It really is one of the best constructed. It is a true "arrangement" with melodic motifs leading into the verses and a structure like songs had in the 30's and 40's with the standards.
Drums are not made with the Linndrum. Listen carefully, they are still using the Korg KR55. At least for the snare. Kick has to be the Arp2600 like they did on the S&S album. I consider this and meaning of love like the last songs of the S&S sound era. The rest of broken frame has a different sound to it. More dark.
I am so happy to find your youTube. Love See You since 1982 when it came out and when I was still a school boy. Love the PPG wave, and we can relive our youth😁
I'm also very happy to have found your channel here. DM, PPG exactly my thing. I grew up with it when I was 60. I'm very happy to leave a thumbs up and a subscription here.
Interesting how Depeche Mode made those sounds for See You, one of my favorite songs. The PPG synthesizer was more popular in Europe I believe. Rupert Greenal of The Fixx and Edgar Froese of Tangerine Dream used the PPG as well. Great demo sounds right on note by note!
Brilliantly, thanks for making this! I always loved the weird mystique of this track and every sound ingredient they used. The odd and unexpected counter rhythms with those layered melancholic melodies always had me admiring its originality. Clearly it did for you too.
3:49 "It was pretty easy to create...." Once you know, yes, but pick a VST and try to find out on your own, and most of us will disagree (based on questions on forums etc). From videos with the hardware PPG it is almost impossible to find the settings. So, I'm very grateful you showed us how to do it.
The bass intro is based on two bass lines ..one is the Moog source synth which is intermittent the other comes from the Jupiter 8 I found the PPG Wave settings on the Waldorf Nave app which has PPG patches Vocal/Formant for the choir sound and ‘Choral Strike’ which is the ‘brap’ sound I use the Celesta for the bell And two separate brass saw patterns
The intro bell is more like a Celesta or Vibraphone also there is an underlying brass that deviates from the Harpsichord/brass on the bridge solo it doesn’t play the same notes as the main instrumental break The kick is the ARP 2600 the snares are the Korg KR55 the bass consists of A Moog and Jupiter 8 together Like how you’ve spotted the sub bell nobody seems to get that bit right
Thanks for your input Scott. There are 64 variations in each wavetable so I will leave it up to you to figure out which one, as for myself, I just had fun guessing but I am not an expert on Depeche Mode. Sounds like you were there at the recording session so I will give you the expertise on this one!
@@Digiphex Wasn’t being flippant my typing last night was worded a bit wrong blame it on a hangover was meant to say another brass section that deviates in the background as well as the Harpsichord/Pad break
cool breakdown of the sounds, but the Kick is from ARP 2600 & Snare & hi hat are from the Korg KR-55 (like most of Speak & Spell), not LM-1 or LinnDrum. To my knowledge, DM never used LM-1 or LinnDrum. They did use the Emu Drumulator on Construction Time Again.
I don't disagree. The Linn's 8 bit kick and snare got me close enough and there is no hi hat in this song, I would love to know Daniel Miller's ARP kick patch but I couldn't get that sound in See You. They did purchase a Linn and also used the TR-808 you see pictured as well as the Simmons SDS-V. So they used a bit of everything out there at the time. www.muzines.co.uk/articles/when-the-wave-forms/4617.
@@Digiphex Nice to see, but I can't recall ever hearing a Linndrum on a DM song-maybe hidden somewhere in layers on later songs, but not on A Broken Frame. There's tons of ARP 2600 kick sound plus Simmons and a few from the 808, e.g. clap, and probably the conga on Shouldn't Have Done That. If you sample the kick and snare from Dreaming of Me you would come closer to the sounds in See You, not the exact since they seem to change the kick sound slightly between every song. I don't think the bass is from a Jupiter 8. It sounds more like a Moog, maybe a Moog Source which we know they had in 1982. The Jupiter 8 was most likely introduced when Alan joined later on when touring.
Excellent Job, I also recreated see you and did some research on the synths they were using back in time. I consider See You sounds more as part of the speak & spell era and therefore I suppose they were not using the Linn Drum. The rest of the album's drums sound more like simmons though I doubt they used any stock sound. My best guess is they created any percussion sound with the ARP 2600, bassdrum as well as snaredrum and special FX. Or they still might have used the old KR55 for the Snare Sound. There're some DM soundpacks for Arturias V-Collection, they did the main percussion sounds of Speak&Spell and A Broken Frame using the ARP 2600 VST, sound pretty decent.
