L'amour est un oiseau rebelle Que nul ne peut apprivoiser Et c'est bien en vain qu'on l'appelle S'il lui convient de refuser Rien n'y fait, menace ou prière L'un parle bien, l'autre se tait Et c'est l'autre que je préfère Il n'a rien dit mais il me plaît L'amour, l'amour, l'amour, l'amour L'amour est enfant de Bohême Il n'a jamais, jamais connu de loi Si tu ne m'aimes pas, je t'aime Si je t'aime, prends garde à toi Si tu ne m'aimes pas, si tu ne m'aimes pas, je t'aime Mais si je t'aime, si je t'aime, prends garde à toi L'oiseau que tu croyais surprendre Battit d'aile et s'envola L'amour est loin, tu peux l'attendre Tu ne l'attends plus, il est là Tout autour de toi, vite, vite Il vient, s'en va, puis il revient Tu crois le tenir, il t'évite Tu crois l'éviter, il te tient L'amour, l'amour, l'amour, l'amour L'amour est enfant de Bohême Il n'a jamais, jamais connu de loi Si tu ne m'aimes pas, je t'aime Si je t'aime, prends garde à toi Si tu ne m'aimes pas, si tu ne m'aimes pas, je t'aime Mais si je t'aime, si je t'aime, prends garde à toi
@@TheSoundofOpera I would like to use your karaoke version for a singing competition. Is there a way to pay you to get a license to use it for that event? Please let me know.
@@djagbaalexandra Hello. Yes, you can get a one-year license to use my tracks for live performances starting from €6. More information on pricing and conditions can be found on my website where you can fill out a registration form and pay for the license: www.thesoundofopera.com/index.php?static=performances
Thank you for this rendition of Habanera. It's lovely, but I wonder if you could make the words slightly larger. I'm wearing my reading glasses and it's still difficult. Otherwise, this is very helpful when practicing my lessons.
Thanks for your comment. I'm glad you appreciate my work. Some of my videos require up to 10 simultaneous parts. For example the finale to Act 2 ( th-cam.com/video/6m87TNcJPRk/w-d-xo.html ). As each part requires 2 lines, 20 lines must fit on a screen. If the size of the text were any larger, it would not fit on a screen anymore. I made these videos primarily with the idea that people watch it on a full size monitor. I know that many people nowadays watch these videos on a smartphone or tablet, so that would indeed be difficult to read, but my videos were not made for that size. I still hope you enjoy my videos though.
@@TheSoundofOpera Thanks for your quick response. I ordinarily would watch your videos on my large laptop and even fine print might be more discernable but I'm having the worst luck with it lately, so I was stuck with the small computer. I'll check my display sizing for help next time. Please continue all of your good works.
Love’s a baby dat grows up wild And he don’t do what you want him to Love ain’t nobody’s angel-child And he won’t pay any mind to you One man gives me his diamond stud And I won’t give him a cigarette One man treats me like I was mud, And what I got, dat man can get. (Love’s a baby that grows up wild) Dat’s love (And he don’t do what you want him to) Dat's love (Love ain’t nobody’s angel-child) Dat's love (And he won’t pay any mind to you) Dat's love You go for me and I’m taboo But if you’re hard to get I’ll go for you And if I do, then you are through Boy, my baby, dat’s the end of you (the end of you) So take your cue Boy, don’t say I didn’t tell you true (She told you true) I told you truly, if I love you, Dat’s the end of you! (You go for me and I’m taboo But if you’re hard to get I’ll go for you And if I do, then you are through Oh, my baby, dat’s the end of you. The end of you) So take your cue, boy Don't say I didn't tell you true (She told you true) I told you truly if I loved you Dat's the end of you! When your love bird decides to fly There ain’t no door that you can close She just pecks you a quick good-bye And flicks de salt from her tail and goes If you listen then you'll get taught And here’s your lesson for today If I chase you, then you get caught But once I got you, I go away (When your love bird decides to fly) Dat's love (There ain’t no door that you can close) Dat's love (She just pecks you a quick good-bye) Dat's love (And flicks de salt from her tail and goes) Dat’s love! You go for me and I’m taboo But if you’re hard to get I’ll go for you And if I do, then you are through Boy, my baby, dat’s the end of you! (the end of you) So take your cue Boy, don’t say I didn’t tell you true (She told you true) I told you truly, if I love you, Dat’s the end of you! (You go for me and I’m taboo But if you’re hard to get I’ll go for you And if I do, then you are through Boy, my baby, dat’s the end of you. The end of you!) So take your cue Boy, don’t say I didn’t tell you true (She told you true) I told you truly, if I love you, Dat’s the end of you!
