do not question your criticism - in many respects agree with you - personally I would prefer to buy 4 octave version, but it is to expensive for me
Excellent and thought provoking review - important point about will it work for you and while you might have various bits of kit you think you will use it with it's only until you've got one that you find out if it actually does or not - and if it does work with a bit of kit you have is it that awesome to control the filter, resonance, FM depth, release time plus a bunch of other things all at the same time?. My advice for anyone is to try and get one as a demo for a while. Re the Rise I think a huge difference is the 3 sliders & X/Y pad. In MIDI mode that gives you an additional 5 MIDI CC controls on top of the 5 within the key wave part.
Thanks! The Rise is a bit more comprehensive i think.
On a point about the software, I was really disappointed to see that I needed to borrow my roommate's iPhone to get my blocks updated, just for Blocks Dashboard on Mac OS to read them. Seeing your bluetooth issue for your Surface tablet sums it up - they catered these devices to be iOS friendly, but really need to get the computer markets better supported - both Mac and PC.
As a person that actually has 2 of them I would definitely HATE if there was 2 Cs in-between. I love having 4 proper octaves :)
Except you don’t have that top C 😊
Molten Music Technology true. but as an owner of 2 Keith McMillan K-boards as well the extra key in the middle was really annoying. so I prefer it this way. :)
Roli should sell a block with the high C on it.. lol
@@mrburns366 The C-Board
I was really curious... what tablet/pc is that youre using with the stylus? I would love to get one of those.
Microsoft Surface Pro
This is super helpful when looking at alternatives to Ableton for MPE.
Hi, I'm starting to use MIDI in my music making. I'm getting surgery soon and am losing the ability to play 2handed instruments for a couple months. I'm looking at the seaboard so I can control some effects with just one hand.
Do you know if Reaper can control MPE "Expressions" like bitwig can at 41:50? I don't think I have the money to buy bitwig, and my university doesn't offer it.
Amazing amazing review. I really know what I'm getting now. Subscribed
Another thing, I think I just missed this section, Can it just function as a barebones midi keyboard as well? If I don't want any of that 'expression' in a performance can I 'turn it off'?
Yes, Reaper has the ability to record and edit MPE info - not like Bitwig exactly but it can be done. I’m pretty sure the Seaboard comes with an 8 track Bitwig. And yes any non-mpe synth will just behave like it’s any other midi controller- you don’t have to map the expression controls to anything.
I love your in-depth reviews! MPE is super exciting to me, but I haven't had a chance to really try any of these kinds of instruments out and feel like it'd be best to wait a year or two for the tech to mature just a little bit more. Have you ever looked into the Linnstrument?
Yes i've seen the other options out there - they are all a bit weird but it just takes getting used to it.
BTW, they *did* say use the cable if your device doesn't support bluetooth.
Thank you for this great insight into the Roli Seaboard Block!
at 15:54 that's not a C, you think your pressing its a B. apart from that your review is great :) I use the seaboard rise, it does take some adapting from the standard keyboard.
Well spotted.
I would enjoy playing it. Thanks for the great review!
isnt the 24 notes so when you slap another one on the end it then matches up the notes to the other end C
Exactly that, so it doesn’t matter how many you get you’ll never complete it
I have the RISE 49 and a 2015 Macbook and the bluetooth connection is terrible. I lose it after 5 mins.
how good/useful is the Role seaboard block if you're not interested in using it with their proprietary software. I'm only interested in using it as a general purpose midi controller, how viable is it for that use.... (non-mpe) ??
It's ok but i think you'd be better off with a regular keyboard otherwise you're learning a new instrument without benefiting from it.
the thing is, that I thought the spongy-ness of it would be great for drum programing but I still need a keyboard layout as well as well for sketching melodic ideas. I just don't need the mpe capability.... I also wanted to ask you if it ran off of usb bus power so that I could use it with an akai mpc live via the mpc usb ports?
It runs on batteries or USB power so should be fine.
with bitwig , is the rolli software needs to be open or is it as simple as plug map play?