@kalgan2357 you are correct - I can confirm that the "See You" snare is indeed the KR55, which (bearing a somewhat deep Vince Clarke induced cigarette burn mark) is gathering dust on a shelf right next to me ... - the ABF era drums consisted of: the Simmons SDS-V + ARP2600 (occasionally for kicks, as well as, noise/reso percussion & hats) + KR-55 (on "See You") / TR-808 ("Satellite" "The Sun & The Rainfall" "The Meaning of Love" ) - the lads never quite made use of the Linn machine (instead, they made great use of the Drumulator on CTA & to a much lesser extend SGR)
@@D-osOrg Thanx for the insights, I just started in recreating some CTA songs, so your hints actually helped. Anyways it takes a lot of time and effort to get all the custom samples right. Studio looks like a garage / toyshop….
@@Digiphex Just watched your video again after many months as I thought it was about time I had a shot at this track myself. On closer listening it seems that the snare on See You came from the Korg KR55 and the kick from the ARP2600. Pretty much the same set up as on their first album. Probably got the 808 when they moved on to recording the album proper. You did a fine job recreating the track btw
Oh and another odd thing they did was to not start the track on the beat - at the beginning they skip a couple of notes so your ear hears that bass line completely out of whack (at least for some people) until the vocal comes in.. then your brain does a flip as it locks onto the real beat - I love being thrown like that. It’s a strange thing to do and there’s only a few songs that do this. I think there’s a TH-cam video on this subject.
Yes, I think your mind has an expectation of where the "1" is and then the drum starts on a different beat. I could have done better on that aspect but I had a certain loop of midi I was cutting and pasting. Thanks for pointing that out.
Not quite correct...in order for "some" looped sequences to work with the rest..you actually HAD to start on an odd beat...or in the middle of a bar/beat...especially if you work with a linear sequencer..and if you run it as an arpeggiator..like they did in this case...they played the bassline by hand..arpeggiated in the studio and changed notes by hand..it wasn't programed in one go.
It must of been amazing to be an artist back in the 80`s ... new gear coming out left right and centre .. of course we have new gear available now but back then it was new new if you catch my drift .. i love early depeche stuff.. it really was the first time anyone had heard those kinda sounds .. for what it`s worth i got the exact same "buzz" sound in see you using a Pro One ... thanks for posting !
They say it is the equivalent of $30,000 in today's money for a PPG back then. So it was just a fantasy in a magazine unless you were at the very top. So much better now with Behringer about to make a PPG soon.
@@Digiphex Yes ! Agreed ! .. i love the Behringer stuff ..just wish i had it 30 years ago ! ... thanks for the reply and keep up the good work ! much appreciated !
Yes, the structure hearkens back to standards from an earlier era. For me, See You is one of the most perfect structures, like a formula for a pop song. Each verse has a lead in motif first and then he starts singing, and the anti-chorus is great with the bells and harmonies with the vocal. "A Photograph of You" has a tight structure as well with its little instrumental and anti-chorus break. I have to think that some experienced writer who knew all the standards gave Martin a little instruction.
Were they using the EMU on this album? I know for sure they used the PPG because we have studio pictures of it, and Dave could've made his own wavetable of his voice. I really don't know, but what is your source for your information? You could be right.
Oh Arturia - I love their synths. By the way, Depeche Mode used the emulator. Years ago, I practically converted all Emulator II sounds from the original disks so that they can be loaded into Kontakt. All of it unprocessed, without effects. ;)
Ill personally pay you to talk about and remake more Depeche mode songs one of my favorite groups and im working on a project very much influenced by them i would love it so much this video is amazing!
Pressing "DIGI", selecting wavetable then choosing wave with "OSC" doesn't produce sounds that are even slightly similar, so there must be some other settings involved as well.
@@Digiphex Thanks for fast response. For example, @3.55 you start explaining how to create "vocal" sound, so it's wavetable 027 FmntVocal, then wave 30. In my experience - it produces a different sound. Same goes for "bell sound" @5.57 (WT14, WV4) and "Harpsichord" @6.33 (WT29, WV10).
