Потрясающая музыка! Великолепно, сильно, мощно. Слава Богу, что пророчество Римского- Корсакова о том, что Аренский будет забыт, не сбылось. Такую музыку будут помнить не только музыканты. Спасибо Михаилу Казинику, его книгам и лекциям, спасибо каналу, что познакомили с божественной музыкой Аренского.
Встреча с великолепным произведением, знакомым с детства, но потерянном во времени! Спасибо! Современные возможности возвращают счастье слушать музыкальные шедевры !!! Спасибо !!!
I heard this version on the Italian radio about 20 years ago and now I found it back on youtube. Can't believe it. I had lost hopes to find it back - the recording I made wore out years ago. Long live youtube!!!!
Как прекрасно! Какие чудесные пассажи! Удивительная гармония. Сколько света и блеска. Какая мощь в финале. Не зря Рахманинов посвящал ему свои творения.
Первая часть является в Концерте наиболее значительной по содержанию. Этому способствует ее активный тонус, яркие динамические нарастания, насыщенность и пафос звучания целого ряда эпизодов, а также обилие пышных виртуозных пассажей и каденций. В соответствии с закономерностями динамики музыкальных образов концерта обращает на себя внимание «сквозная» (термин К. Станиславского) линия развития лирического образа побочной партии, эмоциональные краски, которые он приобретает в различных эпизодах. Чуткое распределение звуковых градаций - при первом появлении темы побочной партии в экспозиции к мощному апофеозу разработки - делает убедительным и впечатляющим эмоционально-психологическое перевоплощение этого эмоционального образа. Вторая часть Концерта - Andante con moto - существенно отличается от первой по самому характеру и типу изложения. Andante ближе камерной, нежели концертной сфере. Роль оркестра здесь сведена до минимума. Основная тема излагается у фортепиано solo при полном молчании оркестра. Небольшой средний раздел Andante построен на двух патетических подъемах, которые, подобно вступлению первой части, исчерпывают себя и растворяются в легком, бисерном пассаже. В заключительных тактах у фортепиано звучат светлые, истаивающие фигурации. Такое «истаивание» является символом отношения Аренского к фортепианной фактуре: «Будто что-то недосказано, что уходит навсегда». Финал написан в духе скерцо. Обе его темы отличаются глубоко славянским характером. Привлекает внимание многообразная ритмика финала: чередование синкоп с плавными движениями, коротких ритмических групп с длинными построениями придают всему финалу упругость и непрерывную устремленность. (Цыпин Г. А.С. Аренский.)
I've been a huge fan of Arensky's first symphony for years now -- I think it's a classic waiting to be discovered. So this was an interesting piece to listen to. Pretty straightforward Russian piano concerto. I particularly liked the second subject of the first movement.
Не зря С.В.Рахманинов посвящал ему свои произведения. Это великолепно! А забыто это не только незаслуженно, а специально, дабы исчезла память о великом русском композиторе, на произведениях которого учились и впитывали их многие последующие авторы.
Vielen Dank, Herr :) Ich bin damit einverstanden…. Ebenmäißgkeitsentzückung..Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz …(Ich meinte Schuldaufdeckungsangst!) Herzlich, Mexikaner Donaudampfschiffahrtsgesellschaftskapitän !
In each instance of trying to find a solution to a music problem he sets before himself, he chooses the most obvious solution. Not saying he isn't a good craftsman. He is. But he doesn't go the extra mile to entertain and engage his audience. You see this in composers who weren't really diligent students and who set a pattern of lack of intense effort required to write great music. No its not inspiration it is a hard sustained effort that makes the great composer. Don't get me wrong there are some lovely moments in this work for which he is to be applauded.
