i don t know if that was meant "dislike" haha...but i personally do NOT like it...there are plenty far more insightful and more musical actually...anyway...MARTHA great a TECHNICIAN she is ...can always be counted to be super briliance..super fast...AND to ME super-shallow...the performances she DOES have a REALLY like...are more in the LOUD concertos...that everyone uses as standards of "all -time greatness" playing them FASTER nad LOUDER and BANGIER than "anyone that ever lived"..but she plays them rther well...or rather..their NOTINESS FITS HER... the faster she is given opportunity ..the BETTER SHE appears...there are such , plenty of pieces like after all...great HANDS and everyone in the big hall is happy. that's MARTHA . but DO NOT expect insights from her on JS BACH..BEETHOVEN..MOZART...BRAHMS...but she plays RAVEL VERY VERY WELL..especially her GASPARD de la NUITS...HER PROKOVIEFF CONCERTO IN C ..A GREAT performance...but people do NOT need to put her on MT OLYMPUS on a par with the likes of SVIATOSLAV Richter. (whose performance of this same work is beyond Martha s artistic reach...or in beauty of EACH tone) ..on one hand...or say..GLENN GOULD on the other hand...nor in CHOPIN etdues (complete) with even the LIVE performances of Richter...or WILHELM BACKHAUS..just not at their physical or ARTISTIC levels...
Решаюсь ответить и сказать,что Вы очень смело высказали своё,не очень-то совпадающее с общепринятым мнение.И я с Вами согласна.Особенно в том,что Вы вспомнили интерпретацию Святослава Рихтера@@teodorojaranilla5008
In my opinion this is the greatest of Mozart's concertos. It is at least the most romantic of all of them. I love the passionate performance by Argerich!
Why do you find it the least romantic? I find it very Romantic, with the minor key, and the extended thematic material. I would consider some of his early efforts far less Romatic such as K. 238, the early K. 413-415 pieces etc which are very classical in outline.
I do not know why but whenever I listen to this, my chest just warms up and it pulls my mind into a state of bliss and wonder. Classical is easily the most magical and wondrous form of music.
Mark Smith That's a good point because out of all the other genre's aside from classical, Heavy Metal's perhaps one of the most musically developed, it's quite closely linked to classical in terms of dynamic contrasts and introduction of new musical sections (as opposed to pop music which just repeats the hell out of everything). It just depends on what people prefer, I can see the appeal of repeating a decent riff over and over although it can become a bit overused in pop, and in terms of classical vs metal I prefer classical because it's not as overpowering (I can actually do work whilst listening to classical as opposed to metal, which is more a kinda sit-up-and-listen kind of thing, it doesn't really do quiet or subtle)
Argerich captures the demonic in Mozart better than anyone. This piece is full of anger and metaphysical rage. Mozart is saying "I know the state of things and it's bad." And he's pissed about it. He's trying constantly to contain the anger but it continually breaks free. It seems he's finally done it in the second movement, but then in the middle section it breaks out again with even greater vehemence. In the third movement the anger is taken to an even higher level until a breaking point is reached. But the D major reached at the conclusion of the piece is not a victory, but a cynical conclusion to an epic battle. Mozart seems to be saying that there is no solution, and the only response left is satire. Stick your tongue out at the devil and he'll go away. A fascinating piece which was extremely avant-garde at the time it was written and again demonstrated that in Music there was Mozart and then everyone else. He was very far ahead of his colleagues and it is questionable whether even the Romantics fully understood the implications of what he was doing. This is a truly great performance and Argerich and Rabinovitch come very close to capturing and expressing what this incredible piece is about.
You have just succeeded in expressing something that I felt while listening to this wonderful rendition, but could not put my finger on...thank you! By the way, I usually feel like that about the world we are living in..
With all respect, that is your interpretation expressed above, which you have stated as fact. This is such a fashion. As my South Indian father-in-law once said to me, of so many modern posited wisdoms, and practices - with a little rue smile - "Hmmmm - fashion'.
Abundance: I don't really care if others think you are "right" or "wrong" or something in between... but the way you analyze and express that analysis tells me that after listening to such music for decades, i'm still just a beginner... that my enjoyment was purely superficial and lacked the considerably deeper understanding that could amplify that enjoyment several-fold... so thanx - and please keep commenting !
There is something special about Argerich's performance... each note has a kind of slightly sharp "salience" and "individuality". It is different from the other performances I heard before. I hope I explained this well.
MOZART composed a masterpiece here that will continue to amaze generations after us. Many called him a music genius. I call him a Music God. yes, he is THAT good!