Bitwig has a ROLI profile that you load into the MIDI controller setup - then it's good to go
Many thanks for this great review - GREAT!
I really enjoyed watching this..thanks for doing this.
Awesome work, man! Thank you very very much!
I don't think you can blame either Roli or Microsoft for the lacking features. The Bluetooth feature can be enabled with an updated bluetooth module, so they have to presume you *could* have done that. However, your Surface is not equipped with Bluetooth BLE module. If it is, then you need to download some additional software (that may or may not have come with the Creative Update).
Yes I can. ROLI are so certain of their awesomeness that when they say something should do something then it should damn well do it without me having to fudge it or have insider information.
even on OSX it isn't plug and play. It is a cumbersome set up procedure. I think they don't have everything "production ready" except for possibly the Blocks/IOS stuff. Everything else requires "insider" information.
and from what I gather, Windows 10 is a moving target. Hopefully everything will flesh out nicely. But you are right in that it isn't there yet.
That was the best Roli review I have ever watched and it also came with quite a few good laughs. I found the Roli block difficult to use and just impossible to use on a dark stage (all black keys). I may try one with full size keys someday but for me the blocks version is only good for solos using the Roli Equator software and not some watered down version. For piano type playing I found it useless and less expressive than a traditional keyboard. Thanks for the great review.
*Great* video that expresses how I feel about my Role key block too ~ when it's mad it's great. And then sometimes it's... blarghh.
BTW - did I detect a bit of the Bagpuss melody in your end music?
Yes, always loved a bit of Bagpus :)
If only Professor Yaffle had his own YT channel on music tech... he'd be quids in.
Thanks This Video was useful, I was considering getting the Roli Block now I'm not all that enthused with the product especially at it's current price.
Unfortunately android lacks alot of audio video consistency which can create problems on a bluetooth midi keyboard.
@36:21 can you overdub your expressions only (keep the note data and overdub just the expression data)?
I dont think so. Expression data is tied to note events because it's not global like with regular MIDI.... although... dunno, didnt try.
Regarding non-MPE compatible instruments, I've seen a few videos of people using it with Native Instruments Kontakt, wish you would have touched upon that in your video (so it could be 2 hours long.... :D), as that's my main reason for being interested, controlling orchestral sample libraries using it.
Very good analysis!
I really wish it worked easily with Serum. That would make it really powerful. The VST they made is pretty good though.
How do you like it still after a few years?
I don’t find mpe particularly practical but when I find a need for it then I crack out the block.
@@MoltenMusicTech Thanks I've been looking for a good midi controller with great aftertouch and it's interesting how hard it is to find. Any suggestions?
It really depends on what you're looking for. MPE controllers tend to be weird and don't play anything like a piano. You'll find regular (channel) aftertouch on most MIDI controllers so just go with the one you like the look of. If you want poly aftertouch it's actually hard to come by on its own - it tends to be on a synth like the Hydrasynth - many people mistake regular channel aftertouch for polyphonic aftertouch, because channel aftertouch feels like it works polyphonically.... but poly AT means each note can apply aftertouch to that note only.... if that makes sense. Best bet at the moment is the Korg Keystage, but with MIDI 2.0 launching properly this autumn (i believe) maybe more will arrive www.korg.co.uk/products/keystage
@@MoltenMusicTech Yes! I’ve thought about the key stage but heard mixed things. My Keystep has aftertouch but it’s sort of hard to press down. My Sub37 has great aftertouch though. Just amazing how difficult it is to find a solid mid range midi controller
I love your iPhone stand...
Barely ten minutes in, had to subscribe lmao
cool kbd. Expression is SO important. its the soul of music. happy to learn about this product. loved the review - awesome.
I was wondering if the expressiveness can be notated in cubase like or in a proper notation software. ( all these .25 notes etc.. ) important.
Good question and honestly I don't know. I imagine most score software would route the different MIDI channels to different staves and it would all fall apart at that point. I tried a bit of "MPE and notation software" and didn't get anywhere.