C'est juste ce type de jour où il ne se passe rien. Ces sons expriment le vide absolu qui peut nous pénétrer dans des périodes de fatalisme, de grande mélancolie, de joies intenses quand nous sommes confrontés à l’indifférence du monde et de faits divers qui nous effraient et nous vident de notre substantifique moelle. J'aime vraiment ce qui se joue ici ;)
Neither in 2020... How is it possible? Why don't we, the real musiclovers, protest against radio, television, labels and concertorganisations, who think that only well known names make MONEY?
Yes, there's some Grieg saying hello there. Also, Chopin and Rachmanimov say hello lots of times in the 1st Movement. I just wish all the other composers would go back to their concertos and let Anton have his own concerto. Much of this does sound like the unique Anton, but sometimes others invade a bit. Lol.
Aldo Dente, there were hundreds of good Russian composers. but only several of them are known on the West. check video "Top 30 Russian composers", I am sure you have never heard about 4/5 of them
@@sovietclassic5301 Well, we would have heard of the best of them? You could make a similar case for practically every nationality. I don't know any 30 composers who all came from one country.
Radiomakers seem to have only ONE recording: Arensky's Suite for 2 pianos. And they are too stubborn and stupid to programm something else. And the listeners are too snob to react...
Liam Rowe Personally I have no idea. Maybe the uploader was multitasking. Just needs a bit of ska, some death metal and a touch of Gregorian plainchant..
Отличная музыка. Неплохо бы возродить из небытия оперы Аренского, которые очень высоко оценивали Чайковский и Танеев. Но кому это в России надо? Вопрос риторический.
О, только подумала, что поставить оперу Рафаэль на английском языке, он написал. Как бы это было круто, не стандартно, почитала в Википедии. Ищут идей, а вот же старые идеи.
It is a pleasant Piano Concerto, with effective instrumental writing but...the comparison with Chopin' s Concertos is absolutely impossible: Chopin' s Concertos are beautiful and High examples of perfection in First Romanticism trend, with an elegance and inspiration of undeniable grandeur, while here we have a good amount of rethoric attitude conveyed by very noisy technique. Brilliance but no real deep expression.
Come on. Cut poor old Arensky a bit of slack. This is his Opus 2! Though I do agree with the person who wrote that the 1st Piano Trio would make a better introduction to his music.
Indeed! It was mentioned. Sorry, such things happen at 82.. By the way, your name LEONARDO is precious to me. An old friend, pianist-composer François Glorieux recently died, just before the birth of his first grandson, who will be called -yes - Leonardo.
@ mr Papadopoulos, you mean certainly that "this gay" lacks the distingtive style you have. The 'style' we all can enjoy since a long time. @mr John e martin III. The same sort of comment you can be applied to you. It is eay to have comments on an other persons achivements, But did you achive in this field [or any]. Your parents had not enough fantasie to give you to give you a distintive name so you were obliged to put the latin number 3 behind your name. Or had they the illusion to found a dynasty. In that case it is Obvious that you were born with 'a golden spoon' in your mouth. Which me leads to the the conclusion that you , untill now , achived nothing. Work on that , before you shout your critics into the world
This is horrible!Too light and glib as uninteresting as all 3 Medtner piano c. There must be something before Prokofiev.Schedrin 's are the best Russian p. concerti that are not well known. Hundreds of virtuosi concerti from this period and besides Brahms,Liszt's,Rubinstein's, Strauss' Burleske there seems o be little worth hearing .The Busoni is a monstrosity to me overblown not worth a page of any of Bartok's creativite 3 or Prokofiev's 5.Though the 4th prok might take some time to make its point There's got to be something else I havent heard.Schnabel and Weingartner's works too lest best forgotten.How could these great minds see something in this and publish.I hope the huge Pfitzner offers something.I know Reger can't.That awful violin concerto!There was an Italian Pf.concerto I heard decades ago in SanFran the Martucci should be better known.