My new favorite piano concerto. Just rediscovered this the other day. It is amazing how you can listen to something once, and come to appreciate it only when it is listened to several more times. Such a beautiful piece, and it reminds me of how much of a genius Mozart truly was. Great performance by Argerich!
+ Wim Kellaert ... Your comment is absolutely spot-on. The interpretation of the piano concerto in D minor, as performed by Martha Argerich, and conducted by Alexandre Rabinovich-Barakovsky, is simply the most inspired rendition of that concerto that has ever been performed by anyone anywhere, FULL-FUCKING-STOP!
You have to be either kidding, a personal friend of the pianist, or you ARE the pianist going under the name "Fallen Angel". That pianist BUCHERED the Dminor concerto, it was the absolute WORST I have ever heard. A bit before the cadenza you would have thought something else she had ingested just kicked in, and the last note went off as if to say, "...an..thash all I gotta say 'bout THAT'!" Please. Anyone who knows classical music can hear that things are wildly not going well in the piano department.
So Cal Bee Guy... The only sensible observation that one can make about your comments is that what you lack in intelligence you more than make up with ASTOUNDING STUPIDITY.
Back in the late '70's and early '80's I went on a Mozart binge, borrowing records from the library every chance I got. This one was my favorite. I remember hearing #21 and being surprised that the "Elvira Madigan" second movement was written by Mozart. I thought it was contemporary. It was the theme song of a local radio show a few years earlier, so I hadn't ever heard more than about a minute of it. Anyway, #20 was my favorite of the several I listened to, especially the Romance (second movement). When I saw _Amadeus_ I felt it was so fitting for it to be the closing music. What surprised and satisfied me deeply was that when the movie ended, only about a dozen people left the theater. There we were, over a hundred people, just sitting there all the way through the credits until the piece ended. Edit: When I said "favorite", I just meant among the piano concertos.
The musical soundtrack to the movie Amadeus is absolutely exquisite, unfortunately Hollywood had to take a great man like Mozart and portray him as a lecherous pig in true Hollywood fashion
@@Paul-in6hf Remember the line, "I am a vulgar man, but I assure you my music is not."? I do think that was a true representation of Mozart. He _was_ vulgar, by our standards. You might get an opportunity to read some of his letters to his mother. Or maybe you'd better not, if you prefer to believe that his personality was anything like his music. As for lecherous, I'm not sure, but he probably was.
My first impression of this concerto is it have a completely different taste in all Mozart's piano concerto. I have a feeling of the pain of war everytime i listen to this masterpiece. masterpiece.
(19/11/2024; 12:06 hs.) -- Bellísimo, delicadísimo segundo movimiento. Siempre lo escucho con emoción. Gracias a quien corresponda por subir el concierto. Saludos desde Ciudad de Córdoba (Argentina).
I was dumbfounded when I heard Martha's tempo. But I have to say it is tremendously refreshing. The communication between her and the conductor is incredible, and you can tell Don Giovanni must have been on his mind--which Mozart composed 2 years later! Wow!!!
Martha is in a class of her own creation, one need not see her on stage in order to recognize her signature style and that it is she who is playing and not any one of her gifted peers.Eccezionalmente dotata .Bravissima
Faster tempo, good production to make sure neither the orchestra or piano part are muted when they are harmonizing together, playing like someone is singing the tune and accenting the melody in the right places...results in such responses. Mozart is hard to play because his lyricism can easily be lost.
Mozart is my favorite composer, and this is not only my favorite concerto of Mozart, but my all time favorite of all classical music, and it is played by my favorite pianist Martha Argerich. Yes, I have a very good CD of Martha Argerich playing Mozart`s concerto number 20. Pity you can not buy a copy of that CD any more as so many CD titles disappear with the fall of CD sales.
I loved this interpretation although there are many criticisms about the tempo and the speed.At the time of Mozart this work of art was mainly by a harpsichord and it could not be played that fast,butthe most important thing is that I felt so emotional and gave me goosebumps,even though it seems more from the romanticiscm than classicism. Martha is a gifted pianist!
This concerto was written with a piano in mind, not harpischord. Piano allows so much more modulation and it's used by Mozart here. You can listen to keyboard concertos by Bach played with a piano and the difference is huge. In Mozart's times, the tuning standard was lower and obviously you would play slower, because the sound quality wasn't as high, it would be a little fuzzy if rushed.
Une oeuvre d'art n'est pas une reconstruction historique, elle est vivante et peut s'adapter aux nouvelles possibilités technique. Cela dit je trouve que le tempo est trop rapide, mais c'est une jugement esthétique, pas historique.
Lorsque je regarde Dame Martha Algerich, je ne peux détacher les yeux de ses mains. J observe le jeu subtil des doigts,la force des deux poignets en mouvement... Un enchantement.