Gorrión rebelde es el amor que nadie puede aprisionar Es en vano que tú lo llames, si él no quiere contestar Nada sirve, amenaza o ruego, uno habla bien, el otro no; y es al otro a quien yo prefiero, aún sin palabras me enamoró ¡Amor! ¡El Amor! ¡Amor! ¡Amor!... Es el amor un gitanillo, ninguna ley lo puede retener Si no me amas, yo te amo, más si, te amo haz de temer Si no me amas, si no me amas, ¡yo te amo!, más si te amo ¡Si te amo! ¡Haz de temer! El gorrión que creías preso batió sus alas y voló El amor huye si lo buscas, si no lo esperas a ti vendrá Vuela, vuela a tu alrededor, ninguna ley le puede retener Es en vano, que tú lo llames, y si lo evitas, te atrapará. ¡Amor! ¡El amor! ¡Amor! ¡Amor! Es el amor un gitanillo, ninguna ley lo puede retener Si no me amas, yo te amo, más si, te amo haz de temer Si no me amas, si no me amas, ¡yo te amo!, más si te amo ¡Si te amo! ¡Haz de temer!
Hello first I want to thank you for posting this its just the right speed I've been searching and searching for one that's not to fast. all habanera karokes go at lightning speed but this is just perfect but is there any way you could do this in a lower key and with the chorus. I'm a baritone-bass so I'm low and it's hard for me to hit some of the notes. If not please don't worry about and thank so much I can't thank you enough for this.😁
Hello. Thank you for the kind message. I cannot add a chorus to the music because my sample library only contains symphonic instruments. Transposing the music to a lower key is possible but difficult because the music easily starts sounding unnatural. Sorry for disappointing you. Anyway, i'm glad you enjoy my work.
C#m7] Cánh chim kia bay ôi như tình này Sẽ không bao giờ đếm với [F#m6] em Trái tim kia vẫn lãng du tháng ngày Ước mong cho [G#7] anh bước quay [C#m] về. [C#m7] Cứ trôi đi ôi bao lời nguyện cầu Như cây rì rào và gió thở [F#m6] dài Mãi trong em những khát khao vô vọng Muốn đêm nay [G#7] thôi vòng tay anh bên [C#m] mình. ĐK: [C#] L' a - mour, [F#] L' a - mour [G#7] L' a - mour, [C#] L' a - mour [C#] Với tình yêu đó mãi em đi tìm Mà chàng tự do bay như cơn gió không [F#] về Với nụ hôn [D#m] đó đến trong một chiều Tình yêu mong [G#7] manh kia đưa ta đến nơi [C#] nào. Cánh chim bay rồi Còn chờ đợi chi con tim yêu cháy trong [F#] lòng Phút giây ngập [D#m] tràn Vì yêu em [G#7] biết có anh trong cuộc [C#] đời [C#m7] Có bao chông gai trong cánh rừng già Cho ta sức mạnh tìm được lối quay [F#m6] về Sẽ không hết cho ta dấu vết hy vọng Khi cứ [G#7] mong cho chàng sẽ quay [C#m] về. [C#m7] Hết yêu đương với trái tim cuồng dại Riêng ta với mình tình yêu quá xa [F#m6] vời Cánh chim kia bay theo bay theo mây trời Cánh chim một [G#7] đời tìm tới yên [C#m] bình
I don't know if or when I will make certain parts of this opera. The song you requested is not on my priority list because it contains spoken dialogue. Moreover, to avoid copyright issues I can only use sources that are in the public domain. My main sources are therefore the orchestral score published by Choudens in 1877 and the vocal score from the same publisher in 1875. I will omit all of the recitatives added by Guiraud. I will also omit, for now, the parts with spoken dialogue accompanied by music (e.g. the part you requested and the middle section of the street urchin's chorus). Here is a bit more background information: If copyrights were no issue, I would certainly prefer to use a more recent edition. I own a copy of the orchestral score edited by Robert Didion (1992) but I am not sure wether I am allowed to use his version for my instrumentals. I would need some legal advice on that subject. Another source I would love to have access to is Richard Langham Smith's edition, but this is only available to me as a piano vocal score (2014). The orchestral version can only be rented from Peters, so not accessible to me. Lastly, I believe Oeser's edition (1964) is not in the public domain, but this version has been so heavily criticized that I would not wish to use it anyway. The only other public sources I am aware of are the autograph score and the conductor's score, both available from bnf.fr (FRBNF42005129 and FRBNF43989050 respectively). The autograph has been severily mutilated by Guiraud, however, and is therefore difficult to use. The conductor's score is more clear, but also presents its difficulties. The bottomline seems to be that Didion's version is the most complete and most accessible version available. For copyright reasons I will still base my instrumentals on the 1877 full score, but I will use the 1875 vocal score for my karaoke videos (there are differences, notably in the lines for Frasquita and Mercédès). I do compare these old editions with Didion's version, so I am aware of some differences, but these are generally small and not of much practical importance. I hope this answers your question to satisfaction. Thanks for your interest in my videos, AD
Could I please use this as an accompaniment for a cover that I'm putting on TH-cam? I will credit you and add the link to this video in the description.
