ฝัง
- เผยแพร่เมื่อ 29 ก.ย. 2024
- Song Link: • Come Here Woman
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Do the LORCA album ...... BTW there is a video on youtube live al PBS with this band playing Starsailor live . Underwwod plays electric guitar usually a telecaster i think, Tim Plays acoustic
Sui generis. A true iconoclast with a voice that could do whatever he asked of it
Vocally Tim influenced Robert plant of led zeppelin, his son Jeff and countless others.. Tom york..
JP, as Christian and I have mentioned, please consider including "Song To The Siren" despite having previously reacted to a rather inferior version previously. I understand that may not be feasible or desirable. When you get to "Starsailor", I anticipate the turning of your (probable) initial revulsion to admiration once you've read the lyrics, grasped the uniqueness of the "arrangement", and appreciate the journey that track represents.
Same as previous tracks - thousands of singers can do you a pleasant forgettable ditty but real artists have the courage to do something different that remains entertaining and challenging.
Entertaining is in the ear of the beholder. : ) I think I might appreciate him better live though.
Aerosmith 1973 Movin Out
Aerosmith 1976 Back in the Saddle
U choose JP.
Alternatively ignore these and allow me to discover the ones that got away...like this album.
Aerosmith Rocks though! 😁
Hi Justin, I recommend listening to The Stooges, the band Iggy Pop started with, they play garage rock, proto-punk, glam rock; although their official MySpace lists the band's style as psychedelic rock/punk/metal.
On the camel
Around the end of Monterey, I'm pretty sure he's doing a "Tarzan call" - as in the call in the old Tarzan movies (very popular at the time). I'd call this more "rock" than "jazz", but both boxes are probably almost exactly wrong, because I think the spirit of it is much more "jungle" (as in rain forest self-contained universe, where you go to make your own tribe, and declare independence - and then next week there's a missionary in the pot and everyone is singing a chorus of yums).
And Moulin Rouge has enough of a "chanson sound" to be a "chanson" of its own. His French is Anglo, but it sounds like he speaks it, so this just means he has "character" when he speaks. A nice accent. (Although from what I've heard, the French are not as fond of accents as are the English).
Your own French is improving (said the bloke who can't speak French, and knows but the little bit of knowledge the wise always say is so dangerous, si dangereux.)
I should post a link to a chanson, but it's not permitted this month, unfortunately. (Until I invent some new category of sin that costs not a groat to buy an indulgence for.)
I like this, but I think even if I didn't, it's something I'd stick with quite a long time, just for its being interesting. Truly interesting music is quite rare. There are lots of little details that stand out in this music, and in times where it's almost a profession to achieve maximum embarrassment whenever possible (or be ashamed of something if one can) - where there's all this encouragement to cringe (or conform-or-cringe) the sheer boldness of the individuality he permits himself has a value all of its own.
I do appreciate this guy's particular brand of free flowing cosmic insanity, it's just that I can't be more enthusiastic at the moment as I'm on a baroque binge and my ears tend to do polar opposites at a time.
Hi JP. DP from UK, just back from the gym & spa (This Heat, Give Me Steam). I like both tracks. Monterey - great bluesy riff, some John Martyn similarities(?), sort of song his son Jeff recorded on Grace (and I prefer his falsetto!). Moulin Rouge - more conventional, but had real baroque charm.
P.S. my song ref This Heat, Give Me Steam is by Peter Gabriel.
Tim > Jeff
Moulin Rouge is so beautiful
btw, the Moulin Rouge is a genuine Parisienne cabaret music hall/dinner type establishment which has been going since 1889. I was there in the 80s when it was hugely overpriced and had the sort of show you would expect form the 1900s with lots of skinny topless dancers in feathers plus a couple of speciality acts. Still fun though and worth ticking off the bucket list. The film musical was indeed based on the real thing.
I've been to Paris a few times, but the rip-off price has always put me off going to the Moulin Rouge.
Cool jazzy drums, a simple but pleasing riff idea, then the vocals just got silly in their histrionics. Followed by an unexpected and credible French chanson pastiche. Anything goes, it seems ...
The second song very nice, the other... not bad
I agree. The guitar riff made this artist easier to listen to. I doubled back to listen to the drum. Moulin Rouge was a pleasing familiar sound.
Congratulations for making your way through. Most would have passed after one track! I often wonder at the singers that have emulated Tim, Mike Patton comes to mind. "Moulin Rouge" is perhaps the most straightforward tune on the album and even it is not ordinary!😎-✌&❤