I love the playing of Martha Argerich in this concerto too and that makes her great because she is special in Prokofjev, Rachmaninov and in Mozart and Bach too! So totally different music.
Martha Argerich is such an amazing musician and reportedly a fascinating individual as well; she has a lot of physical skill, emotional intensity and a prodigious intellect/memory. FYI, she's fluent in seven languages: Spanish, Portuguese, French, Italian, English, German and Russian.
When I was lucky enough to be in the orchestra and we played this with a local soloist in the Black Hills Symphony, I was very impressed with how fun it is and how I enjoy it so much. It has become my favorite of all the Mozart concertos
Gracias al Excelso Mozart estoy pasando una tarde del dia de Navidad maravillosa .He escuchado su Sinfonia Nº 39 y ahora este concierto Nº 20 realmente excepcionales.Gracias a Harnoncourt y Argerich . Maria Angels Molpeceres
@@ignacioclerici5341 im entitled to my opinion and there is nothing wrong with expressing your thoughts. In fact it is childish to feel attacked and take offence just because someone doesnt like what u like. I like mozart, lets say u hate mozart and u express it, trust that i could never careless.
If you don'the like him it doesn't mean he's overrated. By saying that you're saying that people shouldn't like him that much. That's what you did wrong.
The first time i ever heard this work was in carnegie hall, till this day its the greatest experience in my life especially the 2nd mov , absolutely nothing compares to hearing these epic arpeggios live, a recording just wont cut it for me.
Sublime e superlativa esecuzione della grande Marhta Argerich che ho avuto il piacere di ascoltarla, anche dal vivo, a Ravello, sulla Costiera Amalfitana.
Thank goodness I will never have to decide, who's 'version' is the best ... since there is plenty of room for ALL the magnificent interpreters :o) Thank you for this wonderful rendition!
Maybe only for me why nobody told me that conserto musical sends angels around, pure relaxation, undeniable pleasant thank you for sharing God bless ✌️ 🌎🌎🌍🌎
Concertul e superb, ca tot ce a compus Mozart. Interpretarea Marha Argerch diavoleasca si in acelasi celesta. Superb, Fantastic ,o performanta artistica de inalta clasa.
I played this concert with orchestra 3 times each time I lisnt to it I don’t what happen to me I cry I get excited I feel Mozart soul hunted me or I don’t know what to say
je ne suis pas musicien mais c'est ma version préférée du plus magnifique concerto pour piano jamais composé (spécialement la romance qui n'est pas romantique SVP ! merci. tristesse et joie c'est le secret de Mozart) rythme soutenu cela contraste d'autant avec les parties calmes et déliées, une irrepressible aspiration a un amour plus grand celui de Dieu ou la virtuosité s"évanouit dans l'abime de la simplicité ... émotion sans partage c'est bien Dieu qui parlait à travers ce petit homme.
Aquí Mozart se rebela como un genio desatado, algo muy superior y adelantado a su tiempo. La sensación que se recibe es su furia por algo imposible de saber y, acto seguido el consuelo o perdón que él mismo pide por esa ira desatada. Qué dominio al expresar el ánimo, con su música habla un idioma universal, directo al espíritu sin pasar por las palabras e infinitamente mejor expresado que si hablara.
I really love this performance. It's shockingly fast, but it works and I love it. I just listened to Vladimir Ashkenazy's performance and this is seriously like twice as fast.
Actually it's not really *twice* as fast, it's an impression. However, you'll find on TH-cam, another performance of this major concerto (with Mrs Argerich too): it lasts 35:01. ;-)
The second line is supposed to be the first line transposed up, but a stray note sneaks in. I'd have to sit down with my piano to tell you exactly which note that is.
Martha Argerich исполняет Piano concerto Mozart 20 in D minor так, что вспоминается движение "Буря и натиск"во главе с Шиллером и Гете. Как ярко, драматично и даже трагедийно прозвучала первая часть-Allegro у пианистки и оркестра. Вторая часть (Romance) - тонкое, проникновенное звучание, полное нежности и грусти. Третья часть (Allegro assai) сыграна с акцентированием ярких контрастов, подчеркиванием драматизма в музыке композитора. Мне близка такая трактовка. Она потрясает! Светлана Давыдова
"акцентированием ярких контрастов" - это как? А еще: "проникновенное звучание" - не очень выраженице... И вот это: "драматизма в музыке композитора" - это же Моцарт!!! а не Бетховен...
