Triad Pairs for Improvisation

Triad pairs made easy!! In this tutorial, I go over 5 triad pair patterns and how to use them on chord progressions. Plus...1 bonus pattern you can use on the tune There Will Never Be Another You!
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Triad Pairs a whole step apart...
F Maj and G Maj - Can be used on C Major chords, D minor chords, G dominant chords and any mode of C major!

[@DeMariusJackson]

Hope you enjoyed it!
www.demariusjackson.com/blog/triad-pairs-for-improvisation

[@aaronwashburn976]

Thanks for the transcriptions and help in this!! I am not very good right now in jazz and hoping to improve that aspect of my saxophone playing

[@aspenx1304]

Yes, yes, I get it. My piano teacher throws theory into my lessons. I love how it's all connected.

[@DeMariusJackson]

Awesome!

[@Njderig]

This was so helpful. I really can use this to help my improvisational skills even more.

[@Jaujau933]

Nice fat alto sound 😎👍🏻 thanks man

[@gdesa1593]

Excellent description/demo of the concept. Many thanks.

[@G_Demolished]

Doing this on guitar I noticed that it’s a great way to get modal sounds without sounding like you’re just blowing through scales. It almost forces you to be melodic.

[@ccat9354]

That’s a great benefit; once we get fluid with a new mode or shape we tend to run them linearly since it’s easier that way - horns and keys and so on have different challenges! I think we have it easier with arpeggio inversions since it’s so visual 😅

[@michaeldinunzio3002]

Excellent!

[@Gabe-xw8cz]

thanks, i just discovered these and this speeds up my learning and answers my questions👍🏿👍🏿

[@stephencarter4037]

You have a great voice

[@kreyperez9842]

Literally exactly what I was looking for! Thanks

[@lennmendoza5130]

Thanks for sharing this very vital information for musicians, it helps to train the ear to hear the intervals and shapes, of these patterns.

[@Jack-fs2im]

brilliant thanx so

[@mazzolfe]

Great !!! Thanks

[@jmattiola]

Excellent content, thanks for sharing

[@kennethstonemusic]

Love this video, practicing this now.

[@estradamusicnyc]

Thanks👏👏

[@tiffanyfranks4662]

Now it makes sense, thank you 😊

[@DeMariusJackson]

Thanks for watching!!

[@markboughton3449]

Not sure if you are familiar with the CAGED for guitar, but I’ve been working on it and this works opens up a ton of doors! 🤘

[@DeMariusJackson]

I’ll have to look into it!

[@G_Demolished]

@@DeMariusJacksonIt’s basically a way to map out the triads on guitar.

[@jeanette-and-ernie-atthe-a3271]

Excellent Video!

[@DeMariusJackson]

Thank you!

[@kuchavao]

Thank you.

[@DeMariusJackson]

Thanks for watching!

[@ErnieLeblanc]

Outstanding Video! - Very impressive!

[@DeMariusJackson]

Thank you very much!

[@ErnieLeblanc]

@@DeMariusJackson You're Welcome, DeMarius! - I thank you for your highly educational videos that will ad value to my improv vocabulary.

[@garaumoris9893]

Tank you ! Hello from France 🙏

[@DeMariusJackson]

Hey!! Thanks for watching!

[@Charlesbabbage2209]

It’s funny how if you don’t syncopate these lines it turns into jazz yodeling.

[@nikigba]

can anyone please explain how to transpose the mentioned notes to a concert pitch?

[@darudesandstorm5993]

is this concert f maj and g maj?

[@glenntomassi3442]

Ah very nice! Excellent and clear! Thank you.

[@sonofacarpenter1145]

And then he played the lick lol

[@SouthernLocks]

How do you know what triads go with what vamps?

[@sheilamacdougal4874]

He told you. F triad and G triad have six notes from the C major scale, and can go with a C vamp, but also any mode in the C scale: D dorian, E phrygian, G mixolydian, etc.

[@SouthernLocks]

@@sheilamacdougal4874 thanks for the breakdown

[@LA-cy1zj]

deep knowledge of scales

[@dougditches1496]

I like this but I feel like it's limited in it's application, doesn't really sound good over the styles I prefer to play. It's very 1990's smooth jazz. I love patterns though and will see what I can do with it.
It's kinda like this argument I got into at a trad/gypsy jam where I said an aug chord is a good opportunity to play a whole tone scale and this jerk next to me said well any dominant chord is an opportunity for that and I said well, if you say so but I don't think they sound good in this style of music except in very specific places. He cackled at me like I'd just said something outrageously stupid then proceded to play whole tone scales over every dom in his solos and it just about made my ears puke.