The same sort of comment you can be applied to you. It is eay to have comments on an other persons achivements, But did you achive in this field [or any]. Your parents had not enough fantasie to give you to give you a distintive name so you were obliged to put the latin number 3 behind your name. Or had they the illusion to found a dynasty. In that case it is Obvious that you were born with 'a golden spoon' in your mouth. Which me leads to the the conclusion that you , untill now , achived nothing. Work on that , before you shout your critics into the worldMeer informatie
I can sympathize. I think it's mainly down to structure. To many concerti are just basic sonata form works with nothing particularly distinguishing about them. Some of them are saved to a certain extent by having an amazing and memorable melody (e.g. Chopin), but others are just the same old stuff regurgitated again and again with different main themes. (Sometimes not even that different) Anyway, I've only just started coming round to the idea that what I think of as 'non-serious music' has a place. Basically, it's just supposed to be charming with some heart wrenching moments along the way. It's not meant to be deep and thought provoking, but in fact quite the opposite. It's meant to be so beautiful that you temporarily forget about everything else but the sheer beauty of the harmonies. (rather like meeting a beautiful person for the first time) It's essentially a very Romantic ideal. And to that end I think that this concerto by Arensky does rather well. Also, a lot is down to the performer with this sort of thing, and this one is fantastic!
Erbärmlich diese sogenannten Fachleute. kann man nicht einfach nur zuhören und genießen oder abschalten, wenns nicht paßt? Rachmaninov und Skrjabin waren seine Schüler? Dann kann er so schlecht nicht gewesen sein. Alle ein wenig überkanditelte Kommentare.
Just think. Without the likes of Arensky there would never have been great piano concertos by the likes of Britten, Busoni, Henze, Khachaturian, Lopez-Chavarri, Prohofiev, Rautavaara, Rodrigo, Rubbra, Shostakovich, etc. Though I may be wrong.
![[TH] 2024 PMGC League | Survival Stage วันที่ 1 | PUBG MOBILE Global Championship](http://i.ytimg.com/vi/FVFT-PFwU80/mqdefault.jpg)
Какое счастье,что я могу слушать этого великолепнейшего композитора. Чудная музыка!!!
Потрясающая музыка! Великолепно, сильно, мощно. Слава Богу, что пророчество Римского- Корсакова о том, что Аренский будет забыт, не сбылось. Такую музыку будут помнить не только музыканты. Спасибо Михаилу Казинику, его книгам и лекциям, спасибо каналу, что познакомили с божественной музыкой Аренского.
Встреча с великолепным произведением, знакомым с детства, но потерянном во времени! Спасибо! Современные возможности возвращают счастье слушать музыкальные шедевры !!! Спасибо !!!
Prewoschodno! Po- moemu A. Arenskij nesasluschenno sabyt.
January 1st. 2023 Thank you for this beautiful Concerto of Arensky.
I heard this version on the Italian radio about 20 years ago and now I found it back on youtube. Can't believe it. I had lost hopes to find it back - the recording I made wore out years ago. Long live youtube!!!!
Как прекрасно! Какие чудесные пассажи! Удивительная гармония. Сколько света и блеска. Какая мощь в финале. Не зря Рахманинов посвящал ему свои творения.
Учитель все же :)))
Рахманинов посвятил свои творения, а его образованный сын, востоковед, умер в гулаге на колыме,от голода и болезней! Проклятый геноцид совка.
Concert complet qui rappelle les grands compositeurs ! profond et riche de sons !
Wauw, he was also a big master of composition. We don't hear him enough.
Замечательный композитор! Браво!!!
Первая часть является в Концерте наиболее значительной по содержанию. Этому способствует ее активный тонус, яркие динамические нарастания, насыщенность и пафос звучания целого ряда эпизодов, а также обилие пышных виртуозных пассажей и каденций. В соответствии с закономерностями динамики музыкальных образов концерта обращает на себя внимание «сквозная» (термин К. Станиславского) линия развития лирического образа побочной партии, эмоциональные краски, которые он приобретает в различных эпизодах. Чуткое распределение звуковых градаций - при первом появлении темы побочной партии в экспозиции к мощному апофеозу разработки - делает убедительным и впечатляющим эмоционально-психологическое перевоплощение этого эмоционального образа.