Bravo Martha Argerich. Even though this is not a technically perfect performance, for me it's still sublime. Not everything has to be flawless notes, music is much more than that. I feel Argerich has a deep connection to the emotional notes of this beautiful oeuvre. Studying under Friedrich Goulda gave her that insight ( he is my favourite Mozart interpreter to this day). Love this. thank you for uploading.
Menuda barbaridad
cin ciun cian
i don t know if that was meant "dislike" haha...but i personally do NOT like it...there are plenty far more insightful and more musical actually...anyway...MARTHA great a TECHNICIAN she is ...can always be counted to be super briliance..super fast...AND to ME super-shallow...the performances she DOES have a REALLY like...are more in the LOUD concertos...that everyone uses as standards of "all -time greatness" playing them FASTER nad LOUDER and BANGIER than "anyone that ever lived"..but she plays them rther well...or rather..their NOTINESS FITS HER... the faster she is given opportunity ..the BETTER SHE appears...there are such , plenty of pieces like after all...great HANDS and everyone in the big hall is happy. that's MARTHA . but DO NOT expect insights from her on JS BACH..BEETHOVEN..MOZART...BRAHMS...but she plays RAVEL VERY VERY WELL..especially her GASPARD de la NUITS...HER PROKOVIEFF CONCERTO IN C ..A GREAT performance...but people do NOT need to put her on MT OLYMPUS on a par with the likes of SVIATOSLAV Richter. (whose performance of this same work is beyond Martha s artistic reach...or in beauty of EACH tone) ..on one hand...or say..GLENN GOULD on the other hand...nor in CHOPIN etdues (complete) with even the LIVE performances of Richter...or WILHELM BACKHAUS..just not at their physical or ARTISTIC levels...
Решаюсь ответить и сказать,что Вы очень смело высказали своё,не очень-то совпадающее с общепринятым мнение.И я с Вами согласна.Особенно в том,что Вы вспомнили интерпретацию Святослава Рихтера@@teodorojaranilla5008
I love hearing an orchestra that's not afraid to unleash the power of this great work.
I know what you mean
In my opinion this is the greatest of Mozart's concertos. It is at least the most romantic of all of them. I love the passionate performance by Argerich!
What about the 2nd movement if the 23rd?
Why do you find it the least romantic? I find it very Romantic, with the minor key, and the extended thematic material. I would consider some of his early efforts far less Romatic such as K. 238, the early K. 413-415 pieces etc which are very classical in outline.
@@dimbopsah2066 Dude, he said "at least the most romantic", not "the least romantic". Don't skim words.
Agreed. I've always loved this concerto.
1 to 27...are the greatest!
I do not know why but whenever I listen to this, my chest just warms up and it pulls my mind into a state of bliss and wonder. Classical is easily the most magical and wondrous form of music.
***** Oh, shut the fuck up already, drama queen!
+MikeLeeTorresMD Why're you so pissed off?
+Kuro Akasha I feel the same way. I always loved this music when it was played at the end of Amadeus.
+Kuro Akasha no its not heavy metal is
Mark Smith That's a good point because out of all the other genre's aside from classical, Heavy Metal's perhaps one of the most musically developed, it's quite closely linked to classical in terms of dynamic contrasts and introduction of new musical sections (as opposed to pop music which just repeats the hell out of everything).
It just depends on what people prefer, I can see the appeal of repeating a decent riff over and over although it can become a bit overused in pop, and in terms of classical vs metal I prefer classical because it's not as overpowering (I can actually do work whilst listening to classical as opposed to metal, which is more a kinda sit-up-and-listen kind of thing, it doesn't really do quiet or subtle)
Brings tears to my eyes…from a myriad of emotions. Just beautiful.
The tempo is much faster than other versions. This interpretation is so passionate and emotional, I am so addicted to it
With Beethoven's cadenza you effectively get a Wolfgang ft. Ludwig collaboration.
Now that's musical magic.
Wrong Era sir. Beethoven came after Mozart.
This is his best concerto and really shows what he can do in minor keys
He had so many great concertos! And she plays this very well. The Beethoven cadenzas are great also.
Beethoven felt the same way as you do.
Martha A. ! soooo DIVINE !
Pure adrenaline from start to finish. Bravissima, Argerich!
Just thought that I'd say this: this recording helped me be able to focus at 3:30 in the morning so I could study for my tests lol
Argerich captures the demonic in Mozart better than anyone. This piece is full of anger and metaphysical rage. Mozart is saying "I know the state of things and it's bad." And he's pissed about it. He's trying constantly to contain the anger but it continually breaks free. It seems he's finally done it in the second movement, but then in the middle section it breaks out again with even greater vehemence. In the third movement the anger is taken to an even higher level until a breaking point is reached. But the D major reached at the conclusion of the piece is not a victory, but a cynical conclusion to an epic battle. Mozart seems to be saying that there is no solution, and the only response left is satire. Stick your tongue out at the devil and he'll go away. A fascinating piece which was extremely avant-garde at the time it was written and again demonstrated that in Music there was Mozart and then everyone else. He was very far ahead of his colleagues and it is questionable whether even the Romantics fully understood the implications of what he was doing. This is a truly great performance and Argerich and Rabinovitch come very close to capturing and expressing what this incredible piece is about.