@@EdmundBurke-p6v You are right they don't sound right with the current version. However, at the time I did this I also used just those same raw waves to do a Tracker tutorial on See You. Go watch that and you see me turn these exact same raw waves into the same instruments with no VST used at all, only the original PPG waves! So something is off with this current version. th-cam.com/video/lqjeuCOQTK8/w-d-xo.html
@@Digiphex I appreciate your confirming that the current version behaves differently. Your video actually inspired me to buy this vst, so I hope I can find out how to make it sound as it did for you when recreating "See You". Perfect job, btw.
the bel sound is actually the one that put me off. It's actually totally wrong. The original has mor accent (metal) to it. And the "answering" harpsichord has more ring and complexity to it. So both probably has more action going into it. This is quite common when people think that "this" and "that" sound comes from one patch ore one synth, when it's actually in many instancies comes form different synths or multiple layers.
Thanks for this video, it’s really useful! Are you doing anything to the PPG sounds, or using some other setting? I tried the waves you show in my copy of the plug-in and they don’t sound the same.
Yes, there are basic attack and decay envelopes as well as filter settings. But the crucial thing is the wave you choose. It looks like I show the front panel of the synth at times. Copy those settings.
Hi there, Just wondering if you have any thoughts on which wavetables and waves in the Waldorf PPG Wave 3.V would work best to recreate the ppg wave synth sounds used in the song "Take On Me" Thanks
If it does have some PPG it is layered in there with DX7, etc. I could figure it out but it would take some time. To make your life easy, you could reproduce it well with Korg M1 VST.
@@Digiphex I’m working on doing a complete cover of Take On Me, but trying to work out that PPG sound has really stumped me.. I’m currently using the trial version of the Waldorf 3V PPG wave, which is why I asked you on this particular tutorial you uploaded. Why would using a Korg M1 VST be easier?
The bassline in that track was a mono synth, likely Arp 2600. Jup 8 is a bad choice for bass because it has a weedy low character, and with the polyphony you get a lot of uncomfortable overlaps between notes. A better choice would be Roland’s SH2 plugin.
I read something in an interview that it was a Moog Source in this particular song. Feel free to link to your source that contradicts this, I am no expert on DM.
th-cam.com/video/m1eCWe94gwo/w-d-xo.htmlsi=ccZl6vXuA5BjqcbZ and yes they where still using a kr-55. Bassdrum from arp 2600….. what they use live on tv is what they could bring with them…. Tv kinda never sent live audio back then…. Vocals if there was like top of the pops but noooo……. Thinks theres a lot more jp-4 that you think is ppg aswell and casio vl-1
@@thewakz I am revisiting my listening habits from almost 40 years ago. It doesn't feel like it and so I think like it was yesterday. But all those albums are starting to flow together. Interesting that I can sing them all in perfect pitch before the song starts, I have played them so many times, hundreds.
Tenia 14 años cuando salió esta preciosa canción . Me trae recuerdos de mi adolescencia . Depeche Mode es la banda sonora de mi vida
Estuve 5 años en los que escuchaba solo Depeche Mode.
This song is such a piece of musical art.
It really is one of the best constructed. It is a true "arrangement" with melodic motifs leading into the verses and a structure like songs had in the 30's and 40's with the standards.
Drums are not made with the Linndrum. Listen carefully, they are still using the Korg KR55. At least for the snare. Kick has to be the Arp2600 like they did on the S&S album. I consider this and meaning of love like the last songs of the S&S sound era. The rest of broken frame has a different sound to it. More dark.
I think you are right. I didn't have the KR55 samples then.
Just commented like you, should've read the comments trail before...
I am so happy to find your youTube. Love See You since 1982 when it came out and when I was still a school boy. Love the PPG wave, and we can relive our youth😁
I'm also very happy to have found your channel here. DM, PPG exactly my thing. I grew up with it when I was 60. I'm very happy to leave a thumbs up and a subscription here.
Interesting how Depeche Mode made those sounds for See You, one of my favorite songs. The PPG synthesizer was more popular in Europe I believe. Rupert Greenal of The Fixx and Edgar Froese of Tangerine Dream used the PPG as well. Great demo sounds right on note by note!
Brilliantly, thanks for making this! I always loved the weird mystique of this track and every sound ingredient they used. The odd and unexpected counter rhythms with those layered melancholic melodies always had me admiring its originality. Clearly it did for you too.
3:49 "It was pretty easy to create...." Once you know, yes, but pick a VST and try to find out on your own, and most of us will disagree (based on questions on forums etc). From videos with the hardware PPG it is almost impossible to find the settings. So, I'm very grateful you showed us how to do it.