Вторая часть Концерта - Andante con moto - существенно отличается от первой по самому характеру и типу изложения. Andante ближе камерной, нежели концертной сфере. Роль оркестра здесь сведена до минимума. Основная тема излагается у фортепиано solo при полном молчании оркестра. Небольшой средний раздел Andante построен на двух патетических подъемах, которые, подобно вступлению первой части, исчерпывают себя и растворяются в легком, бисерном пассаже. В заключительных тактах у фортепиано звучат светлые, истаивающие фигурации. Такое «истаивание» является символом отношения Аренского к фортепианной фактуре: «Будто что-то недосказано, что уходит навсегда».
Финал написан в духе скерцо. Обе его темы отличаются глубоко славянским характером. Привлекает внимание многообразная ритмика финала: чередование синкоп с плавными движениями, коротких ритмических групп с длинными построениями придают всему финалу упругость и непрерывную устремленность. (Цыпин Г. А.С. Аренский.)
Bravo brilliance concerto
Très beau concerto neo romantique dans la trace de Tchaikovsky,Arensky surtout connu pour sa musique de chambre . Son très moyen !
voila encore un grand compositeur se concereto pour piano etr grandiose et bonne interpretation!
I've been a huge fan of Arensky's first symphony for years now -- I think it's a classic waiting to be discovered. So this was an interesting piece to listen to. Pretty straightforward Russian piano concerto. I particularly liked the second subject of the first movement.
Beautiful!
Не зря С.В.Рахманинов посвящал ему свои произведения. Это великолепно! А забыто это не только незаслуженно, а специально, дабы исчезла память о великом русском композиторе, на произведениях которого учились и впитывали их многие последующие авторы.
Vielen Dank, Herr :) Ich bin damit einverstanden…. Ebenmäißgkeitsentzückung..Rindfleischetikettierungsüberwachungsaufgabenübertragungsgesetz …(Ich meinte Schuldaufdeckungsangst!) Herzlich, Mexikaner Donaudampfschiffahrtsgesellschaftskapitän !
Сын этого композитора, учёный, погиб в сталинской концлагере
Рахманинов был его чеником)
In each instance of trying to find a solution to a music problem he sets before himself, he chooses the most obvious solution. Not saying he isn't a good craftsman. He is. But he doesn't go the extra mile to entertain and engage his audience. You see this in composers who weren't really diligent students and who set a pattern of lack of intense effort required to write great music. No its not inspiration it is a hard sustained effort that makes the great composer. Don't get me wrong there are some lovely moments in this work for which he is to be applauded.
Это забыто незаслуженно. Отдельные фрагменты наполняют мою душу восторгом.
Сын этого композитора, учёный, погиб в сталинской концлагере, это нельзя забывать. Геноцид русских.
C'est juste ce type de jour où il ne se passe rien. Ces sons expriment le vide absolu qui peut nous pénétrer dans des périodes de fatalisme, de grande mélancolie, de joies intenses quand nous sommes confrontés à l’indifférence du monde et de faits divers qui nous effraient et nous vident de notre substantifique moelle. J'aime vraiment ce qui se joue ici ;)
Great! very poignant!! first time i hear it! too bad we don't hear of these gems!even now! in 2015!
Neither in 2020...
How is it possible?
Why don't we, the real musiclovers, protest against radio, television, labels and concertorganisations, who think that only well known names make MONEY?
@@arlettehellemans2117 don't tune into them . Just set yt on playback
Very enjoyable music.
Esta versión es estupenda.
Bravo, maistro! What a musician! He's even better than Nikki Minaj!
Or Taylor Swift!
BRAVO !!!!! Děkuji.
!!! Браво ¡ ¡¡
Non un brutto concerto.Molto personale,riferimenti tchaikowkyani.....Se la cava.Bravo.