You have just succeeded in expressing something that I felt while listening to this wonderful rendition, but could not put my finger on...thank you! By the way, I usually feel like that about the world we are living in..
Interesante análisis de esta compleja y genial obra.
With all respect, that is your interpretation expressed above, which you have stated as fact. This is such a fashion. As my South Indian father-in-law once said to me, of so many modern posited wisdoms, and practices - with a little rue smile - "Hmmmm - fashion'.
Abundance: I don't really care if others think you are "right" or "wrong" or something in between... but the way you analyze and express that analysis tells me that after listening to such music for decades, i'm still just a beginner... that my enjoyment was purely superficial and lacked the considerably deeper understanding that could amplify that enjoyment several-fold... so thanx - and please keep commenting !
What on Earth happened to Mozart between this angry, anguished concerto and the joyous, sensual no. 21? Does anyone know?
There is something special about Argerich's performance... each note has a kind of slightly sharp "salience" and "individuality". It is different from the other performances I heard before. I hope I explained this well.
You did
Wikipedia says that Martha Argerich performed this concerto at the age of 7 in her first formal play.
...
Yes, I've just heard her say so in a video, I've come to check it out. Unbelievable tekkers!!
Keyword isn’t “age of 7”,it’s “first formal play”
Mozart played for the emperor of Austria when he was 6
Sublime indeed. No other words needed, neither for the work nor for the performance.
and specialy for divorced couple :) good week end to you
Aaaah, Mozarts favourite concerto of his. This is also called the first 'romantic' piano concerto ever by musicologists.
MOZART composed a masterpiece here that will continue to amaze generations after us. Many called him a music genius. I call him a Music God. yes, he is THAT good!
My new favorite piano concerto. Just rediscovered this the other day. It is amazing how you can listen to something once, and come to appreciate it only when it is listened to several more times. Such a beautiful piece, and it reminds me of how much of a genius Mozart truly was. Great performance by Argerich!
Children of Bodom - Black Widow
And a new world opens ... For me the best performer of this work. it has everything to perform this brilliant piece.
+ Wim Kellaert ... Your comment is absolutely spot-on. The interpretation of the piano concerto in D minor, as performed by Martha Argerich, and conducted by Alexandre Rabinovich-Barakovsky, is simply the most inspired rendition of that concerto that has ever been performed by anyone anywhere, FULL-FUCKING-STOP!
You have to be either kidding, a personal friend of the pianist, or you ARE the pianist going under the name "Fallen Angel". That pianist BUCHERED the Dminor concerto, it was the absolute WORST I have ever heard. A bit before the cadenza you would have thought something else she had ingested just kicked in, and the last note went off as if to say, "...an..thash all I gotta say 'bout THAT'!" Please. Anyone who knows classical music can hear that things are wildly not going well in the piano department.
So Cal Bee Guy... The only sensible observation that one can make about your comments is that what you lack in intelligence you more than make up with ASTOUNDING STUPIDITY.
So Cal Bee Guy And what piano pieces have you recorded?
Yes, by far the best!
Back in the late '70's and early '80's I went on a Mozart binge, borrowing records from the library every chance I got. This one was my favorite. I remember hearing #21 and being surprised that the "Elvira Madigan" second movement was written by Mozart. I thought it was contemporary. It was the theme song of a local radio show a few years earlier, so I hadn't ever heard more than about a minute of it.
Anyway, #20 was my favorite of the several I listened to, especially the Romance (second movement). When I saw _Amadeus_ I felt it was so fitting for it to be the closing music. What surprised and satisfied me deeply was that when the movie ended, only about a dozen people left the theater. There we were, over a hundred people, just sitting there all the way through the credits until the piece ended.
Edit: When I said "favorite", I just meant among the piano concertos.
The musical soundtrack to the movie Amadeus is absolutely exquisite, unfortunately Hollywood had to take a great man like Mozart and portray him as a lecherous pig in true Hollywood fashion
@@Paul-in6hf Remember the line, "I am a vulgar man, but I assure you my music is not."? I do think that was a true representation of Mozart. He _was_ vulgar, by our standards. You might get an opportunity to read some of his letters to his mother. Or maybe you'd better not, if you prefer to believe that his personality was anything like his music.
