Paul McCartney performs 'Peggy Sue' and discusses musical arrangement tricks and sounds
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- เผยแพร่เมื่อ 13 ม.ค. 2025
- Paul McCartney chats to Ronnie Wood about how The Beatles would try new song arrangements, sounds and 'little tricks' to make their songs sound different.
This clip is taken from The Ronnie Wood Show, an award-winning TV series first broadcast on Sky Arts. Every episode features top artists joining Ronnie for impromptu jamming, lively chat and reminiscing about the wild days of rock'n'roll.
Incredible how both Paul and Ron get carried away by an irresistible tide of enthusiasm when they immerse themselves in the music of their heroes as teenagers. Really charming
For people who don't understand how influential buddy is, look at these 2 legends acting like fanboys in a way over buddy. Paul had time and time again, he gets this spark in his eyes and his posture changes anytime buddy gets mentioned .
No buddy No Beatles No...... U get it
Paul and Linda used to host an annual party in memory of Buddy Holly.
100% with you :-)
We are waaaay overdue for a new Bubby movie!
Guitarist Albert Lee would have been well at home here discussing the great Buddy Holly 🎵🎶💎👏
I always love how Paul’s face lights up when he talks about Buddy Holly. 💕
You can see the joy in Ronnie’s face when he was jamming with Paul. Who wouldn’t have that face?
Buddy accomplished so much and he was just 22 years old when he died.
And he only was actively famous for 18 months
he'd have written so many more great songs if not for that untimely death. then he'd have joined the Travelling Willburys or Ringo's all -stars. Here comes the Sun was Holly influenced ,as George and the boys were big fans. Lennon called it a "Buddy Holly type song".in fact, it's a little redundant of me to point it out, Buddy having had such a lasting impact on the BEATLES.
God bless buddy holly
I always think of that when I hear Buddy's music. He was like watching a beautiful sunset, but before noon. He was nowhere near what his peak was going to be. Paul never forgot Buddy's influence on him, even 60 years later.
There's a nice recording of Lennon singing and playing guitar to Holly songs. Though Yoko talks over the top of some of it
I think people take for granted how down to earth Paul M is.
This guy is a musical legend. He could be all pious and "Well I've done it all, you have my work on my recordings", and sit there like a bump on a log. Instead he doesn't mind whipping out a guitar and playing his or anybody else's stuff live just for the love of playing. I will always respect and admire him for that, almost more than I do for his body of work.
+Pianoman 70s style He lives for music, i'm sure he would happily jam with anyone.
Well here's a thing about the Beatles. they all played music for the sake of music, whether it's recording or live. but here's something, they stopped playing live. Why? because the fans would get so loud they couldn't hear themselves. they were practically playing nothing at that point. so they started recording full time.
+Dao Yang Paul wanted to keep playing live. George was scared of getting shot! And then, it was John that got shot. :( Ringo just sat back on the drums and thought, "Oh hell, what have I gotten myself into."
Buddy boy, there is what happens when a camera is "ON" and there is "Everywhere else." None of us are in the man's house, none of us are in the car with him, none of us are married to him. This "St. Paul" thing is similar to "St. John" and "St. George." The fabs are people, like you and me. They take a daily dump. Their breath stinks sometimes. They are not saints who walk the earth blessing each and every creature all the days of their lives. Dig?
I agree, but I think what he was saying, is that if Paul wanted, he could pretend to be more than a man. But Paul owns it, never acts like he's better than the rest of us. All the Beatles were pretty frank about their pooping habits. :)
Before and now...Paul has always been a humble guy...he really, really loves music. When it comes to music, he is driven. I think he will keep on making music to small or large events, old or young until he becomes unable to do so. His voice may change, same with his looks, but he is Paul McCartney ....a husband, father, grandfather, composer, singer, genius and a legend.
Couldn’t help but smile throughout this whole video. Two legends having a conversation and playing together!
Ive been a huge fan of Buddy Holly for around 35 years.. I am almost 44. One of the best things I did was actually visit where Holly came from, Lubbock, Texas. It kind of opened up his soul to me...I could see how it influenced and shaped him, and where his songs came from.