You can make a cover for your TH-cam channel if you follow the requirements specified on my website. In short, it means that you must properly credit me and you are not allowed to monetize the cover. The full conditions can be found here: www.thesoundofopera.com/index.php?static=usingtracks
You probably can, but I need to have a few more details about the performance. Could you please contact me via my website? www.thesoundofopera.com/index.php?static=contact
@@TheSoundofOpera I would like to use your karaoke version for a singing competition. Is there a way to pay you to get a license to use it for that event? Please let me know.
@@djagbaalexandra Hello. Yes, you can get a one-year license for the use of my tracks in live performances starting from €6. On my website you can find more detailed pricing information and conditions. You can fill out the online registration form and pay the fee on www.thesoundofopera.com/index.php?static=performances
![[ TEASER ] เงาะป่า - วงL.กฮ. | TMG RECORD](http://i.ytimg.com/vi/M4ObdFfcPww/mqdefault.jpg)
If only I could read french 😂 i luv this song
There are English subtitles on most of my videos. You can enable them in the bottom right corner of the video screen.
Thank you for the beautiful playbacks, wonderful use VSL musical and, really perfect tempo, rubato and placement of the orchestra.
Thank you for your kind words of appreciation. Comments like this are a great encouragement to continue my work.
Thank you very much for providing this karaoke to Habanera! I will attempt this live on April 16th at 4pm central time on my channel.
Thanks! Just make sure to mention my channel in your video or in the description of your video, or both. Good luck with your performance!
L'amour est un oiseau rebelle
Que nul ne peut apprivoiser
Et c'est bien en vain qu'on l'appelle
S'il lui convient de refuser
Rien n'y fait, menace ou prière
L'un parle bien, l'autre se tait
Et c'est l'autre que je préfère
Il n'a rien dit mais il me plaît
L'amour, l'amour, l'amour, l'amour
L'amour est enfant de Bohême
Il n'a jamais, jamais connu de loi
Si tu ne m'aimes pas, je t'aime
Si je t'aime, prends garde à toi
Si tu ne m'aimes pas, si tu ne m'aimes pas, je t'aime
Mais si je t'aime, si je t'aime, prends garde à toi
L'oiseau que tu croyais surprendre
Battit d'aile et s'envola
L'amour est loin, tu peux l'attendre
Tu ne l'attends plus, il est là
Tout autour de toi, vite, vite
Il vient, s'en va, puis il revient
Tu crois le tenir, il t'évite
Tu crois l'éviter, il te tient
L'amour, l'amour, l'amour, l'amour
L'amour est enfant de Bohême
Il n'a jamais, jamais connu de loi
Si tu ne m'aimes pas, je t'aime
Si je t'aime, prends garde à toi
Si tu ne m'aimes pas, si tu ne m'aimes pas, je t'aime
Mais si je t'aime, si je t'aime, prends garde à toi
Grand MERCÌ ❗️❤️🌷🌷🌷
It's my pleasure!
@@TheSoundofOpera I would like to use your karaoke version for a singing competition. Is there a way to pay you to get a license to use it for that event? Please let me know.
@@djagbaalexandra Hello. Yes, you can get a one-year license to use my tracks for live performances starting from €6. More information on pricing and conditions can be found on my website where you can fill out a registration form and pay for the license: www.thesoundofopera.com/index.php?static=performances
Thank you for this rendition of Habanera. It's lovely, but I wonder if you could make the words slightly larger. I'm wearing my reading glasses and it's still difficult. Otherwise, this is very helpful when practicing my lessons.
Thanks for your comment. I'm glad you appreciate my work. Some of my videos require up to 10 simultaneous parts. For example the finale to Act 2 ( th-cam.com/video/6m87TNcJPRk/w-d-xo.html ). As each part requires 2 lines, 20 lines must fit on a screen. If the size of the text were any larger, it would not fit on a screen anymore. I made these videos primarily with the idea that people watch it on a full size monitor. I know that many people nowadays watch these videos on a smartphone or tablet, so that would indeed be difficult to read, but my videos were not made for that size. I still hope you enjoy my videos though.