THANKS FOR POSTING!!!!!
"He will quickly be forgotten" - Rimsky-Korsakov
17:40 and again at 18:00 , also 21:45 straight out of Grieg A minor concerto, first movement.
Yes, there's some Grieg saying hello there. Also, Chopin and Rachmanimov say hello lots of times in the 1st Movement. I just wish all the other composers would go back to their concertos and let Anton have his own concerto. Much of this does sound like the unique Anton, but sometimes others invade a bit. Lol.
INCREDIBLE!!!!!!!!!!!
Gran concierto, me ha gustado mucho.
I love it. I think it's great. I fill sorry it's almost unknown and negletted.
Starts out ok , ends shamefully tasteless
Aldo Dente, there were hundreds of good Russian composers. but only several of them are known on the West. check video "Top 30 Russian composers", I am sure you have never heard about 4/5 of them
@@sovietclassic5301 Well, we would have heard of the best of them? You could make a similar case for practically every nationality. I don't know any 30 composers who all came from one country.
Radiomakers seem to have only ONE recording: Arensky's Suite for 2 pianos. And they are too stubborn and stupid to programm something else. And the listeners are too snob to react...
wow, nice! Reminds me of Reubke's piano sonata.
anton arensky looks like edward norton in The Illusionist movie.
Edward Norton is his stunt double.
12:43? Jazz band?
Why is there a Jazz band in the background? Not only in-between movements, but at quiet bits too.
+Liam Rowe (LiamRoweUK) It sounds like Stephane Grappelli's violine of Hot Club of France, don't you think so?
Liam Rowe Personally I have no idea. Maybe the uploader was multitasking. Just needs a bit of ska, some death metal and a touch of Gregorian plainchant..
Probably to avoid copyright strikes from bots
rare piece
Отличная музыка. Неплохо бы возродить из небытия оперы Аренского, которые очень высоко оценивали Чайковский и Танеев. Но кому это в России надо? Вопрос риторический.
О, только подумала, что поставить оперу Рафаэль на английском языке, он написал. Как бы это было круто, не стандартно, почитала в Википедии. Ищут идей, а вот же старые идеи.
amazing!!
🇧🇷♥️🎶🎵🎼🎶🎵
rare
He is the teacher of Rachmaninoff.
someone listens to the jazz type music that sounds very soft in the background??? 9:19 12:43
Thank you so much for posting this! Do you happen to know when/where this was recorded?
At 14:05 there is a violin practicing in the background. Odd
I'd say he looks like a mix between Ryan Gosling and Robert Downey Jr
Well I'm glad that's finally settled!
Robert Gosling
Ridiculous! Neither of them could play even just the black keys......
Ironman!
It would be nice some day that one might say that Gosling and Downey resemble Arensky.
It is a pleasant Piano Concerto, with effective instrumental writing but...the comparison with Chopin' s Concertos is absolutely impossible: Chopin' s Concertos are beautiful and High examples of perfection in First Romanticism trend, with an elegance and inspiration of undeniable grandeur, while here we have a good amount of rethoric attitude conveyed by very noisy technique. Brilliance but no real deep expression.
This is very similar to Chopin.
yes, without a doubt, the Chopinian melancholy is present throughout the entire work.
Come on. Cut poor old Arensky a bit of slack. This is his Opus 2! Though I do agree with the person who wrote that the 1st Piano Trio would make a better introduction to his music.
Best introduction are his "Characteristic Pieces/Morceaux" for piano
Who plays this marvellous Concerto?
Who plays???
@@arlettehellemans2117look at the description
Indeed! It was mentioned. Sorry, such things happen at 82.. By the way, your name LEONARDO is precious to me. An old friend, pianist-composer François Glorieux recently died, just before the birth of his first grandson, who will be called -yes - Leonardo.
What that sound that a weird violin is making all through the music? Is it intentional??
