"Shine on you crazy diamond" has to be the most appropriate song to use for this project, considering it was already written for a man slowly losing himself.
“Caught in the Crossfire” gives me chills because the song it samples (shine on you crazy diamond by pink floyd) is my favourite song and imo the best song of all time tbh it kinda makes me wonder that if i get dementia if that’s what that song will sound like
Not gonna lie, this is my favorite singular album possibly ever. I don't know how you managed to make E2,E3,E4, and E5 all bangers, but whatever it is, I hope you keep it up in future projects!
This is still my favorite Pre-awareness album of NATMOS:R, as of the Y8 release. Every track is top tier, the album cover is 1:1 with the mood of the music, and there's overall has a level of confidence and consistency to this year that I would've never expected out of a community project.
Yeah this confidence is the aim for all pre-awareness stages in the upcoming complete edition. This stage actually changes the least out of all of the pre-awareness stages.
F2 is genuinely one of the most depressing things I’ve ever listened to, you can feel the pain and loss in every note as the patient begs to not forget his closest loved ones…but alas it was all for nothing…
I like how E4 foreshadowed and confirmed in year 4 that 'Phil Collins - Another day in paradise' is the sample that appears the most in this album like Heartaches did in EATEOT. As well as that this sample was first used in A2 instead of A1.
In terms of the same EXACT song used, it was Seger Ellis's Heartaches that appeared the most throughout the lucidity stages of EATEOT. Another Day in Paradise was used a lot for the lucidity years of this too, appearing in 5 different tracks throughout the first 4 years in A2, E4, H7, J4, & J9.
Year 3. The release date is December 2nd, 2021. Five years remaining. E1- The Storm metaphor continues from Year 2, signifying the dementia growing closer. It begins with a weather forecast, and it is heard in the background of the song that plays afterward. The patient should be focused on the broadcast, but is too worried about the upcoming storms that lie ahead. E2- Shine On You Crazy Diamond; a song too fitting for an album such as this. The patient is now losing himself as we speak, and time is running out. And I don’t know which Carebear decided to make this track, but it freakin’ rips. E3- A1’s title was called ‘Overture to a Film’, so it was inevitable that a track would sound like it came from some play of sorts. Most plays end with a good ending, but I think that this one will. E4- And we back, another day living in paradise. In all honesty, I love how the static in the background sounds like rain. And I have a feeling that the patient has known this song for a long time up until this point. But soon, paradise will fall and crumble. E5- Moments of bliss and serenity are beginning to decrease, and the dread’s filling in the air. The track alone tries to sound happy and uplifting, but it is depressing to hear. E6- The title - Like C6 - is too fitting for this track. The patient knows that he will fail to overcome this struggle, but is still trying to win against it regardless. But he will fail. There is no winning in a struggle such as this. F1- A claustrophobic sense is introduced, and for the first minute of the track, the patient is getting crushed by the walls slowly closing in. The walls stop coming in, but the claustrophobia still remains. I have nothing else to say about this track; it’s as good as it is. F2- And now our patient has turned to religion in an attempt to stop the disease. But it is far too late, as there is no hope for rescue, drowning in the Great Sea of Blackness. But there was one line that I took away from this track: “You will penetrate this darkness.” It almost seems like there is a way out, a way to overcome this struggle. But this is all a dream. A dream in death. Someone that is going to die in his sleep at the end of it all. And the harsh truth: not even God himself can save him from such a horrific disease. It’s all for nothing. F3- The patient is far beyond saving. Far beyond hope. The only thing for him to do now is wait for time to take him away. Denial corroded his mind once before, but it is pointless to keep doing so. F4- “Pretty hard to describe, I’ll tell you. It, it is hard to get used to it, you know? It’s not easy to adjust.” The patient is no longer wanting to fight back, and is slowly drifting further apart from everything else, even in his sleep. I do wonder if there’ll be a part that samples a Michael Jackson song, but I guess that I’ll have to find out. F5- The first part of the track is amazing, but the latter half of this song reminds me of D5’s title. This is a battle that cannot be won, and the patient finally acknowledges that. F6- The patient has accepted his condition and is now bracing the storms head on, knowing that there will be no victory in the end. This song really symbolizes the word Defeat in the best way possible. Overall, I was right; this was depressing. There were so many good tracks from this, but my main three I’ll take away from it will be E2, F2, and F6. I am so ready for Year Four, and I can’t wait to see how that turns out. I’ll see you then. -Lacey
As someone who personally likes Battles, F1 is one of the most uncomfortable yet favorite tracks I've ever heard. I can imagine someone getting crushed in by the walls closing in. And the way the song just progressively fades makes me imagine a memory fading in real-time.