"Super..." :D I had to rewind and watch that again. Ah bless... :D
I only watched part of this, the latter part which was most relevant to me. Seems like you really understood these. I have two of these. I LOVE them but they definitely don’t replace a piano imo. Noise, the app for iOS is absolutely terrible. The sounds are great but the functionality of the app for looping etc is absolutely abysmal, beyond a joke. The touch block, loop block etc are vastly overpriced, and only necessary if you are using a computer, an ipad screen makes them pretty redundant. They also basically only work as is in Noise/Equator. I think it would be better to use a separate much cheaper midi controller to control what they can do. In Noise, the best sounds are the SWAM acoustic modeled sounds of saxes etc. These are absolutely incredible. But if you want to use them outside Noise or Equator, in Audiobus, AUM, GarageBand etc, and put effects etc on them, then there is only one way: get a second ios device and route them to an audio interface as line in. In other words, treat them as a hardware synth! I ended up getting a second ipad so i could do this. You also need to get at least two seaboard blocks if you want to play with any level of expression. Missing that top C is too frustrating otherwise. So, here’s what you are looking at if you want to use this with any kind of freedom: 2 blocks, an audio interface, 2 ios devices or an ios device and a laptop, paying more money for more sounds in Noise or getting Equator fully version. Plus, if you want to play piano sounds, you basically have to buy a separate standard midi keyboard. PLUS, you are currently very limited as to what 3rd party synths etc work with this. Currently, a few of The Moog ios synths work well, Volt works great. Tardigrain is OK but has no pitch bend. PPG Infinite doesn’t work properly as its maximum pitch bend is 24, you need 48 to get proper glissando. Many other synths would work better if they went to 48 on pitch bend, but many only go to 24. So, you can meet a lot of frustration owning these. You can end up buying apps that you think will work well with them, only to find that you have wasted your money or are limited in what you can do, compared to how it is with Roli’s own sounds.
However, they work extremely well with certain sounds. If you have the money, get two, get three, get a second os device, it’s worth it if you want to be able to play incredibly realistic string and wind instruments on a keyboard, and play synths more expressively. They also feel great to play.
I have also had problems in some apps with notes sticking on the seaboard. And Roli’s customer support is currently incredibly slow. Currently seems to be often around 1 or 2 weeks!!!! It’s early days for this tech, I’m sure it will get better.
Great review I needed this :)
Wonder if this will end up in the growing midi controller pile that’s in the corner of my studio....lol.Great review though love the molten music stuff.👍🏻
i'll watch the rest of this later. but yes. I run windows. I do not have a mac. I want to use bluetooth, and I have to use a cable.. Done. thanks for making this a nice big point right at the start instead of my trying to work out _why_ my bluetooth doesn't work. back to the vid
Check the other comments for a link to using something that makes the Bluetooth worth - I haven’t tried it but it might be something worth looking at
Im too late to this video, bought the Roli Songmaker and couldn’t use Bluetooth on my windows, where bluetooth is the mainpoint i get it! Sad!
Very good review! I recently got my songmaker kit with full equator and it is very different. You can play it as a piano, but it does not make much sense. Just when I am on the go (just own a big MIDI keyboard with is not fun to walk around with). MPE is awesome but very different to play. And I prefer the usb connection with my new MacBook Pro 2017 instead of bluetooth because of some minor lags.
So far so good: very interesting but completely different instrument :)
awesome review!
great and original review
Seems like getting a Polyend Poly for use with this is a no brainer.
you are probably right
Thank you for the Bluetooth tip!
what's the music a the very begenning plz?
Just some music I threw together using the theme from Bagpuss
you're such a funny guy! 👍i like that English humor !
24 notes to be able to add a new block of 24, otherwise you get 2 C’s at the junction.
Useful review
Thanks a Lot! Great Video!
Could you play this if you have long nails (ie play fingerpicking guitar)?
Sure
@@MoltenMusicTech Having now bought a seaboard I can confirm you can indeed play with long fingernails, but it is easier to play if your nails are short. My fretting hand (ie short nails) glides and 'rocks' on the keyboard more smoothly than my picking hand and without fear that a nail might damage it. Great overview MMT thank you.