Una pena que la grabación sea imperfecta.
The first movement is glorious and a masterpiece in itself, but the other two movements are very weak. Shame.
Фоном пробивается какой-то... джаз, что ли? Послушайте начало 2-й части.
Странная запись. Или автору настолько пофиг?..
Sorry this "gay" was pure a fault caused by bad typing, of course it ought to be "guy"
Nice music, good pianist, horrible intrument.
@ mr Papadopoulos, you mean certainly that "this gay" lacks the distingtive style you have. The 'style' we all can enjoy since a long time.
@mr John e martin III. The same sort of comment you can be applied to you. It is eay to have comments on an other persons achivements, But did you achive in this field [or any]. Your parents had not enough fantasie to give you to give you a distintive name so you were obliged to put the latin number 3 behind your name. Or had they the illusion to found a dynasty. In that case it is Obvious that you were born with 'a golden spoon' in your mouth. Which me leads to the the conclusion that you , untill now , achived nothing. Work on that , before you shout your critics into the world
отголоски концертов Листа Бетховена..плогиат
Un conto è dire "echi" e un conto "plagio". Per me solo "echi" e comunque un grande concerto!
This is horrible!Too light and glib as uninteresting as all 3 Medtner piano c. There must be something before Prokofiev.Schedrin 's are the best Russian p. concerti that are not well known. Hundreds of virtuosi concerti from this period and besides Brahms,Liszt's,Rubinstein's, Strauss' Burleske there seems o be little worth hearing .The Busoni is a monstrosity to me overblown not worth a page of any of Bartok's creativite 3 or Prokofiev's 5.Though the 4th prok might take some time to make its point There's got to be something else I havent heard.Schnabel and Weingartner's works too lest best forgotten.How could these great minds see something in this and publish.I hope the huge Pfitzner offers something.I know Reger can't.That awful violin concerto!There was an Italian Pf.concerto I heard decades ago in SanFran the Martucci should be better known.
The same sort of comment you can be applied to you. It is eay to have comments on an other persons achivements, But did you achive in this field [or any]. Your parents had not enough fantasie to give you to give you a distintive name so you were obliged to put the latin number 3 behind your name. Or had they the illusion to found a dynasty. In that case it is Obvious that you were born with 'a golden spoon' in your mouth. Which me leads to the the conclusion that you , untill now , achived nothing. Work on that , before you shout your critics into the worldMeer informatie
If this piece is horrible, then could you share your own pieces with us? Thanks.
I can sympathize. I think it's mainly down to structure. To many concerti are just basic sonata form works with nothing particularly distinguishing about them. Some of them are saved to a certain extent by having an amazing and memorable melody (e.g. Chopin), but others are just the same old stuff regurgitated again and again with different main themes. (Sometimes not even that different) Anyway, I've only just started coming round to the idea that what I think of as 'non-serious music' has a place. Basically, it's just supposed to be charming with some heart wrenching moments along the way. It's not meant to be deep and thought provoking, but in fact quite the opposite. It's meant to be so beautiful that you temporarily forget about everything else but the sheer beauty of the harmonies. (rather like meeting a beautiful person for the first time) It's essentially a very Romantic ideal. And to that end I think that this concerto by Arensky does rather well. Also, a lot is down to the performer with this sort of thing, and this one is fantastic!
Erbärmlich diese sogenannten Fachleute. kann man nicht einfach nur zuhören und genießen oder abschalten, wenns nicht paßt? Rachmaninov und Skrjabin waren seine Schüler? Dann kann er so schlecht nicht gewesen sein. Alle ein wenig überkanditelte Kommentare.
Just think. Without the likes of Arensky there would never have been great piano concertos by the likes of Britten, Busoni, Henze, Khachaturian, Lopez-Chavarri, Prohofiev, Rautavaara, Rodrigo, Rubbra, Shostakovich, etc.
Though I may be wrong.