City of blinding lights -U2 ❤️❤️ The more you see, the less you know The less you find out as you go I knew much more then Than I do now Neon-heart, day-glow eyes A city lit by fireflies They're advertising in the skies For people like us And I miss you when you're not around I'm getting ready to leave the ground Oh, you look so beautiful tonight In the city of blinding lights Don't look before you laugh Look ugly in a photograph Flash bulbs, purple irises The camera can't see I've seen you walk unafraid I've seen you in the clothes you made Can you see the beauty inside of me? What happened to the beauty I had inside of me? And I miss you when you're not around I'm getting ready to leave the ground Oh, you look so beautiful tonight In the city of blinding lights Time, time, time, time, time Won't leave me as I am But time won't take the boy out of this man Oh, you look so beautiful tonight Oh, you look so beautiful tonight Oh, you look so beautiful tonight In the city of blinding lights The more you know, the less you feel Some pray for, others steal Blessings are not just for the ones who kneel Luckily
There was a lot of genuine dread in here, even though the songs still sound mostly normal. Year One was a 'bright empty', but this one is a profoundly dark emptiness. Again, the album art really encapsulates the feel of this particular 'year': A weary, faded light, like the last lamp left on before you go to bed. The moment where pain eclipses hope. I noticed this and Y2 are equivalent to Everywhere's 'Stage 2', and I'm glad they were both chosen for that. All too often Stage 2 is a sort of dumping ground in the genre, just a bridge between the normal music of S1 and the experimental nature of everything else. This team has managed to capture what I think a Stage 2 *should* be like. As faded as the first, but with a conscious, emotional atmosphere. I eagerly awaited this one, it did not disappoint, and I cannot wait to see what you all create for the next one.
F4 its probably not as flashy as F2 but it definitely deserves a spot in my heart, something about the static and the voices make it sound like something they would put for a little kid to make him sleep for how soothing it is, the bumper is also one of my favorites despite being so short, it's like at this point he isn't even trying to fight back before denial corroded completely in the previous F side tracks and he's letting himself go slowly, Y3 will probably always be my personal favorite year
Jordan, I’m going to be real here. This ongoing project is shaping up to being my favorite in your entire discography. I am really impressed by how this community is constantly evolving out of just experimental fan works of Jack Kirby and into their own. I tip my hat to you, the Carebear, and all the Caretakers in this new genre.
"The storm grows closer" is a scary and good name. First it starts off with what appears to be a weather forcast, seems to be a warning, probaly some storm and it states that the storms, which in this case is the severe symptoms of demenita is growing closer, and like a storm or fog it prevents you from seeing very far, like how in dementoa you cant see very far deep in your memory.
Song Samples (Finalized): - Aphex Twin | Girl/Boy Song (te_ri cover) - Pink Floyd | Shine On You Crazy Diamond (Pts. 1-5) - Emerson, Lake & Palmer | Karn Evil 9 (2nd Impression) - Phil Collins | Another Day in Paradise (Reused from A2) - Al Hirt | Harlem Hendoo - Stroke 9 | Little Black Backpack - Battles | Atlas // The Guess Who | No Time - Godspeed You! Black Emperor | Hung Over As The Queen In Maida Vale [Static (Chart #3) | Steve Reich] (also, it speeds up instead of slows down) - The Beatles | Yesterday (Adrian Lee cover) - Elvis Presley | Are You Lonesome Tonight - Idan Raichel | Out of the Depths // Weezer | The Good Life (Live at 100 Sonic Sessions) - U2 | City of Blinding Lights “//“ means that more than 1 song is used in a track
_That poor victim. This isn't a play of the gods. It's just time ticking towards a natural death that millions of people like them go through every single day. That great sea of blackness hacks away at your barriers that hold it back. No matter how much walls you put up, it always grows, until your walls crumbles, and the horror arrives when it was too late to realize their fate._
F2 text: ...prepared in innocence to meet our king of glory And so we have this You have it in your secret windows And you're understanding to understand it and to bring it forth It takes minute detail It takes a holy life It takes emotions It takes dedication It takes dedication It takes a death And only god can allow it And you couldn't do it if you're not the seed of god And so the path through the great corridors These are corridors unto his perfection That is which the prophet and the urim and thummim has penetrated That through this great sea of blackness That I penetrated through these corridors And I went through that last segment Where I went through these dark serpentines I passed through that corridor Where they sat Where they are And when you penetrate to the most high god You will believe you are mad You will believe you've gone insane But I tell you if you follow the secret window And you die to the ego nature You will penetrate this darkness Oh yes there's many a man or woman That's been put in the insane asylum When this has happened to them And they're sitting there today, people think they're insane But they saw something that's real And they see it when they're on drugs The only thing is they see it not through the light of god And the way I show you I show you to see it through the light of god And the understanding of god Because when you see the face of god you will die And there will be nothing left of you Except the god-man, the god-woman The heavenly man, the heavenly woman The heavenly child There will be terror under this day of night There will be a song of jubilee waiting for your king There will be nothing you will be looking for in this world Except for your god This is all a dream A dream in death And so I went through that window And the tower of hell and the great serpentines of the highest order And i went through that when i showed you chart #3 The question is asked of urim and summoned...thummim and...
...have us prepare in innocence to meet our king of glory. And so we have it, you have it in your secret windows and your understanding, to understand it and to bring it forth. It takes minute detail. It takes a holy light. It takes motions. It takes dedication. It takes dedication. It takes a death. And only God can allow it, and you couldn't do it, if you're not the seed of God. And so the path to the great corridors, these are corridors unto his perfection, that is which the Prophet & the Urim & Thummim has penetrated. That through this great sea of blackness, that I penetrated through these corridors, and I went through that last segment where I went through these dark serpentines, I passed through that corridor, where they sat, where they are. And when you penetrate to the most high God, you will believe you're mad, you will believe you've gone insane. But I tell you, if you follow the secret window, and you die to the ego nature, you will penetrate this darkness. Oh yes, there's been many a man or woman who's been put in the insane asylum because this has happened to them. And they're sitting there today, people think they're insane, but they saw something that's real. And they see it when they're on drugs, only thing is they see it not through the light of God, and the way I showed you, I show you to see it through the light of God & the understanding of God, because if you see the face of God, you will die. There will be nothing left of you, except the God Man, the God Woman, the Heavenly Man, the Heavenly Woman, the Heavenly Child. There will be prayer on your lips day & night, there will be a song of jubilees waiting for your king, there will be nothing you will be looking for in this world, except for your God. This is all a dream, a dream in death. And so I went through that with you. I encountered Hell & the great serpentines of the highest order, and I went through that when I showed you chart #3. The question is asked in the order of Urim and Thummim concerning the pit, this horrible pit of miry clay. Urim & Thummim, you can ask me a question, if it's asked out of the right being or the right soul. Out of Urim & Thummim, I can give you unspoken words that have never been spoken, it's not even in your Bible, yet it does clarify what is spoken in your Bible...