@@TheSoundofOpera Thanks for your quick response. I ordinarily would watch your videos on my large laptop and even fine print might be more discernable but I'm having the worst luck with it lately, so I was stuck with the small computer. I'll check my display sizing for help next time. Please continue all of your good works.
Love’s a baby dat grows up wild
And he don’t do what you want him to
Love ain’t nobody’s angel-child
And he won’t pay any mind to you
One man gives me his diamond stud
And I won’t give him a cigarette
One man treats me like I was mud,
And what I got, dat man can get.
(Love’s a baby that grows up wild)
Dat’s love
(And he don’t do what you want him to)
Dat's love
(Love ain’t nobody’s angel-child)
Dat's love
(And he won’t pay any mind to you)
Dat's love
You go for me and I’m taboo
But if you’re hard to get
I’ll go for you
And if I do, then you are through
Boy, my baby, dat’s the end of you
(the end of you)
So take your cue
Boy, don’t say I didn’t tell you true
(She told you true)
I told you truly, if I love you,
Dat’s the end of you!
(You go for me and I’m taboo
But if you’re hard to get
I’ll go for you
And if I do, then you are through
Oh, my baby, dat’s the end of you.
The end of you)
So take your cue, boy
Don't say I didn't tell you true
(She told you true)
I told you truly if I loved you
Dat's the end of you!
When your love bird decides to fly
There ain’t no door that you can close
She just pecks you a quick good-bye
And flicks de salt
from her tail and goes
If you listen then you'll get taught
And here’s your lesson for today
If I chase you, then you get caught
But once I got you, I go away
(When your love bird decides to fly)
Dat's love
(There ain’t no door that you can close)
Dat's love
(She just pecks you a quick good-bye)
Dat's love
(And flicks de salt
from her tail and goes)
Dat’s love!
You go for me and I’m taboo
But if you’re hard to get
I’ll go for you
And if I do, then you are through
Boy, my baby, dat’s the end of you!
(the end of you)
So take your cue
Boy, don’t say I didn’t tell you true
(She told you true) I told you truly, if I love you,
Dat’s the end of you!
(You go for me and I’m taboo
But if you’re hard to get
I’ll go for you
And if I do, then you are through
Boy, my baby, dat’s the end of you.
The end of you!)
So take your cue
Boy, don’t say I didn’t tell you true
(She told you true)
I told you truly, if I love you,
Dat’s the end of you!
Gorrión rebelde es el amor que nadie puede aprisionar
Es en vano que tú lo llames, si él no quiere contestar
Nada sirve, amenaza o ruego, uno habla bien, el otro no; y es al otro a quien yo prefiero, aún sin palabras me enamoró ¡Amor! ¡El Amor! ¡Amor! ¡Amor!...
Es el amor un gitanillo, ninguna ley lo puede retener Si no me amas, yo te amo, más si, te amo haz de temer
Si no me amas, si no me amas, ¡yo te amo!, más si te amo ¡Si te amo! ¡Haz de temer!
El gorrión que creías preso batió sus alas y voló
El amor huye si lo buscas, si no lo esperas a ti vendrá Vuela, vuela a tu alrededor, ninguna ley le puede retener
Es en vano, que tú lo llames, y si lo evitas, te atrapará. ¡Amor! ¡El amor! ¡Amor! ¡Amor!
Es el amor un gitanillo, ninguna ley lo puede retener Si no me amas, yo te amo, más si, te amo haz de temer
Si no me amas, si no me amas, ¡yo te amo!, más si te amo ¡Si te amo! ¡Haz de temer!
Essa é pika
0% putaria
5% violência
0% sexo
0% armas
1000% talento.
#McKevinEterno
Hello first I want to thank you for posting this its just the right speed I've been searching and searching for one that's not to fast. all habanera karokes go at lightning speed but this is just perfect but is there any way you could do this in a lower key and with the chorus. I'm a baritone-bass so I'm low and it's hard for me to hit some of the notes. If not please don't worry about and thank so much I can't thank you enough for this.😁
Hello. Thank you for the kind message. I cannot add a chorus to the music because my sample library only contains symphonic instruments. Transposing the music to a lower key is possible but difficult because the music easily starts sounding unnatural. Sorry for disappointing you. Anyway, i'm glad you enjoy my work.
Ok no worries thanks so much for the responses 😃
Wishing the French was bigger! ❤
In that case you may be happy to hear that all Carmen videos also exist with a larger font at th-cam.com/video/KtdbfqOvhXQ/w-d-xo.html
@@TheSoundofOperathank you!