As for lecherous, I'm not sure, but he probably was.
Brilliant playing and tempos - Mozart would definitely approve of the bravura playing of Argerich, who is a genius.
One of the greatest pianists ever!
My first impression of this concerto is it have a completely different taste in all Mozart's piano concerto. I have a feeling of the pain of war everytime i listen to this masterpiece. masterpiece.
(19/11/2024; 12:06 hs.) -- Bellísimo, delicadísimo segundo movimiento. Siempre lo escucho con emoción. Gracias a quien corresponda por subir el concierto. Saludos desde Ciudad de Córdoba (Argentina).
I was dumbfounded when I heard Martha's tempo. But I have to say it is tremendously refreshing. The communication between her and the conductor is incredible, and you can tell Don Giovanni must have been on his mind--which Mozart composed 2 years later!
Wow!!!
Martha is in a class of her own creation, one need not see her on stage in order to recognize her signature style and that it is she who is playing and not any one of her gifted peers.Eccezionalmente dotata .Bravissima
Uno dei meravigliosi concerti di Mozart, uno dei miei preferiti e grandissima Martha.
Argerich's version is so much darker and even demonic compared to other versions. Love it!
Mozt Mozart, exalts the soul, to the heights.
Faster tempo, good production to make sure neither the orchestra or piano part are muted when they are harmonizing together, playing like someone is singing the tune and accenting the melody in the right places...results in such responses. Mozart is hard to play because his lyricism can easily be lost.
Demonic? There is no such thing as evil spirits.
Her version is the BEST! It is NOT too fast!
Mozart is my favorite composer, and this is not only my favorite concerto of Mozart, but my all time favorite of all classical music, and it is played by my favorite pianist Martha Argerich. Yes, I have a very good CD of Martha Argerich playing Mozart`s concerto number 20. Pity you can not buy a copy of that CD any more as so many CD titles disappear with the fall of CD sales.
I loved this interpretation although there are many criticisms about the tempo and the speed.At the time of Mozart this work of art was mainly by a harpsichord and it could not be played that fast,butthe most important thing is that I felt so emotional and gave me goosebumps,even though it seems more from the romanticiscm than classicism.
Martha is a gifted pianist!
This concerto was written with a piano in mind, not harpischord. Piano allows so much more modulation and it's used by Mozart here. You can listen to keyboard concertos by Bach played with a piano and the difference is huge. In Mozart's times, the tuning standard was lower and obviously you would play slower, because the sound quality wasn't as high, it would be a little fuzzy if rushed.
Une oeuvre d'art n'est pas une reconstruction historique, elle est vivante et peut s'adapter aux nouvelles possibilités technique. Cela dit je trouve que le tempo est trop rapide, mais c'est une jugement esthétique, pas historique.
On a scale of 1 to 10, I think this falls into the scale of D minor.
That joke made my day!
Lol
😂
Lol okay that was a good one.
Tempo ones choice
Matters not whether
Tis the mog or
The dog
Your preferred
Voice
Before
Lorsque je regarde Dame Martha Algerich, je ne peux détacher les yeux de ses mains. J observe le jeu subtil des doigts,la force des deux poignets en mouvement...
Un enchantement.
A truly symphonic Masterpiece!!! Thank you!!!
Wonderful performance! So lively and engaged. I hear Martha is unwell these days. Best wishes to her, a giant amongst giants.
I love the playing of Martha Argerich in this concerto too and that makes her great because she is special in Prokofjev, Rachmaninov and in Mozart and Bach too! So totally different music.
20:01 " Mediocrities everywhere I absolve You ".
**Insert Wolfgang's high pitched giggle**
ah they are so many but i fail to understand if you are one of them or against them
It takes one to know one. I should know.
🤣🤣🤣
Walk me through that....
Martha Argerich is such an amazing musician and reportedly a fascinating individual as well; she has a lot of physical skill, emotional intensity and a prodigious intellect/memory. FYI, she's fluent in seven languages: Spanish, Portuguese, French, Italian, English, German and Russian.
An absolutely stunning rendition by Ms. Agerich. Bravo!
Superba interpretare!!Dindegetele Marthei Argerich parca ar picura cristale si margaritare .Frumusetea interpretarii este fara egal!!!Silvia Baciu
Spot on , Martha ❤
When I was lucky enough to be in the orchestra and we played this with a local soloist in the Black Hills Symphony, I was very impressed with how fun it is and how I enjoy it so much. It has become my favorite of all the Mozart concertos
Actually, this was Beethoven's favorite Mozart concerto and it is mine too.