Sometimes it feels like NATMOSR is probably the only fan project, that I know of, that can just bring every part of the caretaker community together and work on one big thing
Coming back to this two years later...Relistening to all of this and it's made me do alot of thinking. This project got me into several artists that were featured on the various stages. But between now and my last comment I started collecting vinyls, 8 tracks, and Cassettes and appricate the way it cracks and distorts, and I think this project captures that really well. Idk if any of the People Who worked on this project are still looking down these comment sections but I'd like to congradultate each one of you for a job well done. also appolgize for the kinda rudeness in my older comment. Cheers to all yall.
Man, this is beautiful. Pro’s everything to the artwork, the music, just everything. Idk if this is trying to be a stage 2 or 3, but either way, its the perfect the way it is. Cons I dont really have anything negative to say, like last time, i guess… 6 years to go.
There isn’t enough love for F6, it sounds so hopeless. An acceptance of their condition and braces the storm head on. Whereas F2 felt like denial of their condition, F6 feels like true defeat. Their battle can no longer be fought, and they are slowly consumed by this terrible disease.
The album cover just reminds me of those poor pink or white erasers with the noticable black spots where some kid stuck his pencil in. I wonder what sort of melodies will be kept throughout or left behind as the years go on
I am sure you guys are already hard at work on it, but one thing I was thinking about was when you finally do get to stage 3 would be to play the same songs as stage 1 with different instruments. For instance if "Another Day in Paradise" started showing up with trumpets and saxes in between other numbers. It might be a good way to show that this is a different type of confusion than the post awareness confusion of stage 4. It's the kind where you keep mixing your daughter with wife or other loved one. You can still remember these memories but the details of other memories are bleeding through. In anycase this album is amazing.
wow it just hit me, NATMOS will probably happen really soon, like the 2030s, as gen X, the generation of music this represents, is roughly anywhere from 50-60 right now. I am glad my mom and I are in good standing holy shit.
Album cover thoughts: An unidentifiable object (likely a bar of soap, as it's the inspiration of this cover) impaled by a pencil, a cigar and a incense stick. A ray of light illuminates it, and the rest is covered in darkness. The object to me represents the brain, wich has been damaged more at this point. The ray of light represents the lucidity, wich is also the reason its smaller. Moments of bliss are starting to grow shorter, and this year is the last of perfectly coherent memories.
Great job, i been following NATMOS for quite a while but i did not commented on the videos, grest job to Jordan Keyring and the rest, i was excited to see NATMOSR year 3, also this is an alt account cuz i dont want EATEOT fan projects recommended on my feed all the time.
I was listening to Year 3 again when I remembered that I was eating at a restaurant when this dropped and by accident I poured sugar instead of salt into my french fries lmao.
I'm really glad this exists. I've listened to OG NATMOS so much it hurts so to get even more NATMOS type stuff is just perfect. also this might as well replace the original it's way better at maintaining a sense of unease and intrigue with its more unknown samples
E1 feels weird, like a dream, like the tunes from A1 come back (I know it wasn't done by GodSpeed), but it's very very similar, those background vocals from the 5th October 1970 Broadcast make it sound weird, like Those laughs and strange screams that on the recording sounded like people celebrating. All terrifying... to end with a quiet sound... but still with the emotional feel of stage 2.
i'm not sure if anyone noticed this, but f1 has a really cool detail where as the track goes on, it gets more broken. it's like a beta eateot f2, not being as obviously broken as the probably true eateot f2, that being i1 of year 4, but it's still noticable.
Love this stuff, although personally I think that there could be some more pink floyd in there, plus i could see the screams from the movie/live versions of the songs from the wall would making great hell sirens for the later stages, but that might just be me. Anyways, great work and see you (hopefully) soon in stage 4.
F3 has the vibes of pure emptyness (pun not intended) after the emotional high that was F1, as well as the absolute dispair of F2. And despite the memories still being there, it all feels dulled out.
these song names make me think that the patient is trying to save themselves by fighting against the dementia. Ex: F6 E6 And overall these sings seem a bit... happier than EATEOT
im pretty sure there are 7 broadcasts in year 1, there are 2, one seems to be normal but the second one much later in the album is much more corrupted, with the news anchor repeating itself constantly, it feels like something out of stage 3. in year 2, there are 2 again, one is normal but… talks about a storm coming with stage 2-echos. seems like the storm is an analogy for dementia. the other in the next song seems to be a motivational message talking about how good your life has been and not to give up. this seems to be denial. in year 3, its another storm warning, but the sound gets lowered down a pitch and gets more raw, like the dementia mocks you, its here and you’re starting to notice. the second one, in the first song again is just slightly sad music. you don’t have anything to say anymore. the next one is in the next half of year 3, its another motivational message, but this one seems honest. they want you to step up and return to the light.