The bass intro is based on two bass lines ..one is the Moog source synth which is intermittent the other comes from the Jupiter 8
I found the PPG Wave settings on the Waldorf Nave app which has PPG patches Vocal/Formant for the choir sound and ‘Choral Strike’ which is the ‘brap’ sound
I use the Celesta for the bell
And two separate brass saw patterns
amazing how cheezy sounds from the ppg can make such a cool song ... its pure talent
The intro bell is more like a Celesta or Vibraphone also there is an underlying brass that deviates from the Harpsichord/brass on the bridge solo it doesn’t play the same notes as the main instrumental break
The kick is the ARP 2600 the snares are the Korg KR55 the bass consists of A Moog and Jupiter 8 together
Like how you’ve spotted the sub bell nobody seems to get that bit right
Thanks for your input Scott. There are 64 variations in each wavetable so I will leave it up to you to figure out which one, as for myself, I just had fun guessing but I am not an expert on Depeche Mode. Sounds like you were there at the recording session so I will give you the expertise on this one!
@@Digiphex Wasn’t being flippant my typing last night was worded a bit wrong blame it on a hangover was meant to say another brass section that deviates in the background as well as the Harpsichord/Pad break
I love this video. More Depeche please!
cool breakdown of the sounds, but the Kick is from ARP 2600 & Snare & hi hat are from the Korg KR-55 (like most of Speak & Spell), not LM-1 or LinnDrum. To my knowledge, DM never used LM-1 or LinnDrum. They did use the Emu Drumulator on Construction Time Again.
I don't disagree. The Linn's 8 bit kick and snare got me close enough and there is no hi hat in this song, I would love to know Daniel Miller's ARP kick patch but I couldn't get that sound in See You. They did purchase a Linn and also used the TR-808 you see pictured as well as the Simmons SDS-V. So they used a bit of everything out there at the time. www.muzines.co.uk/articles/when-the-wave-forms/4617.
@@Digiphex Nice to see, but I can't recall ever hearing a Linndrum on a DM song-maybe hidden somewhere in layers on later songs, but not on A Broken Frame. There's tons of ARP 2600 kick sound plus Simmons and a few from the 808, e.g. clap, and probably the conga on Shouldn't Have Done That.
If you sample the kick and snare from Dreaming of Me you would come closer to the sounds in See You, not the exact since they seem to change the kick sound slightly between every song.
I don't think the bass is from a Jupiter 8. It sounds more like a Moog, maybe a Moog Source which we know they had in 1982. The Jupiter 8 was most likely introduced when Alan joined later on when touring.
@@cornerliston I recently found an ARP pack done by Daniel Miller. If I made this again, I would use that for the kick and the KR-55 snare.
@@Digiphex Lovely, sounds nice with a Daniel Miller sound pack as well
@@Digiphex not even close to the punchiness of the KR55.
Congrats! What a brilliant job! 👏🏻👏🏻👏🏻👏🏻👏🏻
Great work! I am trying to recreate, I don’t see the full
Patch on the Arp2600 for the high hats
Excellent Job, I also recreated see you and did some research on the synths they were using back in time. I consider See You sounds more as part of the speak & spell era and therefore I suppose they were not using the Linn Drum. The rest of the album's drums sound more like simmons though I doubt they used any stock sound. My best guess is they created any percussion sound with the ARP 2600, bassdrum as well as snaredrum and special FX. Or they still might have used the old KR55 for the Snare Sound.
There're some DM soundpacks for Arturias V-Collection, they did the main percussion sounds of Speak&Spell and A Broken Frame using the ARP 2600 VST, sound pretty decent.
@kalgan2357 you are correct
- I can confirm that the "See You" snare is indeed the KR55, which (bearing a somewhat deep Vince Clarke induced cigarette burn mark) is gathering dust on a shelf right next to me ...
- the ABF era drums consisted of:
the Simmons SDS-V + ARP2600 (occasionally for kicks, as well as, noise/reso percussion & hats) + KR-55 (on "See You") / TR-808 ("Satellite" "The Sun & The Rainfall" "The Meaning of Love" )
- the lads never quite made use of the Linn machine (instead, they made great use of the Drumulator on CTA & to a much lesser extend SGR)
@@D-osOrg Thanx for the insights, I just started in recreating some CTA songs, so your hints actually helped. Anyways it takes a lot of time and effort to get all the custom samples right. Studio looks like a garage / toyshop….