Bobby Keys, the sax player of the Stones, is from Lubbock, too!
Buddy Holly, Chuck Berry, Elvis, Carl Perkins and many more really are the heroes for any rockers, professional or amateur
Jazzmen or rockers like Little Richard, Fats Domino, Chuck Berry...
Paul nails it for the Buddy hiccups... have heard the song all my life but never understood how he did it.
Bravo Paul and Bonjour du Québec!
It's masters like this that truly makes rock what it is, lets not lose that. THANK YOU GENTLEMEN!
What a wealth of experience these two stars have to call on. Fantastic. 👍
Wow they both sound amazing just playing around 🎸👍
Paul’s so damn adorable
Danke
How pleasently.perfect you guys teach us still.
... Love it thank you both from.my heart ..
They really love rock and roll!
I think these are the first times I've ever heard Ron Wood talk/communicate! These are great.
Paul McCartney is music. He lives and breaths it
one of the best Paul Interviews conducted. So down to earth nd personal. Ron does great too.
I'm not native what does down to earth mean????
Ronnie,----you and Sir Paul are the very best bass players !!!
this is wonderful!!
recently listened to 'another day'.
Sheesh Paul, what a wonderful arrangement . Brilliant
Reminds me of the Million Dollar Quartet ,Dec 4 1956 Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash stopped into Memphis 's Sun Studios for a impromptu jam session ...This is a Gem you created here loved it Ronnie THX
Buddy Holly lives on!!
There's a great scene in 'American hot wax' where a kid who's a major fan of Buddy's straightens somebody out who reminds him that he's dead, by tearing up the guy's business card, and says "Buddy Holly lives".
RAVES on!
Glorious!!! I have met a Peggy Sue in Athens Georgia after whom this song as named. Thank you.
Great Video Ronnie. paul is amazing.
This warms my heart :)
Lovin these little vid clips - such a great format with the guys hanging out jamming and chin wagging. Very natural.
this happening is incredible in its own right. 2 legends talking over a legend.wow
Pure gold. Thx for the post.
The Pure Love of Music....
Awesome! Of Paul and Ronnie ALWAYS Love Buddy Holly
Rock Royalty being human, inspirational, and jamming. Thanks!!
Man of dreams Charles Hardin Holley!!!
BUDDY HOLLEY always will be a genius!!!!
Brilliant ! 2 Legends singing Buddy Holly.
Miss this show
I miss this shoe
Good GOD, these two together, are magic!
QUE MOMENTO TAN MAGICO Y FANTASTICO !!!!
GREAT FANTASTIC AND MAGIC MOMENT !!!!!.
THANKS GUYS !!!!!!
Priceless and refreshing. Thank you guys! Peace, one love
So fun to hear insights from the giants!
Thank you, Buddy.
These 2 guys know more about music than 99% of the world
Fantastic love them both great
Total pros. Love it. Hearing those bits and understanding them is what sets them apart from the amateurs.
Paul, we love you and that. For millions of human souls, you are like a ray of light in a dark realm. Ronnie, you're beautiful too. Greetings from Russia!
Great when those guys appreciate the work of others.
I just feel that these guys were able to learn to play instruments with an ease very few could do. Part of what makes them among the greatest. I’ve read that Alvin Lee didn’t pick up a guitar until his late teens.
Amazing!!!
thanx for this lovely awesome post ;) yeah
I actually found this profoundly sad.What would Buddy have done in the last 60 years if he had lived!Would he have turned back to country music in the face of the Beatles, or would he of withstood them, and even challenged them, and still be a legendary working artist today?
+neohip Buddy was already doing strings on recordings like It Doesn't Matter Anymore and True Love Ways, seven years before the Beatles thought of it. No doubt he would have continued as an innovator.