In B5 (year 1), they mention sunny skies and high pressure systems, meaning their mental outlook is good for the time being, but a few storms may form and arrive sometime soon, meaning they know that dementia is possible in the future, but aren’t quite concerned about it at the moment In C1 (year 2), they say it’s still sunny that day, but there are storms out in the distance, meaning their recollection is still fine for now, but they are now aware that problems are on the way. In E1 (year 3), they say it’s a cloudy morning, so they can’t ignore the storms that are coming anymore and there are signs that it’s approaching closer. Furthermore, in L1 (year 5), there’s a tornado warning in effect, meaning they’re briefly aware that the storm of memory loss and delirium has arrived.
Weird fact: I once had a dream instead of Adrian Lee - Yesterday being the sample for F3, The Sample for F3 was instead a cover of The Flintstones theme song
@@JordanKeuring Well, that explains a lot, and now that I know what the voice is saying, I don't understand how I heard it as "bruh" in the first place. humén bræn
For a second I first thought the album art looked like the table from the original project but flipped and damaged more but after that thought my second thought was that it kinda looked like the titanic. But as I looked closer at the album art. I was no where close. It looked much different. And yeah somewhere in the comments section, there was a comment that said that the album art was inspired by something much different. I wonder where that light is coming from.
![PURGE - Nowhere at the Millennium, Again: Reincarnation [Remastered Edition] - Stage 1 [Full Album]](http://i.ytimg.com/vi/szZNGKv2yKQ/mqdefault.jpg)
![PURGE – Nowhere at the Millennium, Again: Reincarnation [Remastered Edition] – Stage 1 [Full Album]](/img/tr.png)
"Shine on you crazy diamond" has to be the most appropriate song to use for this project, considering it was already written for a man slowly losing himself.
Actually I Dont Know That
“Shine on you crazy diamond”
Shine on you crazy di- WAIT IS THAT A *_JOJO REFERENCE?!_*
“What did you just say about my hair?!”
*already lost himself and his place in the world
“Caught in the Crossfire” gives me chills because the song it samples (shine on you crazy diamond by pink floyd) is my favourite song and imo the best song of all time tbh it kinda makes me wonder that if i get dementia if that’s what that song will sound like
Not gonna lie, this is my favorite singular album possibly ever. I don't know how you managed to make E2,E3,E4, and E5 all bangers, but whatever it is, I hope you keep it up in future projects!
This is still my favorite Pre-awareness album of NATMOS:R, as of the Y8 release. Every track is top tier, the album cover is 1:1 with the mood of the music, and there's overall has a level of confidence and consistency to this year that I would've never expected out of a community project.
Yeah this confidence is the aim for all pre-awareness stages in the upcoming complete edition. This stage actually changes the least out of all of the pre-awareness stages.
@@JordanKeuring:hm_clueless:
F2 is genuinely one of the most depressing things I’ve ever listened to, you can feel the pain and loss in every note as the patient begs to not forget his closest loved ones…but alas it was all for nothing…
he will live in the great sea of blackness for the next year
I like how E4 foreshadowed and confirmed in year 4 that 'Phil Collins - Another day in paradise' is the sample that appears the most in this album like Heartaches did in EATEOT. As well as that this sample was first used in A2 instead of A1.
In terms of the same EXACT song used, it was Seger Ellis's Heartaches that appeared the most throughout the lucidity stages of EATEOT. Another Day in Paradise was used a lot for the lucidity years of this too, appearing in 5 different tracks throughout the first 4 years in A2, E4, H7, J4, & J9.
I’m not sure if foreshadowed is the right word
But in year 2 it hasn't really come out, GY!BE was sampled in every year at least one of their songs was in each year
F2 is in my opinion the most depressing track I've heard in all EATEOT fan projects and I love it!
Year 3. The release date is December 2nd, 2021. Five years remaining.
E1- The Storm metaphor continues from Year 2, signifying the dementia growing closer. It begins with a weather forecast, and it is heard in the background of the song that plays afterward. The patient should be focused on the broadcast, but is too worried about the upcoming storms that lie ahead.
E2- Shine On You Crazy Diamond; a song too fitting for an album such as this. The patient is now losing himself as we speak, and time is running out. And I don’t know which Carebear decided to make this track, but it freakin’ rips.
E3- A1’s title was called ‘Overture to a Film’, so it was inevitable that a track would sound like it came from some play of sorts. Most plays end with a good ending, but I think that this one will.
E4- And we back, another day living in paradise. In all honesty, I love how the static in the background sounds like rain. And I have a feeling that the patient has known this song for a long time up until this point. But soon, paradise will fall and crumble.
E5- Moments of bliss and serenity are beginning to decrease, and the dread’s filling in the air. The track alone tries to sound happy and uplifting, but it is depressing to hear.
E6- The title - Like C6 - is too fitting for this track. The patient knows that he will fail to overcome this struggle, but is still trying to win against it regardless. But he will fail. There is no winning in a struggle such as this.
F1- A claustrophobic sense is introduced, and for the first minute of the track, the patient is getting crushed by the walls slowly closing in. The walls stop coming in, but the claustrophobia still remains. I have nothing else to say about this track; it’s as good as it is.
