Great Sound On Major Chords in 6 Steps!

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Use of major triad pairs on major chords to create improvised lines.

[@OnlineSaxAcademy]

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[@russflynn7853]

Ok

[@user-uf1lg8we8n]

Thank you for teaching a new aidea again.
I'll try it now!🌺🍎

[@OnlineSaxAcademy]

Thanks!

[@brianismael4553]

Thinking of starting the sax,sounds like triad pairs

[@OnlineSaxAcademy]

Yep, these are triad pairs!

[@ashypharaoh8407]

Thank you. Just downloaded into my brain

[@dazpatreg]

Nice Lydian sound

[@OnlineSaxAcademy]

Thanks!

[@TheTeoism]

Ooh this is crazy

[@OnlineSaxAcademy]

😜

[@rolandogomez4039]

Me gusta este aporte. Solo resta practicarlo y practicarlo. Parece difícil. Pero solo la práctica hace al maestro. Gracias

[@grantkoeller8911]

Now take both triads and create your master scale.
G B D + A C# E = G A B C# D E G G Lydian (Missing the F#)
now arrange in 4ths.....
G C#
A D
B E
C# G then it flips to 5ths...
D A
E B then starts over again in 4ths
G C#

[@OnlineSaxAcademy]

Nice idea!

[@CourtWatchAu]

Great lessons, thankyou, these jazz patterns are helping me a lot

[@OnlineSaxAcademy]

Great! Thanks

[@grantkoeller8911]

Really groovy neck strap just like the ones we had in the 1970's!!!!

[@OnlineSaxAcademy]

Thanks! A subscriber very kindly got it for me!

[@Jay-el9iz]

I'm gonna try this tomorrow, thank you!

[@OnlineSaxAcademy]

Great!

[@raseshgandhi6702]

Fantastic

[@saxophonepravinpundit]

just like oppenheimer

[@eitanmar7192]

Thanks for teaching the secrets

[@OnlineSaxAcademy]

You’re welcome!

[@ajibayor29fred67]

Nice one Boss

[@OnlineSaxAcademy]

Thanks!

[@vyprus2034]

Last line on the G maj arpeg should be DGB but other than that this is really helpful!

[@OnlineSaxAcademy]

Yes that’s right, but if a typo! Thanks!

[@TV-lg8qg]

thanks so much ❤❤❤have always lucky ❤

[@OnlineSaxAcademy]

Thank you!

[@user-qu3dr8ef2z]

ill try this one tnx God Bless

[@OnlineSaxAcademy]

Great! Thanks

[@jazzyjake99]

That’s Walt Weiskoph’s Triad Pairs

[@OnlineSaxAcademy]

Yeah, although I would say the concept has been around a lot longer.

[@winstonpearsonjr1395]

You're awesome

[@OnlineSaxAcademy]

Thanks Winston!

[@ComposerBiz]

only works if the chord you’re playing is flexible enough to be in Lydian

[@OnlineSaxAcademy]

Sure, context is everything, but you can basically use this when a major chord is functioning as chord one.

[@OnlineSaxAcademy]

And chord IV of course

[@floydcallandret1572]

Trusty paired triads

[@OnlineSaxAcademy]

Never fails!

[@chaisax9]

Strap good

[@OnlineSaxAcademy]

Thanks!

[@Schmidt-Sax]

👍🏻🎷

[@onchegodwin]

How can I convert the notes to a tenor sax please

[@OnlineSaxAcademy]

That would be C and D major triads

[@Anomatron]

This is from Bob Reyndolds

[@OnlineSaxAcademy]

I’m sure he’s covered triad pairs too, the concept has been around for a very long time though.

[@GiovanniPirri]

Is there a similar exercise on minor chords?

[@OnlineSaxAcademy]

Yep, you can do A min and B min triads on an A minor chord which sounds cool

[@GiovanniPirri]

@@OnlineSaxAcademy Thank you, Paul. I'm studying Cantaloupe and I will try it on the first chord Sol -

[@philippediaz3859]

it's simply arpeggiating the G lydian scale without the 7?

[@OnlineSaxAcademy]

you could think of it like that, personally i find it easier to think of the 2 distinct triads as it's easier play around with different inversions and shapes.

[@philippediaz3859]

you are right, but it was just to make the link between chords and scales.
thank you

[@OnlineSaxAcademy]

Yes this will create a #11 or Lydian effect

[@herculesmwp7983]

Then do it in 12 keys 😵‍💫😵‍💫

[@OnlineSaxAcademy]

Yep!

[@percyvolnar8010]

That 'sound' is called "TRIAD PAIRS".

[@OnlineSaxAcademy]

It is indeed!

[@OnlineSaxAcademy]

Correction: Step 2 should read:
G B D
B D G
D G B

[@youstalker3703]

Algorithm

[@OnlineSaxAcademy]

Good name for a tune