C#m7] Cánh chim kia bay ôi như tình này
Sẽ không bao giờ đếm với [F#m6] em
Trái tim kia vẫn lãng du tháng ngày
Ước mong cho [G#7] anh bước quay [C#m] về.
[C#m7] Cứ trôi đi ôi bao lời nguyện cầu
Như cây rì rào và gió thở [F#m6] dài
Mãi trong em những khát khao vô vọng
Muốn đêm nay [G#7] thôi vòng tay anh bên [C#m] mình.
ĐK:
[C#] L' a - mour, [F#] L' a - mour
[G#7] L' a - mour, [C#] L' a - mour
[C#] Với tình yêu đó mãi em đi tìm
Mà chàng tự do bay như cơn gió không [F#] về
Với nụ hôn [D#m] đó đến trong một chiều
Tình yêu mong [G#7] manh kia đưa ta đến nơi [C#] nào.
Cánh chim bay rồi
Còn chờ đợi chi con tim yêu cháy trong [F#] lòng
Phút giây ngập [D#m] tràn
Vì yêu em [G#7] biết có anh trong cuộc [C#] đời
[C#m7] Có bao chông gai trong cánh rừng già
Cho ta sức mạnh tìm được lối quay [F#m6] về
Sẽ không hết cho ta dấu vết hy vọng
Khi cứ [G#7] mong cho chàng sẽ quay [C#m] về.
[C#m7] Hết yêu đương với trái tim cuồng dại
Riêng ta với mình tình yêu quá xa [F#m6] vời
Cánh chim kia bay theo bay theo mây trời
Cánh chim một [G#7] đời tìm tới yên [C#m] bình
Could you make the karaoke of tralalala coupe moi brule moi? {the Oeser version}
I don't know if or when I will make certain parts of this opera. The song you requested is not on my priority list because it contains spoken dialogue. Moreover, to avoid copyright issues I can only use sources that are in the public domain. My main sources are therefore the orchestral score published by Choudens in 1877 and the vocal score from the same publisher in 1875. I will omit all of the recitatives added by Guiraud. I will also omit, for now, the parts with spoken dialogue accompanied by music (e.g. the part you requested and the middle section of the street urchin's chorus). Here is a bit more background information:
If copyrights were no issue, I would certainly prefer to use a more recent edition. I own a copy of the orchestral score edited by Robert Didion (1992) but I am not sure wether I am allowed to use his version for my instrumentals. I would need some legal advice on that subject. Another source I would love to have access to is Richard Langham Smith's edition, but this is only available to me as a piano vocal score (2014). The orchestral version can only be rented from Peters, so not accessible to me. Lastly, I believe Oeser's edition (1964) is not in the public domain, but this version has been so heavily criticized that I would not wish to use it anyway.
The only other public sources I am aware of are the autograph score and the conductor's score, both available from bnf.fr (FRBNF42005129 and FRBNF43989050 respectively). The autograph has been severily mutilated by Guiraud, however, and is therefore difficult to use. The conductor's score is more clear, but also presents its difficulties.
The bottomline seems to be that Didion's version is the most complete and most accessible version available. For copyright reasons I will still base my instrumentals on the 1877 full score, but I will use the 1875 vocal score for my karaoke videos (there are differences, notably in the lines for Frasquita and Mercédès). I do compare these old editions with Didion's version, so I am aware of some differences, but these are generally small and not of much practical importance.
I hope this answers your question to satisfaction. Thanks for your interest in my videos,
AD
Could I please use this as an accompaniment for a cover that I'm putting on TH-cam? I will credit you and add the link to this video in the description.
You can make a cover for your TH-cam channel if you follow the requirements specified on my website. In short, it means that you must properly credit me and you are not allowed to monetize the cover. The full conditions can be found here: www.thesoundofopera.com/index.php?static=usingtracks
Hi there! This Karaoke Sounds Very Nice!! I want to use it in a brazilian movie! What do I have to do, to do it right?
I see you also asked this question via my website. I have answered your question there.
Could I please use this beautiful instrumental as a backing track for a performance at a non-profitable event for kids?
You probably can, but I need to have a few more details about the performance. Could you please contact me via my website? www.thesoundofopera.com/index.php?static=contact
@@TheSoundofOpera I would like to use your karaoke version for a singing competition. Is there a way to pay you to get a license to use it for that event? Please let me know.
@@djagbaalexandra Hello. Yes, you can get a one-year license for the use of my tracks in live performances starting from €6. On my website you can find more detailed pricing information and conditions. You can fill out the online registration form and pay the fee on www.thesoundofopera.com/index.php?static=performances
Il y a si peu de français mdr
yeah, i've tried to sing that. temou i dont know how to read.
so kinda dissappointment