F2- And now our patient has turned to religion in an attempt to stop the disease. But it is far too late, as there is no hope for rescue, drowning in the Great Sea of Blackness. But there was one line that I took away from this track: “You will penetrate this darkness.” It almost seems like there is a way out, a way to overcome this struggle. But this is all a dream. A dream in death. Someone that is going to die in his sleep at the end of it all. And the harsh truth: not even God himself can save him from such a horrific disease.
It’s all for nothing.
F3- The patient is far beyond saving. Far beyond hope. The only thing for him to do now is wait for time to take him away. Denial corroded his mind once before, but it is pointless to keep doing so.
F4- “Pretty hard to describe, I’ll tell you. It, it is hard to get used to it, you know? It’s not easy to adjust.” The patient is no longer wanting to fight back, and is slowly drifting further apart from everything else, even in his sleep. I do wonder if there’ll be a part that samples a Michael Jackson song, but I guess that I’ll have to find out.
F5- The first part of the track is amazing, but the latter half of this song reminds me of D5’s title. This is a battle that cannot be won, and the patient finally acknowledges that.
F6- The patient has accepted his condition and is now bracing the storms head on, knowing that there will be no victory in the end. This song really symbolizes the word Defeat in the best way possible.
Overall, I was right; this was depressing. There were so many good tracks from this, but my main three I’ll take away from it will be E2, F2, and F6. I am so ready for Year Four, and I can’t wait to see how that turns out. I’ll see you then.
-Lacey
I messed up on E3; it should’ve said: “but I don’t think that this one will.”
As someone who personally likes Battles, F1 is one of the most uncomfortable yet favorite tracks I've ever heard. I can imagine someone getting crushed in by the walls closing in. And the way the song just progressively fades makes me imagine a memory fading in real-time.
It always makes me happy to see Stage 2 of Fan projects get a lot of work put into them, it's always such an underrated stage with so much potential.
City of blinding lights -U2 ❤️❤️
The more you see, the less you know
The less you find out as you go
I knew much more then
Than I do now
Neon-heart, day-glow eyes
A city lit by fireflies
They're advertising in the skies
For people like us
And I miss you when you're not around
I'm getting ready to leave the ground
Oh, you look so beautiful tonight
In the city of blinding lights
Don't look before you laugh
Look ugly in a photograph
Flash bulbs, purple irises
The camera can't see
I've seen you walk unafraid
I've seen you in the clothes you made
Can you see the beauty inside of me?
What happened to the beauty I had inside of me?
And I miss you when you're not around
I'm getting ready to leave the ground
Oh, you look so beautiful tonight
In the city of blinding lights
Time, time, time, time, time
Won't leave me as I am
But time won't take the boy out of this man
Oh, you look so beautiful tonight
Oh, you look so beautiful tonight
Oh, you look so beautiful tonight
In the city of blinding lights
The more you know, the less you feel
Some pray for, others steal
Blessings are not just for the ones who kneel
Luckily
There was a lot of genuine dread in here, even though the songs still sound mostly normal. Year One was a 'bright empty', but this one is a profoundly dark emptiness. Again, the album art really encapsulates the feel of this particular 'year': A weary, faded light, like the last lamp left on before you go to bed. The moment where pain eclipses hope.
I noticed this and Y2 are equivalent to Everywhere's 'Stage 2', and I'm glad they were both chosen for that. All too often Stage 2 is a sort of dumping ground in the genre, just a bridge between the normal music of S1 and the experimental nature of everything else. This team has managed to capture what I think a Stage 2 *should* be like. As faded as the first, but with a conscious, emotional atmosphere.
I eagerly awaited this one, it did not disappoint, and I cannot wait to see what you all create for the next one.
F4 its probably not as flashy as F2 but it definitely deserves a spot in my heart, something about the static and the voices make it sound like something they would put for a little kid to make him sleep for how soothing it is, the bumper is also one of my favorites despite being so short, it's like at this point he isn't even trying to fight back before denial corroded completely in the previous F side tracks and he's letting himself go slowly, Y3 will probably always be my personal favorite year
F1 sounds so great at it's first minute of track
Jordan, I’m going to be real here. This ongoing project is shaping up to being my favorite in your entire discography. I am really impressed by how this community is constantly evolving out of just experimental fan works of Jack Kirby and into their own. I tip my hat to you, the Carebear, and all the Caretakers in this new genre.
i just ate some fucking cheese.
Good for you
@@basic7956 Good for you.
jack?
jack kirby
"The storm grows closer" is a scary and good name. First it starts off with what appears to be a weather forcast, seems to be a warning, probaly some storm and it states that the storms, which in this case is the severe symptoms of demenita is growing closer, and like a storm or fog it prevents you from seeing very far, like how in dementoa you cant see very far deep in your memory.
fortnuite storm
I like how it also goes hand & hand with A1 & C1
Song Samples (Finalized):
- Aphex Twin | Girl/Boy Song (te_ri cover)
- Pink Floyd | Shine On You Crazy Diamond (Pts. 1-5)
- Emerson, Lake & Palmer | Karn Evil 9 (2nd Impression)
- Phil Collins | Another Day in Paradise (Reused from A2)
- Al Hirt | Harlem Hendoo
- Stroke 9 | Little Black Backpack
- Battles | Atlas // The Guess Who | No Time
- Godspeed You! Black Emperor | Hung Over As The Queen In Maida Vale [Static (Chart #3) | Steve Reich] (also, it speeds up instead of slows down)
- The Beatles | Yesterday (Adrian Lee cover)
- Elvis Presley | Are You Lonesome Tonight
- Idan Raichel | Out of the Depths // Weezer | The Good Life (Live at 100 Sonic Sessions)
- U2 | City of Blinding Lights
“//“ means that more than 1 song is used in a track
the bumpers are
E1 - CBS evening news, October 5, 1970
F4 - Elvis Presley's Post army interview, 1960
@@DemRise1999 Did you mean F4?