I recently heard Beatrice Rana with sublime cadenzas and very individual tempi... there is so much you can do with this piece!
Gracias al Excelso Mozart estoy pasando una tarde del dia de Navidad maravillosa .He escuchado su Sinfonia Nº 39 y ahora este concierto Nº 20 realmente excepcionales.Gracias a Harnoncourt y Argerich . Maria Angels Molpeceres
Strangely fast, but it adds a sense of urgency and intimidation that I really enjoy. This is Mozart out-Beethovening Beethoven.
beethoven is overrated
@@lilMissF0F0 Are we talking about the same thing? I’m talking about the dog movie from 1992
@@windmillwilly then nope, i thought this is composers comparison. I’m not a fan of Beethoven’s work.
@@ignacioclerici5341 im entitled to my opinion and there is nothing wrong with expressing your thoughts. In fact it is childish to feel attacked and take offence just because someone doesnt like what u like. I like mozart, lets say u hate mozart and u express it, trust that i could never careless.
If you don'the like him it doesn't mean he's overrated. By saying that you're saying that people shouldn't like him that much. That's what you did wrong.
this gives me CHILLSSSSS, my favorite Mozart concerto, if not my favorite piano concerto.
The second movement, Romance, speechless.
Sublime Martha. She can rush on velocity because she actually can do it. And it doesn't lose any detail though. Brava!
To me, the greatest concerto (thanks, herr Mozart), with the greatest cadenzas (thanks, herr Beethoven).
Unfortunately, Mozart’s cadenzas are lost, but I’ll take Ludwig’s as a back up any day!
Beethoven made the cadenza? So cool
Mozart, o melhor compositor em todos os tempos
Pura verdade !!!
The first time i ever heard this work was in carnegie hall, till this day its the greatest experience in my life especially the 2nd mov , absolutely nothing compares to hearing these epic arpeggios live, a recording just wont cut it for me.
Excellent orchestra-conductor accompaniment and Martha Argerich plays superbly.
Sublime ....
Rabinovitch /Argerich ....amazing !
marvelous thank you once again for sharing God bless ✌️ 🌎 🌍 🌎 🌍 🌎
Great Wolfgang, thanks for existing!!!! If you did not exist, it would be invent you right now!
Sublime e superlativa esecuzione della grande Marhta Argerich che ho avuto il piacere di ascoltarla, anche dal vivo, a Ravello,
sulla Costiera Amalfitana.
Sublime. The composition. The playing. Divine.
Adore the second movement...this makes the hairs stand on my neck at 16:20 - 16:45
Este concierto fue primer cassette q tuve de Mozart a los 12 años y lo amé... me lo sabía de memoria
.o
Thank goodness I will never have to decide, who's 'version' is the best ... since there is plenty of room for ALL the magnificent interpreters :o)
Thank you for this wonderful rendition!
Сколько красоты , ещё и в исполнении Агревич.Спасибо! А Моцарт ,гений вечный!
If you like 200 year old music this concerto no20 should be an your shortlist....try compose such a piece yourself, its just to cry for
A tempestuous romance. Beautiful.
50年ほど前チャイコフスキーピアノコンクールで優勝し鮮烈なデヴューが思い出されます。
なにより、とても美しい容姿に感激しました。観たわけではありません❗当時、LP のジャケットでの紫ブルーのドレスアップされた容姿は忘れられません❗20番とても好きです🎵
アップ有り難う✨ございました。
ショパンコンクールですね😅
Maybe only for me why nobody told me that conserto musical sends angels around, pure relaxation, undeniable pleasant thank you for sharing God bless ✌️ 🌎🌎🌍🌎
Concertul e superb, ca tot ce a compus Mozart. Interpretarea Marha Argerch diavoleasca si in acelasi celesta. Superb, Fantastic ,o performanta artistica de inalta clasa.
What a fabulous rendition. Best I've heard. Full of spirit
很好的～！何度聞いてもNice! How splendid! A young pianist regards many things as it leaning from her performance.Not only technology but deep sensitivity.
I played this concert with orchestra 3 times each time I lisnt to it I don’t what happen to me I cry I get excited I feel Mozart soul hunted me or I don’t know what to say
Excelente interpretación de Martha Argerich y también de la Orquesta que le sirve de marco!!
je ne suis pas musicien mais c'est ma version préférée du plus magnifique concerto pour piano jamais composé (spécialement la romance qui n'est pas romantique SVP ! merci. tristesse et joie c'est le secret de Mozart) rythme soutenu cela contraste d'autant avec les parties calmes et déliées,
une irrepressible aspiration a un amour plus grand celui de Dieu ou la virtuosité s"évanouit dans l'abime de la simplicité ...