@@steveconn Yeah, but those string ballads were more of a return to the past than an innovation thing. He was married and more mellow, less interested in rock&roll, it seems. Actually, he was falling in line with the times, as rock was dying little by little until the british invasion brought it back to the front in 63.
i read keith richards saying that lennon would say if holly was alive noone would listen to either of them ie stones,beatles
Very interesting to ponderable... i guess BH would have loved the late 60’s... he would have played woodstock with an acoustic guitar , long hair and beard i imagine
He would have worked with them, I am sure of that. Maybe even produced them...he was going to open a studio over here in the UK. We lost so much....
That F chord comes from A's natural minor scale, it's a modal interchange. My job here is done. - flies away -
fishenelmar Who was that masked man?... My first question is this: Was Buddy Holly musically sophisticated enough to know what he was doing with the F, or did his ears just tell him "this change sounds cool.," or did someone in
his band suggest the change? My second question is, Why am I asking the first one? I'm a busy man. I shouldn't even be here. Damn you, TH-cam!
+Oscar Groucho well that is un ......resolved........ and yes a time stealer ....should be playing not watching >^..^
honestly, I'd say the first is most likely. You don't need to understand every nuance relating to music theory to decide to write an odd chord into a progression. It is true that those were the first times those kind of chords were thrown into rhythm guitar based early rock and roll/rockabilly music.
Anyone as broad-minded as Buddy Holly can get interested in ambitious chords some whenever he feels like it one day. That's exactly what happened with one of the chords in Paul's "Michelle." Jazz was on the radio a lot when Buddy and Paul (and even Elvis Costello) were young. Carl Perkins, good ol' boy of all good ol' boys, used interesting chords in "Honey Don't" because why not.
It's always useful when a brilliant choice by a songwriter is expressed as music theory. What are the chances Buddy Holly was thinking about modal interchanges?
Great, guyz!
Awesome!
I love how he even gets all the right vocal tics in. McCartney's virtuosity as a songwriter is based in no small part on how adept he was at imitating various sounds and accents, etc. I once saw a hilarious clip of him quickly imitating enthusiastic "jive talk" as a young Beatle. And of course, you've got all those Western mannerisms he incorporated when putting American country music on Let It Be, etc. Sometimes he was very free-form when vocalizing, as with the low-to high howls he would do on some White Album and Abbey Road songs.
fuzzyone99 great observation, very true. The Beatles were gifted imitators who went on to become gifted innovators.
Please Ronny and Paul!!! Please don’t ever ever ever say goodbye to us. We love you!
Just think if John was still alive how great it would be him reminiscing with the guys. 😢
Luv it Pauly.
Fascinating!
Sir Paul You've got Peggy solo wrong and I recently discover that buddy didn't do Common A chord :
he make it like a D cord like: index on D strings, ring finger on G strings and middle finger on B so that why he was able to switch so fast and keep it clean :)
+Ken Deskenlo Holy cow, you are so right on that. I just tried it and was surprised how fast it switches up. Now if my brain can just rewire a little bit so I can keep playing it that way.
Yes, yes, yes, and ..........
Yes....
Brilliant mate.godbess.x
Wonderfull.
Wow Paul and Ronny is like a Beatle and Stone can't get any better / super musicians!!!
As guitar player inspired by the late great Buddy Holly Ritchie Valens the big bopper and Johnny Cash and Elvis and Dion and the belmonts and the Beatles this is great
I have buddy's autograph!
You know, it's something special when you meet a fellow chap that's into Buddy Holly as much as you are. I tell ya, these two guys are just falling over themselves talking about Buddy, and this is exactly how I fell about Buddy too! I'm 41, and I grew up in a house hold of Beatles, Stones, Hendrix, ect., ect. and Buddy Holly is the first guy I gave two shits about above anyone else. From that point on, I got into The Beatles and countless other bands. But, you never EVER forget the person/band that got you into music and made you consciously aware of albums and singles .
Happy go lucky Ronnie....the spirit of the Stones!!
Love it !!!