@@nw3473 Fixed, my bad
Came back to this just to take a Realisten and man I just gotta say I love how climatic it feels. Genuinely feels like a movie.
F2 feels like our protagonist is turning to religion to try and make it stop
_That poor victim. This isn't a play of the gods. It's just time ticking towards a natural death that millions of people like them go through every single day. That great sea of blackness hacks away at your barriers that hold it back. No matter how much walls you put up, it always grows, until your walls crumbles, and the horror arrives when it was too late to realize their fate._
_Cause when you see the face of god,_ *_You will die. And there will be Nothing left._*
Someone needs to make a Roblox version of F2 because I need a sample for the speech
11:25 37:44 rip artoflemons, always loved the username
F2 text:
...prepared in innocence to meet our king of glory
And so we have this
You have it in your secret windows
And you're understanding to understand it and to bring it forth
It takes minute detail
It takes a holy life
It takes emotions
It takes dedication
It takes dedication
It takes a death
And only god can allow it
And you couldn't do it if you're not the seed of god
And so the path through the great corridors
These are corridors unto his perfection
That is which the prophet and the urim and thummim has penetrated
That through this great sea of blackness
That I penetrated through these corridors
And I went through that last segment
Where I went through these dark serpentines
I passed through that corridor
Where they sat
Where they are
And when you penetrate to the most high god
You will believe you are mad
You will believe you've gone insane
But I tell you if you follow the secret window
And you die to the ego nature
You will penetrate this darkness
Oh yes there's many a man or woman
That's been put in the insane asylum
When this has happened to them
And they're sitting there today, people think they're insane
But they saw something that's real
And they see it when they're on drugs
The only thing is they see it not through the light of god
And the way I show you
I show you to see it through the light of god
And the understanding of god
Because when you see the face of god you will die
And there will be nothing left of you
Except the god-man, the god-woman
The heavenly man, the heavenly woman
The heavenly child
There will be terror under this day of night
There will be a song of jubilee waiting for your king
There will be nothing you will be looking for in this world
Except for your god
This is all a dream
A dream in death
And so I went through that window
And the tower of hell and the great serpentines of the highest order
And i went through that when i showed you chart #3
The question is asked of urim and summoned...thummim and...
See why it’s in Natmos now
Look at the lyrics, they fit so well
I don’t remember commenting this
...have us prepare in innocence to meet our king of glory. And so we have it, you have it in your secret windows and your understanding, to understand it and to bring it forth. It takes minute detail. It takes a holy light. It takes motions. It takes dedication. It takes dedication. It takes a death. And only God can allow it, and you couldn't do it, if you're not the seed of God.
And so the path to the great corridors, these are corridors unto his perfection, that is which the Prophet & the Urim & Thummim has penetrated. That through this great sea of blackness, that I penetrated through these corridors, and I went through that last segment where I went through these dark serpentines, I passed through that corridor, where they sat, where they are. And when you penetrate to the most high God, you will believe you're mad, you will believe you've gone insane.
But I tell you, if you follow the secret window, and you die to the ego nature, you will penetrate this darkness. Oh yes, there's been many a man or woman who's been put in the insane asylum because this has happened to them. And they're sitting there today, people think they're insane, but they saw something that's real. And they see it when they're on drugs, only thing is they see it not through the light of God, and the way I showed you, I show you to see it through the light of God & the understanding of God, because if you see the face of God, you will die. There will be nothing left of you, except the God Man, the God Woman, the Heavenly Man, the Heavenly Woman, the Heavenly Child. There will be prayer on your lips day & night, there will be a song of jubilees waiting for your king, there will be nothing you will be looking for in this world, except for your God.
This is all a dream, a dream in death.
And so I went through that with you. I encountered Hell & the great serpentines of the highest order, and I went through that when I showed you chart #3. The question is asked in the order of Urim and Thummim concerning the pit, this horrible pit of miry clay. Urim & Thummim, you can ask me a question, if it's asked out of the right being or the right soul. Out of Urim & Thummim, I can give you unspoken words that have never been spoken, it's not even in your Bible, yet it does clarify what is spoken in your Bible...
Sometimes it feels like NATMOSR is probably the only fan project, that I know of, that can just bring every part of the caretaker community together and work on one big thing
Coming back to this two years later...Relistening to all of this and it's made me do alot of thinking. This project got me into several artists that were featured on the various stages. But between now and my last comment I started collecting vinyls, 8 tracks, and Cassettes and appricate the way it cracks and distorts, and I think this project captures that really well. Idk if any of the People Who worked on this project are still looking down these comment sections but I'd like to congradultate each one of you for a job well done. also appolgize for the kinda rudeness in my older comment. Cheers to all yall.
wait, this might be my favourite eateot fan made album EVER. this is insane
i love the way its in years and not stages
Man, this is beautiful.