émotion sans partage c'est bien Dieu qui parlait à travers ce petit homme.
Oui. Je ne crois pas en Dieu mais c'est exactement ça ❤
I performed this piece with orchestra when I was 14... still remember that day as if it was yesterday. :')
The bullshit with this comment is strong
I performed when I was 10
Trollsey and I agree with u
I did it when I was 10 months old they had to put my baby seat on the piano stool
So natural way of playing...The world would without Motzart and Argerich be different..
Hers is the greatest of all I have ever heard of this piece.
練習で弾いていても、第2楽章の破滅の旋律は凄まじすぎる。そして、まるで水が流れるように戻った曲想には、モーツァルトの哀しさが表れるから、弾きながら涙を禁じ得ない。
Quelle merveille Mozart et ..Argerich.J'en pleure..
Aquí Mozart se rebela como un genio desatado, algo muy superior y adelantado a su tiempo. La sensación que se recibe es su furia por algo imposible de saber y, acto seguido el consuelo o perdón que él mismo pide por esa ira desatada. Qué dominio al expresar el ánimo, con su música habla un idioma universal, directo al espíritu sin pasar por las palabras e infinitamente mejor expresado que si hablara.
Mozart's Symphonies are Amazaing !! in special the concerts for instruments solo ! like the piano or violin
This is so cinematic
As of finishing this concerto I’ve come to the conclusion that Beethoven is just angry Mozart
Muchas gracias Facontí
This is by far the most beethoven-esque piece I've heard from mozart.
Perfecta y brillante
Placer escuchar sus ejecuciones con sonidos individualizados y apasionados
Gracias, primera vez que escucho este concierto
Sensaçional Martha Argerich 🎉
I really love this performance. It's shockingly fast, but it works and I love it. I just listened to Vladimir Ashkenazy's performance and this is seriously like twice as fast.
Actually it's not really *twice* as fast, it's an impression. However, you'll find on TH-cam, another performance of this major concerto (with Mrs Argerich too): it lasts 35:01. ;-)
+Ivan Greindl That other video has a long period -over 2 minutes- of getting ready, etc, and some time at the end too.
Shockingly fast? Are you a snail?
for humorous purposes check out the tasty wrong note at 11:15 :) love a bit of personal interpretation haha jazzyy.
leck mich im Arsche!
kiss my ass do better
hense why i said for humorous purposes..chill out
If you start a little earlier, like 11:00 , the wrong note at 11:15 will be pretty obvious.
The second line is supposed to be the first line transposed up, but a stray note sneaks in. I'd have to sit down with my piano to tell you exactly which note that is.
Fantastico! Braviiii! Grazie mille per la condivisione 💕
This is amazing.
Ein wahrlich symphonisches Meisterwerk.
Danke Mozart!!! Danke Maria Leitner
symphonisch !!!
Très beau magique !!!j adore ...cette douce mélodies qui m émerveille et me remplir le coeur de joie. .bravo. ..grazie
Martha Argerich исполняет Piano concerto Mozart 20 in D minor так, что вспоминается
движение "Буря и натиск"во главе с Шиллером и Гете. Как ярко, драматично и даже трагедийно прозвучала первая часть-Allegro у пианистки и оркестра. Вторая часть (Romance) - тонкое, проникновенное звучание, полное нежности и грусти.
Третья часть (Allegro assai) сыграна с акцентированием ярких контрастов, подчеркиванием драматизма в музыке композитора. Мне близка такая трактовка.
Она потрясает!
Светлана Давыдова
"акцентированием ярких контрастов" - это как? А еще: "проникновенное звучание" - не очень выраженице... И вот это: "драматизма в музыке композитора" - это же Моцарт!!! а не Бетховен...
genio Mozart, gracias por esta creacion, para oirla trabajando en cuarentena
17:38 I love it
+Michał Woźnica Best Part
Divino... una belleza!!!!
Argerich interpreta perfectamente a un Mozart complejo, tan apasionado como pleno de dulzura. Una experencia que maravilla.
Wonderful Mozart: Thanks much.
Those minor keys get me every time
Excelente! Muchas gracias!👏👏👏
siempre extraordinaria. Gracias por subirlo.
This concerto shows a different taste of Mozart , heroic and a kind of deep gloom
Bravo Martha Argerich. Even though this is not a technically perfect performance, for me it's still sublime. Not everything has to be flawless notes, music is much more than that. I feel Argerich has a deep connection to the emotional notes of this beautiful oeuvre. Studying under Friedrich Goulda gave her that insight ( he is my favourite Mozart interpreter to this day). Love this. thank you for uploading.