What a tribute and endorsement. It always amazes me the people who bcome influentual to more well known personalities. But, hey, Texans do have a special touch. It ain't bragging if you can do it.
now this is entertainment.. love you guys
I Saw Her Standing there has the same chord interval shift but in the key of E (to C).
is that a C chord, or an A minor with a C in the bass?
@@Paul-dw2cl That is a good question.
I've always played C.
But I see some chord charts have either C or Am/C.
Wish this was 3 hours longer
Paul y Ronny....conjunción de astros....en términos astronómicos...
Buddy Holly was a genius! 💞
im just smiling and I dont know why
Ya No sure you know
Love this stuff. Borrowing chords from the parallel minor, things out of the key that weren't used often in rock.....Beatles were great for that. Peggy Sue did it with the F major. I can't play nearly as good as many people I know, but after 40 years decided to dive into theory and at least learn that language and why things work, chord selection for songs increases dramatically.....rarely used chord voicings. Some jazz guys I know said they noticed the Beatles doing things other Rock bands just weren't doing musically. Nothing difficult or out of the ordinary for jazz players, but huge for rock, and that is what drew so many of us to their music. The simplicity of rock with some really cool stuff tossed into the mix to make it better than anyone else could do.
You gotta remove yourself from everything from 1962 onwards to 2023….and realise that this song and its diversification to such a simple thing as throwing a F chord in amongst the standard chord structure of Peggy Sue, was in its day, Way Out There Man! . They both recognise that. Love it.
charles Hardin Holley 4 ever }}}}
Thank you, Gentleman.
Genial sir Paul!!
Paul McCartney is a lefty, sweet.
Ringo is also a lefty but to keep it simple he learned to play the drums right handed, trying to get a left handed kit
in the 60's was impossible..
@@jrgboy you can just put everything on the respective side though.
I'm right-handed and I play left-handed always have and always will
Paul rightly loves the song for many reasons. And now he owns buddy's catalogue. Bet he didn't see coming back in the late 50's!
What the hell must it be like to be them! I love the drums on Peggy Sue too! Who would play them better, Charlie or Ringo?
paul is so cute 2:46
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intro - 0:02
Verse 1- 0:27
Interlude 1 - 0:40
Verse 2 - 0:46
Interlude 1 - 0:59
Chorus 1 - 1:02
Interlude 2 - 1:27
Interlude 1 - 1:30
Verse 3 - 1:37
Interlude 1 - 1:50
Verse 4 - 1:56
Interlude 1 - 2:09
Chorus 1 - 2:12
Guitar solo - 2:39
Chorus 1 - 3:21
Interlude as outro - 3:53 till 4:19
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13 Part Song:
Intro - 0:03
Verse 1 - 0:08
Interlude 1 - 0:14
Verse 2 - 0:26
Interlude 2 - 0:39
Chorus 1 - 0:50
Interlude 3 -1:05
Verse 3 - 1:14
Verse 4 - 1:31
Interlude 4 - 1:36
Guitar solo - 2:03
Interlude 4 - 2:29
Interlude 1 - 2:34
Verse 2 - 2:47
Interlude 1 - 2:59
Chorus 1 - 3:10
Verse 3 - 3:34
Verse 5 - 3:51
Interlude 5 as Outro - 4:00
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"No Quarter"
Intro:
Intro Section 1 - 0:00
Intro Section 2 - 0:47
Intro Section 3 - 1:02
Intro Section 4 - 1:31
Verse 1 - 1:46
Chorus 1 - 2:28
Intro Section 3 or Main riff - 2:31
Interlude or Instrumental bit - 3:11
Guitar solo - 3:57
Verse 2 - 4:51
Chorus 1 - 5:31
Intro Section 3 or Main riff - 5:33 or 5:34 till 7:00
Outro - 5:47 till 7:00
Led Zeppelin - Achilles Last Stand (Album Version):
Intro
verse 1
small interlude
verse 2
big interlude or "tempo change?"