Pro’s
everything to the artwork, the music, just everything. Idk if this is trying to be a stage 2 or 3, but either way, its the perfect the way it is.
Cons
I dont really have anything negative to say, like last time, i guess… 6 years to go.
"This is all a dream" in F2 just hits me different
There isn’t enough love for F6, it sounds so hopeless. An acceptance of their condition and braces the storm head on. Whereas F2 felt like denial of their condition, F6 feels like true defeat. Their battle can no longer be fought, and they are slowly consumed by this terrible disease.
Actually, when I heard the original sample, I realized just how different this version is. They're practically two different songs.
Fun fact, this album cover is partially inspired by a picture of an incense stick that was stuck into a bar of soap in my partner's bathroom
WHAHAHA
@aimanfire yep
I love the collaborative stuff that went into the covers! This team is amazing to work with.
that's great to know!
@aimanfire yesssssssssssssssssssssssssssssssssssssssss
I want the full version of Shine on You Crazy Diamond. It is criminally short here
I’m hoping it’s the song chosen for terminal lucidity
E2 is gold.
The album cover just reminds me of those poor pink or white erasers with the noticable black spots where some kid stuck his pencil in. I wonder what sort of melodies will be kept throughout or left behind as the years go on
Not gonna lie, the only reason I haven't commented earlier is because my Wi-Fi went out
I am sure you guys are already hard at work on it, but one thing I was thinking about was when you finally do get to stage 3 would be to play the same songs as stage 1 with different instruments. For instance if "Another Day in Paradise" started showing up with trumpets and saxes in between other numbers.
It might be a good way to show that this is a different type of confusion than the post awareness confusion of stage 4. It's the kind where you keep mixing your daughter with wife or other loved one. You can still remember these memories but the details of other memories are bleeding through.
In anycase this album is amazing.
E2 it's a masterpiece, and I hate how short it is
Well the sample is like 20 minutes long (shine on you crazy diamond by pink Floyd)
i feel incredibly uncomfortable and i get the impression that's the point. good job
hey pxt how are you doing
Your NatMoS is amazing. Just A1 makes me calm 😌
I'm only at E3 but this is already my favorite caretaker fan project
The dread is feel in E1 how the music is so, angry, rough, yet trying to stay sane
album cover looks lit
They sure as hell used a lot of purple for the album covers.
The pinkification of holist’s art
wow it just hit me, NATMOS will probably happen really soon, like the 2030s, as gen X, the generation of music this represents, is roughly anywhere from 50-60 right now.
I am glad my mom and I are in good standing holy shit.
I don't think the oldest of Gen x is 60 just yet but they're definitely nearing the mid to late 50's
@@droptherapy2085 the 1970s happened 52 years ago my dude.
@@earthsteward70 we are in the golden spot where the 60's are 60 (ish) years ago
I think the natmos character is a boomer, born in 1952, and dies in the 2020s, maybe year 1 started when it was uploaded.
@@earthsteward70yes but gen X starts in 1965 and the oldest that someone born in 1965 could be this year is 58.
THE DREAM OF A TWO-BLADED CEILING FAN NEVER DIESSSSSSSSS
Bruv, the Inclusion of Shine On You Crazy Diamond really hit home to me. I love this Redux.
Also, I just realized that F3 is Yesterday by The Beatles. (This message is from the main music account).
E3 sounds like it can be used for a drama show.
Album cover thoughts:
An unidentifiable object (likely a bar of soap, as it's the inspiration of this cover) impaled by a pencil, a cigar and a incense stick. A ray of light illuminates it, and the rest is covered in darkness. The object to me represents the brain, wich has been damaged more at this point. The ray of light represents the lucidity, wich is also the reason its smaller. Moments of bliss are starting to grow shorter, and this year is the last of perfectly coherent memories.
It has a striking resemblance to the cover of Queens first ever album
@@JudeBoi1313 Oh shit, it does. That’s cool.
It’s a match I think (the intense stick)
Damn wtf, it actually does tho@@JudeBoi1313
the album cover reminds me of the titanic sinking
I hate how E2 feels short, I love that bit
Great job, i been following NATMOS for quite a while but i did not commented on the videos, grest job to Jordan Keyring and the rest, i was excited to see NATMOSR year 3, also this is an alt account cuz i dont want EATEOT fan projects recommended on my feed all the time.
I was listening to Year 3 again when I remembered that I was eating at a restaurant when this dropped and by accident I poured sugar instead of salt into my french fries lmao.
Kind of nice to throw in Elvis into this for F4.
The creep factor is strong in this one.
CE will be crazy with this one
zamn i didnt make it in
but hey, gg on getting the album out
like artoflemons said, at least it was practice for me.
I'm really glad this exists. I've listened to OG NATMOS so much it hurts so to get even more NATMOS type stuff is just perfect.
also this might as well replace the original it's way better at maintaining a sense of unease and intrigue with its more unknown samples
Vey nice album cover! And great music!
Very*
Yesterday i started listening to the full album, i finished year 3 and stopped, today im going to listen to year 4
Kinda crazy to think its been a year since this came out
Cant wait for year 4
Why did I get a chill at 26:26
Also the lyrics fit very well
“No time left for you”
E1 feels weird, like a dream, like the tunes from A1 come back (I know it wasn't done by GodSpeed), but it's very very similar, those background vocals from the 5th October 1970 Broadcast make it sound weird, like Those laughs and strange screams that on the recording sounded like people celebrating. All terrifying... to end with a quiet sound... but still with the emotional feel of stage 2.
i'm not sure if anyone noticed this, but f1 has a really cool detail where as the track goes on, it gets more broken. it's like a beta eateot f2, not being as obviously broken as the probably true eateot f2, that being i1 of year 4, but it's still noticable.