The drum sounds are stack of KORG KPR-77 and TR-808. And the "Castanet" will be much better with ARP 2600s internal spring reverb fx.
great job
I think the snare was created using a Roland TR808 with maybe some noise added. A Broken Frame is mainly 808 and Simmons SDSV.
They had an 808 and the PPG there in the pic. Could be.
@@Digiphex Just watched your video again after many months as I thought it was about time I had a shot at this track myself. On closer listening it seems that the snare on See You came from the Korg KR55 and the kick from the ARP2600. Pretty much the same set up as on their first album. Probably got the 808 when they moved on to recording the album proper. You did a fine job recreating the track btw
Oh and another odd thing they did was to not start the track on the beat - at the beginning they skip a couple of notes so your ear hears that bass line completely out of whack (at least for some people) until the vocal comes in.. then your brain does a flip as it locks onto the real beat - I love being thrown like that. It’s a strange thing to do and there’s only a few songs that do this. I think there’s a TH-cam video on this subject.
Yes, I think your mind has an expectation of where the "1" is and then the drum starts on a different beat. I could have done better on that aspect but I had a certain loop of midi I was cutting and pasting. Thanks for pointing that out.
Not quite correct...in order for "some" looped sequences to work with the rest..you actually HAD to start on an odd beat...or in the middle of a bar/beat...especially if you work with a linear sequencer..and if you run it as an arpeggiator..like they did in this case...they played the bassline by hand..arpeggiated in the studio and changed notes by hand..it wasn't programed in one go.
good lesson. do more about depeche mode
Great job! always have a respect to re-creaters like you instead of using original samples but nothing else
I enjoy your videos too. From scratch or nothing!
@@Digiphex Thank you! , cheers!
Sounds great
I loved this album too. 😊
It must of been amazing to be an artist back in the 80`s ... new gear coming out left right and centre .. of course we have new gear available now but back then it was new new if you catch my drift .. i love early depeche stuff.. it really was the first time anyone had heard those kinda sounds .. for what it`s worth i got the exact same "buzz" sound in see you using a Pro One ... thanks for posting !
They say it is the equivalent of $30,000 in today's money for a PPG back then. So it was just a fantasy in a magazine unless you were at the very top. So much better now with Behringer about to make a PPG soon.
@@Digiphex Yes ! Agreed ! .. i love the Behringer stuff ..just wish i had it 30 years ago ! ... thanks for the reply and keep up the good work ! much appreciated !
I always thought they did exceptionally seeing as there was no more Vince and no Alan yet. Martin is a very capable musician
Yes, the structure hearkens back to standards from an earlier era. For me, See You is one of the most perfect structures, like a formula for a pop song. Each verse has a lead in motif first and then he starts singing, and the anti-chorus is great with the bells and harmonies with the vocal. "A Photograph of You" has a tight structure as well with its little instrumental and anti-chorus break. I have to think that some experienced writer who knew all the standards gave Martin a little instruction.
I always thought the vocal patch was a sample of Dave’s voice done on the EMU.
Were they using the EMU on this album? I know for sure they used the PPG because we have studio pictures of it, and Dave could've made his own wavetable of his voice. I really don't know, but what is your source for your information? You could be right.
Oh Arturia - I love their synths.
By the way, Depeche Mode used the emulator.
Years ago, I practically converted all Emulator II sounds from the original disks so that they can be loaded into Kontakt.
All of it unprocessed, without effects.
;)
Bass line was made using a Moog The Source.
Well done, thank you!
Ill personally pay you to talk about and remake more Depeche mode songs one of my favorite groups and im working on a project very much influenced by them i would love it so much this video is amazing!
Become a Patron and contact me for this possibility. www.patreon.com/Digiphex
Pressing "DIGI", selecting wavetable then choosing wave with "OSC" doesn't produce sounds that are even slightly similar, so there must be some other settings involved as well.
At what timestamp of the video?
@@Digiphex Thanks for fast response. For example, @3.55 you start explaining how to create "vocal" sound, so it's wavetable 027 FmntVocal, then wave 30. In my experience - it produces a different sound. Same goes for "bell sound" @5.57 (WT14, WV4) and "Harpsichord" @6.33 (WT29, WV10).