verse 3
small interlude
verse 4
big interlude or "tempo change?" and then guitar solo
verse 5
small interlude
verse 6
long interlude
verse 7
Outro
Foo Fighters - Rope
The Musical Plan, Path, Passage, Arrangement, Sequence, Structure, Construction, Order, Blueprint:
Intro:
Intro Section 1 - 0:00
Intro Section 2 - 0:13 or 0:14
Verse 1 - 0:28 or 0:29
Pre-Chorus- 0:57 or 0:58
Chorus 1 - 1:11
Climb that goes back up - 1:31
Interlude or instrumental bit - 1:37 or 1:38
Verse 2 - 1:51 or 1:52
Pre-Chorus- 2:07
Chorus 1 - 2:20
Climb that goes back up - 2:40 or 2:41
Drum Solo - 2:52
Guitar Solo - 3:07 or 3:08
Chorus 1 - 3:29 or 3:30
Climb that goes back up - 3:56 or 3:57
Re-Intro as outro:
Re-Intro Section 1 - 4:03 or 4:04
Re-Intro Section 2 - 4:09 or 4:10
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Intro:
Intro Section 1 - 0:00
Intro Section 2 - 0:08
Verse 1 - 0:54
Interlude 1 - 1:07
Verse 2 - 1:15
Interlude 2 - 1:32
Chorus 1 - 1:42
Interlude 2 - 1:56 or 1:57
Verse 3 - 2:00
Interlude 3 - 2:28
Verse 4 - 2:33
Interlude 2 - 2:50
Chorus 1 - 2:52 or 2:53
Instrumental Section - 3:22 till 4:23 or 4:24
Guitar solo - 4:24 till 4:47
Chorus 1- 4:47 till 5:25
Interlude 5 as outro - 5:24 till 5:39
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Intro:
Intro Section 1 - 0:00 - 0:42
Intro Section 2 - 0:43 or 0:44
Verse 1 - 0:53 or 0:54
Chorus 1 - 1:15
Interlude 1 or instrumental bit 1 - 1:36
Verse 2 - 1:44
Chorus 2 - 1:56
Interlude 2 or instrumental bit 2 - 2:08 or 2:09
Verse 3 - 2:18 or 2:19
Intro section 2 or Verse riff - 2:40 or 2:41
Verse 3 - 2:45 or 2:46
Chorus 1 - 3:07
Interlude 1 or instrumental bit 1 - 3:28 or 3:29
Bridge - 3:33 or 3:34
Instrumental section:
Interlude 3 or instrumental bit 3 - 3:55
Intro section 2 or Verse riff - 4:13
Drum solo - 4:34
Guitar solo - 5:00
Interlude 1 or instrumental bit 1 - 5:27
Verse 2 - 5:47
Chorus 2 - 5:57 or 5:58
Interlude 1 or instrumental bit 1 - 6:19
Bridge - 6:21
Interlude 1 or instrumental bit 1 - 7:14 or 7:15
Rush - YYZ (HQ)
Section 1 - 0:00 till 0:05
Section 2 - 0:05 till 0:42
Section 3 - 0:43 till 1:10
Section 4 - 1:11 till 1:38
Section 5 - 1:38 till 2:22
Section 6 or guitar solo - 2:22 till 2:51
Section 7 - 2:52 till 3:20
Section 3 - 3:20 till 3:47
Section 4 - 3:47 till 4:16
Section 8 as outro - 4:16 or 4:17 till 4:22
The plan, path, passage, arrangement, sequence, structure, construction and order of "Green Day - 21 Guns [Official Music Video]"
Intro - 0:00 or 0:01
Verse 1 - 0:17 or 0:18
Chorus 1 - 1:05
Verse 2 - 1:36
Chorus 1 - 2:23
Bridge - 2:53 or 2:54
Guitar Solo - 3:16 or 3:17
Re-Intro - 3:45 or 3:46
Verse 3 - 3:58
Chorus 1 as outro - 4:21 or 4:22
Nirvana - Heart-Shaped Box
intro - verse 1 - chorus - verse 2 - chorus - middle eight - verse 1 - outro chorus -