Loopop just made a video about using Softube with a hardware modular system using the ES-8 audio interface. Didn't know the Roli Softube module existed until you showed it. Put the two videos together and that might be a legitimate way to control CV with the Seaboard. I think I'm getting a clearer picture how I want to spend my next $10,000.
th-cam.com/video/6mOAgqcM2eI/w-d-xo.html
That's a great video.
Someone else mentioned the Haken Audio Continuum Fingerboard. That might be a better way to spend your 10K lol.
Very informative
Thanks
1:11:08 - you should buy two ;) Maybe they'll send you one. Plus maybe give you the full version of equator so you can review all of those features as well. I somehow got the full version (maybe with the Song Maker Kit).
With 2 you'd still be missing the top C. I think it's fabulous with their own software but i wasn't interested in doing a puff piece on how great their own eco system was - i was more interested in how it fitted into an existing environment.
Brilliant - thank you - subbed
I don't deal with companies who don't give all features of software, I do like this but you're relying on their software totally, which Im trying to get away from. Great video.
It makes everything sound like the incidental music in fringe
I hope they will come up with something wearable, keytar or ......... Nice video as always .
In reason you need to create dub track and of you go . Cheers
1:12 you can pair it with ios and iPhone???wwwwoowwww dope lo!
JaeVinci yup
This is by far the best video I have watched on the ROLI. I am not a MIDI musician. I play instruments and love the nuance of an actual string and the expressiveness. The weird world of technobabble isn't for me. Anyway, I don't need to say anything more because you have done it so well. Really easy to watch, engage with, great sense of humour. Your honesty about the product is objective and balanced, and you've kind of reassured me that the ROLI with its software is exactly what I wanted it for. If I want to buy a piano, I would buy a piano. The expressive MPE and squidgy keys are cool. Thank you for this great vid, I will deffo subscribe.
Thanks!
You're funny, and there aren't that many people that are very funny doing demos.....
@1:12:13 you need the touch block (80 bucks), or at least make some adjustments in the dashboard control panel, if you want a better piano.
I also found out you can also set up a roli lightpad block up as a seaboard rise control pad which gives you the piano controls.
So again you're having to add things to make it do things it should do out of the box? :D
They have bundled them together into different kinds of kits (songmaker, beatmaker, etc.). I don't know if you noticed, but they have magnets on them and connect electronically to each other. That is a key aspect of the design of the "blocks" system. I don't think it is outside of the expectation that you might have to connect a few of them to have your use cases met. I could even foresee a block to connect to your analog systems at some point.
You can however do it "out of the box" if you use the software. However, I get your point, as they seem to have locked the UI for those bits in places which seems to make your point.
If I was a piano player, I'd get two Roli Seaboard Blocks and the touch block. Still under $700 which is amazing given the portability, the flexibility and the expressiveness of the system.
I think you can also configure your ipad or iphone to do some of the functions as well.
I think if you are a piano player then you are not going to enjoy the ROLI
For piano just change the strike rate..
Great review! Thanks for saving me $300.
I hate that they don't include a full version of Equator or Strobe2.
This stops me from making the purchase, that software is way too expensive.
Yep, I would agree with you there.
If you buy a ROLI Seaboard it comes with full version of Strobe2.
Oh lovely reliability and compatibility with the bluetooth... More of the Roli level of completion. I’m not on Windows any more, but shit, Roli. If it doesn’t work, don’t advertise it.
I really love the idea of MPE expression to play instruments and sounds in a more interesting and realistic way. I'm not much of a keyboard player but would like to improve. I don't tend to like mini keys and especially how the unit seems to slide around the desk (I wasn't expecting that). I do like the idea of full sized rise 49 but it's very expensive for testing the water with this new technology. I guess both have the same layout and would be similarly tricky to learn? There's also the linnstrument to consider at that kind of price. I think if I buy the Seaboard Blocks and register before the 11th November you get full versions of strobe and equator which makes it a pretty good deal.
The Seaboard blocks is good unless you want to do some sort of huge performance - feels too weird to me for that.
Windows users, "we like music, too!" haha, yes we are here, I can be added to that list.