@@EdmundBurke-p6v You are right they don't sound right with the current version. However, at the time I did this I also used just those same raw waves to do a Tracker tutorial on See You. Go watch that and you see me turn these exact same raw waves into the same instruments with no VST used at all, only the original PPG waves! So something is off with this current version. th-cam.com/video/lqjeuCOQTK8/w-d-xo.html
@@Digiphex I appreciate your confirming that the current version behaves differently. Your video actually inspired me to buy this vst, so I hope I can find out how to make it sound as it did for you when recreating "See You". Perfect job, btw.
the bel sound is actually the one that put me off. It's actually totally wrong. The original has mor accent (metal) to it. And the "answering" harpsichord has more ring and complexity to it. So both probably has more action going into it.
This is quite common when people think that "this" and "that" sound comes from one patch ore one synth, when it's actually in many instancies comes form different synths or multiple layers.
Can microfreak get in PPG territory?
Thanks for this video, it’s really useful! Are you doing anything to the PPG sounds, or using some other setting? I tried the waves you show in my copy of the plug-in and they don’t sound the same.
Yes, there are basic attack and decay envelopes as well as filter settings. But the crucial thing is the wave you choose. It looks like I show the front panel of the synth at times. Copy those settings.
Brilliant
I wonder why Wilder preferred the Emulator/ EMAX over the Waveterm. I mean they already had the PPG Wave !
the sounds in this are more accurate than the live version of this song…
Thanks!
Great video! Thank you!
Very nice! Thanks!
Drums Korg Kr-55 except kick , kick made with ARP 2600
Well done !! :)
Hi there,
Just wondering if you have any thoughts on which wavetables and waves in the Waldorf PPG Wave 3.V would work best to recreate the ppg wave synth sounds used in the song "Take On Me"
Thanks
If it does have some PPG it is layered in there with DX7, etc. I could figure it out but it would take some time. To make your life easy, you could reproduce it well with Korg M1 VST.
@@Digiphex I’m working on doing a complete cover of Take On Me, but trying to work out that PPG sound has really stumped me..
I’m currently using the trial version of the Waldorf 3V PPG wave, which is why I asked you on this particular tutorial you uploaded.
Why would using a Korg M1 VST be easier?
@@lindseych9629 Because a lot of those A-ha type of sounds from that era are made to order in the M1.
What program are you using that emukates the Juoiter....id love to get it
Arturia Jupiter.
The bell sounds not so smooth and sad like in the original. I think, there were filters or effects on it.
There are 64 oscillators per table so I had to pick one, but from the almost endless choices, one could dial it in better.
What program you using to record this?
Quicktime.
hello, what tempo did you use?
The original is 140 BPM, not sure if I used the proper tempo but was close.
Digiphex Electronics thanks 👍🏻
The bassline in that track was a mono synth, likely Arp 2600. Jup 8 is a bad choice for bass because it has a weedy low character, and with the polyphony you get a lot of uncomfortable overlaps between notes. A better choice would be Roland’s SH2 plugin.
So it isn’t the RSF Kobol Expander? It is said to be used a lot on A Broken Frame.
Excellent video. However, I've always known the bassline being from an RSF Kobol.
I read something in an interview that it was a Moog Source in this particular song. Feel free to link to your source that contradicts this, I am no expert on DM.
Yes absolutely keep em comin
th-cam.com/video/m1eCWe94gwo/w-d-xo.htmlsi=ccZl6vXuA5BjqcbZ and yes they where still using a kr-55. Bassdrum from arp 2600….. what they use live on tv is what they could bring with them…. Tv kinda never sent live audio back then…. Vocals if there was like top of the pops but noooo……. Thinks theres a lot more jp-4 that you think is ppg aswell and casio vl-1
Yo quiero ese programa para android
Lo tienen para Windows.
reupload?
Yeah, I had the album wrong. Couldn't let that go for posterity.
@@Digiphex I am pretty sure it was on Speak and Spell as well. DM famous for that.
Weird, not on Speak and Spell, I could have SWORN...
@@thewakz I am revisiting my listening habits from almost 40 years ago. It doesn't feel like it and so I think like it was yesterday. But all those albums are starting to flow together. Interesting that I can sing them all in perfect pitch before the song starts, I have played them so many times, hundreds.
pretty good but your drums are way off... certainly not LM1 on the original.
These are not the original sounds. Far far away.