Nirvana - All Apologies
Quiet intro - Quiet Verse 1 - Loud bridge - Quiet verse 2 - Loud Bridge - Loud chorus as coda or outro
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Intro or Loud Riff 1 - 0:00
Loud Riff 2 - 0:27
Loud Riff 3 - 0:29
Loud Verse Instrumental or Loud Riff 4 - 0:56 or 0:57
Loud Verse 1 - 1:10
Loud Pre-Chorus 1 - 1:23 or 1:24
Loud Riff 2- 1:29
Loud Pre-Chorus 1 - 1:30 or 1:31
Loud Riff 2 - 1:35 or 1:36
Loud Chorus 1 - 1:39
Loud Interlude 2 - 1:43
Loud Chorus 1 - 1:45 or 1:46
Loud Interlude 2 - 1:50
Loud Chorus 1 - 1:52 or 1:53
Loud Interlude 2 - 1:57
Loud Chorus 1 - 1:59 or 2:00
Loud Riff 3 - 2:04
Loud Verse 2 - 2:15 or 2:16
Loud Pre-Chorus 1 - 2:30 or 2:31
Loud Riff 2- 2:36
Loud Pre-Chorus 1 - 2:37 or 1:31
Loud Riff 2 - 2:42
Loud Chorus 1 - 2:45 or 2:46
Loud Interlude 2 - 2:49 or 2:50
Loud Chorus 1 - 2:51 or 2:52
Loud Interlude 2 - 2:56 or 2:57
Loud Chorus 1 - 2:59
Loud Interlude 2 - 3:02 or 3:03
Loud Chorus 1 - 3:05 or 3:06
Loud Riff 5 - 3:15 or 3:16
Loud Riff 6 - 3:34
Loud Guitar Solo 1 - 3:36 till 4:09
Loud riff 7 - 4:09 till 4:12
Intro or Loud Riff 1 - 4:12 or 4:13
Loud Riff 2 - 4:40
Loud Riff 3 - 4:41 or 4:42
Loud Verse 3 - 4:55
Loud Pre-Chorus 1 - 5:08 or 5:09
Loud Riff 2- 5:13 or 5:14
Loud Pre-Chorus 1 - 5:15
Loud Riff 2 - 5:20
Loud Chorus 1 - 5:23 or 5:24
Loud Interlude 2 - 5:27
Loud Chorus 1 - 5:30
Loud Interlude 2 - 5:34
Loud Chorus 1 - 5:36 or 5:37
Loud Interlude 2 - 5:41
Loud Chorus 1 - 5:43 or 5:44
Loud Riff 8 - 5:50 till 6:16
Loud Riff 9 - 6:17 till 6:44
Loud Riff 2 as outro - 6:44 till 6:50
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Intro - 0:19
Guitar Solo 1 - 0:38 till 1:11
Verse Instrumental - 1:15
Quiet Interlude 1 - 1:29
Quiet Verse 1 - 1:46
Loud Chorus 1 - 2:12
Quiet Interlude 1 - 2:20
Quiet Verse 2 - 2:34
Loud Chorus 1 - 3:01
Quiet Interlude 1 - 3:08
Guitar solo 2 - 3:14 or 3:15
Loud Chorus 1 - 3:36
Loud Interlude 1 - 3:53
3rd Verse - 4:37
Loud Interlude 2 - 5:20
Guitar solo 3 - 5:45 or 5:46 till 6:23
Loud Interlude 3 - 6:36
Loud interlude 2 - 6:54
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Intro - 0:02
Main riff - 0:57
Verse 1 - 1:13
Pre-Chorus - 1:28
Chorus 1 - 1:36
Main riff - 1:49
Verse 2 - 2:05
Pre-Chorus - 2:21
Chorus 1 - 2:28
Guitar Solo - 2:43
Bridge - 3:28
Chorus 2 - 3:59
Chorus 1 - 4:11
Main riff - 4:26
Outro - 4:47
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Intro
verse 1
pre-chorus
chorus
verse 2
chorus
guitar solo
verse 3
pre-chorus
chorus
guitar solo 2
verse 4
Outro
paranoid black sabbath (lyrics included)
intro - 0:02
verse 1 - 0:14
interlude - 0:26
verse 2 - 0:38
bridge - 0:50
verse instrumental - 1:00
verse 3 - 1:13
guitar solo - 1:25
verse instrumental - 1:48
verse 4 - 2:00
interlude - 2:12
verse 5 - 2:24
verse interlude as outro -2:36
حسين الجسمي - عمرك سمعت بطير يحب سجانه
13 Part Arrangment
Intro - 0:00
Melody - 0:02
Verse 1 - 0:23
Chorus 1 - 1:39
Melody - 1:55
Verse 2 - 2:36
Chorus 2 - 3:52
Vocal melody - 4:08
Interlude - 4:17
Vocal Melody - 4:39
Verse 3 - 4:49
Chorus 3 - 6:04
melody as outro - 6:20
Black Sabbath Evil Woman
Intro -
Verse 1 -
Chorus 1 -
Verse 2 -
Chorus 2 -
Guitar solo -
Chorus 3 -
Verse 3 -
Chorus 3 as outro -
Saad Lamjarred - Mal Hbibi Malou (Music Video) | سعد لمجرد - مال حبيبي مالو
10 Part Arrangement:
Intro -
Chorus 1 -
Verse 1 -
Pre-chorus -
chorus 2 -
bridge then instrumental interlude -
chorus 3 -
verse 2 -
Pre-chorus -
Chorus 4 -
The Passage, Path, Arrangement, Structure, Sequence, Construction, Order of
"Asian Kung Fu Generation - Ruupu & Ruupu [ループ&ループ] [Live-Sub.Español]"
Intro or Opening Riff - 0:02 till 0:15
Verse 1 - 0:15 till 0:29
Opening riff - 0:29 till 0:36
Verse 2 - 0:36 till 1:04
Pre-Chorus 1 - 1:04 till 1:31
Chorus 1 - 1:31 till 1:59
Opening riff - 1:59 or 2:00 till 2:13
Guitar Solo - 2:13 till 2:27
Verse 3 - 2:27 till 2:40
Pre-Chorus 2 - 2:40 or 2:41
Chorus 1 - 2:47 or 2:48 till 3:16
Opening riff as outro - 3:16
قلب قلب وين وين 2012
15 Part Arrangement:
Intro
Chorus 1
Verse 1
Chorus 1
Interlude
Verse 2
Chorus 2
Verse 3
Chorus 1
Interlude
Verse 4
Chorus 2
Verse 5
Chorus 1
Interlude as outro
Buddy Holly 2/3/°*°* , Blessings to You & Your Family, Your Music Lives & Raves On & On & On & On & On! Bravo For doing this SITE Ronnie!, Sprits&Cheers, dtf *!*
Wow👍
How many future British rock stars must have wanted to see Buddy when he and his crickets played to UK audiences in March 1958
Interesting to see how these two greats are no better than I am at trying to figure out a song they've never played before. Most stars would not expose themselves like this to the public. We're lucky we've got Ronnie and Paul. Imagine Elton John doing a vid like this and singing "Let It Be Me"?
Sweet
Man to influence the Beatles as well as other iconic rock and roll bands…Buddy Holly.
The Beatles and the Stones absolutely loved Buddy Holly. I've heard each Beatle individually praise the man. I've always thought the line in Beast of Burden, "you're a pretty pretty pretty pretty pretty pretty girl," came from "pretty pretty pretty pretty Peggy Sue."
Buddy Holly is the original king of Rock & Roll
Norman Petty did good work. Holly's recordings there had a fresh sound that only an expert can produce.
Didn’t Norman Petty screw Buddy over financially?
As happy as it makes me to watch these two it fills me with sadness that they won't be here forever...
Buddy Holly!! Lubbock, Tx
Visited Lubbock in 1994. Ash, Brisbane, Australia
When I was in a band we sung it as "Piggy Sue."
😍😍😍
C'mon guys! You forgot that part, that ->one part