F2 is hearthbreaking :"v
E3 is jarring from an ELP fan perspective, it loops just before Karn Evil 9 becomes upbeat again
ive also noticed theres a really well done reverb job on E3, it feels inconsistent and dissonant, really well done van
Love this stuff, although personally I think that there could be some more pink floyd in there, plus i could see the screams from the movie/live versions of the songs from the wall would making great hell sirens for the later stages, but that might just be me. Anyways, great work and see you (hopefully) soon in stage 4.
When I listen to F5, it makes me not want to be an old man anymore.
E4 is peaceful :)
E2 Just hits *different*
F3 has the vibes of pure emptyness (pun not intended) after the emotional high that was F1, as well as the absolute dispair of F2.
And despite the memories still being there, it all feels dulled out.
these song names make me think that the patient is trying to save themselves by fighting against the dementia.
Ex: F6 E6
And overall these sings seem a bit... happier than EATEOT
fun fact: this album, specifically year 3, is probably the biggest single inspiration for tmavied's D and E sides
mylvie
The 1950's and the 1960's are completely different eras.
the album cover is a dollar bill
but its been stabbed by needles and pencils
but the dollar bill is a bar of soap at one end
It’s actually a bar of soap impaled by a cigarette, a pencil and an incense stick. Based off a pic I took
E3 is so underrated
Wow... just, wow
I wonder if the "thunderstorm forecast" samples actually have an overarching story?
They do! I won't explain it but there's a rhyme and reason to them.
im pretty sure there are 7 broadcasts
in year 1, there are 2, one seems to be normal but the second one much later in the album is much more corrupted, with the news anchor repeating itself constantly, it feels like something out of stage 3.
in year 2, there are 2 again, one is normal but… talks about a storm coming with stage 2-echos. seems like the storm is an analogy for dementia.
the other in the next song seems to be a motivational message talking about how good your life has been and not to give up. this seems to be denial.
in year 3, its another storm warning, but the sound gets lowered down a pitch and gets more raw, like the dementia mocks you, its here and you’re starting to notice. the second one, in the first song again is just slightly sad music.
you don’t have anything to say anymore.
the next one is in the next half of year 3, its another motivational message, but this one seems honest. they want you to step up and return to the light.
In B5 (year 1), they mention sunny skies and high pressure systems, meaning their mental outlook is good for the time being, but a few storms may form and arrive sometime soon, meaning they know that dementia is possible in the future, but aren’t quite concerned about it at the moment
In C1 (year 2), they say it’s still sunny that day, but there are storms out in the distance, meaning their recollection is still fine for now, but they are now aware that problems are on the way.
In E1 (year 3), they say it’s a cloudy morning, so they can’t ignore the storms that are coming anymore and there are signs that it’s approaching closer.
Furthermore, in L1 (year 5), there’s a tornado warning in effect, meaning they’re briefly aware that the storm of memory loss and delirium has arrived.
I kinda like "Another Day in Paradise"
E1 gives me original L1 K1 and a little bit of R1 natmos vibes (mostly because of the distorted bells)
obscured by the rain>>>>>>>
E5 - "Harlem Hindoo" by Al Hirt
Sampled on De La Soul's "Ego Trippin Pt 2"
It’s been a year guys🤪
*begins traveling into multiple millenniumussies*
Yooooooo its here
unpopular opinion but F2 hits harder than the original ending of eateot
E2 sounds EPIC
spooky
Is that shine on you crazy diamond i hear??
Weird fact: I once had a dream instead of Adrian Lee - Yesterday being the sample for F3, The Sample for F3 was instead a cover of The Flintstones theme song
its here
F2 has to be the most depressing song throughout year 3
I swear I heard the “bruh” sound effect around 13-15 seconds in.
at 00:12?
@@BlueSquare0307 That's the one.
@@revolutionstudios5052 that's the man saying "thank you very much" I think you mistook the "much" for "bruh"
@@JordanKeuring Well, that explains a lot, and now that I know what the voice is saying, I don't understand how I heard it as "bruh" in the first place.
humén bræn
@@revolutionstudios5052 the human mind is strange! We pick up patterns that aren't there sometimes. It's pretty interesting
this beat goes hard. mind if i pirate?
feel free to screenshot
E5 sounds like a game show theme with anxiety, ngl
What does E1’s bumper mean? I think F4 is a diagnosis
Y3 is cool
Most underrated year Imo
It's like a 2.5 stage, but well done
Just remembered how good F3 is 🥰🥰🥰
Joly shit the carebear worked on this
It seems like this album approaches a slower decline
Would it be cool if I liked both versions NATMOS?
Ohhh boy.
For a second I first thought the album art looked like the table from the original project but flipped and damaged more but after that thought my second thought was that it kinda looked like the titanic. But as I looked closer at the album art. I was no where close. It looked much different. And yeah somewhere in the comments section, there was a comment that said that the album art was inspired by something much different. I wonder where that light is coming from.
The album cover its very original.
Anyone know a sample I could use for my Roblox version of F2? Specifically the speech.
NAMOSR 3 LETS FUCKIN GOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO